Staatches BauhausStaatches Bauhauscommony known smpy as Bauhaus, was an art schoo n Germany that combned crafts and the ne arts, and was famous for the approach to desgn that t pubcsed and taught. It operated from 1919 to 1933. At that tme the German termLOGO OF BAUHAUSThe Bauhaus was rst founded by Water Gropus n Wemar. Water Gropus served as a sergeant and then as a eutenant n the rst word war . He survved n the rst word war and was awarded a ron cross Gropus then ke hs father and unce became an archtect . Gropus coud not draw , and was dependant on coaborators and partner-nterpreters throughout hs career . In schoo he hred an assstant to compete hs homework for hm.And then n 1908 after studyng archtecture for 4 semesters, Gropus|oned the omce of the renowned archtect Peter Behrens.Water Gropus was a German archtect.Awards : AIA Gold medalAlbert medal and Goethe prizeBAUHAUSNAME : GAURIJADHAVCLASS: !" #"ARCHR$LL N$:%&SEMINAAR ON CONTEMPORARY ARCHITECTUREThe compete budng s the na am of the vsua arts Art s not a "professon". There s no dherence between the artst and the craftsman . In moments beyond the contro of hs w, the grace of heaven may cause hs work to bossom nto art. But the procency n hs craft s essenta to every artst . There n es a source of creatve magnaton, et us create a new gud of craftsmen, wthout the cass dstnctons whch rase an arrogant barrer .Together et us conceveand create the new budng of future ,whch w embrace archtecture and scupture and pantng n one unty and whch w rse one day toward heaven from the hand of a mon workers ke the crysta symbo of a new fath.HIS OPINION ABOUT BAUHAUS1EARLY LIFE OF WALTER GROPIUSFULL NAME:GEORGE WALTER ADOLF GROPIUS.Born n bern ,18 may,1883He was the thrd chd ofWater Adof Gropus and Manon Auguste Paune Scharnweber.Earer he was taught by hs father.Educated n prvate eementary schoo1903 he eft schoo and went to the technca unversty n munch to study archtecture Eary EducatonnspratonHs father and hs great unce martn Gropus were archtect, that was why he wanted to become an archtect from hs chdhoodGropus HouseVewAera vewSde eevatonOn a h n Lncon, Massachusetts, the house WaterGropus but when he came to Amerca n 1937 stgeams fresh and brght. But over the years the househas come to seem more and more soated n tme andpace. It beongs, now, to the Socety for thePreservaton of New Engand Antqutes. The houses beautfu and subte and decate, but, n a way, tstands for the faure of Modernsm to rentroduce theod way of seeng.The exact address of the house s: 68 Baker Brdge Road, Lncon, Massachusetts, 01 773. Locaton Concept Located on the h of a mountan, st eadng the nature that surrounds t, the Gropus house was made accordng to standards that were rased at the Bauhaus but consstent wth some features of the archtecture of New Engand. As for space, smpcty and order prevaed under European nuences, whe the geometry-free beauty and decoraton of the archtecture of New Engand were made to see.W. Gropus aso combnes materas such as brcks, stone sabs and wooden sats wth new materas that were used n the Unted States as gypsum, ndustra handras, new amnated gass bock and new technooges for factesThe basement of the house was but n stoneThe materas used were wooden tabets on the was, brck, stee to the forges as stars, pergoas, baustrades, coumns and ornamenta porches ned wth sheet meta budng, the foundaton stone and oorng, as we as amnated gass for the woodwork and gass bock to shed ght on some ponts.We can not forget the furnture of the Bauhaus Gropus desgn because when you nsh budng the house, gave them a sutabe pace nsde the house. Structure and Materas Staatches BauhausBAUHAUSNAME : GAURIJADHAVCLASS: !" #"ARCHR$LL