Upload
juandiegog12
View
26
Download
0
Embed Size (px)
DESCRIPTION
consumidor
Citation preview
1
Consumer Behaviour, Consumption and Symbolism: a theoretical development
Consumer Behaviour, Symbolism, Experiential Aspects, Consumerism, Symbolic Value, Value in Use.
Danilo de Oliveira Sampaio Marlusa Gosling Caissa Veloso e Sousa André Francisco Alcântara Fagundes Gustavo Rodrigues Cunha
Abstract Consumer behaviour is a multi and transdisciplinary concern with implications to individuals, organizations and
society, which has been investigated by researchers from several areas. Building up mainly in the marketing field since
1950’s, consumer behaviour has received contributions from many sciences, as anthropology, sociology, economics,
philosophy, psychology, and, latterly, neuroscience. Departing from a theoretical approach, the current work aims to
present the study of consumer behaviour vis a vis its symbolic relation and integration between diverse areas of
knowledge. The conception of consumption has changed across time, based on both positive and negative aspects
explored by authors interested in tendencies as, for instance, the volatile consumption or with no purposes observed
often in the postmodern world (BAUMAN, 1997, 1999, 2001; FEATHERSTONE, 1995). Under this perspective, the
conception of power in terms of consumption relations, and the description of life styles, self-image and subject as
he/she would like to be viewed by society, lead the consumer to purchase more than a product or service, i.e., to
purchase a symbol, a representation of ideas and conceptions. In this sense, it is can be said that the individual, while
social being, belonging to a given reality, assumes different roles, inclusive that of consumer, in which the symbolic is
translated as power, and what he/she have and consume are attributes of inclusion in social groups.
1 Introduction and objective
In the last three decades aspects related to consumption of various goods and services, showed changes in
circumstances, which causes the analysis of its structure and motivational aspects in different contexts. In this sense,
there are some dual relationships that may be involved with the sense of consumption, such as the need or desire, to
quality of life, among others. However, it is worth noting that, despite the influence of circumstantial life "modern" or
postmodernism (Baudrillard, 2008; Bauman, 1997, 1999, 2001; Featherstone, 1995; Giddens, 2009; Simmel, 1998),
consumption cannot be divorced from the social and cultural relations as well as their implications in daily life.
Organizations, public or private, develop an important role in the constitution of the social dimension of
consumption. Organizations represent a complex role as influence of consumption. To Carrieri, Paula and Davel (2008),
organizations are the "products" of "social actors", i.e. the individuals that compose.
In this sense, individuals belonging to a particular organization identify with him, since they are in a space
bounded by organizational reality (GONZÁLEZ REY, 2003). This case, individuals as employees need to understand the
internal and external environment, so that they pose to identify with the policies of the Organization. A portion of this
external environment is constituted by consumers perceived to be beyond the rational perspective consumption.
According to Bourdieu (2003), the rational perspective of consumption is justified when it takes on different roles
specifically for a social group. According to the author, consumption represents a symbolic role, which can mean power
and social status.
Given its pervasiveness, the consumer behaviour is not restricted to one science, or a great field of science,
specifically. Foxall (1986) and Solomon (1998) highlight that the investigation of consumption behaviour is explored by
researchers from different sciences due its multidisciplinary and applicability in many individual and social contexts. In
fact, the theoretical development of consumption behaviour results from human and social sciences (e.g., Economics,
Anthropology, Sociology, Management, Philosophy and Psychology), medical sciences (mainly from recent studies in
the fields of Neuromarketing and Neuroeconomics) and exact sciences, which contributes with the development of
explicative model of consumption behaviour (ZALTMAN, 2003, MESQUITA, 2004; BRAIDOT, 2005; SOUSA 2007;
LINDSTROM, 2008; 2009; CARVALHO, 2009; SAMPAIO, 2012; DIAS, 2012; SOUSA, 2012).
In view of the necessity to confine such pervasive argument, it was chosen at the present work to focus on the
symbolic relations that permeate the process of consumption, from its idealization to its conception. Therefore, this
paper has as main objective to discuss the symbolism and its relationship with consumption, based on the extant
literature on consumer behaviour. Were approached themes as consumer behaviour and its relationship with
consumption, culture, style life and correlated aspects, under the perspective of symbolism.
Following this brief introduction, the rest of the document as organized as follows: theoretical review,
methodology, conclusions, limitations and final considerations. The findings are presented directly in the conclusions,
due the theoretical nature of the present work.
2 Literature Review
2.1 Consumption, Consumption Revolution and Symbolism
The individual, as consumer, accomplish changes with other individuals or organizations in order to satisfy
their wishes or necessities (LEVITT, 1960; HOWARD; SHETH, 1969; MCCARTHY, 1982; BAGOZZI et al., 2002). In
accomplishing these changes, the individual is faced with the social world, which would be analyzed from a symbolic
3
perspective, since ideologies present in the symbolic system make invisible its meaning, making it virtually
imperceptible, although is regarded and legitimated (RICOEUR, 1988; BOURDIEU, 2003).
