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  • Contents · The 7th of this chord is three half steps above the 5th. Here is a C dominant seventh...
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2 Contents Introduction ............................................... 6 Basic Intervals and Triads ........................ 8 Intervals .................................................. 8 Triads ..................................................... 11 Table of Intervals ................................ 14 Seventh Chords ....................................... 15 Dominant Seventh (7) ....................... 15 Minor Seventh (m7) ........................... 15 Major Seventh (maj7) ........................ 16 Diminished Seventh ( 7) .................. 16 Minor Seventh Flat Five (m7 b 5) ...... 17 Extended Chords .................................... 18 Other Chord Types ................................ 20 Sus Chords........................................... 20 Add Chords ......................................... 21 5 Chords (Power Chords) ............... 21 6th Chords........................................... 21 Altered Chords ....................................... 22 Altered Dominant Chords ............... 23 Inversions .................................................. 24 Inverted Triads..................................... 24 Root Position ...................................... 24 First Inversion...................................... 25 Second Inversion ................................ 25 Inverted Seventh Chords.................. 26 Two-Hand Voicings .................................. 27 Voice Leading ........................................... 28 Voicing for the Melody .......................... 29 Advanced Voicings ................................... 30 Shell Voicings ........................................ 30 Clusters ................................................ 30 Spread Voicings .................................... 32 Quartal (4th Voicings)........................ 34 Chord Symbol Variations....................... 36 Circle of 5ths ........................................... 40 Chords in All 12 Keys ............................ 41 C (and Inversions) ................................ 41 Cm (and Inversions) ............................. 42 C (and Inversions) .............................. 43 C+ (and Inversions) ............................. 44 Csus2 ......................................................... 45 Csus4 ......................................................... 45 C5 (power chord) .................................. 45 C6 (and Inversions) .............................. 46 Cm6 (and Inversions) .......................... 47 C7 (and Inversions) .............................. 48 Cmaj7 (and Inversions) ....................... 49 Cm7 (and Inversions) .......................... 50 Cm7( b 5) (and Inversions) ................... 51 C 7 (and Inversions) ........................... 52 C(add9) (and Inversions) ................... 53 C9 ............................................................... 54 Cmaj9 ........................................................ 54 Cm9 ........................................................... 54 Cmaj7( b 5).................................................. 55 Cmaj7( # 5) ................................................. 55 C7( b 5) ........................................................ 55 C7( # 5) ........................................................ 55 C7( b 9) ........................................................ 56 C7( # 9) ........................................................ 56 C9( b 5) ........................................................ 56 C9( # 5) ........................................................ 56 C # (and Inversions) ............................... 57 C # m (and Inversions) ........................... 58 C # (and Inversions) ............................ 59 C # + (and Inversions) ............................ 60 C # sus2........................................................ 61 C # sus4........................................................ 61 C # 5 (power chord) ................................. 61 C # 6 (and Inversions) ............................ 62 C # m6 (and Inversions) ......................... 63 C # 7 (and Inversions) ............................ 64 C # maj7 (and Inversions) ...................... 65 C # m7 (and Inversions) ......................... 66 C # m7( b 5) (and Inversions) .................. 67 C # 7 (and Inversions) .......................... 68 C # (add9) (and Inversions) .................. 69 C # 9 ............................................................. 70 C # maj9 ...................................................... 70 C # m9 .......................................................... 70 C # maj7( b 5) ................................................ 71 C # maj7( # 5) ................................................ 71 C # 7( b 5)....................................................... 71 C # 7( # 5)....................................................... 71 C # 7( b 9)....................................................... 72 C # 7( # 9)....................................................... 72 C # 9( b 5)....................................................... 72 C # 9( # 5)....................................................... 72 D (and Inversions) ................................ 73

Contents · The 7th of this chord is three half steps above the 5th. Here is a C dominant seventh chord: Minor Seventh (m7) To create a minor seventh chord, add a minor 3rd above

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Page 1: Contents · The 7th of this chord is three half steps above the 5th. Here is a C dominant seventh chord: Minor Seventh (m7) To create a minor seventh chord, add a minor 3rd above

2

ContentsIntroduction ............................................... 6Basic Intervals and Triads ........................ 8 Intervals .................................................. 8 Triads ..................................................... 11 Table of Intervals ................................ 14Seventh Chords ....................................... 15 Dominant Seventh (7) ....................... 15 Minor Seventh (m7) ........................... 15 Major Seventh (maj7) ........................ 16 Diminished Seventh ( 7) .................. 16 Minor Seventh Flat Five (m7b5) ...... 17Extended Chords .................................... 18Other Chord Types ................................ 20 Sus Chords ........................................... 20 Add Chords ......................................... 21 5 Chords (Power Chords) ............... 21 6th Chords ........................................... 21Altered Chords ....................................... 22 Altered Dominant Chords ............... 23Inversions .................................................. 24 Inverted Triads ..................................... 24 Root Position ...................................... 24 First Inversion...................................... 25 Second Inversion ................................ 25 Inverted Seventh Chords.................. 26Two-Hand Voicings .................................. 27Voice Leading ........................................... 28Voicing for the Melody .......................... 29Advanced Voicings ................................... 30 Shell Voicings ........................................ 30 Clusters ................................................ 30 Spread Voicings .................................... 32 Quartal (4th Voicings) ........................ 34Chord Symbol Variations ....................... 36Circle of 5ths ........................................... 40Chords in All 12 Keys ............................ 41

