29
Classics Classics Collaboration Collaboration across Campuses: across Campuses: Weaving Penelope's Weaving Penelope's Tapestry Tapestry Penelope Painter Hal Haskell Hal Haskell Southwestern University Southwestern University Susan Frost Susan Frost Emory University Emory University Suzanne Bonefas Director, Technology Center Associated Colleges of the South

Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

Embed Size (px)

Citation preview

Page 1: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

Classics CollaborationClassics Collaborationacross Campuses:across Campuses:

Weaving Penelope's TapestryWeaving Penelope's Tapestry

Penelope Painter

Hal HaskellHal Haskell

Southwestern UniversitySouthwestern University

Susan FrostSusan Frost

Emory UniversityEmory University

Suzanne BonefasDirector, Technology Center

Associated Colleges of the South

Page 2: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

Attic red figure skyphos, Chiusi, Penelope Painter:Penelope and Telemachos, ca. 430 BCE

Infrastructure

The Curricular Need

Weaving Penelope’s Tapestry

Page 3: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

Weaving Penelope’s Tapestry

Page 4: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

Small Liberal Arts Institutions:

>small liberal arts learning environment

>opportunities of large research university

studentsfaculty

breadth, depth, visibilityThe Curricular Need

Weaving Penelope’s Tapestry

Page 5: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

Mellon Pilot Program, beginning in 1996.Rhodes College

/ InfrastructureThe Curricular Need

Weaving Penelope’s Tapestry

Small Liberal Arts Institutions:

Page 6: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

Thucydides: alliance of individual city-states for a common purpose

Sunoikisis seeks to develop a set of common goals and achieve a degree of depth, breadth, and prominence that goes beyond the capacity of a single program.

SunoikisisSunoikisis

Weaving Penelope’s Tapestry

Small Liberal Arts Institutions:/ InfrastructureThe Curricular Need

Page 7: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

Rebecca Frost Davis, “Collaborative Classics: Technology and the Small LiberalArts College,” C. Blackwell, R. Scafe, edd., Classics@ vol. 2 (The Center forHellenic Studies ay Harvard University)

Weaving Penelope’s Tapestry

/ Infrastructure

Page 8: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

•Archaeological Field School Program in Turkey

Weaving Penelope’s Tapestry

Page 9: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

•Archaeological Field School Program in Turkey

Weaving Penelope’s Tapestry

Page 10: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

Teaching and learning across campuses?

Weaving Penelope’s Tapestry•Archaeological Field School Program in Turkey

Infrastructure

Page 11: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

Weaving Penelope’s Tapestry•Archaeological Field School Program in Turkey

Teaching and learning across campuses

•faculty lecturingwithin expertise

•discussionduring class, withfaculty modelling

Synchronous classes

Asynchronousexchanges

Page 12: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

•Upper level Latin and Greek literature courses

•Archaeological Field School Program in Turkey

Weaving Penelope’s Tapestry

COURSE CYCLE2000 Literature of the Early Empire2001 Literature of the Roman Empire, 70-180 C.E. Greek Lyric Poetry2002 Late Antique and Medieval Literature Hellenistic Literature2003 Literature of the Early Republic Homeric Poetry2004 Literature of the Late Republic Greek Comedy2005 Literature of the Early Empire Greek Literature of the Fourth Century

Page 13: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

•Upper level Latin and Greek literature courses

•Archaeological Field School Program in Turkey

Weaving Penelope’s Tapestry

Attic red figure, after the Siren Painter,ca. 450 BCE

Page 14: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

•Upper level Latin and Greek literature courses

•Sunoikisis Department Meetings

Course Preparation Seminars (summer)

Program Committee (fall)

•Archaeological Field School Program in Turkey

Weaving Penelope’s Tapestry

National professional meetings

Page 15: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

•Upper level Latin and Greek literature courses

•Sunoikisis Department Meetings

•Archaeological Field School Program in Turkey

Weaving Penelope’s Tapestry

Page 16: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

•Upper level Latin and Greek literature courses

•Undergraduate Research Symposium

•Sunoikisis Department Meetings

•Archaeological Field School Program in Turkey

Weaving Penelope’s Tapestry

Alicia Wilson, Furman University“Pandora and Eve: The legacy of two women”

Page 17: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

•Upper level Latin and Greek literature courses

•Undergraduate Research Symposium

•Sunoikisis Department Meetings

•Study Abroad

•Archaeological Field School Program in Turkey

Weaving Penelope’s Tapestry

College Year at Athens

Athens

Page 18: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

•Upper level Latin and Greek literature courses

•Undergraduate Research Symposium

•Sunoikisis Department Meetings

•Study Abroad

•Archaeological Field School Program in Turkey

Intercollegiate Center for Classical Studies in Rome

Weaving Penelope’s Tapestry

Athens

Rome

Page 19: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

•Archaeological Field School Program in Turkey

•Upper level Latin and Greek literature courses

•Undergraduate Research Symposium

•Sunoikisis Department Meetings

•Sabbatical Replacements

•Study Abroad

Weaving Penelope’s Tapestry

Page 20: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

•Archaeological Field School Program in Turkey

•Upper level Latin and Greek literature courses

•Undergraduate Research Symposium

•Sunoikisis Department Meetings

•Sabbatical Replacements

•Study Abroad

•Speakers Bureau

Weaving Penelope’s Tapestry

Page 21: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

»Startup Funding (Mellon)

»Training (not top down)•Faculty / Student collaborative learning and research

Results. A faculty perspective:•“Virtual” department offering breadth, depth, andvisibility to Classics curriculum

•Interdisciplinary studies

Classroom

Field

•Faculty development

Weaving Penelope’s Tapestry

•Faculty recruitment

Page 22: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

Sunoikisis aims to promote liberal arts learning, new technologies, and collaborative teaching and learning. Is it meeting its goal?

If so, how can institutions sustain the program beyond the grant period?

How can the value of similar programs be judged?

Our questions…

Page 23: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

“The workshops contribute to my professional development…much more than I could learn on my own. It’s a magnificent way to get up to speed in areas we lack in our tiny departments…. I am better prepared as a classicist.”

A summer workshop participant

Page 24: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

“In short, I learned more about Homer in the last three days than in the last twenty years.”

A faculty member describing the summer workshop

Page 25: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

“The interaction among lecturers makes me feel more connected, which is positive for students to see.”

“You teach less from an authoritative model when there is live interaction among faculty. It’s a model of communal struggle, communal endeavor.” Comments about team teaching

Page 26: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

“Classicists are cave dwellers--collegial but proprietary about what should be in our courses. Collaboration is a whole lot easier when the person is not right next door.”

- A scholar describing an unexpected gain

Page 27: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

Sunoikisis succeeds because it is innovative, collaborative, and evolutionary. Combined with constantly improving technology, those traits will lead to new ways for intuitions to interact.

A preliminary finding

Page 28: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

“It’s not just that you don’t have to do all the lectures. You spend more time on the lectures you deliver. You have bright colleagues out there and it raises the bar. The lectures are getting toward publishable papers.”

A scholar who collaborates across colleges

Page 29: Classics Collaboration across Campuses: Weaving Penelope's Tapestry Penelope Painter Hal Haskell Southwestern University Susan Frost Emory University Suzanne

Questions we are considering:

Is technology integral to liberal arts learning? It is a “paramount issue of the day.”

Is the program sustainable beyond the funding period? Can other studies of sustainability help address this question?