Copyright©2014byDanielleKrysa.Forewordcopyright©2014byAnthonyZinonos.

Artiststatements,bios,andartworkcopyright©bytheindividualartists.

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CONTENTSFOREWORDbyAnthonyZinonos

7

INTRODUCTIONbyDanielleKrysa10

THECHALLENGE13

LARISSAHAILYAGUADO17

MARÍAAPARICIOPUENTES20

MARKBRADLEY-SHOUP27

HOLLIECHASTAIN30

LISACONGDON34

MATTHEWCRAVEN39

ANDREAD’AQUINO44

KATRIENDEBLAUWER51

JESSEDRAXLER56

HOLLYGABORIAULT63

CLEMENSHABICHT66

BETHHOECKEL73

MICOSCHHOLLAND78

JPKING85

KHÁNHH.LÊ88

KATHRYNMACNAUGHTON93

PETERMADDEN98

ARISMOORE105

VINCENTPACHECO108

FRANCISCAPAGEO113

LILLIANNAPEREIRA118

CIARAPHELAN125

MAHMOODPOPAL128

JOSEROMUSSI133

ADRIENNESLANE138

XOCHISOLIS145

FABIENSOUCHE148

BRANDISTRICKLAND153

BILLZINDEL158

ANTHONYZINONOS165

ARTISTBIOS168

IMAGECREDITS176

FOREWORDBYANTHONYZINONOS

TheveryfirstcollageIremembermakingwasaransomnotetomyparents.Thenoteread:“Wehaveyourchildren—send£2,500,000.”MysisterandIneverdidreceivethatmoney.Wehidinthebackgardenforafewhoursuntilwegotboredandhungry,thenreturnedtothehouseactingasthoughnothinghadhappened.Thishasstuckinmymemory,notjustbecauseoftheunimaginablethingstheten-year-oldmeplannedtodowithmyshareofmoney,butalsobecausetheprocessofleafingthroughstacksofmagazinesandnewspaperstryingtofindthecorrectletterstomakethenotegotmehooked.

Ihavealwaysbeendrawntoprocess-heavyartmaking,spendinghoursindarkroomsprintingphotographs,preppingsilkscreensandplatesforprintingorworkingonsheetaftersheetofagreatbigpileofpaperstolatercaptureandmakeananimationthatlastsforonlytwenty-fiveseconds.Theobsessive-compulsivesideofme—thesidethatlikesorderandorganization—grabbedontothemediumofcollageandranforthehills.Idiscoveredthattheconstantsearchingforandcollectingofnewmaterialstouse,andthenumeroushoursspenttryingtosortandarrangecutimages,hadmynamewrittenalloverit.

Overthelastfewyearsitseemsthata“collageboom”hasbeentakingplace,ariseinpopularitythathaslednotjusttoanincreaseinpeoplemakingcollagebuttoaninfluxofexhibitions,books,andblogsshowcasingthediversityofthemedium.Collageisearningawelloverduelevelofrespectasalegitimateartform,insteadofbeingthoughtofasjustsomethingforchildrentodabblewithintheirearlyschoolyears.Thebasicideaofanartistneedingtodraw,paint,orsculptisthrownoutthewindow,andthescissors,scalpel,andgluearewelcomedwithopenarms.

Ifeelveryluckytobeapartofthisexpansionincollage’spopularity.Ithasgivenmetheopportunitytotakepartinexhibitionsthroughouttheworld—showingmyworkinsmallcitieslikeNorwichintheUnitedKingdom,tomoreexoticmetropolisessuchasQuito,thecapitalofEcuador.Ithasalsohelpedmetoachievecommercialsuccessasacollageillustrator.Icouldnotbehappiermakingcollagesforaliving.ItenablesmetodotheworkIloveeverydayoftheweek.Beforethecurrentrenaissance,myowncollageprocesswasslightlyfrowneduponbymytutorsandpeersduringmyartschoolyears.OnlyaftergraduatingdidIdiscoverthetight-knitfamilyofothercollageartiststhatwasflourishingonline.Theseartistsprovidedinspirationandencouragementandwerealwayswillingtosharetheirprocesstips,methods,andwork.Thereissomethingaboutcollagethatbreedscollaboration.Indeed,itseemstobetheperfectmediumforcollaborativeprojects.Workingtogetherwithothercollagepractitionersopenstheartist’seyestothedifferentprocessesandmethodsemployedbyothersandteachestheindividualabouthisorherownwork,andhowitisreadandperceivedbyothers.

theKAMIKAZEbarons,2012,collageonpaper

Wecurrentlyliveinaverydigitalsociety,spendingmostofourdayattachedtoacomputer,tablet,orsmartphone,navigatingthroughvirtualpageswithaclickofabuttonortheswipeofafinger.Thismaybeonereasonfortherecentsurgeinpopularityofcollageandotherformsofcraft.Itmaybethatpeoplefeeltheneedtomakethingsbyhandagain,tophysicallytouchandcreatesomethingoutsideoftheirday-to-daydigitallives.Mass-producedgoodscanbeperceivedassomewhatheartlessandordinary,whereasthesatisfactionofcreatingsomethingwithone’sownhandsispriceless.Thereismoreroomforerrorandthissooftenleadstounexpected,butfrequentlybeautiful,mistakes.Thesemistakescanandshouldbeembraced,becausetheyoftengiverisetonewideasandthereforeencourageprogressioninthework.

Ilovecollagebecauseitissuchatactileprocess.IfeelaconnectiontothematerialsthatI’musingthroughhandlingandmanipulating,andenjoymakingthemmyown.Therestrictionsofworkingwithcollagematerialsis,

forme,awelcomechallenge—theremovalofathingfromitsoriginalcontext,givingitanewlifeandmeaning.However,thematerialstillbyitsverynaturecarriessomeofitspastwithit,addingextradepthtoapiece.Ienjoyusingvintageimagesbecauseoftheirunpolishedandgrainyquality,aswellastheirtextureandcolorsaturation.Ilettheimagesguidemycreativeprocess.

blackBEAUTYwasAtwin,2013,collageonpaper

Istartbylookingthroughmagazinesandbooks,soakingintheircontentandmood.Certainimagesordetailswillcatchmyattentionandwillsparkmythoughtprocess,leadingmetostartthinkingabouthowImightusetheimagetocreateacomposition,idea,ornarrative.IthinkthereisanelementofmysubconscioustakingcontrolwhileIwork—onlyafterwardwillthesubtledetailsandmeaningswithintheworkrevealthemselves.Generallytheactualmakingofacollageisaquickprocess—thegroundworkofsearchingandcollectingmaterialshavingalreadybeenputinplace.Ithriveontheadventureofthesearchfornewpapergoodstouse,religiouslyvisitingsecondhandshopsandfleamarketsaswellasconstantlycheckingforinterestingscrapsonthestreetsorinrubbishbins.Thereisthesenseofregenerationandupcyclingthatattractsmetopeople’sdiscardedpaper

regenerationandupcyclingthatattractsmetopeople’sdiscardedpapergoods,IliketothinkthatI’mgivingitasecondchancetoshineinsteadofjustbecomingmorelandfill.

Collageischeapandaccessibletoeverybody.Youdon’tneedanyfancyequipmentoraworkshopfulloftools—everyhouseholdhasapairofscissorsandsomeglueoradhesivetape.Allyouneedissomeinspirationandoffyougo—cutting,tearing,andsticking.Theartfeaturedinthisbookisnothingshortofinspirational.Itshowsthevariousstylesanddifferentapproachestocollage,withartistsusingnotonlypaperbutalsotextiles,paint,printmaking,andsculpturalelementstocreatepiecesthatarebothbeautifulandthought-provoking.

INTRODUCTIONBYDANIELLEKRYSA

Everyday,onmyartsite,theJealousCurator,Iwriteaboutcontemporaryartistswhomakeme“jealous.”Jealousinaninspirationalway—withmaybejustasmallpunchtothecreativegut.I’manartistmyself,andwhenIfindworkthatmakesmethink,“OhIwishIthoughtofthat,”IknowthatI’vegottomorrow’spost.Iwouldguessthatatleasthalfofthesepostsareaboutmixed-mediaandcollageartists.Foundimagesyouneverwouldhavedreamedofseeingpaired,arenowforevergluedasone.Alonelyblack-and-whitephotographisgivennewlifewhenstitchedoverwithrainbow-huedembroiderythread.Bookcoversbecomecanvasesandsausagesbecomeguns.Anythingispossiblewithapairofscissorsandabitofglue.Imakecollagesofmyown,andIwriteaboutotherartists’collagesallthetime.Andthatobsessionisthegermofthisbook.

Usingfoundimageryisdefinitelynotanewidea.OneofthemostfamouspiecesfromthePopArtera,forexample,isRichardHamilton’scollageJustwhatisitthatmakestoday’shomessodifferent,soappealing?,1956.ItiswidelyacknowledgedasoneoftheearliestpiecesofPopArt,literallybringingpopculturefromthepagesofmagazinestothegallerywall.And,ifyougobackalittlefurtherinarthistory,evenPicassousedfoundimagery,duringhiscubistperiod.Theseartistsgaveexistingimagesanentirelynewpurpose,andcreatedsomethingfreshfromimagesandideasthatwerealreadyveryestablishedintheirmeaning.Familyphotos,crumpledpostcards,scribbled-onbookpages—eachoftheseforgottenitems,inthehandsoftwentieth-centurycollageartists,hadthepotentialtobecomeamasterpiece.

