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A comparative essay looking at Coney Island and The White City of Syracuse, comparing the reasons for their popularity and ultimate decline.
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12 April 2013
Sai Prateek Narayan
ARC338: American Architecture – 1860 to WW1
Professor Jonathan Massey
Term Research Paper
Coney Island and The White City of Syracuse – A Pretext for Popularity
Fig. 1: Construction of the New York Subway (left) showing what the state of Manhattan was at the time of the immigrant
influx, and Coney Island in its full glory (right) indicating that there was a great desire for a getaway spot by the water for fresh
air and relaxation.
With the sudden development and growth of New York City in the mid-
nineteenth century, residents were constantly at an attempt to escape from the
rising population and rapid growth of buildings to areas of leisure; a more quiet and
open location for them to relax and be entertained was of great significance to the
average New York family. It was fortunate that Coney Island, being close enough to
Manhattan so as to not be a hindrance, yet distant enough to be considered a
holiday spot, was commencing its development. However, despite a great influx of
European immigrants and great expansion of the New York Subway, among other
impactful events in the late nineteenth and early twentieth centuries, Coney Island
seemed to benefit from this mass immigration and development. These certain
factors may not have positively affected Manhattan, but with regards to Coney
Island, these factors proved to not only provide this leisure locality with a massive
population, but also helped in its economic growth, until its ultimate decline.
On a similar note, due to the popularity of the World Columbian Exposition
held in Chicago in 1893, the Midway Plaissance in particular, there raised a sudden
growth in amusement parks that provided relaxation and entertainment to all
families, which came to be known “White Cities”. These White Cities provided
families of Upstate New York with forms of entertainment and amusement in the
forms of carnival rides and Ferris Wheels. Due to the influx of immigrants that
entered the United States of America, which mainly happened via ship, majority of
the immigrant population preferred to stay closer to the port as they were all of low
income families and could not afford to travel as far as Upstate. With this in mind
we can state that The White City of Syracuse was nearly not as popular as Coney
Island. However, to the then residents of Upstate New York, The White City was an
area for both visitors and residents to go and suffice their needs for entertainment
and amusement on a weekend. Undoubtedly, we can tell how the Luna Park of
Coney Island, implementing similar forms of amusement rides, heavily influenced
this amusement park. It is with these similarities that we can suggest that there
were similar reasons that resulted in the popularity and growth of the White City of
Syracuse.
It is critical to understand what factors in the mid to late nineteenth century
triggered the full-scale growth of Coney Island. Located on the borders of the
developing conurbation of New York City, Coney Island appeared to rise out of the
ocean, just in time as The United States of America was securing its status as a
“financial, industrial and cultural capital”i. The city obtained a constant urge to
reinvent and develop itself further. With the installation of Edison light bulbs in Lower
Manhattan, the inauguration of Roebling’s Brooklyn Bridge and the commencement
of skyscraper construction within the next few years. Towards the end of the
nineteenth century, The United States of America gained victory in the Spanish
American War, and was finally getting worldwide recognition as an up and coming
“formidable global power”ii. This was also around the same time that New York
came to a decision to consolidate the five boroughs of New York City, namely
Queens, Bronx, Brooklyn, Manhattan and Staten Island). These events, all
happening at a similar time prompted the recognition of New York City alongside
London as one of the word’s cities. It was because of this recognition that New
York City became a destination for Europe’s lower class communities.
Fig. 2: Number of immigrants from various European countries from 1860-1910
It is estimated that in the span of the early nineteenth to the early twentieth
century, more than 30 million immigrants arrived within The United States of
America. Majority of these immigrants were from Europe’s lower classes, and
having to cross the Atlantic Ocean, chose New York City as their destination, and
had to pass through either Castle garden or Ellis Island, two of the country’s many
immigrant centers. The first wave of immigrants arrived in the mid-nineteenth
century, and was composed of Irish and German lower classes. Due to a massive
famine that impoverished the country, the Irish immigrants were extremely poor in
the rapidly growing city of New York and opted to stay by the ports through which
they entered the city, rather than spend what little money they had on travelling to
different parts of the country. The German immigrants, on the other hand, chose to
come to The United States of America as a means to escape the terrors of The
German Revolutions and World War 1. They were at an advantage to the Irish
immigrants, in the way that they were more educated and learned, and were
talented at a variety of crafts. Many bakeries, cabinetmakers as well as construction
companies employed German immigrants for these talents. However, this was only
a significant percentage of the total German immigrant population. The rest moved
towards the Midwest and took up farming as their main sources of incomeiii. The
second wave of immigrants came from Russia, and were mainly of Jewish descent,
and where the Irish and Germans proved beneficial in the agricultural and artistic
professions, they proved their worth. Unfortunately having to depart their homeland
for various threats and attacks against the Jewish population in Russia. This set of
immigrants, majority of which turned out to have experience in the field of crafts and
design, and despite a negligible amount employed within the garment and textile-
based professions, they were still residents of a low-income community, like the
rest of the European immigrants at the timeiv.
