Upload
others
View
0
Download
0
Embed Size (px)
Citation preview
m ' <> ,-<^'
c,s Jayzoz */
Schroder
Violoncello Method
Edited by
W. F. AMBROSIO
3484 Carl Fischer 3.00
^ ^\
Brigham Voting University
Harold I J. Lee Library
Gift of
John R. Halliday
^ 4
AIT
V<f-S
Carl Schroder
VIOLONCELLO
METHODEdited by
W. F. AMBROSIO
(English and German Text)
Three Parts
VOLUME III
Carl Fischer, inc.62 COOPER SQUARE, NEW YORK 10003
CHICAGO • BOSTON • DALLAS • LOS ANGELES • SAN FRANCISCO
03484
ContentsParti
The Violoncello
Holding of the Instrument -Guiding of
the Bow-Tuning II
Position of the left hand -Name of the parts
of the Violoncello and Bow Ill
Rudiments of Music Ill
Exercises on the Open Strings. ... 4
The Placing of the Fingers 5
Exercises on all strings with accompani-
ment of second Violoncello ..... 6
Major Scales (Scale of C Major) ... 12
Slurred Notes 12
Exercises with Slurred notes .... 13
Finger Exercises 14
Scale of G Major 16
Exercises 16
Scale of D Major 17
Scale of A Major 18
Scale of F Major 19
Scale of B\> Major 20
Scale of Ep Major 21
Relative Minors of the preceding MajorScales 21
Part II
The first four Positions 3
The half Position 3
Scales in the different positions ... 3
Exercises in various positions with ac-
companiment of asecond Violoncello . . 8
The Tenor Clef 10
Studies 21
Part III
The Thumb Position 3
The Treble or Violin Clef 4
Exercises with accompaniment of a second
Violoncello 4
Exercises for the Thumb position in con-
nection with the lower positions ... 21
Trills 28Octaves 32
Double Stops 34
InhaltBand I
Das Violoncell
Haltung des Instrumentes - Fuhrungdes Bogens- Stimmung II
Haltung der linken Hand-BenerotungderTeile des Violoncells und des Bogens . . Ill
Elementar-Musiklehre Ill
Ubungen auf den leeren Saiten .... 4
Das Aufsetzen des Fingers 5
Ubungsstucke auf alien Saiten mit Be -
gleitung eines zweiten Violoncells ... 6
Burtonleitern (C-dur Tonleiter) ... 12
Bindungen 12
Ubungsstucke mit Bindungen .... 13
Fingerubungen 14
G-dur Tonleiter 1 6
Ubungsstucke 16
B-dur Tonleiter 17
A-dur Tonleiter 18
F-dur Tonleiter 19
B-dur Tonleiter 20
Ks -dur Tonleiter 21
Die mit vorhergehenden Tonarten ver -
wandten Molltonleitern 21
Band II
Die ersten vier Lagen 3
Die Halbe Lage 3
Ton Ieitem mit Benuizung der Lagen . . 3
Ubungen in den Lagen mit Begleitung
eines zweiten Violoncells 8
Der Tenorschlussel 10
Etuden 21
Band III
Der Baumenaufsatz 3
Ber Violinschlussel 4
Ubungsstucke mit Begleitung eines zwei-
ten Violoncells 4
Einsatz des Baumens in Verbindungmit den unteren Lagen 21
Triller 28
Octaven 32
Boppelgriffe 34
HAROLD B. LEE LIBRARYBfilGHAM YOUNG UNIVERSITY
PROVO, UTAH
Practical Method for the Violoncello(Practischer Lehrgang des Violoncellspiels)
by
CARL SCHRODEREdited by W. F. Ambrosio
Part III
The Thumb PositionThe thumb is set on the note indicated bythe sign 9, forming a temporary nut
Band III
Der DaumenaufsatzDer Daumen wird auf die mit dem Zeichen oversehenen Note, als kiinstlicher Sattel, gesetzt
Preparation for Placing the Thumb Vorbereituug fiir Daumenaufsatz
2 3 9 12 3
3T ifei2 1£f&£ ££j£i s 3mm 1* n
mModerato
99
im£22:
2
m
1
is-9 3£ :z* 9 3
1
87
y*nw j Ip 1
m?
2 1 9
il^jt r r r^* £*
9
if i 1
2 1.
1f f f
A * 9
r tl r r
_! h
—11 P
- Mir 1 r 1
»
|y j|r ' r r = 1 j r i r -J—
^
1 — —
1
1 M
3I©-
s1
94.0.