Infact,it’sthetreasurehunt—thefindingandsortingandselectingofimages—thatisformanythemostrewardingpartoftheprocess.Nothingmakesacollagisthappierthandiggingthroughaboxofimagesorastackofbooksuntilweuncoverthatperfectimage—thekindofimagethatstopstheheart,

justforasecond,becauseoftheamazingcreativepotentialitholds.Thattransformationisoneofthebestthingsaboutcollage:Theartistgetstofinishtelling,inacompletelynewway,astorythatwasstartedbysomeoneelse.Combininganoldimagewithsomethingmodern.Addingaboldtextureorcolortoaseeminglyplainphotograph.Suddenlythere’sanentirelynewnarrativethatwouldn’thaveexistedotherwise.Trulygreatcollageartiststakecuesfromwhatexistsinthebitsandpiecesinfrontofthem—thenturnallofitupsidedown,addjusttherightunexpectedelement,andclaimitastheirown.Foranyonewhohaseverlookedatablankpageandfounditjusttoodarnperfectandintimidating—collageisablessing.Startingwithsomethingandbuildingonitisachancetoremakestories,tocreateartoutofsomethingratherthannothing,toembracewhimsyandhumorandpastiche.

EverytimeIfinda“perfectimage,”IinstantlyenvisionwhatImightdotoit.WhatwillIkeep,whatwillItakeaway,whatshouldIadd?Inthatsamemoment,IwonderwhatsomeofthecollageartistsIadmiremostwoulddowithit.WhatwouldJesseDraxlerkeep?WhatmightBethHoeckelthrowaway?WhatwouldAnthonyZinonosaddtothisphotograph?Well,insteadofwondering,Iaskedthem.Orchallengedthem,youmightevensay.Ingatheringtogetherthethirtyartistsfromaroundtheworldtobeinthisbook,Ididn’tjustaskthemtosharetheirexistingwork.Igaveeachoftheseamazingcontemporarymixed-mediacollageartiststheexactsameimage:avintage,familyphotoofacowboyandhismustache-clad,accordion-playingbrother,circa1958(seepage13).Theyalltookthisblack-and-whitevintagegembacktotheirstudios,andthenproceededtochopandglueandpaintandsew.Theyemergedwiththirtyentirelyuniquemasterpieces.

Theartistswhoarepartofthisprojectallhavetheirownuniqueapproachtocollage,whichisveryevidentintheirselectedfeaturedworks.Butwouldtheirpiecesfeelasdifferentwhentheyallstartedwiththesameimage?Iwasunsure,butexcited,aboutwhatmightcomeback.Aseachcollagearrived,itwasthrillingtoseehowdifferenteachpiecewas.Someoftheworkfeaturesthechallengeimageprominently,andinotherpiecesyoureallyhavetolookforit.Youwillfindalloftheseamazingnewcollagesinthisbook,plusonemore—becauseIcouldn’tresist—Ihadtomakeonetoo(seepage12).

Ichosethesethirtyartistsbecauseallofthemareincrediblyaccomplishedintheworldofcollage.Theyhavespentyearsdevelopingtheirownstyles—

someusingsimplescissorsandglue,othersusingdigitaltechniques,andafewwhohavechosentoworkwithaneedleandthread.Workbytheseartistsissoughtafterbycollectors,galleries,andpublications,whichhasledtoexposureandexhibitionsfromonesideoftheglobetotheother.Collectively,theyrepresentwhatishappeningincontemporarycollage.

IhopeyouenjoyallofthisartworkasmuchasIenjoyedgatheringit.Thisbook,Collage,isinfactacollageinitsownright:pagesandpagesoffoundimages,slicesfrommagazines,vintagepaper,andcolorfulthread.Itisacollectionofbeautifulbitsandpiecesthat,together,telltheirownstory.Andwhatisthatstory?Thestoryofcollage.

NewCollage:DanielleKrysa,MustacheMaster,2013,latexpaint,foundimage,andthreadonpaper

THECHALLENGEOneimage,thirtycompletelyuniquepiecesofart.

Oneimage,thirtycompletelyuniquepiecesofart.

EveryartistfeaturedinCollagewasgiventhissnapshotfrom1958.Weaskedthemtocreateanewcollageusingsome,orallofthisimageofalittlecowboyandhisaccordion-playingbrother.Thefantasticresultscanbefoundatthestartofeachartist’ssection.

BillandDan,JackCumming,1958

THEARTISTS

LARISSAHAILYAGUADOIstartedtheprojectLifeIsaCollagein2008,mainlyoutofaneedforexpressionandpersonalcommunication.WithcollageIfoundamethodinwhichIfeltfreetopresentmyfindings,despitethephysicallimitationsofthistechnique.

Paper,scalpel,andgluearemymaterials,andmytools.Iseek,select,andclassifyimagesthatIfindinterestingorattractive.Ithencombinethem,transformingthemintoanewreality.Thetraditionalhandmadecollagehasitsownidentityandethics,totallyopposedtotheinfinitepossibilitiesofdigital,butthisiswherethetruevalueis—thechallengeoffindingopportunitiesandachievingfunctionalitywithintheconstraints.Icombinenature,people,andobjectsonlyinordertotransmitmorecomplexemotions,thoughts,andfeelings.

Todaythisremainsmymosteffectivewaytorepresentmyvisualthinking.

NewCollage:TheEyeHastoTravel,2013,collageoncardboard

Pasionaria,2012,collageonwoodwallpaper

GreenBird,2012,collageoncardboard

HotDog,2012,collageonpaper

CoolCatIII,2012,collageonpaper

Cleopatra,2011,collageonpaper

ConsumedI,2011,collageonpaper

Pornoman,2010,collageonpaper

MARÍAAPARICIOPUENTESThesubjectofthreadhasbeenwithmesincecollege.Iremember,Ionceconnectedthetreesinaparktoshowthespacebetweenthem.Inaworkshopexercise,Imeasuredthefacadesofsomebuildingsandthenunrolleddifferentdimensionsofthreadsovermetodemonstratephysicallytherelationshipbetweenthebodyandthescaleofarchitecture.

WhenIintervenewiththreadsonanimage,Iworkonanotherlevel—Iamtryingtodemonstratethespecialrelationshipsthataregeneratedinamoment(inaframe,inthiscase).

Iliketointerveneonblack-and-whiteimages.Ithinkthatit’samore“neutral”basewhereIcanwork,andwheretherelationsIseektoemphasizecanbehighlightedinabetterway.Also,IfeelIamnotworkingwiththeoriginalandwiththat,theneedtokeepitsreality.Ithinkthattheessenceofanimagecanbemoreinterestingthroughtheoverlappingofinformation,whichinthiscasecanbethevisualizationofaninvisiblegeometry.

Untitled,2012,embroideryonphotograph

NewCollage:Untitled,2013,embroideryonphotograph

Untitled,2012,embroideryonphotograph

Untitled,2012,embroideryonphotograph

Untitled,2012,embroideryonphotograph

Untitled,2012,embroideryonphotograph

Untitled,2012,embroideryonphotograph

Untitled,2012,embroideryonphotograph

Untitled,2012,embroideryonphotograph

MARKBRADLEY-SHOUPThemajorityofmyworkarisesfrommyobservationandinteractionwiththenaturalandconstructedlandscapeandhowwerespondtooursenseofplaceintheworld,asIamintriguedbyhowweinhabitandutilizespace.Thisworkisoftenderivedfrommyownphotographsandfrommappingsystemsandarchitecturalschematics.Givenmyresponsetoconsumerrelationshipsandwaste,athirdseriesofworkusesdiscardeditemsthatculminateintheformofcollagesandmixedmedia.Theimagesinthisbodyofworkareaformofaestheticplayandmediaexperimentation.

Whilemostofmyworkhasdistinctconceptualunderpinnings,thisseriespresentsamoresincerediscoursewiththeconceptofplaywithintheconfinesofstudiopractice,whereIallowtheimagesandcompositionstopresentthemselvesthroughoutthecourseofexperimentation.Whiletheseimagesdonotdirectlyaddresstheconceptsembeddedinmyotherwork,theyarelinkedandcontinuetoinfluenceoneanother.Mycollageandmixed-mediaworkisthetruestformofstudioresearch,asmanyofthetechniquesandcompositionsfleshedoutwithintheseworksalsofindthemselvesresidinginmymoretraditionalpaintingpractice.

NewCollage:LinerNotes(AtlanticYouthCultureKilledMyDog),2013,mixed-mediacollageII

LinerNotes(CowboyRainbow),2006,mixed-mediacollage

LinerNotes(TheEastSetsItsSights),2006,mixed-mediacollage

LinerNotes(BlindFold),2006,mixed-mediacollage

LinerNotes(MGMReverberation),2006,mixed-mediacollage

LinerNotes(EyeSpyRussia),2006,mixedmedia-collage

LinerNotes(ChrysalisSnowflake),2006,mixed-mediacollage

LinerNotes(VictorYouHangUpFirst),2013,mixed-mediacollage

HOLLIECHASTAINI’vealwaysbeenfascinatedwithitemsfrompreviousgenerations,especiallyephemera.Letters,textbooks,littlenotes,andjournalscarrysomuchofapreviouslife.Iaminspiredbythesesnippetsofapersonandstampsofaparticulartimeandplace.EachgraphitescribbleisatreasuretomeandIwanttobringlifebackintothematerialthatIuseinsteadoflettingitstayhidden,crumblingaway.