In discussing about the investigation of consumption in the contemporary social sciences Barbosa and
Campbell (2006) state that consumption, under exhaustion perspective, does not regard just material resources, but
also those physical and emotional related to the consumption of the individual. Thus, the authors assume consumption
as more negative than positive, and, moreover, that it results in the contemporary societies from the work, which
constitutes the source of creativity and identity, and that brings value to the individual.
From a etymological point of view, consumption derive from the Latin consumere, that means to use fully, to
exhaust, to destroy; and from the English term consummation, that means to sum, to add. In the Brazilian context, the
mean of consumption is near of the negative first perspective, while consummation, referring to sexual act, remained
with the positive sense of realization and climax (BARBOSA; CAMPBELL, 2006).
Historically, the consumption has contributed to substantial social changes and to the development of the
social sciences, mainly from the XVII century (McCRACKEN, 2003). Notwithstanding this relevance, McCracken (2003)
observes that the academy did not give enough attention to consumption development, since the theoretical focus
remained essentially on legal, economical and sectorial analysis. In this sense, it can be said that consumption history is
still recent, and, likely, pre-paradigmatic (KUHN, 1987).
McKendrick et al. (1982) points out the blooming of consumption revolution in the XVIII century, in England,
when consumption was viewed as necessary problem, and nobles purchase for luxury and poor people for survival.
Mukerji (1983) observes that the revolution began indeed in the England, however earlier, in the XV and XVI centuries.
XVI. Diversely, Williams (1982) states that the revolution began, in fact, in the XIX century, in France. Notwithstanding
this lack of agreement on where and when have begun consumption revolution, there is a clear common sense about its
influence on social changes, and the importance of its analysis in order to understand modern consumption.
Adopting a more delineated historical perspective on consumption revolution was chosen to follow what
McCracken (2003, p. 30) defines the “three moments of consumption history: (1) Boom of consumption in England,
XVII century; (2) Consumption in the XVIII century; and, (3) Consumption in the XIX century”.
In the consumption relationships of the XVII century in the England, according to McCracken (2003), the
British nobleness consumed in overkill, in the dinners, clothing, residences, motivated mainly by the Queen Elizabeth I,
which smiled just to those that demonstrated loyalty through the transference of resources. Beyond the expenses in
ceremonials with the royalty, the British nobleness had to show an excessive consumption in their travels to the court
with the objective to keep the status quo. Thus the intention of the nobleness was to consume, even if that would make
indebted.
Corroborating with this setting of excessive consumption, the consumerism is a relevant factor since the XV
century, being still more exacerbated nowadays. The influence of the means of mass communication and oriented
medias has contributed to the dissemination of messages to different audiences, from children and teenagers, to youths
and pensioners, which see themselves in real conditions to have goods before beyond their possibilities, as electronics,
cars, and even a house by mean of governmental programs of funding (LIMEIRA, 2008; OLIVEIRA, 2008). The
consumption segmentation, however, it occurred with more emphasis with the incoming and strengthening of the
capitalist economic system in the centuries XVIII and XIX (POLANYI, 1957).
In the century XVII the consumerism was viewed predominantly in the dominant classes. The fundamental
was flaunting luxury, while the work remained to the lower classes.
"The goal of this new expenditure pattern was to the court, in the words of Braudel (1973, p. 307)," a kind of parade
of theatrical show ... and with lust, a means of governing. Confronted by extraordinary difficulties inside and outside
the kingdom, Elizabeth explored the hegemonic power of expressive things that was used by the British rulers ever
since. The objects, especially in the context of a highly ceremonial cutting, may lend itself to communicate the
legitimacy of the monarch to rule, aspirations for the government, qualities of power and majesty, and finally a
divine status as an individual is seen increasingly in terms mythical, religious and literary. The symbolism of the
supercharged cutting monarchical, hospitality and clothing became the opportunity for persuasion and education
policies" (MCCRACKEN, 2003, p. 30-31).
(Translated by the authors of the original)
McCracken (2003) points out still a social competition between the nobles, which were before habituated to
consume familiar goods able to reinforce familiar image (buildings and furnishings), and found themselves forced to
consumer modern goods as symbol of status and power, becoming, thus, slaves of the consumption. In this sense, the
consumption altered, making the individual instead to the family. Campbell (1983) indicates the consumption turned to
a romantic definition of self. Thus, the individual is viewed as consumer, and not just as that member consuming what
the family wants to hold.
The transformation of consumption becomes evident in the eighteenth century, in which McKendrick et al.
(1982) highlight the birth of the consumer society, thus beginning the modern consumer culture. Consumption was
seen as a possible vertical rise of social and economic class (SIMMEL, 1904; VEBLEN, 1912). To these authors, the
consumption and the culture in the occident were intrinsically linked. McKendrick et al. (1982) observed in this context
a development of marketing, due to the awakening of the individualized consumption since the small nobleness, where
the mode was adjusted and interpreted for the bottom classes, with symbolical inspiration in the high nobleness.