£J i I m2
M^i
a ^f i P f f
i1
3
M 1
i2 1
VL i9
y»i J [ J PS Plif
22453 - 33 Copyright, MCMXXII, by Carl Fischer, Km York
4
The same in the Treble Clef Dasselbe im Violinschliissel
Preparation for Placing the Thumb Vorbereitung fur Daumenaufsatz
2 2123 ?, 12 3 4321 2, 3 2 1 2
i 2 JF?^3PI¥ r r i
' jii
3E
2
"O"
Moderato9 2 3 2 9 1 3 1 9 2 1 2 19
£ 331 -&
88 w^ ^ p* * i peps
I£
2 l 9
i ^m 2 3 4ZZI
2 9. 3
a I'2 3
£ P-o-
g 1 i rjl
i P
*4 2 3 2 ?. 2 1
i3 92 1 31 9 21 9P £ f-o- X5"
s i if PP ^*
Allegretto2 i 2 13 3 2 1
H ^P 331
89
2 ^^& ^ **r^f r r r
J'
ii
,,j^—
«
gpf ill i)
1 2 3 2 1 1 3
i I:s;:=o
§3 ii ^P F^E ^22453-33
Mi*i
a 3^ i i 2 3 l i^i12? 123 2 1. 1
f II -O-
a r r r * i f -•3-
Allegro1 2
3 2
is r frr tr2 := £ £ 42.
* 2
90
V : ^ ii
i £^ £ ^ f m m g—
^
3 2 12 19lie i, f r r r r>
i
2* U* 3 21219if r~r r fr=\
2.a.
^ p—TT m f~ f r r *=^
—1—1_
l-J mJ—* \*—*—\-—1
''
'r
" m * — LJ—g J J—J_J—
1
3 2 ^4 2
^1 1 ^> -f2-*
in r tj
yut r r
J
ja 1 *
2
3 2. 4
5 ffT*2J2.'
3 3
ip=m ^p=g
1i>;
£
m ?
^s 1 92 2 -£
*
H
2Z21 £
H*
3 2 9 ,
2 —< 1 ^ 1
1 2
1 1- r rj2
3_2
^ I
2. 3
2 tt;- := 2
33152:
^J> J * =0 ii^i m TT
224 53-33
6
Allegro
4U 9 l
5 :6
9 2
^^ ?91
^11 f * ^ i ^=£
i ffjt y -
£2 19 3
9 3^ S M33l 9 12 3 9 12
1 sa*
rt s t^m ^
iibi123912 3 2 »8*i88 1 8 3 * * a
IHP S'H* 1 rTf fXJ gs ip
* tut 11s8 ?
Pi 9
5 ^5a^M^P^ 3—
1
T*S=^ l 9^
^ <^— m $p^ *z*1
#f^-J^ 3 3 9 1 ?
**=?52==p
i «« 1 3 "-9 «
Si i jti i
-^
—
hi— gP »r=5 ^P ^2
•124 53-33
§e£
3 2 1
(9 tt j. ^_j' fee1 2 3 9 1 2 3 2
mi
m
mm
Mmm»
2 3 9 12 3 12 3 9
ffl
^S gm2
s9 3 1 ?
,
S £
^F£ £ ^Non tanto Allegretto
2 1 a* *9 1 2
Sfe£ fe£^Z ^^3 2 «
£
V :
#)j 1 J_i R5^^^ 7 I 7
2 9
f£2
21 2 3 9 3
I fei i i felt teiP
^^ ^1 ^^ ^^5 S2 3 9 1 2 3 2 1
fes r TTr t^ i I9 3
» «. » » , »H §=££*f-ri2-
I
Si 4 ^ £EP £ P22463-33
8
93
h
Andante con moto2 9 12
EE3J1 1 2 3 5 I
i
i
^SP#^^
ia j tit »=f^f if
jii r^r3 4 2 2 1 9 3
9-i, 2 a s 5 i^^ # i^
g bl'I
* S=3=^ a cr ^ p—pgIE
ki a 3 ?
J sW J *m 3 2
^^ab* * • s^ ^
*/'1/ J f «, 3 i* Pf £
idtt3 3 2 9 9i
i«—p« ±z+ P PP P
* r * _^ e^ ^ ssi a m
^N^ 3 4 2 9 1 2 « s iPI ££
Pi^ ^feti P^F P P^
22463-33
li l> » n 1 1 i
i |
rni nr J7T'-
3 1 3 2 1 3 ^
9
—
o
m J * J _sL J__i U^J3£3==—
p
1
—
o
Moderato
13 9 »
^ ^t"——f
*F^^ ^T-
2 1
^ ^IS
943a 4ta
V:
*tt jj Fp is1-5-
I ^1 S £
2 1
3^ •^r
£ PI f f3a.