McJunkin’sTheory,2013,collageonbookcover

GatherItUp5,2012,collageonbookcover

NewCollage:The3rdGradeSuitorsofJennieMayWhite,2013,collageonbookcover

Noctua,2012,collageonpanel

BatesHouse,2012,collageonpanel

Overcome,2012,collageonpanel

GatherItUp4,2012,collageonbookcover

GatherItUp2,2012,collageonbookcover

Clotho,2013,collageonbookcover

LISACONGDONMypathintotheworldofartandillustrationhasnotbeenastandardone.Ididnotbeginpainting,drawing,ormakingcollagesuntilIwasthirtyyearsold,andIamalmostentirelyself-taught.Myintenseobsessionswithpattern,color,andfarawaycultureshavedrivenmyvastcatalogofwork.

Muchofmywork(madeprimarilyfromgraphite,gouache,ink,andpaper)isnarrative,thoughnoneofitisintendedtoberealisticsnapshotsofanyparticulartimeorplace.WhileIdrawfromactualhistoriesandcultures,Iworkhardtotransformtheminunexpectedways.Myintentionistodrawviewersinsothattheycaninventtheirownnarrativesaboutmywork.Paperpatchwork,patterns,andatextilepresenceinmyworkreferencemylongtimeromancewithsurfacedesign,inparticularthedesignandfolkpatternsofScandinaviaandothercultures.Myworkalsocombinesobviousjuxtapositions:combiningboldneoncolorswithvintagesepia-tonedphotographsandtraditionalgraphitedrawingswithcollagedgeometricshapes.

Memory,2012,cutpaper,vintagedoily,andnailsinshadowbox

NewCollage:FarAway,2013,vintagewallpaper,ink,andphotographicpaper

SämiWoman,2011,graphite,gouache,andcutpaperinshadowbox

SämiGirl,2012,graphite,paper,fakefurinshadowbox

Kvinne,2011,vintageephemeraandcutpaperinshadowbox

Star#2,2011,vintageephemeraandcutpaperinshadowbox

Deep,2011,graphite,gouache,andcutpaper

HoodedReindeer,2012,graphite,cutpaper,andglitterinshadowbox

MATTHEWCRAVENIusehistoricalimagesasabackdropforamoreabstractformofstorytelling.Imagesfromlostcultures,relics,andlandscapes,bothwell-knownandextremelyambiguous,createthepatternswithinmywork.Thesearrangementshighlightshapeandcompositionratherthanhistoricalaccuracy,solidifyingtheirparticipationinauniquemyth.

NewCollage:accordion,2013,mixedmediaonfoundpaper

spiral,2013,mixedmediaonfoundpaper

dots,2013,mixedmediaonfoundpaper

rug,2013,mixedmediaonfoundpaper

pot,2013,mixedmediaonfoundpaper

order,2013,mixedmediaonfoundpaper

stacks,2013,mixedmediaonfoundpaper

shield,2013,mixedmediaonfoundpaper

bolt,2013,mixedmediaonfoundpaper

eyes,2013,mixedmediaonfoundpaper

headstone,2013,mixedmediaonfoundpaper

ANDREAD’AQUINOIstrivetocreateworkthatliesintheplacewhereYellowSubmarine,HieronymusBosch,SergeGainsbourg,J.D.Salinger,TheJaneFondaWorkout,JanvanEyck,andSoulTrainallintersect.Atthatcrossroad,takealeftattheBeatlesandPersianart.NotethatImayormaynotbethere,dependingontheday,sooccasionallyanyonestilllookingformeanings,rationales,orexplanationsshouldcontinuetotravelinaneasterlydirection.Tiresome,I’lladmit.

Mygoalistostrikethatbalancebetweenfocusandspontaneity,wherethemindisbothsharpandstrangelyabsent.Wherefortunatemistakestakeplace,andIamsimplytheretorecordthem,atranscriberofhappyaccidents.

UpsidedownGardener,2011,mixedmedia

CommunicationBreakdown,2011,mixedmedia

NewCollage:DeathtotheMustache,2013,mixedmedia

PunctuationSeries/Comma,2010,mixedmedia

PunctuationSeries/ExclamationPoint,2010,mixedmedia

RedBikeWoman,2012,mixedmedia

Inhale/Exhale,2012,mixedmedia

GoodIdeas,2012,mixedmedia

BlowDryLion,2011,mixedmedia

TypographicBee,2011,mixedmedia

2Feet,2013,mixedmedia

UppercaseQuilt,2012,mixedmedia

Radical,2012,mixedmedia

KATRIENDEBLAUWEREmotionshavealwaysbeenthedrivingforceandmainconsiderationinwhatIdoandmake.Iamstronglydrawntotheuncomfortableinhumanemotion:pain,sorrow,loss,desire.

Ilikethedirectnessofpicturesandtheirpresence.Withmycondensedcuts-and-pastesItrytorelateastoryofmyown.Indoingso,Ifind,oftenunwittingly,newmeaningsandassociations,whichalsohasatherapeuticeffectonme.It’saprocessoffindingmyownlanguageandlisteningtoit.

IwouldliketoquoteMarinaAbramović:“Difficultchildhoodproblems,families,allthosethings,somehowbecomeatreasure,becomesomekindofsourceofinspirationforlateron.”

Asmyworkevolvesovertime,therearesomethemesorimagesthatreappear,forexample:trees,women’slegs,hair,highheels,dresses,sea,mountains.

Atthismoment,I’mcomingtoapointwhereI’vestartedtopaymoreandmoreattentiontothesymbolicmeaningsofthesethemes.

NewCollage:Movement(20),2013,collage

Rendez-vous(11),2013,collage

Without(18),2013,collage

Rendez-vous(4),2013,collage

Féminin(1),2013,collage

Repetition(24),2013,collage

Dress(6),2012,collage

Dress(8),2012,collage

Dress(12),2013,collage

Féminin(8),2013,collage

Imprévu(4),2013,collage

JESSEDRAXLERIamworkingtocreateamood,ratherthanmakeastatement.

IamworkingtocreatethingsthatexplainhowIperceiveideasthatIdonotfullyunderstand.

Fromseriestoseries,thesemoodsandideaschange.I’mjusttryingtokeepup.

FromtheOmensseries,2012,hand-cutcollage

FromtheOmensseries,2012,hand-cutcollage

NewCollage:Untitled,2013,hand-cutcollage

FromtheMonolithsseries,2012,hand-cutcollage

FromtheKahn/NewAestheticseries,2012,hand-cutcollage

FromtheImaginalCellsseries,2013,hand-cutcollage

FromtheImaginalCellsseries,2013,hand-cutcollage

FromtheImaginalCellsseries,2013,hand-cutcollage

FromtheUntitledIIseries,2012,hand-cutcollage

FromtheUntitledIIseries,2012,hand-cutcollage

FromtheUntitledIIseries,2012,hand-cutcollage

FromtheGhostsseries,2012,hand-cutcollage

HOLLYGABORIAULTIworkinfragments,becauseofthemanylivesIliveasanartist.Myinterestsandstudiesvary,andcollagehasbecomeameansofplayandescapeintoaworldIcannotplan.Itrevealsitselftomeinthestrangestwaysandfreelyassociatesthingsotherwisenotcombined.I’mconstantlybreakingdownwhatIseeintosmallerpiecesandtogether,bitbybit,Iletthestoryemerge,occasionallysteppingbackfromthisstateofcoincidenceandfaith.

Color,pattern,humor,andthepeculiarplaycrucialrolesinmywork.Ibegancreatingcollagesinmultipleseries,fromstudyingetiquetteandsocialcodesforVictorianetiquettedancecards,tosurrealistFrenchpaperdolls,tothefashion-consciousmenagerieforFashionBestiary.Avehicleoflimitlessstorytelling,collageiscapableofcommunicatingveryprofoundideas,bothbizarreandpoetic.Findingpoetrywithinthebizarreisthekeytomostanything.

NewCollage:MustacheCha-Cha,2013,acrylicandpaper

TajMahalTiger,2011,acrylicandpaper

Frog’sNewYo-Yo,2012,acrylicandpaper

ProperBreeding,2013,acrylicandpaper

TheGraceofaFlower,2012,acrylicandpaper

GazelleManifesto,2010,acrylicandpaper

HappyHomemaker,2012,acrylicandpaper

FlamingCha-Cha,2013,acrylicandpaper

CLEMENSHABICHT100Facesismyongoingprojectbuiltfromfoundanonymousphotographs.Eachuseseverypartofthephototobuildanewanonymousportrait.Similartoapreviousexhibition,100Kites,itusesarepeatedformulaoflimitationandconstrainttobetterexercisethecollagemuscle;fromface50onward,theyreallystarttosing.

Iworkinavarietyofdifferentmedia,butIstillfeellikewhatIdoiscollage.Live-actionshootscanbetreatedasacookingshowwithingredientsthatthenhavetoslotneatlyintoplace,ofteninsurprisingways.Formeit’saboutfindingcoincidencesthatresonateandfeellikemorethanasumoftheirparts,likealchemy.Ioftengoaboutplanningaprojectbyassemblingthingsthatareinthemselvesalreadyinterestingtoplaywithorbydesigningasituationwherethecomponentpartswillplaywitheachotherinnewways;thenit’sjustaboutgettingagooddocumentoftheresult.

GreenTurtledove,2009,fromtheexhibition100Kites

SchiffinSicht,2009,fromtheexhibition100Kites

NewCollage:Cowboy,2013

Hens,2010,Risographicaexhibition

Elling,2008

ReluctantHero,2011

Roche,2012

Gulls,2006

Ski1954,2012

BETHHOECKELInmycollageandmixed-mediawork,Iinterlacesingularcomponentstoassembleanewstory—oneinwhichemotionalnarrativesplayasimportantaroleasaestheticones.Creatingthisimagerycanbelikenedtopiecingtogetheramentalpuzzle.Iintendtoposeanunusualquestiontotheviewer,thoughonewithwhichwearealreadydeeplyfamiliar.

