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    Introduction

    /ig 1: 0ap sho!ing Kerala and its location (not to scale) (source: http:!!!pro"eralacom"eralamaps)

    Kerala (in 2outh India) architecture is one of the most evolved e%amples of

    !ooden construction and timber $oinery having had multiple foreign influences1

    Kerala has seen transformations and changes in cultural and economic landscape#

    especially in the last century The traditional construction practices evolved

    accounting for local needs# materials and s"ills The production process !as

    dominated by artisans themselves*

    3e&uirements of thermal comfort in thetropical climate as !ell as the inhibitions and restrictions governed by social

    structure and cultural practices defined the evolution of typology of spaces and

    roof forms and construction details ut they !ere also governed later by

    construction details ordained by the indirect influence of classic treatises

    propounded by priestly pundits- To this e%tent# a classic vernacular evolved

    The common use of the term 5vernacular6 is not the same all the times Thereforeit is imperative to e%plain the meaning of that term as used in this paper

    'onsidering a !or"ing meaning# vernacular8 houses are 5those built of

    traditional materials and in the style of the locality6 They are designed generally

    by amateurs# in this case the local masons# artisans and carpenters or occupants

    themselves# going by the local conventions and their o!n re&uirements as !ell as

    1P 52-56,the legacy of kerala Dr A Sridhara Menon,20082

    P 1-3,Traditional architectral for!" of the Mala#ar $oa"t, Dr A"halathaTha!%ran,20083P 52 the legacy of kerala A Sridhara Menon,2008

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    the means available !ith them4 Therefore# the function becomes the most

    important feature Tradition guided the construction and the local materials !ere

    an obvious choice for construction It is architecture !ithout an architect8 (any

    other professional as "no!n today) in contrast to other buildings designed by an

    architectengineer# !ho are formally educatedThe case of Kerala is as indicated

    a case of classical vernacular# !hich may be contrasted !ith more amateur o!ner

    built forms else!here The carpenters !ere original professionals there in that

    sense

    The natural building materials available for construction in Kerala ie stones#

    timber# clay and palm leaves have anchored and guided the construction practice

    since ages ,ue to the limitations of building materials# a multi modal approach

    of construction !as evolved in Kerala 2tone !or" !as restricted to the plinth

    even in prestigious buildings including temples and palaces The indigenous

    adoption of the !ood (available in plenty) for architectural e%pression thus

    became the dominant feature of the Kerala architecture The carpenter !as the

    presiding artisan# often governed by the detailed rules of traditional $oinery called

    thachu shastra; The vernacular tradition has evolved giving rise tomany house

    forms longitudinally and latitudinally along the Kerala region&

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    and architecture9 The mason became the prime artisan usurping the place of the

    carpenter >et# the imagery lingers and is being reinvented# in various !ays often

    in a curious mi%ture The autonomous# (!ithout conscious professional design)

    changes in the house forms seem to undergo changes in smaller &uantities at a

    time retaining some features and changing some others There are conscious

    efforts to deviate substantially and at the same time there are conscious efforts to

    retain the traditional features The &uestion to be as"ed# ho!ever# is !hat is the

    critical mass of the features !hich retains the original flavour and !hat features

    deviate a!ay

    The paper is to bring to light the changes that have happened in the vernacular

    traditions in Kerala over the years and to analyse the morphological and

    typological transformation of domestic architecture special reference to post

    independence period 0ore in a conceptual frame!or" analysing "no!n sources

    and not !ith elaborate field !or" The case studies analysed has been identified

    from# Kollam region of Kerala state in 2India The primary data !as collected by

    documenting some cases in this region ? number of cases !ere analysed to

    identify the elements that contribute to the visual memory of vernacular

    architecture among !hich the roof !as identified as the predominant one

    ased on this# the t!o commonly found house typologies of Kerala region are

    1. Independent house with single aroodam, (about 8!"(otta thai1"

    #. $ingle house with courtyard (a %alu&ettu. (less than #!"11

    $ingle Aroodam houses (otta thai"