C (and Inversions) ................................ 41Cm (and Inversions) ............................. 42 C (and Inversions) .............................. 43C+ (and Inversions) ............................. 44Csus2 ......................................................... 45 Csus4 ......................................................... 45C5 (power chord) .................................. 45C6 (and Inversions) .............................. 46Cm6 (and Inversions) .......................... 47

C7 (and Inversions) .............................. 48Cmaj7 (and Inversions) ....................... 49Cm7 (and Inversions) .......................... 50Cm7(b5) (and Inversions) ................... 51C 7 (and Inversions) ........................... 52C(add9) (and Inversions) ................... 53C9 ............................................................... 54Cmaj9 ........................................................ 54Cm9 ........................................................... 54Cmaj7(b5) .................................................. 55Cmaj7(#5) ................................................. 55C7(b5) ........................................................ 55C7(#5) ........................................................ 55C7(b9) ........................................................ 56C7(#9) ........................................................ 56C9(b5) ........................................................ 56C9(#5) ........................................................ 56

C# (and Inversions) ............................... 57C#m (and Inversions) ........................... 58 C# (and Inversions) ............................ 59C#+ (and Inversions) ............................ 60C#sus2 ........................................................ 61 C#sus4 ........................................................ 61C#5 (power chord) ................................. 61C#6 (and Inversions) ............................ 62C#m6 (and Inversions) ......................... 63C#7 (and Inversions) ............................ 64C#maj7 (and Inversions) ...................... 65C#m7 (and Inversions) ......................... 66C#m7(b5) (and Inversions) .................. 67C# 7 (and Inversions) .......................... 68C#(add9) (and Inversions) .................. 69C#9 ............................................................. 70C#maj9 ...................................................... 70C#m9 .......................................................... 70C#maj7(b5) ................................................ 71C#maj7(#5) ................................................ 71C#7(b5) ....................................................... 71C#7(#5)....................................................... 71C#7(b9) ....................................................... 72C#7(#9)....................................................... 72C#9(b5) ....................................................... 72C#9(#5)....................................................... 72

D (and Inversions) ................................ 73

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Page 2: Contents · The 7th of this chord is three half steps above the 5th. Here is a C dominant seventh chord: Minor Seventh (m7) To create a minor seventh chord, add a minor 3rd above

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Dm (and Inversions) ............................ 74 D (and Inversions) .............................. 75D+ (and Inversions) ............................. 76Dsus2 ......................................................... 77 Dsus4 ......................................................... 77D5 (power chord) .................................. 77D6 (and Inversions) .............................. 78Dm6 (and Inversions) .......................... 79D7 (and Inversions) .............................. 80Dmaj7 (and Inversions) ....................... 81Dm7 (and Inversions) .......................... 82Dm7(b5) (and Inversions) ................... 83D 7 (and Inversions) ........................... 84D(add9) (and Inversions) ................... 85D9 ............................................................... 86Dmaj9 ........................................................ 86Dm9 ........................................................... 86Dmaj7(b5) ................................................. 87Dmaj7(#5) ................................................. 87D7(b5) ........................................................ 87D7(#5) ........................................................ 87D7(b9) ........................................................ 88D7(#9) ........................................................ 88D9(b5) ........................................................ 88D9(#5) ........................................................ 88

Eb (and Inversions) ................................ 89Ebm (and Inversions) ............................ 90 Eb (and Inversions) ............................. 91Eb+ (and Inversions) ............................. 92Ebsus2 ......................................................... 93 Ebsus4 ......................................................... 93Eb5 (power chord) .................................. 93Eb6 (and Inversions) ............................. 94Ebm6 (and Inversions) .......................... 95Eb7 (and Inversions) ............................. 96Ebmaj7 (and Inversions) ....................... 97Ebm7 (and Inversions) .......................... 98Ebm7(b5) (and Inversions) ................... 99Eb 7 (and Inversions) .........................100Eb(add9) (and Inversions) .................101Eb9 ............................................................102Ebmaj9 .....................................................102Ebm9 .........................................................102Ebmaj7(b5) ...............................................103Ebmaj7(#5) ...............................................103

