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Construction for the Camera James Casebere and Yamini Nayar

Construction for the Camera James Casebere and Yamini Nayar

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Page 1: Construction for the Camera James Casebere and Yamini Nayar

Construction for the Camera

James Casebere and

Yamini Nayar

Page 2: Construction for the Camera James Casebere and Yamini Nayar
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James Casebere

Page 5: Construction for the Camera James Casebere and Yamini Nayar

The New York Times MagazineMay 5, 2013 cover

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Yamini Nayar

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Chrysalis (2013)

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Chrysalis (2013) – in process

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Chrysalis (2013)

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Yamini Nayar, On Form and Growth, 2013C-prints and felt-tip pen on c-print, series of 58 x 10 each, edition of 5Thomas Erben Gallery

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Yamini Nayar, Past Present, 2013C-print; 50 x 40”; Edition of 5

Thomas Erben Gallery

Page 20: Construction for the Camera James Casebere and Yamini Nayar

“Built structures – from religious to the mundane – and found imagery are starting points for my installations… My practice is process oriented, combining elements of sculpture, assemblage and photography. The materials I work with are common – plaster, branches, wood, Styrofoam, and found imagery culled from online archives. Once I choose a starting image, I research various aspects of the scene – images and texts – and work to re-imagine the scene. The final image emerges over time and through the construction and reworking of the structure and contents in a given scene.” --Yamini Nayar