Upload
jake-thompson
View
213
Download
0
Embed Size (px)
Citation preview
8/17/2019 Classification Sample
1/4
Last Name 1
First Name Last Name
Composition II
Classification Essay
19 October 2015
The Three Categories of Orchestral Instruments
The orchestra is a large, organized group of musicians who perform a broad variety of
musical works, such as symphonies, concertos, or more recently, soundtracks. For someone who
is not well acquainted with orchestral instruments, it can be confusing to attend an orchestra
concert and see so many musicians playing on various instruments across the stage. Paul
Mathews, Associate Dean for Academic Affairs at Johns Hopkins’ Peabody Conservatory, writes
that the orchestra can be viewed as a “human organism,” so that “the strings form the nervous
system…the brass and woodwind form the blood system under its double classification of
arteries and veins, and finally the percussion instruments form the lymphatic system” (93). Of
the several ways orchestral instruments could be classified, arguably the clearest divisions fall
into three groups by evaluation of melodic importance and instrumental similarity: strings, brass
and woodwinds, and percussion.
Stringed instruments form the largest and most important instrument group within the
orchestra —“more than half,” according to David Ewen (381). The string sections are truly the
core of the orchestra and tend to carry the melodic line most frequently. In fact, some musical
pieces are written only for string orchestra, meaning only these instruments are used. A viewer
will recognize them surrounding the conductor in a semi-circle arrangement on stage, including
violins, violas, cellos, double basses, and harps. All of these instruments possess fine strings
stretched over or across wood to create sound, giving them a striking similarity to the range and
Commented [A1]: Good job explaining the source’s
Commented [A2]: Great claim that is narrow enoug
in the body paragraphs.
Be sure to create a thesis with a narrowed claim and/or
of parameters, which can help set the stage for the ess
organization. In addition, your claim must be arguable/
otherwise, you won’t be able to support it/prove it true
instance, are your classifications the three most recogn
they the three worst kinds? Are they the only three in y
within particular confines? Example 1: The three most
mothers are the perfectionist, best friend, and me-first
Regardless of location, any given baseball game will fin
fans the following three types: the fair weather fan, the
fan, and the newbie.
Then, you could list them from most to least liked in the
in the body paragraphs. Remember, your topic sentencexpress a logical order for your subtopics. Each topic se
not need to note the order, but at least the first body p
topic sentence and every other one or every few should
claim to help the reader stay on track.
*Remember, the support rubric section is tied to the th
Without a clearly written and developed thesis, it is diff
determine if and to what degree your arguments and co
support your thesis. In many cases, the support section
score higher than the thesis score because the two com
work together to form a whole unit. Therefore, be sure
ample time developing the thesis so that you earn cred
support if and where applicable.
Commented [A3]: Nicely organized via topic senten
Be sure your topic sentences denote which order you c
your subtopics, which should be related the claim in yo
instance, if your thesis says, “The three most recogniza
are (add three most recognizable types),” your paragra
might descend from most to least popular. You can alsobest to worst, etc. Each topic sentence does not need to
order, but at least the first body paragraph’s topic sent
every other one or every few should make that claim to
reader stay on track.
8/17/2019 Classification Sample
2/4
Last Name 2
inflections of the human voice, and extraordinary ability to communicate emotion. A total of four
strings are used on violins, violas, cellos, and double basses, with each respective instrument
possessing a lower note range than the one before. A separate part of the instrument, called the
bow, is made of wood with horse hair stretched across it. This is artfully drawn over the
instrument’s strings to create music. The harp is “the only instrument among the strings that
differs radically in shape, and in number of strings.” It utilizes around forty-six strings, plucked
or swept over to create intricate tones (Ewen 382). The emotional power and large presence that
the string section possesses give a solid core to the modern orchestra.
After the strings, brass and woodwinds form the second most important group of
orchestral instruments. Although they do not possess the all-important melody line as frequently
as the strings, they still wield great influence over tone and mood. Similar to each other, yet still
different, they are both played by forcing air through brass or wooden apparatuses, but are placed
in two distinct, neighboring sections within the orchestra. Stops, placed over air holes on the
instruments, such as on the trumpet or flute, help create the different pitches of sound. The brass
section, including trumpets, French horns, trombones, and tubas, is “the most brilliant in
resonance,” since the air forced through these metal instruments creates great volume (Ewen
383). Trumpets blare fanfares and French horns broadcast heroic themes, which soar high above
the lush strings. But the eight woodwind instruments bring a contemplative variance of sound
that comes with lower volume capacity, like the clarinet airing a flowing melody line that passes
between the woodwinds and strings. Together, the brass and woodwind sections create
dimension and give strength of sound volume to the orchestra.
