Compass September 1, 2011

8/4/2019 Compass September 1, 2011

http://slidepdf.com/reader/full/compass-september-1-2011 1/12

Movies: ‘Sarah’s Key’

A horrific past, a muddled present, page 9

The Music Scene A little hurricane music,

page 3

Dance: Jacob’s Pillow Season closes with classic

Mark Morris works, page 6

The Art SceneLife changes an artist, and art,

page 10

Calendar,

Auditions, crafts, dancing,theater, food, page 11

Supplement to THE LAKEVILLE JOURNAL, THE MILLERTON NEWS and THE WINSTED JOURNAL

Your Guide to Tri-State Events

Art , Movies, Theater, Dining, Music, Dance, Recreation

P h o t o: M a r s d e n E p w o r t h

Sept. 1-7, 2011

Chatham’s outdoor theater, PS 21, draws peopletogether and to the arts , page 4&



2 Compass, Thurdy, seteber 1, 2011

Arts Entertainment&

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Image Info: “frids d nihbrs” Pht msic, 24” x 37.75”, 2011

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Compass, Thurdy, seteber 1, 2011 3

Dedline dyfnd etrnded inthe wke Irene,

withut wer, nd, ,withut cce t the

uul digitl lineu ucing uicl eventt rert t yu. G tthe C Clendr rliting.

But in y brie lie hut-in, I ce t thinkbut uicl deictin eterlgicl event.Like “stry Wether,”Hrld arlen’ ng hertbrek h t tthe lit. It’ been cveredcuntle tie ndde re thn ewGry-winner. EthelWter w the riginl,

thugh erh LenHrne i bet citedwith the ng, whichhe ng in the vie the e ne. (BnnieRitt’ beutiul “strWrning” i in ewht

the e vein, thughter nd le jzzy.)Beethven’ sixth

syhny: Thedeictin vilenttr in the enultiteveent i ne the t ellbindingent in clicluic, nd rereented ignifcnt brekthrughin Beethven’ tyle. Heue rubling dublebe nd then rllingkettle dru r thunder,iccl r wind, ndtrtling dinnce

nd iled-u chrd tdrtize the height the gle. Fr the fnle,the un ce ut nd beutiul jr-key ngrevil.

Then there’ “L mer”

(“The se”).Few cer werebetter thn the Frenchireinit CludeDebuy t intingicture with uic.While thi igntureyhnic iece dent, trictly eking,cntin tr, ech it three ectin int ecifc cene: “Frdwn t iddy n thee,” “ply the wve,”nd “Dilgue the windnd the wve,” whichi nything but cl

“dilgue,” nd end withblring br nd crhingchrd.

“Grnd Cnyn suite,”Ferde Gre’ rnticcitin evkingne the wnder

the aericn lndce,include tirring“cludburt” tht weuch t Beethven’del, but i even reliterl, with wirlingtring nd inblwing wind, cybl lightning nd dru rthundercl.

o cure, we cnntend thi lit withutentining the lkblld “Irene, Gdnight,” we y gdbye the-whe-eye-ed-right-verhed. It w

A Little Hurricane Music frt recrded by nerly 1900 blue rtit— nd criinl —ned Huddie “LedBelly” Ledbetter, t theintigtin the gretlk uiclgit, Jhnnd aln Lx, but iid t be bed n ngtht dte bck t thereviu century. It wpete seeger’ gru, TheWever, wh de itu in the 1950, in lightly le blek verin.

Thi i ng, letwe rget, in which the

nrrtr threten t“ju in the river nddrwn.” Frtuntely,hving been red relly bd blw rIrene, we cn rg uch ntin.

The muic scene: Fred Bugrten

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It w the hitry the wrld in but 66 inute t ps 21,hrt r perrnce sce r the 21t Century. Thi i lce r chber uic, ly, dern dnce, vriety hw,vie nd, n thi rticulr sturdy bere hurricne,uet.