The mode magazines, scotch hawkers and the London retail market stimulated the access to new products and
information to the provinces (McKENDRICK et al., 1982). In this sense, it is observed yet the link between consumer
behaviour and symbolism, in which the burghers from the provinces dressed as the nobles from the big cities, what
conferred to them status, glamour and power. The larger number of people in conditions to consume was also one of
the reasons to the larger consumption in the century XVIII, when arose the expression mass consumption. McCracken
(2003) highlights changings in the century XVIII in the symbolic properties of consumption goods, which assumed
meanings of social mobility. The consumption good becomes, thus, at this time, an object of mode, which in its turn
migrated to the category of design. The more an individual hold fashion consumption good, the more he would
appertain to higher social classes.
Society and consumption found themselves interlinked in the century XIX (MCCRACKEN, 2003). The
consumption boom gives place to a dynamic relationship, where a social change implies in consumption changings and
vice-versa. The modern consumption occurs in different types of arenas, under diverse styles of consumption derived
from life styles of individuals. Williams (1982) presents this transformation of consumption in France, where the
consumption has migrated from nobleness to public places, when tailors that attend just nobles open their stores in
public environments, similar to chefs, which open their restaurants in the cities.
The media explored persuasive and informative stimulus, what provoked, according to Williams (1982), a
whish of participation and not just of a brief purchase of goods. The author focus especially to the department stores in
France, which invite the consumers to a new standard of interaction, that includes the introduction of credit through
5
that the consumer could buy the good in instalments, something before impossible, accomplishing a true dream of
consumption.
To McCracken (2003) another important factor in the century XIX was that sold goods by department stores
given material expression. According to the author, a department store became a physical locus and an institutional
home, in line with Durkheim’s (2000) statement that the society brings the individuals to a place before unimaginable,
including in extremely situations, to the suicide. In the case of modern consumption, under the view of the present
paper, the place referred by Durkheim (2000) can be interpreted as department stores and shopping, truly apotheosis
of the consumption. In this sense to affirm I buy, therefore I am (socially), is something understandable from the point of
view according Durkheim (2000).
From the half of the century XX, the post-modernity followed the discourse of overtaking the modernity, due to
technological changes accrued with the globalization of markets and ideas, which led societies as a whole to rethink. In
this sense, to Bauman (1999, 2001) the reality becomes, so, ambiguous. The individual becomes autonomous and free
in a fragmented society and in the consequent fragmentation of consumption. It emerges a new retail, the virtual,
electronic retail. The anthropology of consumption to allows an enlargement of the concept of values connection or link
value. In studies of consumption behaviour, the quantitative positivist methodology cedes space to contribution from
sociological and anthropological studies, especially to ethnography (COVA, 1997).
2.1 Symbolism and the Relationships with Daily Life and the Culture of Consumption
The “symbol” nowadays can configure something legitimate with to a feeling, act or even a product. The several
campaigns of sportive products employ diverse symbols, as brands and athletes to divulge goods and services to
consumers.
The cult to the consumption can be exemplified in the feature film “Goodbye Lênin”, directed by Wolfgang
Becker. At one point in that East Germany was unified with the hand saw West is interesting to note the narrative: "the
market turned the corner paradise consumer, where the consumer is king." In the film, socialism cannot impose
consumer capitalism.
The consumption symbolizes power, and as such, is theme as in the post-structuralism (Bourdieu, 1974;
Foucault, 2006) as in the modernism and post-modernism (COOPER; BURRELL, 1988). In the post-modernism the
devices of power become the consumption. At this point, consumer behaviour is complex. The goods are destined, for
instance, to smaller families, single mothers, or families with just one child. The marketing segmentation approaches
the post-modern consumption (or modern, or still, neo-modern) with redoubled attention, since that the individual is
fragmented and independent, and at same time, consumer of symbols which refer sophistication.
Augras (1967, p. 3) simplifies the conception of a symbol as something that represents other. To the authoress,
the relationship between the object and the symbol is abstract, unreal, but, serves to allow the adaptation of the men to
the reality. To the marketing, the reality of the day to day in terms of consumer behaviour is almost an unarguable
idealism. The attempt to understand the day to day of consumer can bring some advantages in comparison with others
marketing strategies. Thus, it is important to know more about the individuals’ reality, and in order to do that, is must
be regarded not just the individual, but the society where him is inserted.
According Berguer and Luckmann (2002) the reality of everyday life is organized around my body here and
now my present. There are other phenomena that interact with reality, as the world and the work around the
individual, which share with others his daily life. Is necessary to study not just the individual as consumer, but also to
how this lives in the society. In this context, the cultural dimension is a key factor.
McCracken (2003) think that the culture constitutes the phenomena world in terms of two concepts: cultural
categories (the differences employed in a culture to divide the world of phenomena; and cultural principles (basic
premises which allow that all cultural phenomena are distinguishable and inter-related). McCraken (2003)
complements arguing that the cultural meaning is absorbed from the world culturally constituted and transferred to
consumption good, and this fact, being such good in fact an object transferred to a consumer. The author highlight that
this transference of meaning as far as the final consumer occurs by publicity means and by product’s project.