N$:%&SEMINAAR ON CONTEMPORARY ARCHITECTURECURRICULUM MAP OF BAUHAUSBAUHAUS IDEALS The Bauhaus deas were that the artst must recognze hs soca responsbty to the communty and kewse, the communty must accept and support the artsts. The Bauhaus schoo strved to produce a new approach to archtecture that ncorporated artstc desgn, craftsmanshp, and modern machne technoogy. The ma|or goas of the schoo were to encourage craftsman and artsts to coaborate, to eevate the status of crafts, and to mantan reatons wth ndustry and craft eaders n order to eventuay become ndependent of government controBauhaus deoogy An envronment of expermentaton and synthess Mass producton s reconcabe wth ndvdua Artstc sprt Honesty of constructon ,truth to materas Form foows functon Smped forms and cean nes Ouates of ght and arness Standardsed producton Archtectura adaptaton to our wordModern sense of beauty The study of ratona desgn n terms of techncs and materas shoud be ony the rst step n the deveopment of a new and modern sense of beaut. We ve nthe 20th century, the student archtect or desgner shoud be equpped for the modern word n ts varous aspectsThe Bauhaus schoo wshed to artcuate contemporary cuture through the creaton of new forms that were desgned for everyday fe. They especay exceed at weavng and texte desgnWorks carred out n the bauhaus schoo|ohannes Itten (1888- 1967)Swss expressonst, panter ,desgner wrter.Pau Kee (1879-1940)German andSwss panterWassy Kandnsky (1866-1944) Russan PanterMarce La|os Breur, Archtect, furnture desgner Lamons mers, Artst Bauhaus weavngThe texte department was a negected part of the Bauhaus. Mrs Stoz, She apped deas from modern art to weavng, expermented wth synthetc materas, and mproved the department's technca nstructon to ncude courses n mathematcs. The Bauhaus weavng workshop became one of ts most successfu factes.2 Staatches BauhausBAUHAUSNAME : GAURIJADHAVCLASS: !" #"ARCHR$LL N$:%&SEMINAAR ON CONTEMPORARY ARCHITECTUREThe Schoo exsted n three German Ctes: Wemar from 1919 to 1925, Dessau from 1925 to 1932 and Bern from 1932 to 1933, under three dherent archtect-drectors: Water Gropus from 1919 to 1928, Hannes Meyer from 1928 to 1930 and Ludwg Mes van der Rohe from 1930 unt 1933, when the schoo was cosed by ts own eadershp under pressure from the Naz-ed government whch had camed that t was a centre of communst nteectuasm. Though the schoo was cosed, the stah contnued to spread ts deastc precepts as they eft Germany and emgrated a over the word.WEIMAR BERLIN DESSAU Hgher academy of arts Technca schoo Theatre and refectory Studo accommodaton Admnstraton departmentAcademy of artsTechnca schooTheatre and refectory Studo accomodatonAdmnstraton department Teachers housngOrentaton The Bauhaus-UnverstyWemar s an nternatona research unversty that s commtted to the dea of Bauhaus and therefore has a tradtonay nternatona orentaton. Its aspraton s to combne arts wth scences and techncs whch eads us to run a path that s unque n Germany. The aspraton for nternatonazaton s no empty phrase but an ntegratve component of our sef-understandng and the orentatonAbout BauhausDessau 3 Staatches BauhausBAUHAUSNAME : GAURIJADHAVCLASS: !" #"ARCHR$LL N$:%&SEMINAAR ON CONTEMPORARY ARCHITECTUREAbout constructon processBased on Henry fords concept of the assemby ne , the constructon was competed n aBauhaus became the most med and dscussed move n EuropeConstructon of each eement s cear and no bots are hdden and a the meta work s reveaed.Starwes became the vast and umnous meetng paces that nspred photographers and panters asa symbo of a new art of vngstarcasesAbout bauhaus nterors The Bauhaus movement teaches "truth to materas" as a core tenet, whch means