Eb7(b5) ......................................................103Eb7(#5)......................................................103Eb7(b9) ......................................................104Eb7(#9)......................................................104Eb9(b5) ......................................................104Eb9(#5)......................................................104

E (and Inversions) ...............................105Em (and Inversions)............................106 E (and Inversions) .............................107E+ (and Inversions) ............................108Esus2 ........................................................109 Esus4 ........................................................109E5 (power chord) .................................109E6 (and Inversions) .............................110Em6 (and Inversions) .........................111E7 (and Inversions) .............................112Emaj7 (and Inversions) ......................113Em7 (and Inversions) .........................114Em7(b5) (and Inversions) ..................115E 7 (and Inversions) ..........................116E(add9) (and Inversions) ..................117E9 ..............................................................118Emaj9 .......................................................118Em9 ..........................................................118Emaj7(b5).................................................119Emaj7(#5) ................................................119E7(b5) .......................................................119E7(#5) .......................................................119E7(b9) .......................................................120E7(#9) .......................................................120E9(b5) .......................................................120E9(#5) .......................................................120

F (and Inversions) ...............................121Fm (and Inversions) ............................122 F (and Inversions) .............................123F+ (and Inversions).............................124Fsus2 ........................................................125 Fsus4 ........................................................125F5 (power chord) .................................125F6 (and Inversions) .............................126Fm6 (and Inversions) .........................127F7 (and Inversions) .............................128Fmaj7 (and Inversions) ......................129Fm7 (and Inversions) .........................130

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Page 3: Contents · The 7th of this chord is three half steps above the 5th. Here is a C dominant seventh chord: Minor Seventh (m7) To create a minor seventh chord, add a minor 3rd above

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Fm7(b5) (and Inversions)...................131F 7 (and Inversions) ..........................132F(add9) (and Inversions) ..................133F9 ..............................................................134Fmaj9 .......................................................134Fm9 ..........................................................134Fmaj7(b5) .................................................135Fmaj7(#5) .................................................135F7(b5) .......................................................135F7(#5) .......................................................135F7(b9) .......................................................136F7(#9) .......................................................136F9(b5) .......................................................136F9(#5) .......................................................136

F# (and Inversions) ..............................137F# m (and Inversions) ..........................138 F# (and Inversions) ...........................139F# + (and Inversions) ...........................140F# sus2 ......................................................141 F# sus4 ......................................................141F# 5 (power chord) ................................141F# 6 (and Inversions) ...........................142F# m6 (and Inversions) ........................143F# 7 (and Inversions) ...........................144F# maj7 (and Inversions) .....................145F# m7 (and Inversions) ........................146F# m7(b5) (and Inversions) .................147F# 7 (and Inversions) .........................148F# (add9) (and Inversions) .................149F# 9 ............................................................150F# maj9 .....................................................150F# m9 ........................................................150F# maj7(b5) ...............................................151F# maj7(#5) ...............................................151F# 7(b5) .....................................................151F# 7(#5) .....................................................151F# 7(b9) .....................................................152F# 7(#9) .....................................................152F# 9(b5) .....................................................152F# 9(#5) .....................................................152

G (and Inversions) ..............................153Gm (and Inversions) ..........................154 G (and Inversions) ............................155G+ (and Inversions) ...........................156

Gsus2 .......................................................157 Gsus4 .......................................................157G5 (power chord) ................................157G6 (and Inversions) ............................158Gm6 (and Inversions) ........................159G7 (and Inversions) ............................160Gmaj7 (and Inversions) .....................161Gm7 (and Inversions) ........................162Gm7(b5) (and Inversions) .................163G 7 (and Inversions) .........................164G(add9) (and Inversions) .................165G9 .............................................................166Gmaj9 ......................................................166Gm9 .........................................................166Gmaj7(b5) ...............................................167Gmaj7(#5) ...............................................167G7(b5) ......................................................167G7(#5) ......................................................167G7(b9) ......................................................168G7(#9) ......................................................168G9(b5) ......................................................168G9(#5) ......................................................168

Ab (and Inversions) .............................169Abm (and Inversions) .........................170 Ab (and Inversions) ...........................171Ab+ (and Inversions) ..........................172Absus2 ......................................................173 Absus4 ......................................................173Ab5 (power chord) ...............................173Ab6 (and Inversions) ...........................174Abm6 (and Inversions) .......................175Ab7 (and Inversions) ...........................176Abmaj7 (and Inversions) ....................177Abm7 (and Inversions) .......................178Abm7(b5) (and Inversions) ................179Ab 7 (and Inversions) ........................180Ab(add9) (and Inversions) ................181Ab9 ............................................................182Abmaj9 .....................................................182Abm9 ........................................................182Abmaj7(b5) ..............................................183Abmaj7(#5) ..............................................183Ab7(b5) .....................................................183Ab7(#5) .....................................................183Ab7(b9) .....................................................184