Ibelievethepersonalrelationshipsthatcanbeforgedtoeachpiecelendtheworkitsairofcharmandmagnetism.Istrivetopresentaprovocativehinttointimatemysteries,muchasavaguerecollectionfromthesubconsciousstirsfeelingsofnostalgia.

NewCollage:VariousHands,2013,collageonpaper

SemiPrecious,2012,collageonpaper

Tumult,2012,collageonpaper

Riptide,2011,collageandacryliconpaper

Classique,2012,acryliconpaper

CoverUp,2012,collageonpaper

Funeral,2013,collageandgraphiteonfoundbookcover

OutofReach,2012,collageandacryliconfoundbookcover

FacetoFace,2012,collageonpaper

Home,2011,collageonpaper

Moonrise,2010,collageonpaper

MICOSCHHOLLANDMostofmyworkstartsfromfragmentsofdifferentsources—mostly“oldpaperstuff”—foundimages,oldphotographs,andpagesfromvintagebooksandmagazines—anditdoesnotmatterwhichperiod,country,orthemeitcomesfrom.Itrytogivethefragmentsanewcontext.MaybeI’mwrong,butitseemsthatyoucanseehistoryrepeatingitselfinthosebitsandpiecesof“oldpaperstuff.”

Sorth,2012,collage

OhGod,IWish,2012,collage

NewCollage:Automatique,2013,mixedmedia

Mono,2013,collage—analog/digital

OldSmoke,2013,collage,mixedmedia

SpaceCowboys,2012,collage—analog/digital

Bank,2012,mixedmedia

UndertheProfit,2013,mixedmedia

Malz,2012,collage

Death’sHeadMoth,2012,collage

Principle60,2013,collageandpencil

JPKINGIhaveacompulsiverelationshipwithmultiplemedia,includingcollage,poetry,print,andrelationalart.Throughmycollage,Iviewtheoriginalnotasanend,butasameanstowardafinalprint,orpage,inwhichdigitalenlargementofanalogtechniquesandmaterialsmakesvisiblethedelicacyofpaperandink.MultiplicityhasalwaysbeenanimportantthemeinhowIdistributemywork,whereIfavoraffordableprintsandpublications.Ivaluethetranquilprivacyofprintedmatter.

Relyingasmuchonchanceasonalong,steady,andmeditativeprocess,myworkevolvesthroughcultivatedmistakes.Takingasculpturalapproachtothebodyanditsrelationshiptoitsenvironment,Iplaywiththepresenceorabsenceofafigurethroughreductiveandadditivelayering.Byemployingfragmentarytexts,Iincorporateexperimentalconcretepoetry,resultinginchaoticlanguageandinformationpollution.Takingstylisticinspirationfromutopian,modernistidealsinartanddesign,mygraphic,geometric,layered,texture-heavyanachronisticscenesintendtoevokenostalgiaandelicitshadowsofculturalmythology.Thepastandfuturefuseinthecreationofafictionalandexperientialuniverse.

NewCollage:IWaitedforYou,2013,paperonpaper

SmokeTwiceasHard,2008,paperonpaper

MySecretTromboneSong,2009,paperonpaper

SheSeesHim,2012,paperonpaper

ThePantsSisters,2010,paperonpaper

HowDoMySecretsFeelinYourEar,2011,paperonpaper

WhentheMusicWentPink,2009,paperonpaper

TakeMore,orLess,2008,paperonpaper

ItTookaLotofEnergytoMakeWind,2009,paperonpaper

KHÁNHH.LÊEventhoughIidentifyasaVietnamese-bornAmerican,Istilldonotknowwhatitmeans.ThereisadiscordwithinmyownoriginduetothefactthatIwasborntoolate.BythetimeIarrived,Vietnamhadalreadyclaimeditsindependence.Beingborntoolateeffectivelyremovedmefromthatpointinhistory.GrowingupintheUnitedStates,Ilearnedtoadaptmyidentitylivingbetweentwocultures.Identityisthecentralthemeofmyworks,andIexamineitthroughthebitsandpiecesofmypersonalmemoryandthecollectivehistoryfromthetwocultures.Icollectimagesfromfamilyphotoalbums,digitalphotographs,andfashionandhomedecormagazines.Throughtheprocessofmixed-mediacollage,Ilayertogetherthefragmentedimagestocreateanewhistoricalnarrativethatisreflectiveofthetensionwithinmyownidentity.

TheRestofHisFamilyintheLivingRoomontheOtherSideoftheWorld,mixedmedia—goldandsilverpaint,goldjellyrollpen,acrylicjewels,andarchivalpigmentprintonpaper

InHerCorneroftheWorld,mixedmedia—goldandsilverpaint,acryliccrystals,Swarovskicrystals,andarchivalpigmentprintonpaper

NewCollage:WhenIGrowUp,mixedmedia—goldandsilverpaint,sequins,andarchivalpigmentprintoncanvas

ChristmasLuncheon,mixedmedia—goldandsilverpaint,goldspraypaint,acryliccrystals,andarchivalpigmentprintonpaper

HisFamilyFirstChristmas,mixedmedia—goldandsilverpaint,goldjellyrollpen,acrylicjewels,andarchivalpigmentprintonpaper

HisFirstNewHome,mixedmedia—goldandsilverpaint,acryliccrystals,Swarovskicrystals,andarchivalpigmentprintonpaper

Her9thBirthday,mixedmedia—goldandsilverpaint,acryliccrystals,Swarovskicrystals,andarchivalpigmentprintonpaper

AndIsFound,mixedmedia—goldandsilverpaintandarchivalpigmentprintonpaper

TwoasOneOnce,Now,andForever,mixedmedia—goldandsilverpaint,acrylicjewels,andarchivalpigmentprintonpaper

KATHRYNMACNAUGHTONI’manaficionadoofvintagepornmagazines,andmyworkhasbeenheavilyinfluencedbyafeminineaesthetic.SometimespeoplethinkI’msolelyflirtingwiththeperversionsofthepornographicimageryasIcreate.Thisispartiallytrue:Iammotivatedbyseeingthebeautyinwhatanaudiencecouldperceiveasaudaciouslyexplicit.Thefemaleformandpoiseareendlesslyintriguingtocomposewith.Oftenunderstated,though,isthefactthatthepalette,textures,andpatternsfoundbeyondthepalpablefemalebodiesareelementsthatIbelievegivemycollageworkitsbreadth,itsdepth.

NewCollage:HeadFirst,2013,mixedmedia

UnicornSandwich,mixedmedia

Volume,mixedmedia

Exposure,mixedmedia

Explorer,mixedmedia

TheRedPony,mixedmedia

OfMiceandMen,mixedmedia

HandModeling,mixedmedia

ReturnoftheCassette,mixedmedia

FleshandNumbers,mixedmedia

PETERMADDENThecollageartist,likeanybody,needsareasonortwotodowhathedoes.Iwriteinsecret,paralleltomypractice.Apoetrythatslipsoftenintoasong,talkingtowardthethingthatdrivestheartmaking:“Sequenceserendipity,Havemeaningshalfhereandhalfinthebeyond,haveamethodologythatcelebrates‘MastersofMud’LooktoPoetsyoulove&repeattheminanotherdimension,ConfessonlytoOmnidimensionalCollages,Makethemhaveasortoftemporalitchiness,Collagelikehopeisshipwreckedmoney,Cutlikethefragmenthasnoedge,Collagelikewindmovingtrees,celebratesurprisewithcollage,makethefragmentbreatheinthespacesofitsescape‘Plantglancesliketrees,’maketheindeterminateyourglue,Underminethehorizonwiththatedge,Cutthroughtheshadowsthatcastthesignsofdistanceoveryou,Quotesomuchtillyouhaveforgottenthesource,Quotetillyouhaveadopteditasyourown.”

EvilFlowers,2012,mixedmedia—paperonfoundphoto

NewCollage:ASharedPast,2013,mixedmedia—paper,pins,steelwireonsoftboard

ComeTogether,2008,paperonglass

PostDisaster,2011,paperonPerspex

Ravaged,2012,paperonwoodinsteel

AMan’sPast,2012,mixedmedia—paper,pins,steelwire,goldandsilverleafonsoftboard

Evil,2008,mixedmedia—paper,steel,foundbook

AChairforUstoLiveIn,2009,mixedmedia—steel,wood,paper,humanhair,bakedclay

Encounter,2010,mixedmedia—paperandpaintonPerspex

SleepsWithMoths,2009,mixedmedia—paper,wood,plastic,bakedclay,goldleaf

Necrolopolis,2008,mixedmedia—paper,steelwire,bakedclay,variousfoundobjects

ARISMOOREObservingpeoplepretendingtobethemselvesisfascinating.Peoplesittingstill,alone,orwithothers,presentinganexpectedsmileorathoughtfulgaze—thesegesturesareamusingandrevealingbeyondtheirintention.Itisinthemomentsbeforetheyareheldcaptive,foreverstill,holdinginbellyandbreastandtryingforasmilethatappearsrealthattheyaretrulythemselves.Then,withaclickofthebutton,appropriatebehaviortakesover.Andwhatisleftarephotographs,portraits,thatsuggestmorethanthewhiteliestheyaretryingtotell.Thegoalinsittingforthephotographistoappearascontentandcapableasitisassumedeveryoneelseis.