At this moment, the symbolism becomes fundamental to publicist comprehension about what can approximate
a product of consumer expectation. Thus, the symbolic role must be able to verify what is the best environment to
develop the advertisement (urban, rural, executive), what (s) the genre (s) which have to be regarded, age, social class,
and other aspects that configure the symbolic space concerning the consumer.
According to Bourdieu (1974, p. 142) the market of symbolic goods is that more or less unified second the social
standards and dominated by the rules of the dominant market under the perspective of legitimacy. In this case, the
legitimacy refers to follow a legitimate culture, such as that experienced by the consumer. The social space (1974) is as
a field of forces where the social agents are defined for their relative positions. The questions related to physical space
are views by the author as social representations of several social groups, being such representations constituted by
differences in social positions, in the habitus and choices of the agents.
In general, the social space involves the set of distinct and coexistent positions (BOURDIEU, 1974, p. 18).
Differentiated positions are function of economic and social capital, and each class of positions correspond to a class of
habitus. According the author, habitus would be the mediation between structure and practice. Each individual
experiences his experiences second his position in the social structures, constituting an unconscious mode of future
orientation of the subject actions. Through of the habitus, the past survives in the actual moment and tends to subsists
in the individual future actions, a process called by Bourdieu (1974) as interiorization of the external and
exteriorization of the internal.
Bourdieu (1974, p. 190) comments on habitus socially constituted, as being that which the consumer feel
himself ideologically inserted due to characteristics of group of agents. So, there are specific behaviours of teenagers
when they are together in a shopping mall speaking about some argument of interest. In this habitus, it is possible to
verify gestures, expressions, languages and other factors that can serve as characteristics which could compose the
symbolic space of this kind of consumer. The habitus has the function to attach the practices, the individuals and their
goods, associating the position with a unique life style of a determined class. The brands of the social position which the
individual occupies, the symbols, beliefs and preferences being incorporated, become portion of the nature of the
consumer, that is, a habitus.
According Slater (2002), the culture of the modern consumption derives from the individualism and from
market relations. In this sense, Slater (2002, p. 18) observes that the consumption culture is related to the modernism
or post-modernism, since the consumption culture is not a late consequence of industrial modernization and cultural
modernity, but, in fact, part of the own construction of the modern world. In this sense, the consumer and the act to
consume appertain to a constructed reality, in which there are symbolic and economic changes, where goods produced
by organizations and institutions are acquired by individuals in their daily life.
7
In discussing about theories on culture and consumption, Featherstone (1995, p. 31) identifies three
perspectives: (1) conception of consumption culture as a premise of the expansion of the capitalist production of goods
(Marcuse, 1964; Lefebvre, 1971; Lukács, 1971; Horkheimer; Adorno, 1983); (2) social conception in which the
individuals use goods in order to create ties or to establish social distinctions (Leiss, 1978; Douglas e Isherwood, 1980;
Hirshman, 1982; Bourdieu, 1984); and (3) conception of the emotional pleasures of consumption, where the cultural
consumerist ideal produces physical excitation and esthetical pleasures (SIMMEL, 1978; BENJAMIN, 1982; BAILEY,
1986; URRY, 1988; ZUKIN, 1988).
Featherstone (1995) presented an evolution of the culture of consumption showing the shift from the
economic culture to that of social relationships, as far as the relation of consumption culture by means of dreams,
images and pleasures. The symbolism is seen as part of consumer culture, passing by the processes of life style,
marketing and design.
Based on the north-American consumption, cradle of the capitalist consumption, Limeira (2008) cites four
processes that contributed to the development of the society of consumption: (1) industrial production; (2) mass
distribution; (3) credit availability; and (4) overhead consumption of industrialized products. The authoress reinforces
in commenting that actually the majority of the population consumes above its basic needs, and that consumption
practices are socially accepted as source of satisfaction and pleasure. The identity of the modern individual is
constructed with basis on the life styles defined by consumption.
The consumption as a social process represents how the people must live and how the society is or should be
organized. The consumption is allied with the symbolic structure of the daily life, thus, it is not possible to deny the link
between society of consumption and modernity (SLATER, 2002). According to the author the symbolism earlier
propagated by mean of publicity and communication mass, begins to be treated with more sophistication, passing over
the use of the design, marketing, and arriving to the individual in department stores or even in his residence.
2.2 Consumer Behaviour, Symbolism and Post-Modernism
According Mowen and Minor (2003, p. 3) consumer behaviour can be defined as the study of purchaser unities
and the processes of change involved in acquisition, consumption, and goods’ availability, services , experiences and
ideas. In this conception it is can be noted yet the presence of a word that is also common to the meaning of symbolism
in relation to the consumption goods: change. This change goes beyond the economic sense of the word. The change is
also disclosed in terms of value, meaning and satisfaction.