WPi!§ P£f &^• St
12 1 1 1 2 3 9
4 Oi!2i j
£s: *==
r^fctf^=f
m ^P ^^ -»-
lm g ^=£ ^ ^2
i3 1
zz:7*
ggE^ ^^p? 1*
11 2 3
1 1 3 1
£2 1» f P^PJEi! H
3! J * J *^* XE f £-o-
224B3- 33
10
Allegro2 3
2 ?
lfe£i
l 9 3_|2_ £ S l 2 l * 2
l 2
SI—
•
i
IT
m 2a. f £ ^ P
2
i3 3 2
ife3 2 12
fP*
H ££ * £ 2
2 2 l 2
|p|
8jJ 33 2 4 2 2 2 12
3 3 2 21 *32l23
* J^VJ ^ * d 3*3 ^«=»
gi :s£: §=i ^4 f m2 2 l 2^i^ 2
<2_ ££ # f» m 1 2* ? 2
5a * —m
s f#—
#
ffr^ * fe
n^§-— 2
r rjr r =£i
si i ^^ £$ * v * m - m
mm^--^2
i 2 i2 3 2 3
? j 2 3 9
3=P
a * v* V«
^jjcjxt
3
3 ^ ! 342. ^r i-0-m
^
22453- 33
11
,iip j r gfr^^ 3 2 1 9 3 2 i t
f m m— =5",
*T
—
q 19
r TTf^-i3
3 1?P • P
1*1 *£_ .1 ... ^ *! —M
—g» """"p "—
—
'——
=5 -"^
f ffp
1
tti-\
—' l»
-|y j| r '
—J—1 1^ 1 ^-11 LJ r
j
92
90- i 9 ' A 3 9 4
* '^p ^ ,^a ^ c '^p '1* ^-* s*~
32
P S —
o
my Ll^ & p
p f p pH
m w
g 9 —
o
1
^ *J
Preparation for Placing the Thumb Vorbereitung fiir Dautnenaufsatz
m A 2 12 3 * 1 2 * 3 2 1
£*§* 3
§=£§^2 1 j
-»-c-
96
mModerato
2 i
3 9 I/2-? 3Si>
^S iP
l 9
•
3, ^ 2 1__2 j 2 1
dim.
£=£
-s r 6i
r-R
f-ilS£1
*
12 1 9
>
£L-r-fLfl'
2 12 9 2 Ai ~ h
? I r * p m
m
m i
S
^§1
i
f-4j»
^»
i
? v \>lr^ 2
l=l=i m3JL3, . 2 3 ? l^* IV -P-
8f ^ 2 3 l 2 l
$ m &. :^ :r
*
S Jz
/
HP? ± %fcs Pi* fc 3f I°?463 - 33
12
97
i
Allegro moderato?^~ 9 2 1 3 o
1 8 8 9 8 1,
i | 1 293 1 9 2 i 3 2
—ar-Idfc
? 3
4ta
^ - *££
1te^
3
i
j?
9» i*»
lie fffrfj—r~p—
i
1 13 2 9 3 1
P B -9--M
9 1
O 2 i m3 2 * 3 -i I r pffr pf>—
i
9 o 9 o l- 1 ji
d 2 i 3 j.
. f * ftp pT r "=j
**—F—rf-p-p-f-p-
r LTCllJ
-*-*—i—f-#f- J if A . 4- —4 t-K • * • 11'
|y r cjp —t—^—__
—
H g-iif» a H*
—
-* ^f"
—
L-lH-
9 * i i ir 2
-i- f- -» 2 ?i i i
2>3 JL {=. JL 3
9
1
° c/ '^^H
^—r-^r r———
—
l—pi i r J—i—i—i—
i
1 ?ll' 9
,t*r ff r^3 a
i 2 2 i * 9 I 12 9 1
1^ Lffff r
i
•
U): F * rrr *r i=—!l!|g - m —
rJ
=i
-P sH^iJ- -——=tr-il'ff P -
—
1 pt r rr
'
u k £j-V-*_JH^— P r r r i
jg f rf ^r r f r i
1 hi2 ? * I 2 1 * *Tn ^93.
—TJ 1 r r r~
**s h-c— r fr r ^mp^-^-4ta
1 € «. ==-=5^=^ « 1 d J
J + d m — P P 9 =1
22453 - 33
13
\ 9 2 1 33 9 3 1 9 2 i £ £ 1 3 2 ? 3 1
F m p F "—
9 1
9 2 t3 2|3#
fii » ^ •
*i. < — »
LLLJ n 1 1 di
1
cJ err i
^ l_J_* r "J1 =_^—
1
J'
PE==—
—
1
J J J^J^J
-1 9 2 i 3 2 ^dR f r r r r^#^
1921 z -0-
1
ff rf f ff ==8 * 8 i 9 i
1
L:=f r f r f f
|
*> p v 1-TT^ r r » rg-'-^
—
P * » »-*Hfr»-4»
—
_^ z m—«j——
—
m L£_ =j 1
H 1
3 *
11 2
9 !"? l3^ 2 3
iS
feief12 9 13
±-nm
r cjcirr.
