Concert Paraphrase on Tukish March Score Revision

8/11/2019 Concert Paraphrase on Tukish March Score Revision

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Concert Paraphraseon "Turkish March"

Transcription by Arcadi Volodos (-1997)Realization by Dr. Wilfried Lingenberg (2010)Additional notation by Matthew Krell (2014)

W. A. Mozart - Arcadi Volodos


2/11


3/11


4/11

{

{

{

{

{

44

mf

50

55

59

(Voice LH melody)

64

(Opt. tie LH thirds)

##?###

## 4

1

5 4 3

21

5 4 3

21

5 4 3

21#

3 5 3

21

3 4 2

?### &125

135

2 1 2

## 5/4

1

2 3 4 51

2 3 4 51#

3 4 341

5 4 3

21

5 4 3

21#

5 4 3

21

3 4 3

21

3 4 3

: ;

##5 3 2 1

? >35

12

5

12

## 3

1# 4 5 3

21# 3 4 2 3

1 #: ;

?### >45

# 12 135

2 3 4 3 1 25

1 2 3 2 1 25

1 2 3 2

14

2 15

#2

### # # #: ;

?### 1

24# 124 ? 2 3 4 3 1 2 5 1 2 3 2 1 25 1 2 3 2 # 12 4 5 # 12 5

n n ## n

# n

n ##

n ## #

n ##

n ##

#

n

# j #

# # n #

# # n #

# # # ##

J

J

# #

# J # #

#

# n # #

# j # n j

4


5/11

{

{{

{

{

68

73

(Opt. rit. a tempo)

78

f

82

87

## 5

342

31

42

31

42

31

42

53

31

42

53

53 42 31 53

53

42

31

42

31

31

42

: ;

?### 1

2

5

3 22 15 2

1 2 3 3 15

&35

12

## 5

3

1

52

41 5

2 4

1 5

241 52

: ;3 4 3 2 3 4 3 2 1 3 5

21

## 25

12 35

12 35 13 12 35 13 5 12 5

12

235 2 3 4 2 1 ? 125

1

## 5

1

# 2 3 1 2 3 4 2 4 1 2 3 1 2

51# 2 43n 2 3 2 3 1 3 2 1 2 1 2 51 2 1 2

?### 23

5

1

& ?

& ?

1 24

## 5

13 2 1

52# 1 3 2 51 3 4 2 51##

2 3 1 21 2 3 (LH)

3 2

?### 1 2

4 1# 25 1nn 25 4 3 2

##

?###

nn

# n

# j # n # j n J # j # j n J

bn # # nb J

j # # n # # J #

j # # j j # n #

#n

J

#

#n n

# # j #

n # #

#

n # #

# n

#

#

#

## #

5


6/11

{

{

{

{

92

95

mf

98

101

## 1 2 4 1 2 3

5 1 2 3 5 1 2 3

5 1 2 35 4

1 25 4

1 25 4 1 23 3

3 3 3 3 3 3 3 3

?### & 1

45

125

125 1

2

5

135

135

125

## 4 3 1 2 5 4

1 2 5 4 1 24 3 1 2 4 3

3 3

3 3 3 3 3 3

3 3 3 3

: ;

## 135

135

124

124

123 12

5

## 1 2 5 4 1 3

52

3 1 2 1 5 1

nnn3 3 3 3 3 3 3 3

3 3

: ;

## 124 1235

4? >

3

12 nnn

& 2 3 1

53

4 1 3 1 2 15

1 2 3 1

53

41 3 1 2 1

5

1 4 3 2 1

5

1 3 1 2 1

5

1

3 3 3 3 3 3 3 3 3 3 3 3

: ;

? >4 3

12 5

12

# 4 12

#

# # # # # # # n n #

#n #n #

# # n #

# #

# # # #

#n

#n

#

# n n # # # n n n j

# j n #

# # #

# j J

6


7/11

{

{

{

{

104

106

108

111

&2 3 1

52 3 1

3

: ;

? # 3

5

12

5

12

&

52 3 1

: ;

?