According Wilkie (1994, p. 14), consumer behaviour is the set of mental, emotional and physical activities, in
which the people attend in selecting, buying, using, and disposing products and services in order to satisfy necessities
and wishes. In referring to emotional and mental activities, and to cite satisfaction and wishes, the author approaches
the consumer behaviour definition with that of symbolism, being that both of conceptions bring meanings of power to
the individual.
The consumer behaviour area is supported by models and conceptions that permeate the objective and the
subjective, the quantitative and the qualitative, and it can be analyzed through of mathematical model, with the
objective to respond specific questions, be through explicative models analyzing the reasons involved in consumer’s
decision making process. The mainly explicative models are those of Engel, Blackwell e Miniard (2000), the model of
Howard-Sheth (1969) and that of Sheth, Mittal e Newman (2001).
The model proposed by Howard e Sheth (1969), presents five main relations: (1) stimuli (marketing,
symbolical, social); (2) perceptual schemas (attention and perceptual bias); (3) learning schemas (motives, attitudes,
intention; (4) purchase; and (5) satisfaction. The authors state the symbolical and social stimuli as primary cognitive
activities of consumer behaviour, which starting to the decision making process of purchase. In the marketing field, the
symbolism is viewed as an emotional element associated to the product, which brings an effective contribution to the
brand.
Sheth, Mittal and Newman (2001) enlarge the consumer behaviour scope in observing that the organizations
must search for value creation to the consumer through the management of loyalty and notoriety to the brand. Here, it
is observed the sign as being the brand, which brings as change symbolical value what itself represents to the
consumer. In this context, the brand has the sense of intangible values to the consumer.
To Engel et al. (2000), the intangible values can be represented of social values or individuals that influence the
purchase and the consumption, according to the Berguer e Luckmann’s (2002) conception of sharing individual's social.
The consumption is viewed by scholars in the area of consumer behaviour as something which can be harmful to the
individual, especially in cases of incentive in to consume products as cigarettes and alcoholic drinks, which are risky to
the health (HAWKINS et al., 2007). To the authors, the excessive consumption of superfluous goods and services can
damage the saving, which, in the case of old people, helps with the expenditures of health treatments and complements
retirement stipends. In this context, the consumption can be viewed as something maleficent to the society.
According to Hawkins et al. (2007) the nature of consumer behaviour involves the auto-image and life style,
being these influenced by internal and external variables, resulting in a decision making process which characterizes
specific situations. The symbolism is present be in external aspects as culture, status social and marketing strategies, be
in internal aspects, as attitudes and emotions.
The consumer behaviour, according to Hawkins et al. (2007) , denotes a rational mental model of the individual
concerted with a psychological and social model, however, in this work it is regarded also a broader perspective among
individuals, society, organizations and consumption. In other way, to Sheth, Mittal e Newman (2001) e Howard e Sheth
(1969), the organizations as institutions appurtenant to society, observe the individual as that which wants not just his
needs, but also his feelings, expectancies and relationships with reference groups, that is, Family, friends and co-
workers. The way how the communication between organization and the individual as consumer, occurs by means of
symbolical and economical changes. The marketing appeal employed as a mean of contact between organization and
consumer occurs by the use of the language and brands, which express justly the expectancies and feelings of the
individual (Figure 1).
Figure 1 – Relationship among individual, society, organization and consumption Source: Elaborated by the authors based on Sheth, Mittal and Newman (2001), Howard e and Sheth (1969) and Bourdieu (1974).
Individual
SOCIETY
ORGANIZATION
Use of the language and brands
Relationships Feelings
Expectancies
Local Social Group (Family, friends, work)
Consumption by means of symbolical and
economical changes.
HABITUS
9
Rocha (1995) observes that in the field of anthropology, the cultural industry is a social fact, since that the
message produced by it is understood by society. The dream is transferred to the society by mean of the publicity which
explores the symbols and sign, as in the case of the exploitation of the brands through the means of communication. In
the view more specific of consumer behaviour, the social dimension is understood when the individuals are segmented
in social classes. The consumers associate the brand with specific social classes (ENGEL et al., 1995). In this sense, it can
be inferred that the habitus socially constructed, as referred by Bourdieu (1974), is something acknowledge in the
marketing view.
In the field of marketing the individuals search and purchase products, becoming consumers, since them are
looking for some meaning to that choice. Thus, a genuine Louis Vuitton bag is viewed as a sign which transfer the
symbolical value to a more capitalized class, and a replica of the same bag, is viewed by other social class less privileged
as also symbolic sign. In this example, what is important to highlight is the search for meaning, which in the case is the
meaning of “status and power”, that is, both classes hold a Louis Vuitton bag.
To Levy (1959) the consumer acquires in fact symbols but not just a product or service. According to the
author, the symbolic value is evaluated by the consumer for that what it represents. In the case of services, the
consumer perception is differentiated in comparison to tangible goods, because these are make tangibles by services
rendered in itself, as well as for that what the publicity of services informs the consumer.
