I

CLERICS The gods are most act ive through their chosen clerics, who carry out the gods' work on the Material Plane. A typical cleric in Faerun serves a single divine patron, but some individuals feel called to serve a group, such as the elemental gods Akadi, Grumbar, Kossuth, and Istishia, while others serve deities that are intertwined gods, such as the elves' Angharradh.

Some clerics in Faerun belong to an established religious hierarchy, but many do not. The gods choose whomever they will, and sometimes a devoted wor-shiper is blessed with all the abilities of a cleric, despite not being a priest of any kind. That cleric might be a contemplative hermit, a wandering prophet, or simply a devout peasant. Religious orders often try to recruit such clerics and bring them into the fold, but not all of those clerics wish to be bound to a hierarchy.

Conversely, not everyone who pursues a religious vo-cation is a true cleric. Some acolytes discover a different path for their lives than the path of the cleric. They serve their faiths in other roles, such as priests, scholars , or artisans, while some go on to vocations that have noth-ing to do with religion . A few souls who are denied the path of the cleric become embittered and seek favor with sinister or forbidden gods or forge pacts with other pow-erful entities. Religious scholars in the Realms debate whether divine rejection led such a person to embrace a dark path or whether the person was rejected because the gods foresaw the potential for darkness in the per-son's future. The gods remain silent on the matter.

Some clerics are homebodies who serve a particular community of the faithful, but adventuring clerics tend to have a certain crusading zeal to do their deity's work in the wider world. This work may include ministering to far-flung communities, as well as seeking out and de-feating threats to the civilized world.

DIVINE DOMAIN Clerics in the Forgotten Realms have the following Divine Domain option, in addition to those in the Play-er's Handbook.

ARCANA DOMAIN Magic is an energy that suffuses the multiverse and that fuels both destruction and creation. Gods of the Arcana domain know the secrets and potential of magic intimately. For some of these gods, magical knowl-edge is a great responsibility that comes with a special understanding of the nature of reality. Other gods of Arcana see magic as pure power, to be used as its wielder sees fit.

The gods of this domain are often associated with knowledge, as learning and arcane power tend to go hand-in-hand. In the Realms, deities of this domain in-clude Azuth and Mystra , as well as Corellon Larethian of the elven pantheon. In other worlds, this domain includes Hecate, Math Mathonwy, and Isis; the triple moon gods of Solinari , Lunitari, and Nuitari of Krynn; and Boccob, Vecna, and WeeJas of Greyhawk.

I

ARCANA DOMAIN SPELLS

Cleric Level

l st 3rd 5th 7th 9th

Spells detect magic, magic missile magic weapon, Nystul's magic aura dispel magic, magic circle arcane eye, Leomund's secret chest planar binding, teleportation circle

ARCANE INITIATE When you choose this domain at 1st level, you gain pro-ficiency in the Arcana skill , and you gain two cantrips of your choice from the wizard spell list. For you, these cantrips count as cleric cantrips.

CHANNEL DIVINITY: ARCANE ABJURATION Starting at 2nd level, you can use your Channel Divinity to abjure otherworldly creatures.

As an action, you present your holy symbol, and one celestial, elemental, fey, or fiend of your choice that is within 30 feet of you must make a Wisdom saving throw, provided that the creature can see or hear you. If the creature fails its saving throw, it is turned for 1 min-ute or until it takes any damage.

125

A turned creature must spend its turns trying to move as far away from you as it can, and it can't willingly end its move in a space within 30 feet of you. It also can't take reactions. For its action, it can only use the Dash action or try to escape from an effect that prevents it from moving. If there's nowhere to move, the creature can use the Dodge action.

After you reach 5th level, when a creature fails its sav-ing throw against your Arcane Abjuration feature, the creature is banished for 1 minute (as in the banishment spell, no concentration required) if it isn't on its plane of origin and its cha llenge rating is at or below a certain threshold, as shown on the Arcane Banishment table.

ARCANE BANISHMENT

Cleric Level Banishes Creatures of CR ... 5th 1/2 or lower 8th 1 or lower 1 lth 2 or lower 14th 3 or lower 17th 4 or lower

SPELL BREAKER Starting at 6th level, when you restore hit points to an a lly with a spell of 1st level or higher, you can also end one spell of your choice on that creature. The level of the spell you end must be equal to or lower than the level of the spell slot you use to cast the healing spell.