    ?ll the morphological variations found in this region are invariably an

    improvised morphological variation of any of these typologies The single

    aroodam house is the most common and easily adoptable typology that has

    continuously been reinvented from 9thcentury to the present day1* The study is

    -P 297 cultural heritage of kerala ,A sridhara Menon10Arudam is also known as thai uttaram,thai means mother in southern kerala as noted in p no

    10,traditional architectural forms of Mala!ar "oast #r Ashalatha thampuran11P $0,%raditional architectural forms of Mala!ar "oast #r Ashalatha thampuran12P $0&$2%raditional architectural forms of Mala!ar "oast #r Ashalatha thampuran

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    Beripheralsuperficial changes are changes in the aspects of built form that

    suggests that the fundamental ideologies or beliefs of the user group have not

    changed 2uch changes !ould therefore not be seen in the core spatial

    distribution or concept and physical elements There can be superficial s"in

    changes in the !ay elements are detailed out !ith regional dialectic variations

    This constitute mostly of scenographic elements

    In this paper !e are focusing largely on the fundamental changes that

    happened in thesingle aroodamtypology

    /ig- Traditional house form of "erala# 0aveli""ara (#?rchives# ritish library)the figure sho!s a

    typical single aroodam house of central "erala region !ith a poomugham in the frontthe predominant

    identifying feature is the thatched roof

    -ouse form

    The early single aroodam house models !ere huts made of bamboo

    frame thatched !ith leaves in circular# s&uare or rectangular plain

    shapes The rectangular shape !ith a h ipped roof appears to have

    been finally evolved from climatic and functional consideration

    2tructural ly the roof frame !as supported on the pi l lars on !alls

    erected on a p l in th raised from the ground for protect ion against

    dampness and insects in the tropical climate

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    ma"ing the rafters funct ion as an ? f rame Cse o f t russes !as

    total ly avoided The !eight of the rafters and the roof covering

    created a sag in the ridge !hen the ridge piece !as made of fle%ible

    materials l i"e bamboo1 Th is sag ho!ever remained as the hal l @

    mar" of roof construction even !hen strong timber !as used for the

    roof frame /urther gable !indo!s !ere evolved at the t!o ends to

    provide attic ventilation !hen a flat ceiling !as incorporated for

    the room spaces This ensured air circulat ion and thermal control

    for the roof The lo!er ends of the rafters pro$ected much beyond

    the !al ls to shade the !al ls f rom the sun and d r iv ing ra in The

    closed form of the Kerala houses !as thus gradually evolved from

    technical considerations The main door faces only in one cardinal

    d i rec tion and the !indo!s are smal l and are made l i"e p ierced

    screens of !ood The rectangular plan is usually divided into t!o or

    t hr ee a ct iv it y r oo ms ! it h a cc es s f ro m a f ro nt p as sa ge Th e

    pro$ecting eaves cover a verandah all round# protecting the !all

    from both sun and rain

    The roof !as the decisive factor for the development of the t!o@dimensional layout The tradi t ional t imber roof architecture !as

    h igh ly evo lved designed $o inery deta i ling The thatchan (master

    carpen ter ) !as the ch ief person !ho decided the s iDe shape and

    height of the structure The aroodam (rectangular base plate) !as

    assembled f irst and used to be raised at the predetermined height

    above the plinth !ith the help of temporary !ooden supports & The

    rafters (forming the roof cal led "oodu) !ere made at ground !ith

    precision The !alls !ere raised to touch the ?r oodam and then the

    koodu i s assembled above Thampuran8s s tudy a lso ma"es this

    point 1; ?d di tion al spaces !ere c reated a ro un d the cen tral

    rectangular ?roodam by the !ay of lean@ tos local ly "no!n as

    chayipu & These construction practices !ere based on highly evolved

    geometrical pat terns of roof ( t imber) based on authentic t reat ises

    1!