The managers must regard the cultural symbols in order to better understand the consumer behaviour. To
Mowen and Minor (2003, p. 306) symbols are entities that represent ideas and concepts, which are able to
communicate meanings in a more rapid and effortless way. The authors highlight that products and services are
consumed due its symbolic values, as in the automotive industry, which communicates symbolic values to automobiles
as synonym of security (Volvo), design (Fiat), cost X benefit (Tata), status (Mercedes), strength (Volkswagen), velocity,
status and privilege (Ferrari), among others. In all of these examples the communication with the Market involves the
symbolism, be in the brand, slogan, personage, or publicity.
In the post-modernism, the analysis of consumer behaviour becomes fundamental in order to better
understand how occurs the individual independence of the consumer, which is characterized by unpredictability.
However, the consumer behaviour does not support of its own accord to understand this individual. Oliveira (2008)
reinforces the post-modern discourse of Cova (1997), stating that consumer choices are based in the capacity of the
products and services to give support to the social interactions which permeate the formation and maintenance of
communities with specific meanings. The post-modernity brought changes in the consumption, passing from the
emphasis given to the value of use to the value of connection, this last more and more plural and complex.
The individual postmodern quickly adapts to the environment, realizing a great amount of interactions over
time. The individual postmodern quickly adapts to the environment, realizing a great amount of interactions over time.
However, postmodernism is not well accepted by some theoretical marketing, such as Hunt (2002). The author sees
postmodernism as normative, not scientific, and not palpable. There is a consensus among scholars that
postmodernism is indeed something so spectacular, beyond the modern and revolutionary.
Even with the criticism of postmodernism, some of his contributions are for the manager in organizations
perceives the consumer as a complex individual who has several interactions and that is changing in terms of choices.
That is, the individual consumes itself but can also be induced consumption. Even with research about consumer
behaviour, there is no single model or an opinion to prevail or answer how and why people consume. There are
explanatory models, specific and tested, however, cannot answer any questions about the use and symbolism that lead
people to buy.
3 Methodology
In relation to the methodological concerns, it was decided to develop an theoretical essay, based on the
knowledge from human and social sciences, as Management (organizational studies, marketing and consumer
behaviour), Economics, Philosophy, Psychology, Anthropology and Sociology.
The essay is much employed in the social sciences, an option of analysis and lucubrations relative to the object,
independent of its nature or characteristic (MENEGHETTI, 2009; WEATHINGTON, 2010). The assay causes a logical and
reflective reflection, allowing a variety of personal interpretations. These interpretations, in turn, stimulate reflections
that can illuminate some aspects of the argument here investigated, and thereby contribute to the sciences (ADORNO,
1986; 1991).
4 Conclusions, Recommendations and Limitations
This assay allowed in a first reading, saying that while the individual social actor, belonging to a given reality,
assumes different roles, including that of consumer. The symbolic value is translated as power. The consumer is
accepted by society because of who owns and uses.
In this paper becomes visible social belonging originated in the possibility and the act of consumption.
Campbell (1983) and Barbosa and Campbell (2006) corroborate the consumer society, to address us about modern
consumerism.
Another finding of this study was to discussion revealed the importance of society towards individuals. The
society in its mystical paths zooms in and out individuals when it comes to the issue of consumption. It was found in
this research that consumerism is studied in different sciences, however, sociology stood out as the science that most
closely matches the theme of consumption, and therefore the research of consumer behaviour.
As a consumer, the individual carries out your wishes according to the symbolic power which is passed
through the marketing communication and semiotics, using signs. It was observed by the researchers reported that
consumer behaviour provides data and information that enable managers to make decisions more arguments about
product launches and consumer trends
Another note given by this article reveals that interest in the consumption of material goods has led to the
consumption of representations in contemporary society. The lifestyle of characters found in television programs,
novels, movies and commercials alienate people and format a consumption-based "hyper-reality in the society of the
spectacle" as Baudrillard says (1968, 1981). Added to this context, the postmodern culture, which is represented by the
signs, confirming the dematerialisation of products.
The participation of individuals in social groups that share common symbolic universes as pointed out by
Berger and Luckmann (2002) takes us to a vision of postmodern consumption, in which the "tribes" while new forms of
groups are targeted segments of research marketing.
In terms of recommendations for future studies, we suggest the bibliometric studies on the topic, which enable
a broad survey of the state of the art publications involving the subject. Even being a theoretical paper in essay form, it
11
is also suggested empirical research, which may point results presented here in the form of questions and assumptions
in relation to consumption.
Limitations of this study point to a specific number of researchers and scholars consumption. This essay is to
awaken a thematic principle, the theme "symbolism / consumption" is not exhausted. Because this paper an essay and
not a ready answer, the reader is invited to broaden the debates and discussions about consumer behaviour and
consumption before the symbolic value: are managers prepared to understand this relationship and to develop
effective marketing strategies to attend to consumers? Perhaps this is the best message or contribution to this test be
used by managers in their marketing strategies possible!
References
ADORNO, T. W. (1986). O ensaio como forma. In: Sociologia: Adorno. São Paulo: Editora Ática.