Although the strings, brass, and woodwinds may enjoy higher importance and frequent
possession of the melody line, the percussion instruments form an impressive group of odd-
Commented [A4]: Very strong support for the two paragraph.
Each body paragraph should support two claims: 1) the
your thesis (The three most popular heroes are; regard
location, any given basketball game will find among its
and 2) the claim in your topic sentence, which relates to
choose to organize your essay (best to worst, most reco
least, etc.).
Sample thesis: “Regardless of stadium location, any giv
game will find among its fans the following three types
weather fan, the die-hard fan, and the newbie.” I would
my paragraphs from the most to least recognizable, so
change the order of the fans in the thesis to the order in
present them in my essay according to most to least rec
die-hard fan, fair-weather fan, and newbie. Remember,
sentence does not need to note the order, but at least
body paragraph’s topic sentence and every other one o
should make that claim to help the reader stay on track
sample shortened paragraph below for at least four po
paragraph should contain: 1) a topic sentence that specto the order, 2) characteristics of your subtopic, 3) exam
subtopic (optional but helpful support), 4) why/how yo
supports the thesis, and 5) a concluding sentence.
Sample paragraph: 1) The die-hard fan is by far the mos
recognizable fan in a sports stadium. 2) He or she is like
as much team gear as possible, and 60% of these die-h
within the 25% of seating nearest the playing field (Smi
Producer, director, writer, and actor Spike Lee is consid
hard New York Knicks fan because he is almost always s
sideline at Knicks’ games, wearing Knicks’ attire or colo
drawing attention by speaking with the players and act
unfavorable calls. 4) These die-hard fans are clearly not
although Spike Lee may be one of the more extreme ca
sporting events have die-hard fans because these fans a
to miss their teams’ games, especially the home games
70% of die-hard fans live in the same cities as their favo
(Doe & Anderson 57). 5.) Because these distinct fans en
game on a much more extreme level than casual fans, t
group is best suited enjoying the game in the second le
of the stadium behind the die-hards.
8/17/2019 Classification Sample
3/4
Last Name 3
shaped mechanisms. This “loudest section of the orchestra,” David Ewen writes, “gives stress to
the rhythm and plays an important role in building up powerful sonorous effects and climaxes”
(383). Their infrequent possession of the melody line makes them the least influential of the
three groups. Nearly all are played by some kind of striking or hitting of the instrument, and
nearly half utilize metallic tones. The percussion section boasts a large diversity in style, shape,
and number of instruments, ranging from huge gongs producing ominous crashes to small
triangles and chimes boasting delicate, high-pitched metallic tones. Even pianos are considered
part of the percussion section when they are called for in specific orchestral pieces. It is common
for some percussion instruments to vary in number at any given orchestra concert, since not all
pieces require the same ones. Instruments in this section are less likely to be spotlighted often or
for long lengths of time, since their main role is normally rhythm and dramatic effects. However,
instruments such as the xylophone or marimba may take up the melody occasionally. With its
wide variety of instruments, the percussion section unites to provide rhythmic stability and extra
flashes of flare and power that enhance the orchestra’s performance.
In summary, an orchestra creates masterful sounds with the many and diverse instruments
it employs. Strings form the heart of the orchestra with lush tones from vibrating strings and their
emotional differentiation. Brass and woodwinds bring height of sound and variance of color by
utilizing air and stops. Finally, percussion instruments give a foundation of rhythm and shape to
the orchestra’s sound through the striking of objects. Put together, the three classifications of
orchestral instruments form a powerful musical force, enthralling the novice as well as the most
experienced listener .
Commented [A5]: The sources appear throughout
Commented [A6]: Strong ending sentence.
8/17/2019 Classification Sample
4/4
Last Name 4
Works Cited
Ewen, David. The Home Book of Musical Knowledge. Englewood Cliffs: Prentice Hall, 1954.
Print.
Mathews, Paul. Orchestration: An Anthology of Writings. Google Books. London: Routledge,
2006. Web. 16 Oct. 2015.