ThepeoplethatIinventareacombinationofthistruthandfiction.Theylacksomeofthefacialstructurethatmayhelptocontaintheirawkwardness.Theyaresimultaneouslyvulnerableyetdefiant.Theyareunabletoconform.Theytravelinandoutofthespacebetweenpretendingtobethemselvesandunavoidablybeingtheiractualselves.Theyareself-aware,humble,andmaymakeothersfeeluncomfortable,butitisprobablybecause,thoughawkward,thereissomethingfamiliaraboutthem.

NewCollage:JoanwithHerCastle,2013,collage—ink-jetprint,graphite,coloredpencil

TheHenry’s1975,2013,collage—ink-jetprint,graphite,coloredpencil

TheWarren’s1981,2013,collage—ink-jetprint,graphite,coloredpencil

Ruthie,2013,collage—ink-jetprint,graphite,coloredpencil

Denise,2013,collage—ink-jetprint,graphite,coloredpencil

Maureen,2013,collage—ink-jetprint,graphite,coloredpencil

Eunice(ReadytoDance),2013,collage—ink-jetprint,graphite,coloredpencil

Martha,2013,collage—ink-jetprint,graphite,coloredpencil

JustJoan,2013,collage—ink-jetprint,graphite,coloredpencil

VINCENTPACHECOIthinkofmyworkasaformofjournaling,anongoingnarrative,thatIusetohelpmefindmypathandmysenseofplace.Iuseartmakingasatoolforunderstanding.It’saprocessthatallowsmetothinkaboutthepastandconsidernewwaysforward.Idon’tknowwhatmypurposeisyet,andIdon’tfullyunderstandwhereIcomefrom,butartmakingishelpingmefindmyway.Iimagineitwillbealifelongprocessoflearninganddiscovery,andIamexcitedaboutthat.

Waterfall,2010,collageonpaper

FailingThis,2011,collageonfoundimage

NewCollage:Castle,2013,collageonwall

Generation,2010,digitalcollage

Bighorn,2011,mixedmediaonwood

Navajo,2011,mixedmediaonwood

Earth,2010,mixedmediaonLifemagazinecover,1968

FRANCISCAPAGEOIfindinspirationinonirism,occult,quotidianity,nature,andpsychology.

Iconsiderartasaway-finding,fromself-knowledgetoallthethingswehaveinsideandwedon’tknowyet.Imakearttoexplaintomyself,andeveryoneelse,howtofindbeautyaroundus—andbecauseit’sthebestmediumformetoexpressmyself.WithphotographyIfindquestions,withcollageIfindanswers.

NewCollage:Untitled,2012,papersandcardboards

LifeinParis,2010,papersandmagazinecuts

Autumn,2011,cardboardandencyclopediacuts

TheGirl,2011,accueilpaper,acrylic,magazinecuts

Untitled,2012,canvas,acrylics,magazineandencyclopediacuts

TheDance,2012,canvas,acrylics,encyclopediacuts

Sketch,2011,cardboardandencyclopediacuts

DoubleGirl,2011,cardboard,magazinecutsandtransfers

Untitled,2011,cardboard,magazinecuts,andacrylics

Aurora,2012,paper,newspapercuts,cardboard,andfoam

3D,2012,paper,cardboard,andfoam

LILLIANNAPEREIRAThelanguageofmythallowsastorytobeapartofawideruniversalcontext.Althoughthesestoriesandarchetypesmayresonateverycloselywithmeonapersonallevel,theircreationderivesfromcollectivematerialandtheirpowerliesinthemeaningandthebroadertruthsthatmythsconvey.Culledimagesfrommagazines,books,andnewspapersaremanipulatedandreassembledinordertoactivatethearchetypesthatlietherein.Ineverstartapiecewithparticularsinmind;serendipityandthepersonalunconsciousguidethecomposition.Thepersonalbecomescollectiveandconsciousoncethestoriesstarttoemerge.

Evaporate,2010,collage

Float(Ondine),2008,collageinembroideryhoop

NewCollage:Icarus,2013,collage

TheRecordIsFarfromComplete(Daphne),2008,collage

TheCircularRuins,2009,collageonvintagebookpaper

Marooned,2010,collageonvintagebookpaper

ABasicTheoryofPerspective(Persephone),2011,collageonvintagebookpaper

Whocanbearthethoughtsinmyhead?,2011,collage

TuxedoofAshes,2010,collage

SupportSystem(Penelope),2010,collage

InsideOut,2009,collageonvintagebookpaper

CIARAPHELANIn2010IsetupmyownfreelancepracticesoIcouldworkonmyownvisuallanguage-andimage-makingskills.Iparticularlyenjoycollectingscience-andnature-basedvintageephemeraandIfrequentlyspendhourscombingthroughcarbootsales,charityshops,andjunkstoressearchingforinterestingandinspiringimagery.Ialsohavealoveofsurfacetextiles,patternmaking,andarthistory.Itrytobringthesepassionstogetherinmyworktocreatedetailedandthought-provokingillustrations.

NewCollage:CircleofFifths,2013,collage

BirdHead,2012,collage

BirdHead,2012,collage

WatermelonPoppy,2012,collage

DanceoftheHours,2011,collage

TheWeekend,2011,collage

ClowningAround,2010,collage

MAHMOODPOPALMyworkexplorestheintersectionbetweenfantasyandreality.ItakeinspirationfromthespiritofDadaandsurrealistartofthepast.Thecanvasisusedasastagewherevariousconversationsandstoriesplayout.Atheaterofsorts.Thecharactersandcompositionalelementsaremeanttoreuniteconsciousandunconsciousrealmsofexperience—aspacewheretheworldofdreamandfantasycanbejoinedandcomparedandcontrastedtotherationalworld.

ADuel1,2013,mixedmedia

ADuel2,2013,mixedmedia

ADuel3,2013,mixedmedia

NewCollage:Lift,2013,mixedmedia

AllforOne,2013,mixedmedia

Replay,2012,mixedmedia

TheHunt1,2012,mixedmedia

TheHunt2,2012,mixedmedia

TheHunt3,2012,mixedmedia

TheHunt4,2012,mixedmedia

TheHunt5,2012,mixedmedia

JOSEROMUSSIBecominganartistwasanaturalprocessforme,sinceIbecameanartistovernight,skippingmostofthestepsrequired.Findingmystylecametomeasnaturallyasbecominganartist,sinceIhavealwayshadinmindthatthereismoretowhatistangibleandvisible.Ihavethebeliefthatnoteverythinghasalreadybeendone.ThereforeIamconstantlyexploringanddiscoveringnewtechniquesandmaterialstoexpressandrepresentmyideas,reflectmyinspirations,andturnthemintoartworks.

ThepicturesorobjectsIworkwitharegenerallyfound.IpickthembecauseIfeelthattheysuggestintervention,thattheywanttobegivenanewperspectiveandanewmomentintime.Imakesurethatwhateverhasalreadybeenforgotteniskeptinthepresent.Iaminterestedinstitchingthepasttothepresent,therealtotheunreal.

NewCollage:ThePixies,2013,sewing

Queen,2011,collagemixedmedia

Rainbow,2013,sewingmachineonphoto

Artcannot,2013,embroideryonphoto

LondonUnderground,2013,embroideryonphoto

DancerAllaSchellest,2012,embroideryonphoto

DancerMaryEllenMoylan,2012,embroideryonphoto

DancerDianaAdams,2012,embroideryonphoto

DancerS-N,2012,embroideryonphoto

Getaway,2011,collagemixedmedia

ADRIENNESLANEIcreateintricatecollagesfromoriginalvintageillustrationscollectedfrommanydiversesources.Icombineimagesofplants,insects,animals,humananatomy,andreligiousfiguresintodetailed,colorfulcollageswhereindividualelementsfittogetherlikepiecesinapuzzle.Inspiredbythehistoryofthecuriositycabinet,theVictorianconceptofmementomori,andChristianiconographyandritual,myworkcelebratesthebeautyandinterconnectivityofnaturewhilealsoacknowledgingthecyclicalaspectoflife,death,anddecay.Myworkblendselementsofscience,myth,andreligionintoimagesthatpayhomagetothepastwithinacontemporarycontext.

Brachyura,2012,collageonpaper

Fig.a,2012,collageonpaper

NewCollage:Mustache,2013,collageonpaper

ThisMortalCoil,2013,collageonpaper

PhrenologyoftheSoul,2012,collageonpaper

Flutters,2013,collageonpaper

Twins,2013,collageonpaper

SophiaintheGarden,2012,collageonpaper

PrecesPrivatae,2012,collageonpaper

LuxPerpetua,2013,collageonpaper

XOCHISOLISReflectionsonmoodandemotionalstates,integratedwithanexplorationofmaterialandcolor,arecentraltomycurrentartisticpractice.Ibeginmyprocessofconstructionwithobservingorganicformsfoundintheeveryday,suchaspebbles,plantleaves,cloudshapes,andthecurvesofthehumanbody.Byfocusingontheabstractionoftheseforms,Iconstructlow-reliefwallinstallationsandsmallworksonpapercreatedbyusingavarietyofpaints,paper,plastics,andfoundimagescollectedfrombooksandmagazines.Byintegratingversatileandeasilyattainablematerialswithmypaintingmethod,Iamabletoprovideatexturalexperiencebeyondwhatpaintalonecancreate.

Thismethodresultsinworkwithaheighteneddimensionalityandweight.Contextually,eachworkremarksuponaprivatenarrative,focusingonmynavigationoftheemotionalstate.Popularmusicandcolloquialismsareofspecificinteresttomeandcommunicatealinktosharedexpressionsofemotion—specifically,love,desire,pride,andsadness.Myworkisaboutharmonyandcontrastexistinginthesameinstant,inbothournaturalandhumanisticworlds.