___________________. (1991). Actualidad de la filosofía. Colección Pensamiento Contemporáneo. España, Barcelona:
Ediciones Piados.
AUGRAS, M. (1967). A dimensão simbólica. Rio de Janeiro: FGV, 1967.
BAGOZZI, R. P.; GÜRHAN-CANLI, Z.; PRIESTER, J. R. (2002). The social psychology of consumer behaviour. Open
University Press: Buckingham, Philadelphia.
BARBOSA, L.; CAMPBELL, C. (2006). Cultura, consumo e identidade. Rio de Janeiro: FGV.
BAILEY, P. (1986). Music hall: the business of pleasure. Milton Keynes: Open University Press.
BAUDRILLARD, J. (1968). Le système des objets: la consummation des signes. Paris: Denoel-Gonthier.
________________. (1981). For a critique of the political economy of the sign. St. Louis: Telos, 1981.
________________. (2008). A sociedade de consumo. 2. ed., Lisboa, Portugal: Edições 70 LDA.
BAUMAN, Z. (1997). A sociological theory of postmodernity. European Journal of Marketing, vol. 31, n 3, 4.
________________. (1999). Modernidade e ambivalência. Rio de Janeiro: Zahar.
________________. (2001). Modernidade líquida. Rio de Janeiro: Zahar.
BENJAMIN, W. (1982). Das passagen-werk. Frankfurt: Suhrkamp.
BERGUER, P. L.; LUCKMANN, T. (2002). A construção social da realidade: tratado de sociologia do conhecimento.
Petrópolis: Vozes.
BOURDIEU, P. (1974). A economia das trocas simbólicas. São Paulo: Perspectiva.
BOURDIEU, P. (1984). Distinction: a social critique of the judgment of taste. Londres: Routledge & Kegan Paul.
BRAIDOT, N. P. (2005). Neuromarketing: neuroeconomia y negocios. Madrid: puertoNorte-SUR.
CAMPBELL, C. (1983). Romanticism and the consumer ethic: intimations of a Weber style Thesis. Sociological Analysis,
v. 44, n. 4.
CARRIERI, A. P.; PAULA, A. P. P.; DAVEL, E. (2008). Identidade nas Organizações: Múltipla? Fluída? Autônoma? Revista
Organizações & Sociedade (O&S), v. 15.
CARVALHO, J. E. (2009). Neuroeconomia: ensaio sobre a sociobiologia do comportamento. Lisboa: Europress.
COOPER, R.; BURRELL, B. (1988). Modernism, post modernism and organizational analysis: an introduction.
Organization Studies, n. 9.
COVA, B. (1997). Community and consumption: towards a definition of the linking value of products or services.
European Journal of Marketing, v. 31, nº 3/4.
COVA, B.; COVA, V. (2002). Tribal Marketing: the tribalisation of society and its impact on the conduct of marketing.
European Journal of Marketing, v. 36, n 5/6.
DOUGLAS, M.; ISHERWOOD, B. (1980). The world of goods. Harmondsworth: Penguin.
DURKHEIM, E. (2000). O suicídio: estudo de sociologia. São Paulo: Martins Fontes.
ENGEL, J. F.; BLACKWELL, R. D.; MINIARD, P. W. (1995). Consumer behaviour. Fort Worth: The Dryden Press.
FEATHERSTONE, M. (1995). Cultura do consumo e pós-modernismo. São Paulo: Studio Nobel.
FOUCAULT, M. (2006). Microfísica do poder. 22. ed. Rio de Janeiro: Grall.
FOXALL, G. R. (1986). Consumer theory: some contributions of a behavioural analysis of choice. Management
Bibliographies and Reviews, v. 12.
GIDDENS, A. (2009). A constituição da sociedade. 3. ed. São Paulo: WMF Martins Fontes.
GONZÁLEZ REY, F. L. (2003). Sujeito e subjetividade: uma aproximação histórico-cultural. São Paulo: Pioneira Thomson
Learning.
HAWKINS, D. L.; MONTHERSBAUGH, D. L.; BEST, R. J. (2007). Comportamento do consumidor: construindo a estratégia
de marketing. Rio de Janeiro: Elsevier.
HIRSHMAN, A. O. (1982). Shifting involvements. Oxford: Basil Blackwell.
HORKHEIMER, M.; ADORNO, T. M. (1983). Dialética do esclarecimento. Rio de Janeiro: Zahar.
HOWARD, J.; SHETH, J. (1969). The theory of buyer behaviour. New York: John Wiley & Sons Ltd.
HUNT, S. D. (2002). Foundations of marketing theory: towards a general theory of marketing. Nova York: Sharpe.
KUHN, T. S. (1987). A estrutura das revoluções científicas. São Paulo: Perspectiva.
LEFEBVRE, H. (1971). Everyday life in the modern world. Londres: Allen Lane.
LEISS, W. (1978). The limits to satisfaction. Londres: Marion Boyars.
LEVITT, T. Marketing myopia. (1960). Harvard Business Review, v. 38, jul-aug.