J. ^^77]y rrrrT?r
12 3 12 9
12^ 1 3 9m
»:"J. J>§
i=gJ^un 1 sj, 9 »i*
2
*j^i
i
iig f f/ JTp^ 1 3 1-^
—
2 1 1 2 1
1
3 1 2 1 1 2 1
322.
^—
r
-9 r|
-J
—
r 1
JJ. J-*1
—4=LJ-j 1 J-J
f 1P f,2 - =j -• 9 -9
'9-
9 L9-
-9 U
22453-33
14
Preparation for Placing the Thumb Vorbereitung fur Daumenaufsatz
3 4, 3
-O- i ..• ii£fi£ii ,• . ,
T7TT m j^m^ m^ iror
Moderato
98
3 _ ^2 3/^9 1
iir i> -frrrr^? sJ-J^i z±-L 9 ,^,9^, ,
^^ ^
£i££££
s
Si
i
£
JT^culf I
\>l + l
» " fffrfr h
2 1 1 Lk*±*
eg*§
221
*^
^^^i^ ^
m^2
1 9 3 ~2 ?^i-J? ! 2 l?3l»i ££^1923? -^ ^ 3 2^11 5
4 ): h ppp
s§a= ^
mmm^
224B3 -33
15
Preparation for Placing the Thumb Vorbereitung fur Daumenaufsatz
** 2 12 3 9 u 1
3 * 3
-«-* tffrr
iffrr
1 « 3 2 1 2
PPCJi'
ri ° i
-4&-
Allegro ma non troppo
m 5 3 3 9 l-8 12 3.m ?
&^-f i m
1 3. 9 2
£ 1^99
a^ rj ^ ^ s AIZZ f
&2a 4
« .8 ?
SS £
»*
1 Ui 1 29^ ^3 3 ^
^
1 k*
til
fz±
fei
^g f
4—
^
S 8^ ->2 9 1 2 3 9 1 3 2 3 9 1
s#—M^ ^pp *
« J r r *£ ^^ P^P Si
HH ^ii j j?r j
O o *2 3
*9
{~i~f-
St r * r^
^^2
^ 9 * 2
I fe §^£ f ^f f3
-f2 - I*JM rrn
8i 9 *J* 2 * 9
3
=PP^P
9#^
§
^^g _
9 i-N l
P^I
P g£pf
I
f^^P^ =E f n
22463- 33
16
Preparation for Placing the Thumb Vorbereitung fur Daumenaufsatz
$9 212 3. ?123m4321 2 3, 2 1 2
2 I i 1u-r. r+ #— l
-O- F^ r ' rd v w*-o ^ Zij[ -o-
£§I
Grazioso9 19 3 3
,2 1 2 3 2 19321
i9 l 9 3 3 2 19 3^ W v< 33 wtjjjli* 9 fes p
100 J0 afo/ce
jpfe 44 8 p^p? i *&-l 'X<
U 9 219 ! immm 1 2 23 919393 23 242 9 3
i iTZ.
*=£*** 2] •-#-#
ggj ^ r i IPS ^ iI #
3 4 2 9 3
ffi** Ct£/^
sia £:
• :> -»#^r# Xt
-©-
3 3, 2 19 3 2 1 9 19
XT
i
jgjg qs
IEj 8^§*
spp
XH
f
Pi4<9-
3 2 193912 3 29 2919 93i 2111 9 .39 2919I S &£ S3g 1
P f# # -fi*
4M"* rrrf!fc
£ ^ £=ZZ
fet2 9 1 3 12 1 1 3, 1
2 *A 4 9 ^
3 i i
3
£2.