Kid nd grwnu, plr ornge d nd crn in hnd, tktheir et r “T Fuel the Fire,” ege-hevy uet hw

invented by ar--the-se mk nd puet Theter. The er-rnce w delyed, thugh, by deening qull unding theen-jwed white ltic tge cver et n rlling rlnd withle tree nerby nd gt nd chicken nd yellw dg jut ut-ide the twn Chth, NY.

But it w nt lng bere Den Jne unted hi ltr etwith icrhne, keybrd, dru nd trbne (he cn lyiultneuly the key with hi right hnd, the nre with hi letnd ing, r intne), t get the hw n the rd. It lked like

retty lng rd, thugh, when ne blck-dred ueteer ted ign vudeville hw ued t: “8,000 BC.”

Well, it w ctully bit erlier thn tht (Bchn et l. ide)with junty ne-celled creture erging their DNa t even theirdd in nty wrld. In n tie, drk fgure hd dred dublehelix t the bck curtin nd, vil! We hd in uccein t redwr, then nil, huing bird, lr ber nd n iigrntrer nd hi wie, Ii nd oiri.

Yu reeber the Egytin King, oiri, crved by rivl int 14

iece, then ieced tgether, 13 the iece, nywy, by hi wiend iter, Ii, wh, in ding , bece regnnt (which, ccrdingt ccunt, i retty intereting ince the t vitl iece r r-cretin hd gne iing). Well, jut ut tht ide nd view I &o Gul Ct iigrnt, ile, hrdwrking ele cruhed byBig oil nd yblizing thing like gic, regenertin nd gricul-ture.

The next ign bring u t 2,400-2170 BC nd I & o re keeingcw, cting, lnting like d, king u nd dicuing

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MUSIC

September 3 ~ Wooden NickelSeptember 10 ~ Doug Mahard

September 17 ~ Nancy JohnsonSeptember 24 ~ Abby Lappen

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COMPASS, Thursday, September 1, 2011 5

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Route 63, 116 Old Middle Street, Goshen, ConnecticutAdmission: $8.00, Children under 12: Free

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various aspects of physics.Time marches on and

monetizing is invented,and the telephone; so isthe internal combustionengine, as well as globalwarming, industrial disas-

ters, oil slicks and death.Don’t worry. Death is

a temporary thing here.Puppeteers will do I & O,but not death. And thepresentations are wittyand charming and imagi-native. For anyone.

This is PS 21’s sixth sea-

son and the organization’spresident, Judith Grun-berg (a self-proclaimed“city girl and rural per-son”), dreaming of makingthe arts a unifying force inthis community, boughtland off Route 66 andwith help from her friends

built a beautiful stage withgood lights and sound in alovely place.

Grunberg, at 70-some-thing, is sharp and chattyand heedless of minutiaesuch as a dropped cam-

era. “Oh, I do that all thetime,” she says, picking itup and replacing it overher shoulder.

She wanted to presentchamber music, here, shetells me, even Bach. Herhusband loved Bach. Butgetting people to music

like this is like “pull-ing donkeys through thejungle.”

So, she continues tostage an amazing varietyof shows including im-prov, cabaret, clogging,films (like “The Gardenof the Finzi-Continis”

one night, Woody Allen’s“Radio Days” another),swing dancing, plays andthe annual Paul GrunbergMemorial Bach Concertwhich has featured Eu-gene Drucker performing

in a trio, and this year,The Four Nations En-semble playing the musicof Bach and sons.She figures if she can

get people to one kind of show, they may come backfor another kind. Some-times audiences surprise

her. In what she calls aflash mob, picnickers setup tables, laid out foodand wine, hung lightsfrom the apple trees anddined under starry skiesafter a show.

“People love this place,”she says.

COMING UP AT PS 21:

Parsons Dancewill performat PS 21,2980 Route 66,one mile north of Chatham, NY,Sept. 3 and 4 at

7:30 p.m.For tickets andinformation,call 518-392-6121,or go to www.

ps21chatham.org.

Judith Grunberg introduces the PS 21 audience to a puppet show, “To Fuel the Fire,”

Saturday, as pre-hurricane rains drummed on the stage cover.