This incredibly rapid population growth brought into existence several
negative consequences. Due to the low-income communities of immigrants lacking
the necessary financial stability required in a developing city like New York City, they
were unable to move out of the city, hence staying exactly where they set foot – by
the ports. Without the financial stability, they began to live in unhealthy and
congested conditions, giving rise to what we now call “ghettos” – the basic failure
of an immigrant’s attempt at the American Dream. With this divide due to financial
strain rising in New York City, a distancing in social classes arose, dividing the low-
income immigrant population and well-to-do residents of New York City.
Another reason that led to Coney Island’s expansion was the proximity to
New York City. With the rapid growth of New York City, both in terms of population,
which resulted in the dire need for more residential buildings, the city began to get
congested, creating what is now called “the concrete jungle”, and apart from
Frederick Law Olmstead’s masterpiece of Central Park, both the new and old
residents of New York City felt a need for a space that provided both entertainment
and relaxation in an area free from buildings, providing a lot of open space and
fresh air. With the introduction of the subway system in the mid-nineteenth century,
there was a great amount of construction taking place through the street. Due to
the construction there was a need to spend more time at a place with fresh air and
less noise levels. Coney Island was the best choice, as it proved to be distant
enough from the city that provided sea breeze and open spaces, and yet close
enough to the city, that it be accessible and affordable. Thus, various developers
and entrepreneurs in New York City, realizing the masses’ need for a more open
public leisure space, saw Coney Island as a hotspot to generate income through
pleasure.
Of the several events that led to Coney Island’s growth, the most drastic
positive impact was due to the creation of the cheap transportation and
amusement fares. During the first two decades of the twentieth century, Coney
Island was undergoing a dramatic transformation. Due to the massive population
expansion of the city, along with the need for a larger public space for amusement
and relaxation, the creation of the five-cent subway line. A visitor to Coney Island
would have to pay five cents as a fare to ride the subway, as well as pay an
additional five cents for the amusements they desired. It was this popularity due to
affordable entertainment that Coney Island was then nicknamed “The Nickel
Empire”.v
Despite there being a great challenge in the comparatively small size of
Coney Island to the constantly growing population of New York City, it was visited
by New Yorkers from all parts of the economic spectrum. Due to the fact that over
20 million immigrants had entered The United States through New York City
between 1881 and 1920, around forty percent of New York City’s population was
foreign-born, and an even greater percentage claimed to have foreign parentage,
which was a result of the large influx of Eastern and Southern European
immigrantsvi. Coney Island had indeed been transformed into a “paradise of a
proletariat”. Over 20 million nickel fares were collected at the Stillwell Avenue
Subway alonevii. It was clear that this huge demographic change in New York City
was not only reflected in Coney Island, but also led to an even greater amount of
expansion. The famous boardwalk, despite being almost 3 miles long, was
repositioned and expanded. The beach, as well, was expanded and new sand had
to be brought in to add to what existed. Streets had to be realigned and widened to
account for the rising pedestrian and vehicular gridlock. Apart from these
momentous changes, new landmarks were being added to Coney Island’s
comprehensive skyline, such as the 150-foot tall Wonder Wheel by Herman
Garmsviii.
It was with these various events take affected New York City, both positively
and negatively, that resulted in Coney Island’s popularity among the old and new
residents of New York City. With the entrepreneurs belief that Coney Island can be
directed towards the massive immigrant and non-immigrant population for the use
of entertainment and relaxation, it proved to be one of the city’s most acclaimed
leisure spaces for residents of all economic and financial status, and despite the
downfall of Coney Island after the Second World War, is still an area well visited for
it’s open space and proximity to the Atlantic Ocean and fresh air.