LEVY, S. J. Symbols for sale. (1959). Harvard Business Review, v. 4, Jul.
LIMEIRA, T. M. V. (2008). Comportamento do consumidor brasileiro. São Paulo: Saraiva.
LINDSTROM, M. (2008). Buy.Ology: how everything we believe about why we buy is wrong. London: Random House Business Books. ______________. (2009). A Lógica do Consumo: verdades e mentiras sobre por que compramos. Rio de Janeiro: Nova Fronteira. LUKÁCS, G. (1971). History and class consciousness. Londres: Merlin Press.
MARCUSE, H. (1964). One dimensional man. Londres: Routledge & Kegan Paul.
McCARTHY, E. J. (1982). Essentials of marketing. Irwin: Homewood, Illinois.
McCRAKEN, G. (2003). Cultura e simbolismo: novas abordagens ao caráter simbólico dos bens e das atividades de
consumo. Rio de Janeiro: Mauad Editora.
___________________. (2007). Cultura e consumo: uma explicação teórica da estrutura e do movimento do significado
cultural dos bens de consumo. RAE - Revista de Administração de Empresas, v. 47, n.1 jan./mar.
McKENDRICK, N.; BREWER, J.; PLUMB, J. H. (1982). The birth of a consumer society: the commercialization of
eighteenth- century England. Bloomington: Indiana University Press.
MENECHETTI, F. K. (2009). O que é um Ensaio-Teórico? In: II EnEPQ, Encontro de Ensino e Pesquisa em Administração
e Contabilidade, 2, 2009, Curitiba. Anais... Curitiba: Anpad.
MESQUITA, J. M. C. (2004). Atributos Explicativos da Intenção de Recompra em Supermercados. Tese (Doutorado).
Universidade Federal de Minas Gerais. Centro de Pós-Graduação e Pesquisa em Administração.
MOWEN, J. C.; MINOR, M. S. (2003). Comportamento do consumidor. São Paulo: Prentice Hall.
MUKERJI, C. (1983). Form graven images: patterns of modern materialism. Nova Iorque: Columbia University Press.
13
OLIVEIRA, S. A. L. (2008). O homem e o shopping: um estudo de caso sobre o significado de ir ao shopping, Dissertação
(Mestrado) – Centro de Pós-Graduação e Pesquisas em Administração da Universidade Federal de Minas Gerais, Belo
Horizonte.
POLANYI, K. (1957). The great transformation: the political and economic origins of our time. Boston: Beacon Press.
RICOEUR, P. (1988). Interpretação e ideologias. Rio de Janeiro: F. Alves.
ROCHA, E. (1995). Sociedade do sonho: comunicação, cultura e consumo. Rio de Janeiro: Mauad Editora.
SAMPAIO, D. O. (2012). Intenção de compra e consumo de alimento orgânico no varejo: um estudo sobre as crenças,
atributos e grupos de referência. Tese (doutorado). Universidade Federal de Minas Gerais. Centro de Pós-Graduação e
Pesquisa em Administração.
SIMMEL, G. Fashion. (1904). International Quarterly, v. 10.
_____________ . (1978). The philosophy of Money. Londres: Routledge & Kegan Paul.
_____________. (1998). Conceito e tragédia da cultura. In: SOUZA, J OELZE, B. (org.) Simmel e a modernidade. Brasília,
Editora UNB.
SHETH, N. J.; MITTAL B.; NEWMAN, B. I. (2001). Comportamento do cliente: indo além do comportamento do
consumidor. São Paulo: Altas.
SLATER, D. (2002). Cultura do consumo & modernidade. São Paulo: Nobel.
SOLOMON, M. R. (1998). Consumer behaviour: buying, having and being. (4 th. ed.). New Jersey: Prentice Hall.
SOUSA, C. V. (2012). Neurociências e Marketing: explorando fronteiras diádicas e integrando metodologias para a
compreensão do comportamento do consumidor. Tese (doutorado). Universidade Federal de Minas Gerais. Centro de
Pós-Graduação e Pesquisa em Administração.
URRY, J. (1988). Cultural change and contemporary Holiday-making. In: Theory, culture & society, 5(1).
VEBLEN, T. (1912). The theory of the Leisure Class. Nova Iorque: McMillan.
WEATHINGTON, B. L.; CUNNINGHAM, C. J. L.; PITTENGER, D. J. (2010). Research methods for the behavioural and social
sciences. Holboken, New Jersey: John Wiley & Sons.
WILKIE, W. L. (1994). Consumer behaviour. (3 th. ed.). New York: Wiley & Sons.
WILLIAMS, R. H. (1982). Dream worlds: mass consumption in late nineteenth century France. Berkeley: University of
California Press.
ZALTMAN, G. (2003). Afinal, o que os clientes querem? O que os consumidores não contam e os concorrentes não sabem?
2. ed. Rio de Janeiro: Elsevier, 2003.
ZUKIN, S. (1988). Loft living. (2 th. ed.). London: Hutchinson Radius.