6 COMPASS, Thursday, September 1, 2011

T

here are almost no movements ina Mark Morris dance that look likeconventional dance steps. The basicbuilding blocks of locomotion welearn as children in a modern dance

class are all there: walk, run, slide, skip, gallop,jump, leap. But Morris’s dancers also crawl, scoochand lumber, and they gesture and mime, neitherof which usually sit comfortably in a dance piece.Rarely do they jeté, passé, or pirouette, thoughmany of the dancers are highly trained in classicaltechnique and capable of fluttering battements allday long.

The group shapes are equally simple: lines of

dancers either vertical, horizontal or diagonal onthe stage. Large groups moving in a circle like afolk dance appear again and again.

From seemingly ordinary movements andshapes, Morris has created dances that are somuch more than the sum of their parts that it’shard to imagine how anyone could replicatehis achievement. For his company’s 30th

anniversary, he brought a program of classic

pieces that illustrate his work’s tremendous depthand range to Jacob’s Pillow last week (a run of performances sadly curtailed by Hurricane Irene.My condolences to anyone who had tickets forSunday.)

“Resurrection,” from 2002, seems to be a dream— a gloriously silly one — in which a couple inmoon-and-stars pajamas gets caught up in a stylishmurder mystery (the music is Richard Rodgers’s“Slaughter on Tenth Avenue”). Surrounded bydancers in sharp black-and-white suits (each onea different pattern and designed by Isaac Mizrahi),the couple (Noah Vinson and Maile Okamura)become part of the story. First he shoots her, thenshe shoots him.To his basic vocabulary, Morris adds a few moresignature moves: the dancers hitch-kick (one kneegoes up, then the other foot, sometimes catching

Mark Morris Dance Group in “V,” Photo: Robbie Jack

Dance: Jacob’s Pillow JENNY HANSELL

A Big Finish . . .



Compass, Thurdy, seteber 1, 2011 7

ene ele in the jw),they wivel their hi,they rech their r uttright nd dr theirhnd dwn t the writ,ll t crete big vieuicl-tyle nuber. atthe end, the tw dreer

re hited nt thehulder the ther,where they ki.

Crny but erect.“10 suggetin,” l

mrri riginlly cretedr hiel, w tlyirvied, but nw thtit’ dnced by ther theveent hve beenet. aber str merken,in ilky j, dnced

with h, chir nd ht, cbining the rettynd the diturbing. sheulled ut yellw ribbnr her idectin i it were iece vicer, wirled it like rhythic gynt,

until he brutly tk cir nd cut it in tw.Clin Fwler lyed thetcct in cre byalexnder Tcherenin.a i lwy the ce inmrri’ chregrhy,the veent clelyllwed the rhyth ndinectin the cre— uully in wy thtilluinted the uic, but

etie here in wytht eeed t jut iicit.

Fr “DncingHneyn,” rnDny Ktk ing uite ng r the ’30 nd’40 — well-knwn ne

like “sene t Wtchover me,” nd nveltyng like “and Hermther Ce T.” Theeven dncer, in rtcul wer, ir u, wrtner, nd etieend u in threee.They ly with ldingchir, tiing the,lling ver (jut in tiet the uic) nd ting

the bck nd rth.setie it’ tngue-in-cheek, etiewnily rntic, tenbth.

Finlly, the gret “V,” inreerence t the grgeuQuintet in E t by

schunn, et r fveintruent: tring qurtetnd in. Tw dncegru, ne in vibrntblue, the ther in gegreen, ke V in linend circle. It’ rntic,luh nd tuching, nd tiying cncluin t rgr, Jcb’ pillwen nd 30 yer brillint cretin.

