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Rochester Institute of Technology Rochester Institute of Technology
RIT Scholar Works RIT Scholar Works
Theses
1-18-1974
Color panoramic pinhole photography Color panoramic pinhole photography
Richard Stanley
Follow this and additional works at: https://scholarworks.rit.edu/theses
Recommended Citation Recommended Citation Stanley, Richard, "Color panoramic pinhole photography" (1974). Thesis. Rochester Institute of Technology. Accessed from
This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected].
-'1 Richard J. Stanley
John Pfahl ~ 3/, 1974
Charles A. Arnold, Jr.
Edward E. Miller
James Agee
THESIS PROPOSAL
for
The Master of Fine Arts Degree
College of Graphic Arts and PhotographySchool of Photographic Arts and Sciences
ROCHESTER INSTITUTE OF TECHNOLOGY
**************************************************************
TITLE Color Panoramic Pinhole Photography
PURPOSE: To investigate the potential of a home-made
panoramic pinhole camera used as a tool of color
photography .
SUBMITTED
BY: Richard J. Stanley
January 18, 1974
THESIS BOARD:
Chief Advisor Charles A. Arnold, Jr.
Professor,School of Photographic Arts Sciences,Rochester Institute of Technology
Associate Advisors John Pfahl
Assistant Professor,School of Photographic Arts Sciences,Rochester Institute of Technology
Ed Miller
Assistant Professor,School of Fine and Applied Arts,Rochester Institute of Technology
Thesis Proposal
Page 2
SCOPE AND BACKGROUND OF THE THESIS
The Panoramic Image
The panoramic photograph has held the fascination of
generations. Some of the earliest daguerreotypes were pano
ramas of Paris and other European cities. Later, the "ban
quetcamera"
was widely used as a tool to record assemblies
at social functions, as well as to aid the pictorial photographer. All of the above, in addition to the work of contem
poraries such as Joseph Sudek, were photographs incorporatingthe accurate recording of figures and objects 'on the horizontal
plane. Recently, perhaps in response to the vertical emphasis
of modern cities, photographers such as Eric Renner* have
aligned panoramic cameras along the vertical axis. In all
instances the image's beauty seems to be its propensity to
record a plethora of objects which spice the mind's sense of
the camera's purview at a certain time and place. It is this
capability which fascinates me, especially the elegance with
which man and his context may be photographed.
The Pinhole Image
The pinhole camera represents to me one of the most
rudimentary forms of photographic image making in that subject
and record confront each other directly with mere air between
them; no lenses are employed. A kind of direct transferral
of electro-magnetic energy occurs in the same manner as in
the centuries -old camera obscura and the resultant "sunprints.'
The images have a primitive beauty incorporating rings of
distortion and indistinct edges. Despite the above aberra
tions the images can be quite sharp and have a wide-angle
quality suitable for recording a broad context.
The Color Image
The color aspect of the thesis would reflect my
current infatuation with color photographygenerally--
-and
particularly the "straightprint."
If photography is a method
to record and to express human experience, then"straight"
color photography seems to me one step beyond black and white
*Eric Renner is a photographer living near Alfred, N.Y. His work
is in the collection of The Museum of Modern Art and other
collections, as well as in The Art of Photography, New York:
Time-Life Books, 1971; pp 168-169.
Thesis Proposal
Page 3
photography toward the quality of verisimilitude I admire.
With this beautiful quality of verisimilitude comes an
additional problem, i.e. aesthetically pleasing color harmony.
The challenge then of color photography as I intend to
use it is to record circumstances of my life as closely as
possible while retaining both visual and chromatic harmonyand elegance.
Combining Panoramic, Pinhole, and Color Photography
The scope of the thesis is to produce pinhole-made
photographic images which are panoramic in nature and in
color. I have already produced images which incorporate the
qualities above, except that they are in black white, not
color. To my knowledge color has never been attempted. The
camera used was home-made, utilized six pinholes and5"
X17"
film. Because of the construction (see diagrams) ,the six
images dissolve and juggle themselves, creating a new visual
space which seemingly lies along a continuous, but false, axis
while at the same time retaining localized visual fidelity.
This combination of montage and"straight"
reproduction is
the camera's unique metaphor.
There are several ways in which these images could be
produced. The most obvious way is to record a somewhat literal360
panorama, either along a horizontal or vertical axis.
Another method I have tried is to compose a shot and then expose
one pinhole at a time while changing the composition of the
scene before the next pinhole is rotated into position. In this
manner one may combine repeated and changing imagery (e.g. a
panorama incorporating a horizon with several setting suns
while the foreground subject changes position in each shot).
Although I prefer the more traditional panoramic shots because
of their greater sense of verisimilitude, any combination of
the above described approaches could be attempted.
Because color pinhole work is a relatively uninvestigated
area, some fascinating phenomena might occur, i.e. spectral
distortions. These aberrations have occurred in the black and
white images as streaks of light grey. In color they could be
of a more chromatic nature. In any event the color would seem
to underscore a sense of believability in the montages, which
blend what is into what could be.
Thesis Proposal
Page 4
Procedures :
The photographs could be made almost anywhere there is
ample light. What I would like to photograph, however, is
as mentioned above, man and his context, or the vestiges thereof
As long exposures are de rigeur with this camera, bright, warm
seasons lend themselves best to outdoor work and minimal ex
posures. The spring would be a good season in which to photo
graph and the West, known for its dry, sunny climate, would
be an excellent location. I may, therefore, take many of
the photographs on a cross-country trip thereby maximizing
use of fine weather and capturing the flavor of the man-made
environment of contemporary highways. Of all .of man's en
vironments, the car-oriented aspects fascinate me most. This
camera could be an invaluable tool of documentary photography.
A trip from coast to coast affords numerous opportunities to
record unusual man-made environments adjacent to highwaycommercial areas .
Upon my return the prints, which could have been
achieved via any or all of the following means: direct
color paper positives, color paper negatives, or by the
traditional color negative film, paper print means, could be
prepared and assembled into a show of nine to fifteen color
prints. An album could be an alternative display method. The
report could include the necessary technical, aesthetic, and
personal background of the prints.
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