    +!ser'ation from the "ase studies conducted !y author as a part of , Ph# programme at"P%Ahmada!ad1"-oodu is the composed wooden frame of the roof form of traditional !uildings

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    (classical vernacular roofs) and !as strictly follo!ed in design and

    construct ion ?ll e%tensions to the basic ?roodam !ere lean@tos

    !hich provided for individual innovations

    /ig 4: ? s ingle aro odam house !ith pa thayappura.granary/ # K u la n ga r a h o us e #

    ' ha va ra # K ol l am # K er al a Th e " oo du i s s up po rt ed b y t he a ro od am (! al l p la te

    supported by the !all and the !ooden p i l la rs

    The plan

    The plan form is basically a rectangle divided into segments These

    plan forms are self contained independent residential units !hich

    ta"e care o f d if feren t ac tiv it ies associa ted !i th a residence ?s

    ,rT hamp uran p oint s o ut the core o f the e"ash ala i s u sed for

    storage# living and sleeping !here as the e%tensions ta"e care of the

    supporting activities1 7 T he cen tral seg ment !as the p ro minent

    space called akathalam connecting all the peripheral segments The

    !alls of the central segment support the aroodam The surrounding

    segments are created by e%tending the rafters from the aroodam to

    the periphery of the !all These segments are technical ly cal led

    chayippu These chayippu in the entrance side (usually from East or

    Forth) is u su al ly n a me d a s irayam # o r " ola for r eceiving and

    seating guests The pinnapuram behind for multipurpose related to

    the household or rooms for sleeping (ara) or

    1(P 12,traditional architectural forms of Mala!ar coast ,#r Ashalatha %hampuran

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    storage( pathayapura) 1 =on the s ides In cer ta in cases some of the

    chayippu a re " ep t o pen as 'ernadahs used by female and ch i ld

    members of the family 2ome earl ier s tudies have recorded many

    variations of this basic roof configurations

    ig )(a schemat ic ske tch showing the typ ical space layout of a s ingle Aroo dam house(

    %he central p lace conta ins the three rooms here. %he posi t ion o f the k i tchen could !e

    in any o f north east or northwest corner usual ly (

    1%his is the grain store of traditional house in kerala

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    ig 3aria t ions seen in the "ore and e4 tension o f s ingle aroo dam houses .ot ta thai/ ,

    * ou rce 5 . %ra dt io na l A rch it ec tu ra l f or ms o f M al a! ar " oa st , # r A sh al at ha

    thampuran,2001/

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    Transformations: Th is bas ic p lan o f cen t ra l segment (akathalam

    and the surrounding spaces genera ted by e%tend ing the rafters

    (chayippu ) !ere 'ommon features in the single aroodam houses of

    the past as noted The rectangular geometry !as "ep t in tac t fo r

    most t ransformations unti l the early half of last century The ne!

    spaces or rooms !ere added as e%tensions to al l the sides !ithout

    changing the akathalam and aroodam In other !ords the "ooduthe

    tradit ional raf ter roof !as the guiding factor in the planning of a

    d!elling space# a single room house to multi room houses

    /ig 7 a schemat ic p lan sho!ing the spa t ia l d i spos i t ion o f the segmen ts in a s ing le

    ?roodam house

    The colonial influence brought in a number of changes li"e increase

    i n t he s iD e of t he r oo ms # c on ce pt o f f ur ni tu re a nd a tt ac he d

    bathrooms and relative increase in the height of the structure the

    basic single aroodam !ith central segment continued as a

    typological pat tern ?ttached e%tensions !ere made to the centralspace to a ll t he s id es to incorpo ra te n e! n eeds as ical ly t!o

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    fundamental changes can be observed# 1 The introduction of formal

    spaces for receiving guests later came to be commonly termed as

    dra!ing rooms or spaces This happened largely as a transformation

    of the -ola or irayam * The introduction of larger e%clusive bed

    roo ms and b ath roo ms and toi le ts T he b aths and toi le ts f ir st

    in troduced in the region as independent appur tenances s lo!ly

    became part of the house mostly attached at the bac" of the house

    The cha nges i n occ upat ions r es ulti ng in a gr o! th of ne!