3l92 1121 l"= 1w r r f 32 31
» £: -£. n IE JOEL ^fe.h:
xi.TT
22453-33
17
Preparation for Placing the Thumb
2 2 12 3 j 1 2 3 3
£
Vorbereitung fur Daumenaufsatz
2 1 2 3 2. 1 2
331 *P^ §P II g P? XE
Andantino
2 39^U 2 ,3 2 12 1 VtH IJJ,^ 2. 3 *-U 9
3-4- 3e * ^ S S =t P •^ -^
101 p
2 931^ m m m m /Ts
*—
*
g© ! Hi3*5
*9 1 8_8 4 3 ^^ o
3 J
efcii/?\
^ rnffl
0-*-*
mw^m
&*p*
^^/C\
E^p^pl ?332 J
1l<^ 1 ^8 3^ 3 12 iTl 3 .1 ?1 2, 3 IM W? * « 1
S V^Ff m m &fc): l g g B ^ g feISIP e2 4 2 3
?2 3 1
2 3 2 2
2 12 3 1 9A * l» 3 13 2 3
f-if125 3_-^1 2 3 2 1 2 3 2^Tm" 1
—
P = *~ "*v—1
—
*" ^-—"' "s—
1
^^ PSf
fflS ^S fe Jfe ^I
2
2 l
3
^ s2 2t 2
Hi
PS •
s2 2 9 3m. i 3 1 3 * A \
f m &
tr-tt
?2*
jj SIQ- —
^^r
: 3 1
mm
S
£=
22463-33
18
Preparation for Placing the Thumb
2 1. 23 9lii 2 3 4 3 29 8 yt ; i ; Mr r i f r *
Vorbereitung fiir Daumenaufsatz
1 2 3 2 1, 2
i-»
P? m-& -o-
Moderato
$£
2 a 9- 9 3 i a 9 12 9
~^e9 2*9 3
3*7^ 1 1 2 2 12 3 332i?21£
102 w» & «
<&' r_r[Mrrir=stT" i i i i
9 l 9 2 9 3 9 3^93 1
# - "x:
^ k= £I **—&#
iliS9 12 9 9 23 ?
342 3 2 39a Y 1 2 2
Si 12 3 3 9 2 12T - » mfmltrmrm
1
3
W^'WtS'tiH
. * O 6:m ^ B ff9 9
g§*
i2_? %i-l2 12,,
s
92 192321 1123 P-P7
#-=-# i
sfra
i1 w m • *--•
39321231 1239
m13 2 1
f
9 9 P 32
II
9 l 9 3
+P*+
2 9 2
t*^
«^i^
•-#
9 «
£ nl
rrr) stnp4 9 3 2
1
U-3* 1
isip ;^g2 p
9— 9J2
I*J--. *«-^ 1 *
*
53» PC
S-^r^-^
S 1 J-^ 1
is£
^s 3jJ 2 ? 3 ?i>^0-
^M£~mmm
2 ? 29
fi=
SOi3 'p
&
H
=8r
22453-33
19Preparation for Placing the Thumb
9 9, 1 2 3
VorbvreituHg fur Daumenaufsatz
43Em i PP
9 a l ^2 2 .1
>r «rf |fr*r»
9 3 2 1
1 £ JE I
HAndantino
2 3 29 l
93
iSI=£Z P* s 2/2_
3 3
c; IOi!2 i
£fS^-
1032da
u£e 3! £3- ^ £ 1« -&-
i*i1 2 i
9.3^!£
3 2
13 2 1
3 2
3 1,92
=£ i
l 9
l 9
ff p qr> ^ ^£ f-o-
*** £ *I £ 5 =*-<S S SE
Sfe* *T -o-
92
92
I?*l
2 1 11 3 9, 2 *9i ^
2 2 1
3 2 19 3 1 2
I ^ $ 3IT ^^ -«•
KMbh^H £2, 1S H *
')i^
ZEE O- £-o- -o- ^-
ii13 2 1 2^ 1 9
3
i £«*
£* P?f
^ r * ^ H5e
Pi9zz:
/TN
m pXE
« /T\
m - m IE
22453-33
20Allegretto
9 »
si104
^259 a_ 9
P
y g J * j
^^5
2*22
sSS
^ 1
P ez^
£es
9£:
£*
lNr^ ^ 3 2
3 2 1 9 32 i o 1 2 8 ? i *
ssg^fe
-S.
p^=^=
s^gpf *# #^ g
i
ii8
9_?ftUSE 4
i^fgg
KjCEEZP
«
&i i
i2. 2
i3fe ^*<»-*
*EE? P ^ « 0. Si
2 42?
«3
^E
^3
3 9
r^2 1 ? -
2_* 3 91 1
I
I i P^ ^^—r*^~^3
^^^_8
^
1 3
22463-33
21
Exercises for the Thumb position in
Conjunction with the other positions
Allegro nn i^v
Einsatz des Daumens in Verbindungmit den unteren Lagen
n3
n °
105
§S S=I3
¥$?f$F^^ A
tm &f
n4
gg| i l=§2 1
I
i u2i 9, 3 !
*'r r j, J ^ i
&»f i
r jj^j
iHM9 2
f
S3 f
J7n v
2 9 3 1
P^
j j r
9
4j2.
