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OUTLINE BRIEF Website www.keithompsonart.com www.simoncpage.com Imagine fx Gigart and Gigart Posters (http://www.gigart.com/) Gnomon workshop I will be carrying on my research from the following below: Mythology (myth creatures and mythology from different country) Films (Clash of the Titan) History of Comic such as Golden age of comics and Silver age of comics. Comic Books (Method of colouring) Colourist Inkist Tatto Artist The underground comics of the 60’s such Marvel, DC and Dark House
OUTLINE BRIEFThe main theme for this project is to make a comic book based on
mythology with modern twist to it. I will be working towards a story
board from an existing mythology story. Even though my storyboard
will be based on an existing mythological story, I will be making my own
mythological character designs such as creatures, people and
illustrations to go with it. My final outcome will be constructed using
Quark Express, Adobe Acrobat, Adobe Illustrator and Adobe Photo-
shop. I will be making two, double page spreads including, a front cover
for my comic book. But if I do happen to complete the first two spread-
sheets in time, I will continue to add extra spreadsheets in my comic
book.
I hope to present my project on a monitor in the centre of my show
space along side with a comic book. I have also discussed my ideas and
concept of my final major project with my tutors.
Some of my earliest idea is to take scenery from exiting movies such as
Clash of the Titan or Jason and the Argonauts and re illustrative it in
comic book using my own character designs.
TARGET AUDIENCETo the young generation mythology seems to appear as insignificant or
not important, so the main aim and target of this project is get the
younger generation interested in myth. The main target audience is 13
years and above.
INFLUENCE/MOTIVATIONI will be carrying on my research from the following below:
Mythology (myth creatures and mythology from different country)
Films (Clash of the Titan)
History of Comic such as Golden age of comics and Silver age of
comics.
Comic Books (Method of colouring)
Colourist
Inkist
Tatto Artist
The underground comics of the 60s such Marvel, DC and Dark
House
1930s character Actions Batman, Superman and Bob Kane.
Ink and Iron (http://www.ink-n-iron.com/)
Website
www.keithompsonart.com
www.simoncpage.com
Imagine fx
Gigart and Gigart Posters (http://www.gigart.com/)
Gnomon workshop
ACTION PLANWeeking Ending: 26 FEBRUARY
Between now the ending of this week, I carry on various research to
gained inspirational ideas and concept behind comic book designing and
the historical content of mythology. Through out the research, I will
discuss on the layout and composition of comic books, character design,
the mood been created, the use of brushwork and colours.
Weeking Ending: 26 March
After been influenced and motivated by the work of others, I will move
on in sketching my ideas and concept basing on a existing mythology
movie. I will start off by working the character and the background
design. I will make sure to use a variety of art techniques such, lino
prints, dry point printmaking, spray-painting and mono printing. I will
experiment with traditional paintwork using acrylic paint, watercolours
and inks.
Weeking Ending: 28 May
By beginning of this week, I will work main design using my sketch work
as the base. Using softwares such as Adobe Illustrator, Adobe Photo-
shop, Adobe Acrobat and Quark Express, I will complete my comic
book design. After my illustration and designs are completed, I will me
visiting printing companies to get some quotes in the cost of printing
and an advise on the best way to present my final major project in ex-
hibition. An other alternative of presenting my work will be on a inter-
active smart board which will be made using Adobe Acrobat.
P r o p o s a l K w a k u A n k a p o n g
C O M I C B O O K B A S E D O N M Y T H O L O G YW I T H A M O D E R N T W I S T
F i n a l Ye a r B T E C N a t i o n a l G r a p h i c D e s i g n
T H E P A I N T I N G S O F J O S H K I R B Y
I n T h e G a r d e n O f U n e a r t h l y D e l i g h t s
K w a k u A n k a p o n g
C O M I C B O O K B A S E D O N M Y T H O L O G YW I T H A M O D E R N T W I S T
F i n a l Ye a r B T E C N a t i o n a l G r a p h i c D e s i g n
L i n e l Yu
LINELYULinel Yu has produced a variety of creative and imaginative illustrations
and digital artworks. His style of artwork is totally different compared
to other previous artists. Linel Yu designs, I supposed most aspects of
his illustration have been created traditionally or hand made. I was
inspired with most his background, which I would like to experiments
with ink, acrylic paints, graphic pens, crayons, pencil colours, water-
colours and others in creating my comic book. Through out, I noticed
Linel uses warm colours and earthly colours. In creating my comic book,
I would created a style of my own and record it, using the action plan
in Photoshop. With my designed recorded, I will repeat the style on
other sketch images or photographs. I was inspired and motivated by
Linel Yus designs to use such an ideal.