Needless to say, the fact that Coney Island was a hotspot for a majority of
the middle and lower classes as well as the incoming influx of immigrants in the late
nineteenth and early twentieth centuries as a means of escaping the frustrations of
the rapid development of New York City. However, as several immigrants entered
and traveled to various parts of the country, they brought along with them the
desire for generating leisure and entertainment spaces. With the worldwide
recognition of the Midway Plaissance from The World Columbian Exposition of
1893, as well as the Pan-American Exposition of 1901 (which led to the
construction of the first Luna Park in Coney Island), there was a sudden hysteria in
building amusement parks and leisure spaces. This urge is what mainly gave rise to
the several White City amusement parks built across the country in the early
twentieth century. These areas of entertainment were called “White Cities” due to
the overall whitewashing of the park, as well as the incredible amounts of lighting.
In the city of Syracuse, New York, construction began on a pier at the end of
Salina Street, one of the main streets through which one traverses through the city.
Built by the railway in 1888, this came to be known as The Iron Pierix. This name,
being a misnomer as the pier was built only out of wood, and was of more
importance to horse cars and boats as a means of a transport hub. It was also a
hotspot for entertainment and social interaction, as it constituted various forms of
interactivity, such as dancing halls, areas for concerts, bowling arenas, restaurants,
as well as different aquatic activities for frustrated city dwellers at summer time. The
Iron Pier, unfortunately, began to lose its popularity in 1906, and ended in March
1907x. However, it was around the dying years of this leisure space that The White
City of Syracuse was born.
Fig. 3: Map of Onondaga Lake, indicating how The White City of Syracuse in on the southwestern end of the lake,
and how the Iron Pier is across the lake from it.
The White City in Syracuse, located on the Southern end of Onondaga Lake,
in particular, despite it’s short life span, was intended to be an amusement park for
miles around. Ironically, the planning and building of the White City of Syracuse was
entrusted to F. F. McIver, the builder of Luna Park. Construction on The White City
began in the early months of the twentieth century on the 12-acre piece of land,
across the Holcomb Steel Plant on an area called “The Hedges”xi.
After the Columbian Exposition of 1893 and the start of Coney Island’s
construction, entrepreneurs from New York City began to notice that the need for
an area similar to the functions of Coney Island. It was in this way that they decided
to build an amusement park on Onondaga Lake, being the closest body of water to
Syracuse, providing a great form of leisure and relaxation to an area like Central
New York, which was an unfortunate distance from the larger bodies of water.
Similarly to Coney Island’s most popular time when it gained the title “The Nickel
Empire”, these entrepreneurs consented to planning this amusement park with the
idea of a five-cent fare in mindxii.
The gates to The White City opened on Memorial Day in 1906, and as the
doors were open to the public, they were left in shock and awe. All the buildings
were painted in a pure shade of white, and around 25-thousand electric lights
decorated the entire area, both buildings and the ground. According to Christine K.
Shephard in her article in The Liverpool Courier in 1992, “it was estimated that a
crowd of 41,000 people attended on opening day.”xiii With an umpteen number of
facilities for entertainment, such as band concerts, vaudeville shows, not to mention
a 1,500-square foot ballroom for dancing events. The entire White City was
wrapped around a large bay, enclosed by a canopied boardwalk. The boardwalk
was lit up with several electric lights. It was indeed the fact that the then sanitary
body of water that was Onondaga Lake, as well as the several amusements
attracted the several people of Central New York. From the several amusements
found at The White City, such as the ballroom dancing, vaudeville shows, carousel
rides, and foods – the chute rides were by far the most popular forms of
entertainment in The White City. The “shoot-the-chutes”xiv ride consisted of boats
sliding down an incline into the central lagoon around which The White City was
situated. By intertwining the people of Central New York with the cool refreshing
feeling of water, as well as an adrenaline rush through the steep incline on which
the boat slides, was a exemplary method used to emphasize The White City as a
locale for leisure and entertainment.
Fig. 4: The White City of Syracuse at night, lit up with over twenty-five thousand electric lights, a spectacular sight.
Fig. 5: The Chute ride at The White City of Syracuse, the most popular ride at this amusement space. People would line up at
the top, to ride the boats down a steep incline right into the lagoon below.
Similar to how the more utilized mode of transport to get to Coney Island
was the railway system, due to the implementation of the five-cent fare, The White
City of Syracuse was also accessible through different modes of transport.