^ ^ ^S
$& ^P
9 i £ 3^ ^4
SI*a J * ^^ #—
#
22453-33
223
W^4
-k F5
*H-,
J 'r *
r^P^ SSe«k
4
Jlfcfe te^kr i »
i £ fcq;a * ^5
E$i
0/^2 1 1 a~ 44>
, ibi hr>k. 9 2 ,
4^\ 3 54 9 2StVM 52
E **
te§EEi: £ 7" *-«-
^s>
*
^i* 13 12 3
2 2 1 2
T-
3P
^S£ J
i i
P£==£
4^\ Q2 2 2^ N *1 g
^m? £
i*i^V 9 ^ i^"2
ggi/^9
es @s J. J?ffl3a.
^ ^^^ ^^ ££ £ f f
i1^128 2i2l2 3^if 1*1 £=£ i^ 3
i 5I SS4\» :
1 ^TT * * ,
J J
B « f> *
^^^5 i £|H^ f^^
F i =s
te^ £f* ^ r^-
£ £ £22463-33
2^
i£2 9 3 , 9 2*8-J--— *» § ^ s ^^r
? ^^21!
p ^^ i^gg gg r-u LTr^5SPI!£
jTWflr^TJ iifes£
if f3
1 4 i-(2-m j^ga^m t
TPii^rff »m4
pPi ss *
i £ i £
ife aCJJ ^ cu
v*Amm
CLT ICf c£)"lCraW
-o-
E^^fm-m m—^ 0-.W
mP m i
^ * A 3 1 •>
pip-o-
_o_
-o-
22453- 33
24
Poco Allegro1
3
106
^ »*^ ^^
P ^y m i r J
£
£
1 4
SB
SP
42. i
•"—
—
twm
2da
mf^p
t2 13 2
p U — 0Z2^ 9~T^ -P-'S
^^
^^m
iv :
b ti r f P
i^*
» ^r:
£
i ^ ^ 3^ ^ 1 U1 W
4^-7 77 iir-*-
•&
—p •J^
m -4^
H^
—
mm ^v—
i
7~ f m m 1"'* v F m-f-
^T 1 f.J |i
ji
r
I J P -m—|
—
—m^—? L-J— •
1
1 r rJ
j i^XJ J I *1
' J
49 2 ^^L^i
£
2 3?
ife?i="
* ): , f f == 1
to 4
2 2 9?^r-#>
2 1
^J>JW
9 2J^ 3^2
i £
^* 5* ^w
te
i^& 1
22453-33
254
m 7T^ ^Zn^ t
f
^ PP f *
4 &J i —tJ- J 1H 'r
SttrF.:=
3
o f
3
^ 10. lalte
Si£ I £ ^^F^ 9 Zt
fe£ 1
1©-=-
3m ^ r J
«i <»-*- ^Si
t©^-
§F igs? fwosm
—
#
m4
#1 2
^ 3 2i 112 3
g—
d
§5 3
S2
s _^ tr* jl1
fi
£ j h r
*3_
3 1
1^^ 2
is S 3- 9
i ^s iff fts 3§
J i ^ 0?y-h r i r
f ^ t0—Z m »22453- 33
26
4}==ri=±
Ef*S> 7" ^
^^r -o- -o-
1^ 4
I:",
la'if tr i fr ii SB4
¥~^~^^^ §=§
? b J ' i ^^_ «
1
r tftr 1
1 p^fp »rr>.B-p-^- ->* ')? r ^JTl
-*Jh: P = ~"F *
»/ • al
^-pj j
jr
?—
!
it 11- —
, .
—
3 ^3 I?
—
n) ^ ^ ^P?^ r J i ^ ^f «
—
z±
I4
2 1
£:£wN 2
5=g
ai £ i Hpi
i! §s?_ 9
p4
<2.
i m £
22453- 33
27
^m £
ystz == * m gs
^ iEE£= ^r
&
1 2^^ £2 1 4
9^ £
*V3 23L
"or
A
^ r^-
1 4 a X»2
^F^* _m ^-—
-
—J— m^-?—*— _Cl v » —*• L —r r 1— —
'
—
•
'
—
m ' •— — 1 •*
*Jh:-^-— ? ,
o
m im - mV.
UM
m j *-o- -o-
XE
9531
^
3§s =#=F 3:/?\
S"2?
-cr
*R^2da
^^S
lma
* -o-
xc
22453-33
28
Trills Triller
Allegro moderato4
I W=m4 3 13
m: i -&*-s ^ at!:!!;
107 pi *S P
113 ^ i
#•
-©-
^? J J J »J
^LQJ£
mir <tr £a XE
£-^IE
^=' m tt|» g $£fe £% £=fe PPf
+ -f2
--f2
- -*- l>
I I XL JJ
3
m ±i i £ £P?