POTENT SPELLCASTING Starting at 8th level, you add your Wisdom modifier to the damage you deal with any cleric cantrip.

ARCANE MASTERY At 17th level, you choose four spells from the wizard spell list, one from each of the following levels: 6th, 7th, 8th, and 9th. You add them to your list of domain spells. Like your other domain spells, they are always prepared and count as cleric spells for you.

DRUIDS The druids of the Realms venerate nature in all its forms , as well as the gods of the First Circle, those deities closest to the power and majesty of the natural world. That group of gods includes Chauntea, Eldath, Mielikki, Silvanus, as well as Auril, Matar, Talos, and Umberlee, for nature is many-sided and not always kind.

Unlike clerics, who typically serve a single deity, dru-ids revere all the gods of the First Circle in their turn, and see them as embodiments of the natural world, which moves in cycles: creation and destruction, waxing and withering, life and death. Thus, Grumbar isn't just god of the earth to a druid; he is the fertile soil and the rolling hills themselves. Malar isn't just the Beastlord, but the hunger and the hunting instinct of a preda-tory beast.

Although they are most strongly associated with sylvan forests, druids care for all aspects of the land, in-cluding frozen mountains, burning deserts, rolling hills, and rough coasts.

CHAPTER 4 I CLASSES

DRUID CIRCLES Druidic ways are ancient and largely practiced in secret, away from the eyes of the uninitiated. In many lands, the Old Ways of the First Circle have given way to new churches and temples, but druids and their followers still gather to honor the cycles of nature and to ensure the natural balance isn't threatened. People who dwell in or near wild lands do well to learn if a druid circle operates nearby, seeking the circle's blessing before hunting or farming on the lands they protect.

The druid habit of gathering in clearings, wooded groves, or around sacred pools gave rise to the tradition of circles. In a circle, all are equal, and while respect is given to age and accomplishment, the circle reaches de-cisions as a whole. Those who disagree are free to argue their point, or even to leave the circle, if they wish, but the circle acts as one for the good of all. Druid circles often include non-druid allies, such as rangers, wood elves, and the fey creatures of the lancf where the circle meets, all given equal voice.

Numerous circles are found across Faerfm, usually made up of no more than a dozen or so druids, plus their a llies. They include the High Dance, guarding the

BLADESINGER STYLES

From its inception as a martial and magical art, Bladesing-ing has been tied to the sword, more specifically the longsword. Yet many generations of study gave rise to various styles of Bladesinging based on the melee weapon employed. The techniques of these styles are passed from master to students in small schools, some of which have a building dedicated to instruction. Even the newest styles are hundreds of yea rs old, but are still taught by their orig-inal creators due to the long lives of elves . Most schools of Bladesinging are in Evermeet or Evereska . One was started in Myth Drannor, but the city's destruction has scattered those students who survived.

Styles of Bladesinging are broadly categorized based on the type of weapon employed , and each is associated with a category of animal. Within that style are specializations named after specific animal types, based on the types of spells employed, t,he techniques of the master, and the particular weapon used. Bladesingers who apprentice to a master typically get a tattoo of their chosen style's animal. Some bladesingers learn multiple styles and bear many tattoos, wearing a warning on their skin of their deadly skills.

Cat. Styles that employ a sword belong to this family. The lion style, the eldest, trains practitioners in the use of the longsword and doesn 't favor any particular type of spells. Leopard style focuses on the shortsword and spells of il lusion and stealth. Red tiger, a style just three centuries old, has its bladesingers using the scimitar in a whirling dance of defense from which they launch into sudden leaps and attacks.

Bird. Styles that focus on the use of a hafted weapon, such as an axe or hamme r, have been grouped together as bird styles, yet they vary wildly. All relatively new styles, they use weapons not typically favored by elves. Eagle-style bladesingers use small handaxes, and many maneuvers in the style focus on fluid ways to throw the weapon and draw a new one. Raven style uses a pick, and spells associ-ated with it grant the bladesinger more agility in combat.

Snake. Practitioners of these styles use a flail, chain, or whip. Viper style uses a whip, despite its inelegance as a weapon, and has almost as long a history as the lion style. Its masters punctuate their bladesong with a stunningly rapid rhythm of wh ip cracks, which can keep many foes at bay and allow the bladesinger space to cast the cruel spells of poison and disease favored by the style.