    m id dl ec la ss ! it h n e! o cc up at io ns o r g ov er nme nt $ ob s ! it h

    develop ing socia l norms !here gues ts o f o ther castes are a lso

    received to the house re&uired the in troduction of formal dra!ing

    rooms# once considered a modern8 re&uirement 2o !as the case of

    bath rooms

    ig(spat ia l e4 tent ions to the s ingle Aroo dam house towards the s ide (%he essent ia l

    central space and the e4 tent ions .chayippu/ to the s ides is cont inued as seen

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    The second half of t!entieth century sa! tremendous changes in the

    construction sector !ith changes in socio@ economic conditions# out

    migration# e%posure to other construction practices and changes in

    construction technology and materials The ma$or factor for change

    !as the introduction of 3'' as the material for roofing There !as

    fle%ibi l i ty in terms of the planning !ith respect to the roof The

    role of thatchan (master carpenter !as reduced to $ust production of

    $oinery for door and !indo! frames The mason became the master

    The !all became the prominent feature and the traditional sloping

    !ooden roof !ith 0angalore Battern tiles !as replaced by 3'' flat

    roof /or a !hile at least part of the house !ere made of 3'' or

    0adras terrace # la rgely as thing o f s tatus value Even then the

    general p lanning concept of the central segment !ith e%tending

    segments around !as "ept in tact The f le%ibi l i ty provided by the

    ne! material combined !ith the ne! needs of attaching toilets and

    private personal spaces lead to interesting e%tensions from the

    con vent io na l p lans T he mon oton y o f the !al l !as t reated b y

    ornamentation and designs of fenestrations Fe! elements such as

    sho! !all# parapet fins# buttress !alls etc started appearing These

    styl ist ic changes became necessary as the 3'' made the !alls o

    bare and became the main elements and importance of the roof !as

    reduced This fundamental change could not replace the aesthet ic

    idea o f deta i l s in every segment o f the ear l ier !ooden !al l +e

    suggest that !ithout the caping roof# perhaps people felt the house

    bare and introduced these stylis tic elements on the !alls

    T he mid dle o f the l at te r h al f o f * G t h century sa! massive out

    migration to gulf and the 0iddle East and tremendous change in the

    so ico@economic p rof ile o f the region This added a number o f

    spaces li"e pantry "itchen# poo$a rooms# attached dressing spaces to

    bathrooms for each bedroom# office space# family living etc There

    !as a r ethin" in g in the roo f form 3'' s lo ping roo f ! ith the

    t radi tion al f ea tu res s ta rt ed reapp earing T he 3'' roo f ! ith0angalore Battern t i les on top became an essential feature of the

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    houses of th is period The elements l i"e gables ( monthayam ) and

    roofs !ith mult ip le heights al l !ere repeated but !ith 3'' The

    ornamental features l i"e f in ials # ma"udam# eave boards al l !ere

    repeated us ing cement ? la ter vers ion o f f la t roof !i th s lop ing

    steel truss !or" !ith 0angalore pattern tiles are seen in many place

    in the region

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    ig59&%he case s tudies conducted at kol lam re gion, kerala shows the changes in

    spat ial conf igurat ion d iscussed( %he concept o f core and the periphery i s seen in a l l

    the cases with 'aria t ions in re la t i'e posi t ions

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    ig 115 %he fol lowing cases show the typological t ransformat ion occurre d in 'arious

    periods s tar t ing from 19)0 to the pre sent day( "ase 1 re pres ents the f i rs t sh i f t f ro m

    the t rad i t ional roof and case 2 and $ represen ts the d i f f e ren t t ypo log ie s o f s lop ing

    roof on the s ingle Aroodam( n case to case 9 the change from s loping roof to f la t

    roof can !e seen (

    ig125 'arious *tages showing the t ransformations( %he rea ppearance of the s loping