I*-"4 tfr i «Er
£S=^ m ^ ££ IT
Jl\rm hi f k
k »~^ hm y=frfP p « u rn 9+- £
9*tfr I
~sr
& IF r<m S 5»"CT"
551ifc± ^ r&-
k£
22453-33
<**•
29
A1r^~
*): «» ,3-1 ^^' ""*" o J3
i p ~~r~"~r~""—
|
* 3
Hf
—
a.—if 1
—
f-—
m f 3 p
—
r «7T>JLi
' rJ
' = i i ' r
i <ir
£4 tfr
1 2
^p=jr m 3T.EEC ^
^^ «#- iPCl![ ^^ £p* a*
tfr
3 a4 tfr
t#• 4
TV P=^ 531 ^S*-1 HH -fi^
^ P-# P*
i.
£g
—
ii;
9 9
bibi J
tfr ir >%^*^VW%.%'»^»*^V»V%W»^»'%»
1TT
p—
e
^ ^ XT XT
m BE 9 9 -O-
5if t frrrrr^
#•»w»»w»»w»»\w»»»»»\vwvvwv»»»v»»»wv»v\
^ 35
4 3
£2
»^W»i\1
^**
~o- =^
s^
—
X*_ -O. *f—
p
IDE * fe fed* F j^ J
^ £ &B j£l ^. ^ mm/7\
\l
IX
M^L£i
/
Q? S if ip I i
/?\
»^
22463- 33
30
1 IRA <*
Moderato
1 2
*J-L*1r
#9 2 tf/* f fi.ff fAjs
££P**S F^ £108
rf r~lf £ * etE fIZZ
Ife
1'-3 3 2 3
±^ £*• Jiff:
£^^ £ *I2da. lma.
siM
ei
**5«
i
i
i r<. .%. I2j i * i 2
12 3
*i£ zz: i^relTi
ai t iM=M ^rrr s#-i»
-r . fr
I
*** 35
2 ir 93 2 j #/*
s£ -o- -o- -o- £=; BErJ J*
fe-^^* i^fc asi ^PP
i *£=*•tr
I2 1
*—
r
s 9 i 2 1 2 3 2.
SS? i
Ei^is
f£#-•
p
i
ii
22453-33
31
4U •tr
1 £ Sgggp
P^ f 9 f 9. 3 8 > t %t 9
VpTJ £
m^^^ f^^
#-i»
« »
f
P £9 3
P^•_ f ? f 9 „ f 9 t 9 ? 9 '-* °4
m J
J
ir-ft-lg2da.
J i »BU
^^^
p*F=5
?^
f Igi f tir f f p f p f i f p p1^ 4 J3.1- 3 2
?tf j -$ $ * $ $ $ $
£^IS uii ^
2—&- =&l 1 3
~^ ml 9 9 1
•a-3
HOnpt
41; jtJ ^Ym m1
fzqc»
—
m^p d m ZM
w
—jm m w "
-X-^f-w-m M M M "- • " W
V L....r. m 0000 fl
•
irl,
IBA J
o 9 #/*
1
9 « l_Ol_ ja
2ja
IS ^
s s ffl:i^e 0-0-0
39 3
*•
a r* Utf 3
4 3 „ &2 r^ . 2 2 1
«ftS3i # ^^ZEE -O-
n» Jin s 0-0 /
22453- 33
32
*£
gfe
tf/"
2
zz: ^9 l 2
-o- £i
* a^£
Ii isr r f
9 2
rt fe
-o-
*=l* *
^
^^3X1-e>-
£
si IT-»- * 3=* jFH? S#• #• #• tfr
? ¥ J i I* *=ZM XE
Octaves
Moderato
Octaven
HasV£ V~a
JPE5» p109
4>: ^<t J i
-o-
P
tea s i
si i IT
22453 -33
33
$fe1 S £ ^ r rTfr i ,^r ,4 31
§* *=^ ¥ 5* ^ ¥ ;*
si
iit
*i^?
$ m& ? p
rt#
i^ ^fflm ? W
m?
.t i m^ rrp>
?xy
/C\
-o-
^f i *
\ Hr
(t^mir±
t1*
m ^-^ri} m ^UJ LLU
r-r r* ft r* r.