NewCollage:Hearthesoftlyspokenmagicspells,2013,gouache,acrylic,acetate,coloredpaper,andfoundimagesonmuseumboard

Alittlepsychicresearchbeforemakingadiagnosis,2012,gouache,acrylic,acetate,coloredpaper,andfoundimagesonmuseumboard

Showmewhereyou’vefailed,2013,gouache,acrylic,acetate,coloredpaper,andfoundimagesonmuseumboard

Whenyougetfree,comehometome,2013,gouache,acrylic,acetate,coloredpaper,wax,andfoundimagesonmuseumboard

Don’ttakethisheaven,2013,gouache,acrylic,acetate,coloredpaper,andfoundimagesonmuseumboard

Feelslikeadreamandwearethemoon,2013,gouache,acrylic,acetate,coloredpaper,vinyl,andfoundimagesonmuseumboard

Iwassittinginthefieldfeelingthegrass,2013,gouache,acrylic,acetate,coloredpaper,andfoundimagesonmuseumboard

Lookintothesky,2013,Gouache,acrylic,acetate,coloredpaper,andfoundimagesonmuseumboard

Noteventimeforbirdstoflytosouthernskies,2013,gouache,acrylic,acetate,coloredpaper,andfoundimagesonmuseumboard

Silvershuttle,2012,Gouache,acrylic,acetate,coloredpaperandfoundimagesonmuseumboard

Thisisthetimeandthisistherecordofthetime,2013,gouache,acrylic,acetate,coloredpaper,andfoundimagesonmuseumboard

FABIENSOUCHEInmanywaysadescendentofDada,Ithinkthattheapparentsimplicityofmyuniverseistheresultofareflectionexpressedinminutedetail.Ilook,filtermyartisticandpoliticalenvironment,observethebroadcontemporarythemesveryprecisely,andliketoplaywithreferences.Itrytoleavebehindfacileaestheticstoshowthebareidea,oratleasttheideainitsmostsimpleexpression—withjustenoughmaterialforittoexistentirely.Theresultingobjectsmixtogetherderision,extravagance,andblackhumor.

SkySaw,2013,collageonpaper

Babe,2010,collageonpaper

Ham-Phrey,2010,collageonpaper

NewCollage:Poo-Poo-Pee-Doo-Tsouin-Tsouin,2013,collageonpaper

Clint,2010,collageonpaper

Listentothesilenceofpig,2010,collageonpaper

SélectionNaturelle(NaturalSelection),2010,collageonpaper

Meeting,2012,collageonpaper

Nuayantdescenduunescalier(Nudehavinggonedownastaircase),2012,collageonpaper

BRANDISTRICKLANDMyworkisajournal,ascrapbook,anexperiment—aplaceformetoprocess,distill,andtransformmyexperiencesandinterestsintosomethingmoreholisticandmeaningful.Forme,collagebeginswithcollecting,saving,acquiring,searching;then,asiftheywerememories,Imeticulouslysort,separate,andorganizethemintosomethingnew—somethingthatisbothhappilyaccidentalandtediouslyarranged.Ifindthewholeprocessofcreatingartnurturing,therapeutic,andplayful,andIendeavortograntsuchpleasurestothevieweraswell.Throughserendipity,Iseekhonestexpression,chance,mystery,andrevelations.

NewCollage:Player,2013,collageandcolorpencilonbirchboard

Grey,2012,collageonpaper

QuietContemplation,2012,collage,gouache,andacryliconboard

LearntoTeachYourself,2011,collageelements,gouache,acrylic,graphite,coloredpencil,andinkonboard

WelcometotheGarden,2011,collage,gouache,acrylic,graphite,coloredpencil,andinkonboard

SeedStone,2010,collageandacryliconboard

IWantedtoLiftMyselfUp,2011,collageonwatercolorpaper

Self-Similar,2009,collage,acrylic,andgouacheonboard

EverythingINeedIsWhereI’mGoing,2009,collage,acrylic,ink,coloredpencil,andgouacheonboard

SummerVacation,2009,collage,acrylic,andgouacheonboard

UnwaveringLight,2009,Collage,acrylic,gouache,andcoloredpencilonboard

BILLZINDELMyworkhasalwaysinvolvedfoundimageryandhasinrecentyearsshiftedfromprintmakingandpaintingtocollage.Iamanobsessivecollectorofcollagematerialfromoldmagazinesandephemera.Tinydetails,pattern,typography,andnostalgiaarewhatinterestme.Myworkasadesignerinformsmyworkformally,butmyloveofcutting,pasting,andcollectinggoesbacktochildhood.

WhileattemptingtomakesenseofthestacksofpaperIhaveamassed,Iammotivatedbythefrictionsandharmoniesthatoccurwhendisparateelements—beautifulordull,suggestiveormeaningless—rubupagainsteachothertomakesomethingnew.

Globe,2011,collage

NewCollage:StandardAccordion,2013,collage

Hi-FiDream,2011,collage

Gift,2011,collage

Untitled,2011,collage

Untitled,2012,collage

Untitled,2012,collage

Untitled,2012,collage

Sound,2011,collage

ANTHONYZINONOSMynameisAnthonyZinonos,andIamacollageaddict.Ifirsttriedcollageatayoungageandhavenotstoppedusingsince.Myhabithastakenovermylife—mystudioisfilledwitholdmagazinesandbooks,paperscrapscoverthefloor,IsometimesgetsodesperateIevenpickthesescrapsoffthefloorandusethem.Whennotusing,mydaysconsistofdesperatelysearchingcarbootsalesandsecondhandshopstoscoremoreprintedpapers,thenIscurrybackhometocutandstick.Myscissorsandgluehavebecomemybestfriends,theyneverjudgeme.Ihaveattemptedtoquit,andhaveeventriedothermedia,butneitherpainting,drawing,norphotographycouldgivemethatcontent,warm,glowingfeeling.

NewCollage:carryingTHEblues,2013,collageonpaper

backTOtheOFFICE,2012,collageonpaper

curtsy,2013,collageonpaper

theHOUNDrebels,2012,collageonpaper

thePINKpanther,2012,collageonpaper

theWHEELSPINwalters,2012,collageonpaper

theGREAToutdoors,2012,collageonpaper

justGOtalkTOher,2012,collageonpaper

ARTISTBIOSLARISSAHAILYAGUADO

LarissaHailyAguado(Argentinian)wasborninBahiaBlanca,Argentina,in1975.AfterhighschoolLarissamovedtoBuenosAirestostudyGraphicDesignattheFacultyofArchitecture,Design,andPlanning,UniversityofBuenosAires.Afterseveralyearsworkingprofessionallyasagraphicdesigneranddesignteacher,herpracticehastakenamoreexperimentalturn.HerLifeIsaCollageprojecthasevolvedandexpandedtobecomeherprincipalmethodofcommunication.Thepossibilitiesoffixedmanualcollageinthedigitalageprovideexcitingopportunitiestoengagewithcraft,materials,analysis,andoutcomes.Thelimitationsoffoundmaterials,andrandomandmanualtools,provideasharper,moreimmediate,andmorehumandynamicthanispossiblewithcomputersoftware.(larissahailyaguado.com)

MARÍAAPARICIOPUENTESMaríaAparicioPuentes(Chilean)wasborninSantiagodeChile,andstudiedArchitectureattheUniversidaddeChile,graduatingin2008.ShethenreceivedherMastersofUrbanDesign:Art,City,SocietyfromUniversitatdeBarcelonain2011.Since2011,shehasdevelopedseveralcollaborativeinterventionprojectswithphotographers,artists,anddesigners.Sheusesthread,sewndirectlyontotheimage,tocreateanewimage,emphasizinggeometricalandspatialrelationsthatexist,sometimesunnoticed,intheoriginalphotograph.María’sworkhasbeenpublishedonvariouswebsitesandprintmedia,andshehasexhibitedherworkinSpain,Canada,theUnitedStates,andChile.ShenowworksattheNationalCouncilofCultureandArtsofChileasProducerintheArchitectureArea.(cargocollective.com/mariaapariciopuentes)

MARKBRADLEYSHOUP

MarkBradleyShoup(American)earnedhisBFAfromtheUniversityofTennesseeatChattanoogainPaintingandDrawingandhisMFAfromtheUniversityofNorthCarolinaatChapelHillinStudioArt.HehasexhibitedhisworkinLosAngeles,Boston,Atlanta,Nashville,Knoxville,Omaha,Miami,Birmingham,SantaMonica,NewOrleans,andVancouver,B.C.Inadditiontohisextensiveexhibitionrecord,MarkhasbeentherecipientoftwoMakeWorkgrants,theIndividualArtistFellowshipfromtheTennesseeArtsCommission,anIndividualArtsGrantfromAlliedArtsofGreaterChattanooga,andaPollock-KrasnerGrant,aswellasnominatedfortheDedalusFoundationFellowship,JoanMitchellAward,andaGeorgeMarshallFellowship.HisworkhasbeenpublishedinNewAmericanPaintings,BackwardsCityReview,andtheNewOrleansGambitWeekly.Currently,MarkisbasedinChattanoogawhereheisaVisitingLecturerattheUniversityofTennesseeChattanooga.(markbradleyshoup.com)

HOLLIECHASTAINHollieChastain(American)isanartistlivingandworkinginChattanooga,Tennessee.Shehasworkedwithvariousmediafromanearlyage,butfellinlovewithcollagein2008afterlookingforafreshstartinapreviouslyunexploreddirection.Herworkisofteninfluencedbymaterials,asopposedtobuildingaroundasketchoridea.Sheisself-taught,andhashadexhibitionsatgalleriesallovertheworld;herworkhasbeenpublishedinseveralmagazines(includingLilithandFineLine);andboutiques—fromTennesseetoNewYork,andallthewaytoSpain—carryherwork.(holliechastain.com)

