Classification Sample

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    First Name Last Name

    Composition II

    Classification Essay

    19 October 2015

    The Three Categories of Orchestral Instruments

    The orchestra is a large, organized group of musicians who perform a broad variety of

    musical works, such as symphonies, concertos, or more recently, soundtracks. For someone who

    is not well acquainted with orchestral instruments, it can be confusing to attend an orchestra

    concert and see so many musicians playing on various instruments across the stage. Paul

    Mathews, Associate Dean for Academic Affairs at Johns Hopkins’ Peabody Conservatory, writes

    that the orchestra can be viewed as a “human organism,” so that “the strings form the nervous

    system…the brass and woodwind form the blood system under its double classification of

    arteries and veins, and finally the percussion instruments form the lymphatic system” (93). Of

    the several ways orchestral instruments could be classified, arguably the clearest divisions fall

    into three groups by evaluation of melodic importance and instrumental similarity: strings, brass

    and woodwinds, and percussion.

    Stringed instruments form the largest and most important instrument group within the

    orchestra —“more than half,” according to David Ewen (381). The string sections are truly the

    core of the orchestra and tend to carry the melodic line most frequently. In fact, some musical

     pieces are written only for string orchestra, meaning only these instruments are used. A viewer

    will recognize them surrounding the conductor in a semi-circle arrangement on stage, including

    violins, violas, cellos, double basses, and harps. All of these instruments possess fine strings

    stretched over or across wood to create sound, giving them a striking similarity to the range and

    Commented [A1]: Good job explaining the source’s

    Commented [A2]: Great claim that is narrow enoug

    in the body paragraphs.

    Be sure to create a thesis with a narrowed claim and/or

    of parameters, which can help set the stage for the ess

    organization. In addition, your claim must be arguable/

    otherwise, you won’t be able to support it/prove it true

    instance, are your classifications the three most recogn

    they the three worst kinds? Are they the only three in y

    within particular confines? Example 1: The three most

    mothers are the perfectionist, best friend, and me-first

    Regardless of location, any given baseball game will fin

    fans the following three types: the fair weather fan, the

    fan, and the newbie.

    Then, you could list them from most to least liked in the

    in the body paragraphs. Remember, your topic sentencexpress a logical order for your subtopics. Each topic se

    not need to note the order, but at least the first body p

    topic sentence and every other one or every few should

    claim to help the reader stay on track.

    *Remember, the support rubric section is tied to the th

    Without a clearly written and developed thesis, it is diff

    determine if and to what degree your arguments and co

    support your thesis. In many cases, the support section

    score higher than the thesis score because the two com

    work together to form a whole unit. Therefore, be sure

    ample time developing the thesis so that you earn cred

    support if and where applicable.

    Commented [A3]: Nicely organized via topic senten

    Be sure your topic sentences denote which order you c

    your subtopics, which should be related the claim in yo

    instance, if your thesis says, “The three most recogniza

    are (add three most recognizable types),” your paragra

    might descend from most to least popular. You can alsobest to worst, etc. Each topic sentence does not need to

    order, but at least the first body paragraph’s topic sent

    every other one or every few should make that claim to

    reader stay on track.

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    inflections of the human voice, and extraordinary ability to communicate emotion. A total of four

    strings are used on violins, violas, cellos, and double basses, with each respective instrument

     possessing a lower note range than the one before. A separate part of the instrument, called the

     bow, is made of wood with horse hair stretched across it. This is artfully drawn over the

    instrument’s strings to create music. The harp is “the only instrument among the strings that

    differs radically in shape, and in number of strings.” It utilizes around forty-six strings, plucked

    or swept over to create intricate tones (Ewen 382). The emotional power and large presence that

    the string section possesses give a solid core to the modern orchestra. 

    After the strings, brass and woodwinds form the second most important group of

    orchestral instruments. Although they do not possess the all-important melody line as frequently

    as the strings, they still wield great influence over tone and mood. Similar to each other, yet still

    different, they are both played by forcing air through brass or wooden apparatuses, but are placed

    in two distinct, neighboring sections within the orchestra. Stops, placed over air holes on the

    instruments, such as on the trumpet or flute, help create the different pitches of sound. The brass

    section, including trumpets, French horns, trombones, and tubas, is “the most brilliant in

    resonance,” since the air forced through these metal instruments creates great volume (Ewen

    383). Trumpets blare fanfares and French horns broadcast heroic themes, which soar high above

    the lush strings. But the eight woodwind instruments bring a contemplative variance of sound

    that comes with lower volume capacity, like the clarinet airing a flowing melody line that passes

     between the woodwinds and strings. Together, the brass and woodwind sections create

    dimension and give strength of sound volume to the orchestra. 