Steamboats were used to cross Onondaga Lake, the Delaware, Lackawanna and
Western Railroad, which was shut down a few years ago, reopened to use its old
coaches to transport passengers to the Oswego division of the railroad line. Apart
from these new and old forms of transport, the most exploited form of transport
was the electric line. A newly formed trolley company named “Syracuse, Lakeshore
and Northern Trolleys”. This company employed several old cars from a bankrupt
railroad company, and were extremely successful in providing transport to and from
The White City. According to the Syracuse Journal, out of the forty thousand
visitors to The White City, “eight thousand passengers arrived from Syracuse alone,
as cars ran every ten minutes and were extremely efficient”.xv
The initial years of The White City, comparable to Coney Island, were the
more popular and financially stable. In Coney Island, with the huge influx of
immigrants, the number of visitors to Coney Island gradually increased. However,
after the Second World War, the popularity of Coney Island began to drop as a
result of fires coming to life in the various amusement parks, not to mention the
years of neglect. The White City, after its foundational years, began to lose interest
among its valued customers. Due to the rise of the automobile industry, people
began to acquire vehicles and travel to several areas of relaxation outside Syracuse.
One of the other reasons that led to the ultimate demise of The White City was the
Solvay process implemented on the banks of Onondaga Lake. The several wastes
and residues of the process were dumped into the lake, thereby gradually
culminating in large quantities of aquatic pollution. These two situations created a
negative impact so large on The White City that it was torn down in its prime, living
a life of only ten years.
In this comparision we are brought to realize that both Coney Island and The
White City of Syracuse were localities used for relaxation and entertainment for all
ranks and classes, at a time where the United States of America was undergoing a
massive immigration growth. This influx proved to be a frustration for the citizens
and immigrants, as a constant desire for spaces for relaxation away from the rapid
development was imminent. It was with the rise of The Columbian Exposition of
1893 in Chicago, more specifically the popularity of the Midway Plaissance that
brought people to notice that there is a great need for leisure spaces within the
country, to counteract the rapid growth of cities all over. Both Coney Island and The
White City of Syracuse were results of that observation. And despite their early
demises, it is still instilled within the minds of the residents of New York State that in
their overdeveloped state, there is a constant need for spaces that provide
recreation and pleasure.
i Immerso, Michael. Coney Island: the people's playground. New Brunswick: Rutgers University Press, 2002. ii Immerso, Michael. Coney Island: the people's playground. New Brunswick: Rutgers University Press, 2002. iii Saywack, Priam. "Immigration in New York City." FORDHAM.EDU. http://www.fordham.edu/academics/colleges__graduate_s/undergraduate_colleg/fordham_college_at_l/special_programs/honors_program/hudsonfulton_celebra/homepage/the_basics_of_nyc/immigration_32224.asp iv Saywack, Priam. "Immigration in New York City." FORDHAM.EDU. http://www.fordham.edu/academics/colleges__graduate_s/undergraduate_colleg/fordham_college_at_l/special_programs/honors_program/hudsonfulton_celebra/homepage/the_basics_of_nyc/immigration_32224.asp v Immerso, Michael. Coney Island: the people's playground. New Brunswick: Rutgers University Press, 2002. vi Immerso, Michael. Coney Island: the people's playground. New Brunswick: Rutgers University Press, 2002. vii Immerso, Michael. Coney Island: the people's playground. New Brunswick: Rutgers University Press, 2002. viii Immerso, Michael. Coney Island: the people's playground. New Brunswick: Rutgers University Press, 2002. ix Shephard, Christine K. . "The Last Resorts of Onondaga Lake." The Liverpool Courier, August 24, 1992, sec. Feature Story. x Shephard, Christine K. . "The Last Resorts of Onondaga Lake." The Liverpool Courier, August 24, 1992, sec. Feature Story. xi Shephard, Christine K. . "The Last Resorts of Onondaga Lake." The Liverpool Courier, August 24, 1992, sec. Feature Story. xii Ganley, Joseph. "The White City." Herald Journal (Syracuse), November 20, 1979, sec. n/a. xiii Shephard, Christine K. . "The Last Resorts of Onondaga Lake." The Liverpool Courier, August 24, 1992, sec. Feature Story. xiv Christopher, A. J.. "Sketches of Yesterday." Baldwinsville Messenger, November 23, 1962, sec. n/a. xv Shephard, Christine K. . "The Last Resorts of Onondaga Lake." The Liverpool Courier, August 24, 1992, sec. Feature Story.