    roof can !e seen from case 11 and cont inuing t i l l case 17 in 'arious forms

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    )onclusion

    The discussion above# point out to the !ay in !hich vernacular architecture (the

    !ay people build unselfconsciously) ma"es cyclical evolution The changes in

    economy such as occupation pattern# incomes and their distribution etc# resource

    situation li"e land availability and easy availability of ne!er materials# the

    e%posure to other cultures through various means resulting changes in living

    styles and patterns# changes in gender relations# development of nuclear

    households and social relations to be accommodated !ithin the house and more

    importantly pro$ection of houses and their architecture as symbols of status have

    made the evolution undergo a gradual yet significant shift and modification over

    time# yet trying to reinvent the roots reversing the trends and modifying it in the

    process

    The changes in plan configuration of the single aroodam middle class house

    occurred !ith reference to the change in the !ay people started living !ith moresocialiDing and re&uiring guests !ho are not relatives and also from different

    castes to be entertained or invited in the house ? ne! sense of privacy influenced

    the spaces The kola or irayam e%tended further out!ard and became

    poomukhomand later into a dra!ing room 2imilarly the separate bed rooms

    became important and toilets (once considered polluting ritually) also made

    demands Kitchen also changed its function and style !ith mass coo"ing for

    agrarian houses going a!ay and servants becoming rare to get The changes !ere

    accommodated !ith marginal shifting of the spaces and yet !ithin the parameters

    determined by the sloping roof @ local $oinery system In terms of the

    architectural style8 (to use a !ord in the absence of a better !ord)# the sloping

    pyramidical tile roof still !as the dominating element

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    ,r ? ?chyuthan and ,r T 2 alagopala Brabhu# ?rchitecture of

    traditional buildings@ retrospect and prospect# an article in 2tapathi $ournal

    (?pr@2ept *GG-)# astuvidya Brathishtanam# 'alicut

    ,r ? ?chyuthan and ,r T 2 alagopala Brabhu# ?rchitecture oftraditional buildings@ retrospect and prospect# an article in 2tapathi $ournal

    (apr@sept *GG-)# astuvidya Brathishtanam# 'alicut

    ,r?shalatha thampuran#traditional ?rchitectural /orms of 0alabar

    coast#*GG1#asthu idya Brathishtanam#'alicut

    ?sho" Hall# Evolving traditional practices for sustainable construction in

    the present# Fe! architecture and urbanism@ development of Indian

    traditions# The F?.? foundation IFT?C India

    Jangadharan T K #evolution of Kerala .istory and 'ulture# 'alicut

    central Cniversity 'alicut

    .emant 2hah# Traditional architectural attributes in contemporary

    architecture# unpublished thesis@ 19==# 'EBT Cniversity# ?hmedabad

    ?r Baul arghese# The Falu"ettu8 of Kerala@ an analytical approach#

    an article in 2tapathi $ournal (apr@$un 1999)# astuvidya Brathishtanam#

    'alicut

    3aman Famboothiripad# 3easons for modification of residential

    buildings# an article in 2tapathi $ournal ($an@$un *GG1)# astuvidya

    Brathishtanam# 'alicut

    2aptarishi 2anyal# 'ontemporary relevance of traditional principles in

    architecture and urbanism# Fe! architecture and urbanism@ development

    of Indian traditions# The F?.? foundation IFT?C India

    ,r 2ridhara 0enon ?# The legacy of "erala#*GG=#, ' oo"s#Kottayam

    ,r 2ridhara menon ?#'ultural .eritage of "erala#*GG=#,' oo"s

    Is tradition green Banel discussion@ IFT?C India #

    Fe! architecture and urbanism@ development of Indian traditions# The

    F?.? foundation IFT?C India

    Tradition and conte%tual relevance for education in architecture and

    urbanism# Banel discussion@ IFT?C India# Fe! architecture and

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    urbanism@ development of Indian traditions# The F?.? foundation

    IFT?C India