For Another Great Season at The Pillow

2011

New York Times

The Richard B. Fisher Center for the Performing Arts at Bard College presents

Merce CunninghamDance Company

Program: Antic Meet , Suite for Five , Sounddance

Sosnoff Theater

9108112

55, 45, 35, 25

845-758-7900 | fishercenter.bard.edu Suite for Five (1956-1958)

&Arts E

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COMPASS




At The

Movies

354 Main St., Winsted1-860-379-5108 • www.gilsoncafecinema.com

Doors open at 6 p.m. • 21 Years & Older

Now Showing

9/2, 3, 4, 6, 7, 8

“bridemaidS” R 7pm

“horrible boSSeS” R 7pm

CloSedmoNdayS

This is two films, “Sarah’s Key.” One is about French col-laboration with the Nazis during the Holocaust, the otheris a tale of trans-Atlantic yuppie angst.

Julia (Kristin Scott Thomas) is a magazine writer with ahell of a story to tell — how Parisian Jews were rounded up

by the French authorities in the summer of 1942, herded into a sports

arena, then into camps, and finally shipped east.Sarah (Mélusine Mayance), the daughter of the doomed Starzynski

family, convinces her little brother to hide in the closet when the copscome, and she locks him in, making him promise to keep quiet.

It’s obvious that nobody’s ever going back for any reason, and watch-ing the horror mount as the family members are separated, as Sarahescapes with a friend and as the boy’s remains are discovered is a power-ful piece of filmmaking. Director Gilles Paquet-Brenner deserves creditfor handling this violent material with understatement and class.

However, as one of the screenwriters (with Serge Joncour, based on anovel by Tatiana De Rosnay), he is also on the spot for foisting a fairlyflabby tale of Julia’s husband’s family being the ones who took over theStarzynski apartment, who were there when young Sarah burst in look-ing for her brother and who have held on to this deep dark secret eversince.

But what, exactly, is the secret? That this French family — the Tezacs— rented an apartment that had been occupied by a Jewish family?Why is this cause for generations of shame? Were they supposed to buckthe Vichy French and, by extension, the Nazis? It’s not very clear.

A far better question would have been, since the apartment smelledawful, and the closet was locked, why on earth didn’t the Tezac familybreak the door open?

The flashbacks include brief sequences of French citizens mockingtheir Jewish neighbors as they are led off, and all the French cops looklike de Gaulle, more or less. So maybe the idea is to point out differentlevels of guilt or responsibility.

If so, it gets lost in the yuppie drama, as Julia, now obsessed withtracking down Sarah, jets all over the place and fights with her husband

about whether or not to have an abortion.The flashback sequences are skillfully done and absolutely riveting.

The present-day sequences suffer from a lack of focus. Is this a historicalthriller, or is this a self-esteem exercise?

Worth seeing for Thomas and Mayance alone, but the rest of the cast,also, is solid and convincing.

Rated PG-13 for disturbing sequences about the Holocaust. “Sarah’s Key”is playing widely.

S a r a h , p l a y e d b y M é l u s i n e M a y a n c e i n“ S

a r a h ’ s K e y .”

Movies: ‘Sarah’s Key’PATRICK L. SULLIVAN

Horrifying Past,Muddled Present




Going and Coming,

Early DeadlineDeadline for the Sept. 8TH and Sept. 9TH

issues will be THURSDAY, SEPT. 1ST, at 12 NOON

for ALL Advertising, including Classified.

This includes all sections of the newspapers.

Editorial DeadlineWill Be THURSDAY, SEPT. 1ST at 5 p.m.

Urgent News Items & Late Letters to the Editor

will be accepted until Noon Friday, Sept. 2ND.

Call to reserve your space!

33 Bissell Street/Lakeville, CT 06039

860-435-9873 FAX 860-435-0146

THEMILLERTON NEWSMain Street/Millerton, NY 12546

518-789-4401 FAX 518-789-9247

The Winsted Journal452 Main Street/Winsted, CT 06098

860-738-4418 FAX 860-738-3709

michel Keler i inter b-trct lndce

with dierence: He i llbut nturl rcee —erin, edienttin,

lyering — the wy nturebuild u the lndcewe ee. But thi w ntlwy .