LISACONGDONFineartistandillustratorLisaCongdon(American)isbestknownforhercolorfulpaintingsandcollages.HerportfolioincludesillustrationsforChronicleBooks,HarperCollinsPublishing,andSimonandSchuster,amongmanyothers.Lisaisalsoknownforherhand-letteringandpatterndesign,andshekeepsadailyblogofherworkcalledTodayisgoingtobeawesome.Sheisavoraciousworldtraveler,andplanstovisitadifferentcountryorcityeveryyearfortherestofherlife.LisalivesinOakland,California.(lisacongdon.com)

MATTHEWCRAVEN

MATTHEWCRAVENMatthewCraven(American)wasbornin1981inGrandRapids,Michigan,andhecurrentlylivesandworksinNewYork.HereceivedhisBFAfromMichiganStateUniversityin2004andhisMFAfromtheSchoolofVisualArtsin2010.Matthewhasparticipatedinnumerousexhibitions,includingshowsatMarvelliGallery(NewYork),AllegraLaViola(NewYork),CindyRucker(NewYork),JenBekman(NewYork),PerryRubenstein(NewYork),GalleryHijinks(SanFrancisco),Nudashank(Baltimore),andGrizzlyGrizzly(Philadelphia).(matthewcraven.com)

ANDREAD’AQUINOAndreaD’Aquino(American)wasborninNewYorkCity.Shehasalwaysresistedlabelslikeillustrator,artdirector,graphicdesigner,orwriter,andfindsherselfhappieststraddlingthelinesbetweenallthosethings.Foryears,shewasanartdirectorformajoradvertisingagencies.Morerecently,shehasfocusedonamorepersonalvision,usingawidevarietyofmixedmediafromtraditionaltodigital.HerworkhasbeenrecognizedbytheSocietyofIllustrators,AmericanIllustration,theArtDirectorsClub,CommunicationArts,3x3Magazine,TheOneClub,andtheTypeDirectorsClub.(andreadaquino.com)

KATRIENDEBLAUWERKatrienDeBlauwer(Belgian)wasbornin1969inRonse,Belgium.KatrienstudiedpaintingatHigherArtSchool,SSKI,Ghent,andthenmovedontoAntwerptostudyfashionattheRoyalAcademy,butabandonedthistrainingaftertwoyears.Hercollageworkissimpleandemotional,andhasbeenexhibitedallovertheworld,includingshowsinThailand,Brazil,Spain,theUnitedStates,France,andherhomecountryofBelgium.(katriendeblauwer.com)

JESSEDRAXLERJesseDraxler(American)isfromasmalltowninWisconsin,andnowlivesandworksinthesmallbigcityofMinneapolis,Minnesota.HisworkhasbeenshownextensivelythroughouttheMidwest,inLosAngeles,and

internationally,andhasbeenfeaturedintheNewYorkTimes,TargetHeadquarters,andBeautiful/Decay.Jesse’sworkhasreceivedattentionfrompublicationsandinstitutionsallovertheworld,andhewasrecentlynamedoneoftheWalkerArtCenter’s“TenArtiststoWatchin2013.”(jessedraxler.com)

HOLLYGABORIAULTHollyGaboriault(American)isanauthor,illustrator,anddesignerworkinginProvidence,RhodeIsland.LongbeforeshegraduatedfromtheRhodeIslandSchoolofDesignwithaBFAinIllustration,shewaswritingandillustratingherownbooksanddreamingofbeingafamousarcheologist.Holly’sworkisauniqueblendofhistoryandfolktaleswovenbetweenbooks,paintings,collages,costumes,andinstallation.Currentlyherprojectsincludewritingandillustratingseveralbooks,aseriesofpaintingsexploringglobaltextiles,andexploringthemysteriesofletterpressandfilmmaking.(madammeow.com)

CLEMENSHABICHTClemensHabicht(Australian)wasborninSydneyin1978.HegraduatedfromtheUniversityofTechnology,Sydney,withaBachelorofDesigninVisualCommunication(FirstClassHonors)in2000,andnowlivesandworksinParisasadirector,illustrator,andgraphicdesigner.Clemens’sillustrationshavebeencommissionedbypublicationsincludingCreativeReview,theBulletinMagazine,GoodWeekendMagazine,andtheSydneyTheatreCompany.HehasdirectedmusicvideosforthebandsBlocParty,TameImpala,FriendlyFires,andPVT,andhastaughtdesignandcommunicationattheBauhausSchoolinWeimarandatUTSSydney.Hehashadtwosoloillustrationshows,100KitesandOtherSides.(clemenshabicht.com)

BETHHOECKELBethHoeckel(American)isamultidisciplinaryartistfromBaltimore,Maryland.ShereceivedaBachelorofFineArtsdegreefromtheSchooloftheArtInstituteofChicagowhereshefocusedprimarilyonpainting,photography,andprintmaking.Bethiscurrentlyafull-timeartistcreatingmixed-mediapaintingsandcollagesinBaltimoreCity.Herworkhasbeen

exhibitedinshowsallovertheworld,andhasbeenfeaturedinalonglistofpublicationsincludingBustMagazine,RookieMagazine,andNylonMagazine.(bethhoeckel.com)

MICOSCHHOLLANDMicoschHolland(German)wasbornin1968inMönchengladbach,Germany.HestudiedVisualCommunicationsattheAcademieBeeldendeKunsteninMaastricht,andnowworksasagraphicdesignerinBerlinandMunich.Informedbyhisdesignbackground,hisworkusesvintagebitsandpiecesoffoundimagery,distinctivecolorpalettes,andboldtypography.(micosch.tumblr.com)

JPKINGJpKing(Canadian)isanartist,writer,andprinterwhoseworkexploresutopia,garbage,masculinity,andcontemporarymythology.Hisartisticpracticeemployscollageinmyriadforms:frommultiplebodiesofworkcreatedfromvintagepostcardsandFrenchmagazines,tohisrelationalpublishingexperiments.HisprojectFreePaper,2011,turnedagalleryintoapop-upnewspaperoffice,whiletheNomadesk,2009–2011,transformedawheelchairintoamobilewriter’sresidency.Hispoetry,criticalwriting,andartworkhavebeenpublishedandexhibitedinternationally.HerunsPaperPusherPrintworks,amicropublishingcompanyspecializinginRisographprinting.HelivesandworksinToronto,withhiswifeandcollaborator,KirstenMcCrea.(jpking.ca)

KHÁNHH.LÊForKhánhH.Lê(VietnameseAmerican),identityplaysacentralroleinartisticoutput.Hecontinuouslyprobeshispersonalandfamilialhistoriesinanattempttocarveoutaculturalidentityforhimself.KhánhgraduatedwithanMFAfromSyracuseUniversityin2008.HisworkhasbeenexhibitedattheHunterdonArtMuseum(Clinton,NewJersey),CorcoranGalleryofArt(Washington,DC),VoxPopuli(Philadelphia,PA),HonfleurGallery(Washington,DC),DCArtsCenter(Washington,DC),HillyerArtSpace(Washington,DC),andTransformer(Washington,DC).TheDC

CommissionontheArtsandHumanitiesawardedhimtheArtistFellowshipfortheVisualArtsin2011.HecontinuestoliveandworkinWashington,DC,whereheactivelyexploresandquestionsthenotionofidentitiesthroughthelensesofcultureandmemories.(khanhartist.com)

KATHRYNMACNAUGHTONKathrynMacnaughton(Canadian)isagraduateoftheOntarioCollegeofArt&DesigninToronto,whereshestilllivesandworks.Sheisagraphicdesignerandillustrator,whichcomesthroughvividlyinhergraphic,storytellingcollages.ShehasexhibitedherworkwithHuntclubStudio,StolenSpaceGallery,and100EuroShow,andhasalonglistofclientsincludingPenguinPublishing,FashionMagazine,TheWalrus,ReportonBusinessMagazine,andNylonGuysMagazine.(kathrynmacnaughton.com)

PETERMADDENPeterMadden(NewZealand)livesinAuckland.HecompletedaBFAin1995,andanMFAwithFirstClassHonorsin2003.HehasexhibitedinmajorinstitutionsandgalleriesthroughoutNewZealandandAustralia.Peter’shometownistheprovincialcityofNapier,NewZealand,whichhasbeendescribedasaseasidetown,frozenintime,ontheedgeoftheworld.Asachild,Peterdiscoveredaworldofimages,thoughts,andfantasticalcreaturesthroughNationalGeographicMagazine.Today,hisexplorationhasexpandedbeyondNationalGeographictoawideworldoflostandfoundimagesfrommyriadsources.Peterhasoftencommentedthathispracticereleaseslostghostswithinthephotograph,whichtheninhabitthesmallspacesofhisart.(fehilycontemporary.com.au/pages/peter-madden)

ARISMOOREArisMoore(American)graduatedwithherBFAfromMontserratCollegeofArtin1998.Shebeganteachingmiddleschoolartthefollowingyear,andfifteenyearslaterisstillenjoyingit.In2012ArisgraduatedwithherMFA

fromtheArtInstituteofBoston.ThatsameyearshehadherfirstgroupandsoloshowattheJackHanleyGalleryinNewYork.(peekadoo.blogspot.ca)