&52

3 3 3 3 3 3 3 3 3 3

: ;

? > >

&3 3 3 3 3

: ;

?

# # # n n # # # n n # n # n

#

n # # # n n # n # n n # # # n n # n #

# #

J # # #

j # # j J #

# # # # n n

# #

7


8/11

{

{

{

{{

113

mp

115

simile

118

121

legato

124

&: ;

?

&

: ; 52

31

52

31

53

4

1

52

31

52 4

1

52 4

1

3 3 3 3 3 3

? & 25 12 35

25

25

13

&52 1 2 4 2 1

3 3 3 3 3 3 3 3 3 3 3 3

: ;

& 1

3 3

&: ;

3 3 3 3 3 3 3 3

3 3 3 3

&&

53 2 1

1 >4 3 2 11 >5 4 3 1 2 >5 4 3 2

5 5 5

& 1

34

14 3 2 1 4 3 2 1 4 3 2 1 4 3 2

#

# # n n # n

# n

n #

# # n n # n

# n

#

# n # # # n n # n #

J # #

# # #

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# # # n# n # # # #

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# n # # # # # # # n n #

8


9/11

{

{

{

{

{

126

Staccatissimo mf

128

cresc.

131

ff

136

141

fff

&> > > >

5 5 5

5

&&

> 5 3 2 1n # n # #

5

& 4 3 2 1 ?

& #n # # n #?

& ###

? ###

## 5

142

?### 1245

# n # # #

# #

# # n n # # #

j #

#

n #

#

j # b # ## ##

##

nn

# ###

#

# n ## #

## ## ##

# # nn # n

#

## nn

##

##

## #

9


10/11

{

{

{

{

146

151

f

156

p cresc.

161

## 5

1 32

51 3

2

51 3

2

: ;

?### 1

245

145n 2 14

5

2 135

n

## 51 4

251 3

2

: ;

?###

##: ;

2 2

?###

##Piu mosso

? &?### 124

5

3 3

3 3 3 3

n

J n Kr n Kr J

# nn J n Kr n Kr

J

##

## n

nn

n J

# n J # n j # n

n nn ##

##

nn

## nn ## nn

## nn ## nn

10


11/11

{

{

{

f accento

165

169

ff

171

##51

6 6 6 6 6

?### &2 3 2

6

1 3 1

6

1 3 1

6

1 2 1

6

6 ?

3 3

## ?6 6

6 6

?###6 6 6

6

?###cresc.

&Opt. Ending

? >>

6

6 6

?###

Note: Not all the notations I have added are derivedfrom Volodos himself. Some are from my own limitedexperience with the piece as well as listening to others.Don't bank on my suggestions. Find your own way toplay it and hope people like it.I don't re-write the ngering for sections which repeator use the same ngers (i.e. pages 6-7). I also don't put

ngering for big chords or octaves as everyone has a

About the transcript:With this score, I have tried to come as close aspossible to what Volodos is actually playing, al-though obviously some guesswork was inevitable.The two versions of an anonymous transcript pres-ently available in the web were a great help. I did,however, change the nal chords since I feel the

piece should end on the rst, not last, beat of afour-bar group.

July 2010 Dr. Wilfried Lingenberg

6 6

After having learned this transcription realized byDr. Lingenberg, I thought back to when I beganstudying it. In particular, the absence of ngeringmade the early stages of mastery laborious. So Idecided to rework the transcription and addnotations.

Some general comments:The original melody of the Turkish March should bebrought forth when present. I haven't added the arti-culation for the places with the melody because Iassume that any pianist tackling this piece wouldinstinctively bring out the melody line.Pedal markings were omitted and left to the discretionof the individual performer.

September 2014 Matthew Krell

6

> >

J # n J

RR

RRR

R RRR

R

R

R

R

RR ## nn ## nn

j R #R R bR R R R #R R nR #R R bR r R

r

r

r

r

r

r

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RnnR

nn

R

RR #R R nR #R R bR R R nnr

r r

RR

bbRR

nnr

nnr

r

r

r

r

r bbr r nnr nnr r r r bbr

R

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Concert Paraphrase on Tukish March Score Revision