In the erly dy hi creer, he i 57, hilndce were re theexected, ngt-hevybtrct 1980’ New

Yrk City, where he livednd und ucce in nyl hw. But then in1990 he wn Re prize

The art scene: Len Grh

Life Changes the Artist . . .— rther like Fulbrightr rtit nd tudent rt hitry nd criti-ci — nd ent yerin Itly, where hi view nture nd clr begn

t chnge. He bece b-eed with the rcee nture.

The inted, ngry,rnid he tht tenchrcterized hi erlierwrk hd lredy givenwy t cler, runder,ter ige ter he let

the city r hi ntivepennylvni in 1987.But in Re nd Itly hew urrunded by wll rt, wrn tin ndrece. The ize hiinting grew, dubled,triled, nd new eleentered, eecilly nierect, idiyncrticgrid. Keler’ lettenw incrrted richer,Itlinte clr: siennred, brnze, rnge, rut,cer nd even gld.pinting glwed with thewrth the Itlin un.Hi wrk w trnred.

Then in 1995 he ved

t snt Fe, where helive tdy, nd hi wrkchnged gin. pintinglternted between eel-ing deth r t-ne, urce glwed with trnlucent fnih r lyunder t, deert-likedullne. The juxti-

tin clr r drnd cntrt cntinued— blck gint red, rexle — but deertclr ered: wnder-ul ge green, t int,

deert nd nd tne gry.all built u, lyer by lyer,in intking rce.

In argzzi art’ frtne-n hw Ke-ler — interetingly, hiingle iece hve beenargzzi’ bet eller incethe gllery ened — Ju-

dith singeli h brughttgether cr ectin the rtit’ wrk whichinclude bth trnlucentnd t fnihe. In thegllery’ frt r, everlcery-gld intingliterlly hine under bril-lint, trnlucent vrnih.The nturl he veiny leve nd ernhw intly thrughultile lyer cred-n int. The wrk rewr, trnlucent nd —in nther ddity Ke-ler icture — erectlycunictive whetherhung verticlly r hri-

zntlly.a lvely inting in

green with white gridverly under t fnih,dtted with ll lhe crin like dr bld, hng in the ec-nd r ver tirwell.In the bck r, int-




. . . And

the Art

ings of similar color arehung in small groupings.Best are two paintings of various shades of red andseveral with light brownsjuxtaposed against red andwhite or against darker

browns with white andcharcoal gray.

Some of the paintings,though I doubt Kesslerwould agree, look likeGoogle maps of highwayexchanges in a flat, bar-ren geography. Others arelike the leaves you placed

on paper and then screenpainted in elementaryschool art class. Theyhave the interesting qual-ity of remembered land-scapes and time.

Kessler and his wifewill be in Lakeville forthe show’s opening; infact they are staying twonights in Salisbury, andthe artist will adjust place-ment of the paintings.Singelis says he is a friend-ly, “bear of a man,” wholoves to talk and answerquestions about his work.

Michael Kessler, Art

… a la Carte is at Argazzi Art, 22 Millerton Road, inLakeville, CT, through Oct.23. An opening reception

for the artist will be Sept.3, from 5 to 7 p.m. Call860-435-8222 or go towww.argazziart.com for fallhours.

CorrectionLast week’s story

about Edward Bern-stein’s new play, “TheTrial of Franklin DelanoRoosevelt,” incorrectlystated that it was an

Aglet Theatre produc-tion. It is directed byMacey Levin, artistic di-rector of Aglet Theatre,but it is produced by the New Stage PerformingArts Center in Pittsfield,founded by Nicki Wil-son. We regret the error.

Tri-Corner CalendarTHE LAKEVILLE JOURNAL/MILLERTON NEWS/WINSTED JOURNAL

Auditions [The] Center for Performing Arts, 661Route 308, Rhinebeck,NY, 845-876-3080,www. centerforperformingarts.org Audition: “The Man Who Came toDinner,” Sept. 10-12. Visit websitefor information.

The Little Theatre of Newtown, 18

Orchard Hill Rd., Newtown, CT, www.newtownplayers.org, 203-270-9144Casting call for “Buried Child,”Sept. 12, 13, 7-9 pm, [email protected] forinformation.