that matera shoud be used n ts most approprate and "honest" form, and ts nature shoud not be changed. For exampe, supportve materas such as stee shoud be exposed and not hdden wthn the nteror framework of a pece of furnturepathwaysEevaton Secton Secton Pan 4VewSecton of Teachers HousngThe ecture ha s ke the heart of the Bauhaus because here you can see n a compact form that was deveoped n those years and that s where the festvtes were. ecture has Staatches BauhausBAUHAUSNAME : GAURIJADHAVCLASS: !" #"ARCHR$LL N$:%&SEMINAAR ON CONTEMPORARY ARCHITECTURE5Mechanca operatng roomsChdren's payng area Lev -Gargr Archtects aso based n Te Avv desgned ths space wth Bauhaus prncpes n mnd for the oor pans and eevatons and worked wth Sart Shan Hay for the nterors.TheExampes above are no doubtedy vsuay exctng and magnatvey appeang oherng fun pay experences, (and create beautfu photographc magery), there seems to be tte consderaton when desgnng these spaces of the chdren's wder we-beng - emotona, psychoogca and sprtuaDnng roomsCassrooms for kdsArt gaery courtyards for kds Audtorum n bauhausBauhaus cafetera'id(zoneLftsRadator roomBacones for dormtoryCeng xtures Workshop areaAteer spaceExhbton haHousng furnture Staatches BauhausBAUHAUSNAME : GAURIJADHAVCLASS: !" #"ARCHR$LL N$:%&SEMINAAR ON CONTEMPORARY ARCHITECTURE6Weavng n Bauhaus The weavng workshop was one of the most successfu workshops at the Bauhaus. It was prmary attended by women. Here, they expermented wth both tradtona and ndustrased weavng technques. The coour and forma vocabuary was strongy nuenced by Pau Kees theores. The Bauhaus fabrcs were produced as yard goods, and new types of synthetc bres were deveoped for uphostery fabrcs|eweery makng n Bauhaus |eweery by the Bauhaus ndustra desgner Naum Sutzky reects ths age of machne technoogy and the new Modernst movement. Staggerng naton n Germany forced godsmths to turn to base metas. At the Bauhaus, meanwhe, the emphass was on desgn and work processes rather than the vaue of the materas. Ths neckace s made of sectons of chromum-pated brass tubng. Sutzky was fascnated by ths newy commercay avaabe matera. He aso worked n more conventona materas such as god and cabochon (dome-cut) stonesBauhaus Furnture The Bauhaus was a desgn schoo Germany created n 1919 and shut down n 1933.The forms n the Bauhaus furnture are frequenty smpe and ght wthout decoratve addtve |ust foowng the needs of the consumer. Used are: stee, gass, bent wood, eathers and pastc. The most attentve coours are: generay back, whte, brown, grey and chromum. Sometmes the prmary coors of the furnture are used sporadcay to accentuate and to gve entrey the ess dark appearance. Bauhaus furnture was the preambe of modernsm and functonasm.Metas n Bauhaus Metaworkng was another popuar workshop at the Bauhaus and, aong wth the cabnetmakng studo, was the most successfu n deveopng desgn prototypes for mass producton. In ths studo, desgners such as Maranne Brandt (2000.63a-c), Whem Wagenfed and Chrstan De created beautfu, modern tems such as ghtng xtures and tabeware. Occasonay, these ob|ects were used n the Bauhaus campus tsef; ght xtures desgned n the metawork shop umnated the Bauhaus budng and some facuty housng. Brandt was the rst woman to attend the metaworkng studo, and repaced Lsz Mohoy-Nagy (1987.1100.158) as studo drector n 1928. Many of her desgns became conc expressons of the Bauhaus aesthetc. Her scuptura and geometrc sver and ebony teapot (2000.63a-c), whe never mass-produced, reects both the nuence of her mentor, Mohoy-Nagy, and the Bauhaus emphass on ndustra forms. It was desgned wth carefu attenton to functonaty and ease of use, from the nondrp spout to the heat-resstant ebony hande.