30877 Piano Chord Dictionary.indb 4 3/12/13 2:59 PM

Page 4: Contents · The 7th of this chord is three half steps above the 5th. Here is a C dominant seventh chord: Minor Seventh (m7) To create a minor seventh chord, add a minor 3rd above

5

Ab7(#9) .....................................................184Ab9(b5) .....................................................184Ab9(#5) .....................................................184

A (and Inversions) ..............................185Am (and Inversions) ...........................186 A (and Inversions) ............................187A+ (and Inversions) ............................188Asus2 .......................................................189 Asus4 .......................................................189A5 (power chord).................................189A6 (and Inversions) ............................190Am6 (and Inversions) ........................191A7 (and Inversions) ............................192Amaj7 (and Inversions)......................193Am7 (and Inversions) ........................194Am7(b5) (and Inversions) ..................195A 7 (and Inversions) .........................196A(add9) (and Inversions)..................197A9 .............................................................198Amaj9 ......................................................198Am9 .........................................................198Amaj7(b5) ................................................199Amaj7(#5) ................................................199A7(b5) ......................................................199A7(#5) ......................................................199A7(b9) ......................................................200A7(#9) ......................................................200A9(b5) ......................................................200A9(#5) ......................................................200

Bb (and Inversions) .............................201Bbm (and Inversions) ..........................202 Bb (and Inversions) ...........................203Bb+ (and Inversions) ...........................204Bbsus2 ......................................................205 Bbsus4 ......................................................205Bb5 (power chord) ................................205Bb6 (and Inversions) ...........................206Bbm6 (and Inversions) ........................207Bb7 (and Inversions) ...........................208Bbmaj7 (and Inversions) .....................209Bbm7 (and Inversions) ........................210Bbm7(b5) (and Inversions) .................211Bb 7 (and Inversions).........................212Bb(add9) (and Inversions) .................213

Bb9 ............................................................214Bbmaj9 .....................................................214Bbm9 ........................................................214Bbmaj7(b5) ...............................................215Bbmaj7(#5) ...............................................215Bb7(b5) .....................................................215Bb7(#5) .....................................................215Bb7(b9) .....................................................216Bb7(#9) .....................................................216Bb9(b5) .....................................................216Bb9(#5) .....................................................216

B (and Inversions) ...............................217Bm (and Inversions) ...........................218 B (and Inversions) ............................219B+ (and Inversions) ............................220Bsus2 ........................................................221 Bsus4 ........................................................221B5 (power chord) .................................221B6 (and Inversions) ............................222Bm6 (and Inversions) .........................223B7 (and Inversions) ............................224Bmaj7 (and Inversions) ......................225Bm7 (and Inversions) .........................226Bm7(b5) (and Inversions) ..................227B 7 (and Inversions) ..........................228B(add9) (and Inversions) ..................229B9 .............................................................230Bmaj9.......................................................230Bm9 ..........................................................230Bmaj7(b5) ................................................231Bmaj7(#5) ................................................231B7(b5) .......................................................231B7(#5) .......................................................231B7(b9) .......................................................232B7(#9) .......................................................232B9(b5) .......................................................232B9(#5) .......................................................232

30877 Piano Chord Dictionary.indb 5 3/12/13 2:59 PM

Page 5: Contents · The 7th of this chord is three half steps above the 5th. Here is a C dominant seventh chord: Minor Seventh (m7) To create a minor seventh chord, add a minor 3rd above

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Seventh ChordsBy stacking a 3rd on top of a triad, you create a seventh chord. There are five common seventh chords: dominant seventh, minor seventh, major seventh, diminished seventh, and the minor seventh flat five. All seventh chords consist of a triad with the addition of the 7th.

Dominant Seventh (7)To create a dominant seventh chord, add a minor 3rd above the 5th of a major triad (C–E–G–Bb). The 7th of this chord is three half steps above the 5th. Here is a C dominant seventh chord:

Minor Seventh (m7)To create a minor seventh chord, add a minor 3rd above the 5th of a minor triad (C–Eb–G–Bb). The 7th of this chord is three half steps above the 5th. Here is a C minor seventh chord:

30877 Piano Chord Dictionary.indb 15 3/12/13 2:59 PM

Page 6: Contents · The 7th of this chord is three half steps above the 5th. Here is a C dominant seventh chord: Minor Seventh (m7) To create a minor seventh chord, add a minor 3rd above

41

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Chords in All 12 Keys

30877 Piano Chord Dictionary.indb 41 3/12/13 3:00 PM

Page 7: Contents · The 7th of this chord is three half steps above the 5th. Here is a C dominant seventh chord: Minor Seventh (m7) To create a minor seventh chord, add a minor 3rd above

216

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30877 Piano Chord Dictionary.indb 216 3/12/13 3:03 PM


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