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COMPOSITI ON What is it? Why does it matter? How do I do it well?

COMPOSITION What is it? Why does it matter? How do I do it well?

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Page 1: COMPOSITION What is it? Why does it matter? How do I do it well?

COMPOSITION

What is it? Why does it matter? How do I do it well?

Page 2: COMPOSITION What is it? Why does it matter? How do I do it well?

What is Composition?

Page 3: COMPOSITION What is it? Why does it matter? How do I do it well?

Why does Composition matter? Does it matter where you place objects in an

artwork? Notes in a piece of music? Words on a page?

Page 4: COMPOSITION What is it? Why does it matter? How do I do it well?

What makes an effective Composition?

Does it convey the feelings, ideas, and emotions the artist wants the viewer to understand?

Does the viewer see what the artist wants them to see?

Are there things that distract from the message and meaning of the artwork?

Page 5: COMPOSITION What is it? Why does it matter? How do I do it well?

Artists often make multiple sketches in order to get the most effective composition possible.

Page 6: COMPOSITION What is it? Why does it matter? How do I do it well?

Good art requires careful planning.

Page 7: COMPOSITION What is it? Why does it matter? How do I do it well?

First thing to think about is BALANCE

Why is balance important? Is it a good idea to have balance?

Page 8: COMPOSITION What is it? Why does it matter? How do I do it well?

We create balance by manipulating “visual weight”.

What is “visual weight? It is the ability to “draw the eye”. Something that

is more noticeable has more “visual weight”. The more we want to look at something the more “visual weight” it has.

Page 9: COMPOSITION What is it? Why does it matter? How do I do it well?

“Mass” can cause visual weight.

Page 10: COMPOSITION What is it? Why does it matter? How do I do it well?

Unusual or bright colors can cause “visual weight”.

Page 11: COMPOSITION What is it? Why does it matter? How do I do it well?

Unusual or isolated shapes can cause “visual weight” too.

Ask yourself, what do I notice first?

Page 12: COMPOSITION What is it? Why does it matter? How do I do it well?

Placement causes “visual weight”.

Things placed right in the center attract our eye.

Anything that touches the edge attract our eye.

Page 13: COMPOSITION What is it? Why does it matter? How do I do it well?

Subject matter also creates “visual weight”. Humans usually prefer to

look at: …other humans! … animals next

Page 14: COMPOSITION What is it? Why does it matter? How do I do it well?

A GOOD ART WORK NEEDS A “FOCAL POINT”! WHAT’S

THAT?It is the area that “draws the eye” first.

Page 15: COMPOSITION What is it? Why does it matter? How do I do it well?

To make sure the viewer sees what you want them to see, you

can: Create the greatest

contrast at the focal point.

Have less detail or blur the area around the focal point.

Page 16: COMPOSITION What is it? Why does it matter? How do I do it well?

Artists often use the “RULE OF THE THIRDS”!

Things that are placed on the line of the “thirds” or the intersecting points tend to be good places to put things.

Page 17: COMPOSITION What is it? Why does it matter? How do I do it well?

Why not place an object in the exact center???

That’s what the viewer will focus on first.

Page 18: COMPOSITION What is it? Why does it matter? How do I do it well?

Think about your “EYE PATH”. This

leads your eye on a journey through and around an artwork.

Page 19: COMPOSITION What is it? Why does it matter? How do I do it well?

Notice how the eye flows from the focal point to other areas of interest and stays

in the art work.

Page 20: COMPOSITION What is it? Why does it matter? How do I do it well?

THINGS TO LOOK OUT FOR: Too much negative space. Fill the picture!

Page 21: COMPOSITION What is it? Why does it matter? How do I do it well?

But don’t overwhelm the viewer with too much stuff.

Page 22: COMPOSITION What is it? Why does it matter? How do I do it well?

Don’t have objects sit on the bottom of your paper or canvas – it looks very “Primary School”!

Page 23: COMPOSITION What is it? Why does it matter? How do I do it well?

If you go off the page on one side you might want to balance by going off the page on the opposite side.

Page 24: COMPOSITION What is it? Why does it matter? How do I do it well?

Be aware of inconsistencies in perspective and scale.

Page 25: COMPOSITION What is it? Why does it matter? How do I do it well?

LASTLY: Is there anything distracting in your composition?