    Although the strings, brass, and woodwinds may enjoy higher importance and frequent

     possession of the melody line, the percussion instruments form an impressive group of odd-

    Commented [A4]: Very strong support for the two paragraph.

    Each body paragraph should support two claims: 1) the

    your thesis (The three most popular heroes are; regard

    location, any given basketball game will find among its

    and 2) the claim in your topic sentence, which relates to

    choose to organize your essay (best to worst, most reco

    least, etc.).

    Sample thesis: “Regardless of stadium location, any giv

    game will find among its fans the following three types

    weather fan, the die-hard fan, and the newbie.” I would

    my paragraphs from the most to least recognizable, so

    change the order of the fans in the thesis to the order in

    present them in my essay according to most to least rec

    die-hard fan, fair-weather fan, and newbie. Remember,

    sentence does not need to note the order, but at least

    body paragraph’s topic sentence and every other one o

    should make that claim to help the reader stay on track

    sample shortened paragraph below for at least four po

    paragraph should contain: 1) a topic sentence that specto the order, 2) characteristics of your subtopic, 3) exam

    subtopic (optional but helpful support), 4) why/how yo

    supports the thesis, and 5) a concluding sentence.

    Sample paragraph: 1) The die-hard fan is by far the mos

    recognizable fan in a sports stadium. 2) He or she is like

    as much team gear as possible, and 60% of these die-h

    within the 25% of seating nearest the playing field (Smi

    Producer, director, writer, and actor Spike Lee is consid

    hard New York Knicks fan because he is almost always s

    sideline at Knicks’ games, wearing Knicks’ attire or colo

    drawing attention by speaking with the players and act

    unfavorable calls. 4) These die-hard fans are clearly not

    although Spike Lee may be one of the more extreme ca

    sporting events have die-hard fans because these fans a

    to miss their teams’ games, especially the home games

    70% of die-hard fans live in the same cities as their favo

    (Doe & Anderson 57). 5.) Because these distinct fans en

    game on a much more extreme level than casual fans, t

    group is best suited enjoying the game in the second le

    of the stadium behind the die-hards.

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    shaped mechanisms. This “loudest section of the orchestra,” David Ewen writes, “gives stress to

    the rhythm and plays an important role in building up powerful sonorous effects and climaxes”

    (383). Their infrequent possession of the melody line makes them the least influential of the

    three groups. Nearly all are played by some kind of striking or hitting of the instrument, and

    nearly half utilize metallic tones. The percussion section boasts a large diversity in style, shape,

    and number of instruments, ranging from huge gongs producing ominous crashes to small

    triangles and chimes boasting delicate, high-pitched metallic tones. Even pianos are considered

     part of the percussion section when they are called for in specific orchestral pieces. It is common

    for some percussion instruments to vary in number at any given orchestra concert, since not all

     pieces require the same ones. Instruments in this section are less likely to be spotlighted often or

    for long lengths of time, since their main role is normally rhythm and dramatic effects. However,

    instruments such as the xylophone or marimba may take up the melody occasionally. With its

    wide variety of instruments, the percussion section unites to provide rhythmic stability and extra

    flashes of flare and power that enhance the orchestra’s performance. 

    In summary, an orchestra creates masterful sounds with the many and diverse instruments

    it employs. Strings form the heart of the orchestra with lush tones from vibrating strings and their

    emotional differentiation. Brass and woodwinds bring height of sound and variance of color by

    utilizing air and stops. Finally, percussion instruments give a foundation of rhythm and shape to

    the orchestra’s sound through the striking of objects. Put together, the three classifications of

    orchestral instruments form a powerful musical force, enthralling the novice as well as the most

    experienced listener .

    Commented [A5]: The sources appear throughout

    Commented [A6]: Strong ending sentence.

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    Works Cited

    Ewen, David. The Home Book of Musical Knowledge. Englewood Cliffs: Prentice Hall, 1954.

    Print.

    Mathews, Paul. Orchestration: An Anthology of Writings. Google Books. London: Routledge,

    2006. Web. 16 Oct. 2015.