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Genre Author(s): Douglas Blau Source: Art Journal, Vol. 54, No. 2, Conservation and Art History (Summer, 1995), pp. 6-13 Published by: College Art Association Stable URL: http://www.jstor.org/stable/777456 . Accessed: 14/06/2014 09:03 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . College Art Association is collaborating with JSTOR to digitize, preserve and extend access to Art Journal. http://www.jstor.org This content downloaded from 185.2.32.21 on Sat, 14 Jun 2014 09:03:09 AM All use subject to JSTOR Terms and Conditions

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Page 1: Conservation and Art History || Genre

GenreAuthor(s): Douglas BlauSource: Art Journal, Vol. 54, No. 2, Conservation and Art History (Summer, 1995), pp. 6-13Published by: College Art AssociationStable URL: http://www.jstor.org/stable/777456 .

Accessed: 14/06/2014 09:03

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

College Art Association is collaborating with JSTOR to digitize, preserve and extend access to Art Journal.

http://www.jstor.org

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Page 2: Conservation and Art History || Genre

artst' pag Genre

Douglas Blau

DOUGLAS BLAU's recent New York exhibitions include The Naturalist Gathers at SteinGladstone

(1992), Genre: The Conversation Piece at

Sperone Westwater (1993), and Stills at the Museum of Modern Art (1994).

Douglas Blau * GENRE (G:CP 2.1 - 2.3) * 1. John Hamilton Mortimer, The Artist, Joseph Wilton, and a Student, ca. 1779, oil on canvas. Royal Academy of Arts, London. * 2. James Gunn, G. K. Chesterton, Maurice Baring, and Hilaire Belloc, 1932, oil on canvas. National Portrait

Gallery, London. * 3. Werner van den Valckert, The

Anatomy Lesson of Dr. Sebastiaan Egbertsz. de Vrij, 1619, oil on canvas. * 4. Justin N. Locke, Cartographers, ca. 1949, Ektachrome photograph. National Geographic Magazine. * 5. 19th-century photograph. * 6. Circle of Antonio Zanchi, Archimedes Instructing the Egyptians in

Astrology, ca. 1681, oil on wood. Private collection. * 7. The Prisoner, 1968, black-and-white photograph. * 8. The

Exterminating Angel, 1962, black-and-white photograph. * 9. Joseph Wright of Derby, Three Persons Viewing the Gladiator by Lamplight, 1765, oil on canvas. Private collection. * 10. Michelangelo Merisi da Caravaggio, The

Cardsharps, ca. 1594, oil on canvas. Private collection. *

11. The Fountainhead, 1949, black-and-white

photograph. * 12. Caravaggio, Supper at Emmaus, ca. 1606, oil on canvas. National Gallery, London. * 13. Alfred Eisenstaedt, American Delegation at the Bretton Woods Conference, 1944, black-and-white photograph. Life Magazine. * 14. British Agent, 1934, black-and-white

photograph. * 15. Wright of Derby, A Philosopher Giving a Lecture on the Orrery, in which a Lamp Is Put in Place of the Sun, 1766, oil on canvas. Derby Art Gallery, Derby, England. * 16. Massimo Stanzione, Group Portrait, ca. 1642, oil on canvas. Private collection. * 17. Bill Hedrich, Frank Lloyd Wright with Students, Taliesin East, Spring Green, Wisconsin, 1937, black-and-white

photograph. * 18. David Octavius Hill and Robert Adamson, Untitled, 1843-47, salt print from paper negative. Paul F. Walter Collection, Museum of Modern Art, New York. * 19. Marcel Duchamp Around a Table, 1917. * 20. Board of Directors, color photograph, 1968. Fortune Magazine. * 21. Matthew Pratt, The American School, 1765, oil on canvas. Metropolitan Museum of Art, New York. * 22. Henri Fantin-Latour, A Studio in the

Batignolles Quarter, 1870, oil on canvas. Musde D'Orsay, Paris. * 23. Briefing, 1959, color photograph. National

Geographic Magazine. * 24. Forbidden Planet, 1956, black-and-white photograph. * 25. Honord Daumier, Visitors in an Artist's Studio, 1869, ink, watercolor, and

gouache on paper. Montreal Museum of Fine Arts. * 26.

Alexandre Decamps, The Experts, 1837, oil on canvas.

Metropolitan Museum of Art, New York. * 27. B. Anthony Stewart, A Lieutenant in the Navy Press Room Points to

Places Where the Atlantic Fleet Is Picking off Axis Submarines, 1942, black-and-white photograph. National

Geographic Magazine.

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Page 3: Conservation and Art History || Genre

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