.
C O M I C B O O K B A S E D O N M Y T H O L O G YW I T H A M O D E R N T W I S T
F i n a l Ye a r B T E C N a t i o n a l G r a p h i c D e s i g n
K w a k u A n k a p o n g
C a r l o s E z q u e r r a
CARLOS EZQUERRACarlos Ezquerra is the creator of the violent Judge Dreddcomic. He
was in Spain but lived in England in most of his life. In 1977, he began
working in British comics. Judge Dredd, was written by John Wagner
and Pat Mills but made its first appearance in 2000 AD magazine. Besides
Judge Dredd, Carlos designed the graphics for Bloody Mary, Strontium
Dog, and Als Baby.
I decided to intensively research on this particular artist because I
admired his style and hope, his work may have influence through out
my comic book. I also admire his attention to detail in every aspect
through out every process i.e. from pencilling, inking and colouring.
Coming across Judge Dredd comics motivated me, to study most of
his work.
I presume all his digital artwork have been completed and finalized on
Photoshop. I noticed that most of Carloss characters have vibrant and
dominant colours. Also he represents creases on his characters by inner
glow, tinted or blur. I like the page layout style he uses in creating his
comic pages. I also took notice that most of his colouring texture has
spray-painting effect on the character custom. I was also inspired with
his background style, which I presume, he uses different brush stokes
and scattered brush effects to form. I also presumed some aspects of
his designs; he uses photographs, which were manipulated in Adobe
Photographs. By looking at and focusing at his artwork, I suppose Carlos
experiment with image adjustment filters and artistic effects. Since the
colours of his characters are bright and vibrant, most his background
have warm and calm colours which makes the characters stand out,
which is an aspect which I would like pay attention to in creating my
comic book. I would like use 3 dimensional effects, especially on the
background effect. I would also make sure to pay major attention on
tonal colours or skin tones. Some of his design appears or seems like
it was constructed in Adobe Illustrator. I assume, he uses the flare tool
to complete sections of his digital artwork.
C O M I C B O O K B A S E D O N M Y T H O L O G YW I T H A M O D E R N T W I S T
F i n a l Ye a r B T E C N a t i o n a l G r a p h i c D e s i g n
K w a k u A n k a p o n g
D a v e M c K e a n
DAVE MCKEANMcKean is best known for creating graphic novels, which includes his
bestselling Arkham Asylum. He also creates hundreds of graphics for
CDs, comic covers and books. Besides his own projects, he collabo-
rates with other artist such Neil Gaiman in designing the comic book
cover of Sandman.
Most of Dave McKean written books deal with superstition and
mythology. Also his illustrations are based mix media (photography, art-
work and digital illustration) approach. I was mostly inspired with his
photography of materials and image manipulations of textures. He also
uses seems to like overlapping layers and different concept together
which I presume, attract viewers. In creating my comic book, I will ex-
periment with overlapping manipulated images to create a creative and
effective, sceneries and backgrounds. I will also experiment with image
adjustment, to create similar outcomes like Dave Mckeans illustration.
C O M I C B O O K B A S E D O N M Y T H O L O G YW I T H A M O D E R N T W I S T
F i n a l Ye a r B T E C N a t i o n a l G r a p h i c D e s i g n
K w a k u A n k a p o n g
Comic Book Covers
Graphic Novels
C l a s h O f T h e T i t i a n s K w a k u A n k a p o n g
C O M I C B O O K B A S E D O N M Y T H O L O G YW I T H A M O D E R N T W I S T
F i n a l Ye a r B T E C N a t i o n a l G r a p h i c D e s i g n
J a c k K i r b y K w a k u A n k a p o n g
JACK KIRBY. Jack Kirby is one the most influential and significant illustrator and
comic book creator. The following are Captain America, the X-Men, The
Incredible hulk, the Fantastic Four, The Silver Surfer, The Mighty Thor
and hundreds of other characters.
I also researched on Jack Kirbys comic character collections and comic
book covers, to get inspirational ideas for my comic book. I noticed in
most of his comic book covers