VINCENTPACHECOVincentPacheco(American),alsoknownasMudchicken,wasborninRedwoodCity,California.Heisthedescendantofoutlawsandrevolutionaries,thecofounderofWAFAArtistCollective,andeditorofEarthQuarterly.HehashadrecentexhibitionsinLosAngeles,Vancouver,Seattle,Berlin,andLyons,andhasbeenpublishedinEllemagazine,CuttingEdges(publishedbyGestalten),andRojoMagazine(Barcelona).HecurrentlylivesandworksintheTahoeNationalForest,California.(mudchickenart.com)

FRANCISCAPAGEOFranciscaPageo(Spanish),alsoknownasMisspaq,wasborninMurcia,Spain.Sheisaphotographerandillustrator,buthaschosentofocusoncollage.SheisalsocoeditorforDétourcinemamagazine,andtheMujeresconPajaritacollective.Franciscacollaborateswithmagazineandadvertising/designstudios(RapportoConfidenziale,10x15magazine,GerminalComunicaciónAgency,etc.),andsheisartdirectorofalbumcovers,books,andpaintedpapers.Shehadparticipatedinvariousexhibitions—Lab(Spain),GalleryArtRE.Flex(Russia),GalleriKG52(Sweden),andVernissageEphimère(France).ShehasalsotaughtartinherhomecountryofSpainaspartoftheDistritoArtísticoProgram,CAMON(CulturalCenter),andSanColoreaArtResidence.(franciscapageo.com)

LILLIANNAPEREIRALilliannaPereira(American)grewuponasteadydietofcomicbooks,whichfosteredherloveofvisualstorytellingandinspiredhertoputpenciltopaper.Fast-forwardtoartschoolandthediscoveryofmythology,Campbell,andJung.Thegirlwhowantedtodrawcomicsandtellotherpeople’sstoriesnowwantedtotellherown.Mythologybecamehermuse,andcollagebecamehermedium.LilliannalivesandworksinHadley,Massachusetts,wheresheisafreelancegraphicdesigner.Shehaswonnumerousdesignawards(Grand

GoldandGoldCASEawardsfromtheCouncilforAdvancementandSupportofEducation,regionalAdClubawards,andLamplighterawardsfromtheNewEnglandSocietyforHealthcareCommunications)andhasbeenincludedinseveralexhibitionswithintheUnitedStatesandbeyond(UnitedKingdom,Ireland,Portugal,India,Canada,andGermany).(lillypereira.com)

CIARAPHELANCiaraPhelan(British)hascreatedintricatecollageconcoctionsthathavegracedthepagesofWiredUS,theGuardianandtheNewYorkTimes.AUniversityofBrightongraduate,shehasalsoworkedonprojectsforGap,theNewYorkTimesandToyota,andhasexhibitedinLondon,Brooklyn,andBeijing.(iamciara.co.uk)

MAHMOODPOPALMahmoodPopal(Afghan-Canadian)wasborninKabul,Afghanistan,in1979andmovedtoTorontoin1988.HereceivedaBachelorofDesigndegreeattheOntarioCollegeofArtandDesign.In2011,hefoundedCraftStudio,amultidisciplinaryartanddesignstudiothatfocusesonthedesignofinteriorsandcustomartinstallations.Mahmood’sworkcanbeseenthroughoutTorontoinvariouscommercialvenues.Hiscollageandsculptureworksareinprivatecollectionslocallyandinternationally.(craftstudio.ca)

JOSEROMUSSINowbasedinBerlin,JoseRomussi(Chilean)studiedlandscapedesignattheUniversidadCatólicadeChile,SantiagodeChile.Overthepastfewyearshehasgainedasignificantfollowingforhisscreenprintsandcollages,inwhichhecombinesvintageblack-and-whitephotographswithcolorfulformsofembroidery.Thesupernaturalpowerofdancersandtheirposesandmovementsinspirehimwiththeirprecisionandelegance.Josebringsthesepicturesbacktolifewithbright,vibrantcolors,underliningthedynamicoftheirfrozenmovements.Witheachnewlineofembroideryheinvitestheviewertodreamwithhimandtoexperienceeachsubject’shiddenvitality.Hehasexhibitedhisworkallovertheworld,fromRometoChiletoLondon,

andmostrecentlyinasoloshow,titledLifeIsBeautiful,atArtconnectinBerlin.(cargocollective.com/joseromussi)

ADRIENNESLANEAdrienneSlane(American)isanartistwhoworkswithcollage,drawing,printmaking,photography,andanimation.WhileattendingtheClevelandInstituteofArt,shewasawardedtwoscholarships,andshegraduatedin2010withamajorindrawing.ShecurrentlylivesinaruraltowninOhioandspendsherdaysworkinginherstudio,takinghikesintheforest,beachcombing,exploringabandonedplaces,andparticipatingintheartscommunity.HerworkhasbeenshowninseveralexhibitionsintheUnitedStates,andin2013sheimmersedherselfinanartresidencyatSparkBoxStudio,justoutsideofToronto,Canada.(adrienneslane.com)

XOCHISOLISXochiSolis(American)isapainterlivingandworkinginAustin,Texas.ShereceivedherBFAinStudioArtfromtheUniversityofTexasin2005.Alongwithmultiplegroupexhibits,Xochimostrecentlypresentedasoloexhibition—RiversofOurVision—atLawndaleArtCenterinHouston,Texas,andhasaforthcomingresidencyinOaxaca,Mexico,tolearnandworkwithnaturalpigments.Alongwithherstudiopractice,sheistheDirectorofPublicProgrammingattheVisualArtsCenter,UniversityofTexasatAustin,andiscurrentlyanactivememberofMASSGallery,anartist-runprojectspaceinEastAustin.(xochisolis.com)

FABIENSOUCHEFabienSouche(French),akaSouche,wasborninAmbert,France.HenowlivesandworksinBrussels,Belgium.HehasshownhisedgyandhumorouscollageworkalloverEurope(includingBerlin,Paris,Belgium,andtheNetherlands),inbothsoloandgroupexhibitions,andin2010wasawardedtheSpecialJuryPrizeofthe55thSalondeMontrouge.Hisworkissimple,clever,andfullofpop-culturewit.Hefiltershisartisticandpoliticalenvironment,observesthebroadcontemporarythemesveryprecisely,and

thenplayswiththosereferences.Heleavesbehindjustenoughtoshowusthebareidea,oratleastinitsmostsimpleexpression,withjustenoughmaterialforittoexistatall.(www.souche.me)

BRANDISTRICKLANDBrandiStrickland(American)isacollageandmixed-mediaartistbasedinFloyd,Virginia.ShegrewupinNorthCarolinaandreceivedaBAinArtfromQueensUniversityofCharlottein2007.Workingfromherhomestudio,Brandicreatessmall,detailedworksofartcombiningcollage,painting,anddrawing.SherunsashopandblogcalledPaperWhistleandisamemberoftheWAFACollective.Besidesart,sheenjoyslivingoutinthecountry,cooking,gardening,andresearching.(brandistrickland.com)(paperwhistle.com)

BILLZINDELBillZindel(American)isanindependentartist,illustrator,anddesignerwholivesnearOakland,California.Workingfromhishomestudio,Billcreatescollagesthatarestructuredyetunrestrained,employingboldcolorsandpatterns,withgeometricleaningsandspontaneoustendencies.InbetweengigsatSanFranciscodesignagencies,Billkeepsbusywithotherprojects.RecentlyhecreatedanillustrationfortheNewYorkTimes,contributedacollagetothebookSundanceFilmFestivalAtoZ,designedandillustratedaseriesofbookcoversforFarrar,Straus&Giroux,silk-screenedpostersforalocalband,andopenedarecordstore.AgraduateoftheRhodeIslandSchoolofDesign,BillhasshownhisworkinSanFrancisco,NewYork,Detroit,Nashville,Omaha,Ireland,andBerlin.Bill’scollageshavebeenfeaturedinseveralbooksandonalonglistofartblogsincludingBooooooom.com,Notpaper.net,andTheJealousCurator.com.(billzindel.com)

ANTHONYZINONOSBorninSouthAfricaandraisedinCyprus,artist/illustratorAnthonyZinonos(British)nowlivesinthefinecityofNorwichintheUnitedKingdom.HeisamemberoftheWAFACollective,hasexhibitedhiscollages

worldwide(includingtheUnitedStates,Australia,UnitedKingdom,Germany,France),andproducedworksforclientssuchasChanel,Nestea,Gshock,andKateSpade.(anthonyzinonos.com)

IMAGECREDITSPage20(I),25(IX):FeaturingphotographybyClaudioA.TroncosoRojasPage61(XII):FeaturingphotographybyMadisonDubé

Page69(V):CommissionedbySydneyTheaterCompany

Page69(VI):CommissionedbyGoodWeekendMagazine

Page70(VII),71(IX):CommissionedbyTheDesignFilesPage70(VIII):CommissionedbyCityofSydney

Page98(I),101(V):PhotographedbySamuelHartnettPage99(II),100(IV),101(VI):PhotographedbyMelissaIrvingPage102(IX),103(X):PhotographedbyKallanMacleodPage103(XI):Photographcreditunknown;CollectionofAucklandCityGalleryPage134(III),135(IV),135(V):FeaturingphotographybyRocioAguirre

DANIELLEKRYSAistheartistbehindtheblogTheJealousCurator,whereshewritesadailypostaboutcontemporaryart.Daniellehaswrittenguestpostsformanyotherblogs,includingSFGirlByBay,WestElm,andEtsy,tonameafew,hasauthoredarticlesforFrankieMagazineandAnthology,andistheauthorofthebookCreativeBlock.ShelivesinBritishColumbia,Canada.

ANTHONYZINONOShasexhibitedhiscollagesworldwideandproducedworksforclientssuchasChanel,Nestea,Gshock,andKateSpade.HelivesinNorwich,England.

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