3a
ggN *
*S^^£
E2da S^^ fc* t
U m
$ s=* i#*
te2da ^q^' dJ lU
^£/%r**3 Zj
? ^ 5£^
w^m £: £=^£
M*tf r -rp r ^ ^i 5=5
i^ ++
E
J *JvFTr 7 Pr 7
p
p nn«
y^-J vj)J si
^fTf y9
a
^* £
/fe
te p
^sj© **
o
P wXE
22453 -33
34
In A f£
m ^ ^ £U-
T$t~l 7 *
i£ ft ft rr
£
ter= g ^ ^ ^ ^g go
W*N £ £
tfi ^ ^ ^
^ y iy g ^Hg £
^ ^ 3 3 3 3/T\
5*^ F P ^ 3* vr ^ i7 7=;y 1m
rf=# XEXT
Double Stops
?^2Allegretto
no
Doppelgriffe
2 2 2
yfyiH 7 * > * 7 mf
feEE=;sh=
* * 2S»
^H^-3 ' *=* ' ^s
IW* « 2 1
^2 2 1*fr k c»c
2 2 2 4 1
11B ^ * 7* 7t 7* 15
4 ?
kJ
^^£« «
P
kd^bff Jj g ff l
o
3 4 3^-1 2 4
SJr> jr.-ffP
22453- 33
35
2_1 2 1
s ~mmna^r
r g iiiir^ r fr "j-J J-J
P
f j H. I
ff^^ ^g
^m • J^ •P^ r*1^ ^i i
hJ. JrJM- ^m
¥«hg dr^Sji 2 4 SfSfTi n^' ^ p i sfc=i p
—L 1 *
*):ft, f £ £ C f f P '• R^ ^ V
»' " A P F
2 2 1 3 3 2 ^ Jj_ _
/ T / — ™ J—^j »—3 3 3 J J 1
2 9 2
t^ffl^14 2 2 12
fefefelr ^lcj
y|f»hhhP ff V PinH3 2-
2 2 *4 11
t >t * t **=?
B 5 S v IB
J B:
HR^t PSP^f ecg|j
?Hhhh> P £=fr^
22463-33
^J Selected Solos for V,
CELLOMEDIUM DIFFICULT
ADAGIO from Toccata in C Major for Organ (B 1946) Bach-Siloti-Casals
ANDANTE (Cantilena) from Concerto No.l in A Minor, Op. 14
(B2931) Goltermann-Roth-Buechner
ARIOSO from Cantata No. 156 (B2497) Bach-Isaac
BOUREE, Op.24(B2518) Scluire
CONCERTO No.2 IN D MINOR (03687) Goltermann-Willeke
CONCERTO No. 3 IN B MINOR, Op.5 1 (03438) Goltermann-Schulz
CONCERTO IN D (Student's), Op.2 13(03121) Mendelssohn-Beuchner
CONCERTO No. 2 IN D, Op.3(03116) Romberg-Malkin
CONCERTO No. SIN D MINOR, Op.76 (03375) Goltermann-Schulz
ETUDE-CAPRICE, Op.54, No.4 (B28 18) Goltermann-Buechner
FOND RECOLLECTIONS, Op.64, No.l (B1530) Popper-Willeke
LAMENTO (B2657) Gabriel-Marie-Munzer
LARGO (B2790) Handel-Tobani-Buechner
MINUET No.2 IN G(B2921) Beethoven-Skalmer
NOW THE SHEEP ARE GRAZING (Aria) from The Birthday Cantata
(B2677) Bach-La Forge
PLAYERA (Spanish Dance), Op.5, No.5 (B2 143) Granados-Munzer
RONDO (B1408) Boccherini-Willeke
SARABANDE ED ALLEGRO (In Modo Antico) (B3333) Hoffman
SERENADE ESPAGNOLE, Op.20, No.2 (B2843) Glazounoff
SNOW (Sne) (Norwegian Song) (B2430) Lie-Szigeti
SONATA, Op.43, No. 1 (B3350) Romberg
SUPPLICATION from Jewish Life, No.2 (B 1970) Bloch-Kindler
TARANTELLA, Op.23(B2691) S(luire
MEDIUM
AN DEN FRUHLING (To Spring), Op.43, No.6 (B2958) Grieg-Skalmer
BARCAROLLE (O Belle Nuit) from Les Contes d'Hoffmann (B2783) . .Offenbach
BERCEUSE (Cradle Song) (B2959) Jarnefelt-Saenger-Buechner
CONCERTO No.4 IN G, Op.65 (041 24) Goltermann-Schultz
DRAGONFLY (B2770) Palmgren-Dann
ELEGIE(Melodie)fromLes£ry«mes,Op.lO(B2839) Massenet-Buechner
ESTRELLITA (My Little Star) Mexican Serenade (B2607) Ponce-Simon
EVENING SERENADE, AN (B28 18) Sontag
GAVOTTE (B2954) Gossec-Skalmer
Carl Fischer, inc.
62 COOPER SQUARE, NEW YORK 10003
BOSTON • CHICAGO • LOS ANGELES • SAN FRANCISCO
m*
ADV-56
Bfl'fllMMTPVNfl UNIVERSITY
3 1197 20402 5826
**"!:***"V\^
e "
&*">"
;>^
'<*
HHftKHK 71*
mtMJB*
r v
tf*.
*<B