The Sherman Playhouse, Sherman,CT, 845-877-0338 Auditions for Sleeping Beauty, singing, Sept. 12and 13, 7-9 pm, dance, Sept. 11,2-5 pm. For information call 845-877-0338.

DanceBard College , The Richard B. FisherCenter for the Performing Arts, Route9G,Red Hook, NY, 845-758-7671,www.bard.edu/shercenter MerceCunningham Dance Company Legacy Tour, Sept. 9 and 10,8 pm, Sept. 11, 2 pm.

Vassar College, Kenyon Hall, Frances DalyFergusson Dance Theater, 124 RaymondAve., Poughkeepsie, 845-437-7468,www.dance.vassar.eduJane Comfortand Company, Sept. 2, 7:30 pm.

GalleriesArgazzi Art, 22 Millerton Road (Rte.44), Lakeville, CT, 860-435-8222,

www.argazziart.com MichaelKessler, Art...a la carte, Sept. 1 -Oct. 23, reception, Sept. 3, 5-7pm. Gallery hours, Fri., Sat. andSun., noon-5 pm.

Eckert Fine Art, 34 Main Street,Millerton, NY, 518-592-1330, www.eckertneart.com Masters on Paper,a show of works by importantartists, Sept. 3- 30. Gallery is openWed.- Sat. 10 am -5 pm, and Sun.noon to 5 pm.

[The] White Gallery, 342 Main St.,Lakeville, CT, 860-435-1029, www.thewhitegalleryart.com The Fabricof our Town, exhibition of photomosaics by Mary Close, Sept. 1-30,reception Sept. 3, 4-7 pm. Gallery hours Thurs.-Sun., 11 am-4 pm.or by appointment.

The] White Gallery, 924 Main Street, GreatBarrington, MA., 413-528-3631 www.

thewhitegalleryart.com Art of thePrint & Works on Paper throughSept. 24. Gallery hours Fri.-Sun., 11am-4 pm or by appointment.

MoviesBantam Cinema, 115 Lake Road,Rt209, Bantam, CT, 860-567-0006, www.bantamcinema.com

Cinerom, Opposite K-Mart Plaza, 89

Farley Place, Torrington, CT, 860-489-4111, www.cinerom.com

Gilson Cafe & Cinema, 354 Main St.,Winsted, CT, 860-379-5108, 379-6069

Mahaiwe Theatre, 14 Castle Street,Great Barrington, MA, www.mahaiwe.org, 413-528-0100

Mallory Brook Cinemas, 380 NewHartford Rd., Barkhamsted, CT, 860-738-7507, www.cinemaholdings.com

[The] Moviehouse, 48 Main St.,Millerton, NY, 518-789-3408, www.themoviehouse.net

[The ] Triplex, 70 Railroad St., GreatBarrington, MA, 413-528-8885, www.thetriplex.com

MusicBard College at Simon Rock, 84 AlfordRd., Great Barrington, MA, 413-644-4400 Alumna Manon Hutton-DeWyss solo piano recital,McConnell Theater, Daniel ArtsCenter, Sept. 3, 7:30 p.m. Innity Music Hall & Bistro, 8232 Rte.44, Norfolk, CT, 866-666-6306, www.innityhall.com Raul Malo, Sept. 1;The Yardbirds, Sept. 2; Joe DeVito,Sept. 3; Missing Persons, Sept. 4;Donna The Buffalo with Roy Jay

Band, Sept. 9. Mahaiwe Performing Arts Center,14 Castle St., Great Barrington, MA,413-528-0100, www.mahaiwe.org They Might Be Giants, Sept. 9;Richard Thompson, Oct. 14. Livein HD, Metropolitan Opera, “AnnaBolena,” Oct. 15; “Don Giovanni,”Oct. 29.

Mac-Haydn Theatre, 1925 Route 203,Chatham, NY, 518-392-9292, www.machaydntheatre.org “Cabaret2011:” piano music from showsettings throughout the season,fundraiser, Sept. 3, noon, meetthe performers after the show.