TRAINING IN WAR AND SONG When you adopt this tradition at 2nd level, you gain pro-ficiency with light armor, and you gain proficiency with one type of one-handed melee weapon of your choice.

You also gain proficiency in the Performance skill if you don't already have it.

BLADESONG Starting at 2nd level, you can invoke a secret elven magic called the Bladesong, provided that you aren't wearing medium or heavy a rmor or using a shield. It graces you with supernatural speed, agility, and focus.

You can use a bonus action to start the Bladesong, which lasts for 1 minute. It ends early if you are incapac-itated, if you don medium or heavy armor or a shield, or if you use two hands to make an attack with a weapon. You can also dismiss the Bladesong at any time you choose (no action required).

CHAPTER 4 I CLASSES

While your Bladesong is active, you gain the follow-ing benefits:

You gain a bonus to your AC equal to your Intelligence modifier (minimum of+ 1). Your walking speed increases by 10 feet. You have advantage on Dexterity (Acrobatics) checks .

• You gain a bonus to any Constitution saving throw you make to maintain your concentration on a spell. The bonus equals your Intelligence modifier (minimum of +l).

You can use this feature twice. You regain a ll ex-pended uses of it when you fini sh a short or long rest.

EXTRA ATTACK Starting at 6th level, you can attack twice, instead of once, whenever you take the Attack action on your turn .

SONG OF DEFENSE Beginning at 10th level, you can direct your magic to ab-sorb damage while your Bladesong is active. When you take damage, you can use your reaction to expend one spell slot and reduce that damage to you by an amount equa l to five times the spell s lot 's level.

SONG OF VICTORY Starting at 14th level, you add your Intelligence modifier (minimum of +1) to the damage of your melee weapon attacks while you r Bladesong is active.

CANTRIPS FOR SORCERERS, WARLOCKS, AND WIZARDS Practitioners of the Art have developed the following cantrips for those who favor casting spells in melee. War Wizards of Cormyr, bladesingers, and warlocks of the Pact of the Blade are especially fond of these spells.

These cantrips are on the sorcerer, warlock, and wiz-ard spell lists.

BOOMING BLADE Evocation cantrip Casting Time: 1 action Range: 5 feet Components: V, M (a weapon) Duration: 1 round As part of the action used to cast this spell, you must make a melee attack with a weapon against one crea-ture within the spell's range, otherwise the spell fails. On a hit, the target suffers the attack's normal effects, and it becomes sheathed in booming energy until the s tart of your next turn. If the target willingly moves be-fore then, it immediately takes 1d8 thunder damage, and the spell ends.

This spell's damage increases when you reach higher levels. At 5th level, the melee attack deals an extra 1d8 thunder damage to the target, and the damage the target takes for moving increases to 2d8. Both damage rolls increase by 1d8 at 11th level and 17th level.

GREEN-FLAME BLADE Evocation cantrip Casting Time: 1 action Range: 5 feet Components: V, M (a weapon) Duration: Instantaneous

As part of the action used to cast this spell, you must make a melee attack with a weapon against one crea-ture within the spell's range, otherwise the spell fails. On a hit , the target suffers the attack's normal effects, and green fire leaps from the target to a different crea-ture of your choice that you can see within 5 feet of it. The second creature takes fire damage equal to your spellcasting ability modifier.

This spell 's damage increases when you reach higher levels. At 5th level, the melee attack deals an extra 1d8 fire damage to the target, and the fire damage to the sec-ond creature increases to 1d8 +your spellcasting ability modifier. Both damage rolls increase by 1d8 at 11th level and 17th level.

LIGHTNING LURE Evocation cantrip Casting Time: 1 action Range: 15 feet

Components: V Duration: Instantaneous

You create a lash of lightning energy that strikes at one creature of your choice that you can see within range. The target must succeed on a Strength saving throw or be pulled up to 10 feet in a straight line toward you and then take 1d8 lightning damage if it is within 5 feet of you.

This spell 's damage increases by 1d8 when you reach 5th level (2d8), 11th level (3d8), and 17th level (4d8).

SWORD BURST Conjuration cantrip Casting Time: 1 action Range: 5 feet Components: V Duration: Instantaneous

You create a momentary circle of spectral blades that sweep around you. Each creature within range, other than you, must succeed on a Dexterity saving throw or take 1d6 force damage.

This spell 's damage increases by 1d6 when you reach 5th level (2d6), 11th level (3d6), and 17th level (4d6).