Tanglewood Music Center, 297 WestSt., Rt. 183, Lenox, MA, 413-637-1600,(Koussevitzky Music Shed) (Seiji OzawaHall) Jazz Fest: Robin McKelleQuartet & Michael KaeshammerQuintet, Sept. 2; Jazz Inspired,

Sept. 3; Latin Jazz Tribute, Sept. 3.

Warner Theatre, 68 Main St., Torrington,CT, 860-489-7180, www.premierconcerts.com The Temptations,Sept. 10; Celtic Thunder, Sept. 30.

Theater Barrington Stage Company, Stage 2,36 Linden St., Pittseld, MA, www.barringtonstageco.org, tickets, 413-

499-5447 “My Name is AsherLev,” through Sept . 11.

[The] Center for Performing Arts,Route 308, Rhinebeck, NY, 845-876-3080, www.centerforperformingarts.org “Highlights from theFootlights,” cabaret, show tunes,Sept. 2-4; “Lend me a Tenor,”Sept. 9-25.

Goodspeed Opera House, 6 MainStreet, East Haddam, CT, 860-873-8664, www.goodspeed.org“Showboat,” through Sept. 11.

[The] Goshen Players, Old Town Hall,Rtes 4 & 63, Goshen, CT, 860-491-

9988, www.goshenplayers.org“Mary Stuart,” Sept. 23-Oct. 8;“Strange Snow,” Nov. 11-12.

Mac-Haydn Theatre, 1925 Route 203,Chatham, NY, 518-392-9292, www.machaydntheatre.org “Carousel,”through Sept. 4.

Rhinebeck Theatre Society, 845-758-1518 presents at S t. Paul’sParish Hall, Rt. 9, RedHook, NY “3-Hole Punch,” by JamesSheldon, Sept. 9-11, 16-18.,Fri. and Sat. at 8 pm, Sun. at3 pm. The Parish Hall is notwheelchair accessible.

Shakespeare & Company,Founders’Theatre, 70 Kemble St., Lenox, MA,413-637-3353, www.shakespeare.org “As You Like It,” throughSept. 4; “Romeo and Juliet,”through Sept. 3; “The Hound of the Baskervilles,” through Sept.

4; “War of the Worlds,” Sept.9-Nov. 6.

Sherman Playhouse, 5 Rte. 39North, Sherman, CT, 860-354-3622, w ww.shermanplayers.org “An Inspector Calls,” Sept.9- Oct. 1.

Stageworks Theater, 41-A Cross St.,Hudson, NY, 518-822-9667, www.stageworkshudson.org “Tennis in

Nablus,” Sept. 7-25.

TheatreWorks, 5 Brookside Ave., NewMilford, CT, 860-350-6863, www.theatreworks.us “Shakespeare formy Father,” Sept. 16- Oct. 8.

For a more complete calendar listing, go to our website at

www.tricornernews.com




september 1 – october 23 2011

reception for the artist

saturday september 3

5 until 7

ArgAzzi Art22 millerton road rt 44 laKeVille ct 06039

860.435.8222 • [email protected] • www.argazziart.com

MichAel Kessler

Art… a la carte

Open every day

seven days a week

except Thanksgiving Day

& Christmas DaySaturday & Sunday brunch items

Come & join us for the best hand cut steaks,

sushi & freshest seafood around,

plus our daily specials.

After dinner try some of Peter’s own hand made

Greek yogurt with house made granola

Start planning now for your holiday parties!

All of us here at The Boathouse look forward

to serving you & your guests all year round

On & off site catering available.

Sorry no Sushi on Tuesday

349 Main Steet, Lakeville, CT

860-435-2111, fax: 860 435 4543 E-mail: [email protected] www.bathseatlakeville.cm

Visit our facebook page for upcoming events!

SuMMEr HourSSnday - Thsday 11am t 10pm

Fiday and Satday 11am t 11pm

Serving straight through the entire afternoon

Check us out atFor reservations call

Documents

Compass September 1, 2011