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7/22/2019 Clarinet - Modern Music Assignment
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1.0 Introduction
The clarinet is a music instrument under the woodwind family. The woodwind family is actually part of
wind instruments category, which defines musical instruments that uses the vibration of air to produce
sound. “Woodwind” indicates these instruments are made of wood, though that may not necessarily be
so. Originally, the clarinet produced a sound and tone that was similar to the trumpet, hence its name
“clarinet” which means “little trumpet”, The name “clarinet” comes from the Italian word “clarino”
meaning “trumpet” with the suffix “-et” to mean “little”.
There are many different types of clarinets such as the A clarinet, the B clarinet, the E clarinet,
the bass clarinet and the most common variety, the Bb clarinet. The different variations indicate that the
clarinet is tuned to the stated key. For example, the Bb clarinet will be tuned to the key of Bb. This will
mean that the C major scale on a Bb clarinet will be the same as a Bb scale on a piano. Different tuningsof the clarinet will allow the player to use different ranges of notes. However, a clarinet player has to be
aware that the music must be transposed into the correct key to suit the clarinet he or she is using.
The clarinet consists of five parts: the mouthpiece, the barrel joint, the upper joint, the lower
joint and finally the bell. Clarinets are usually made from wood, but it can also be made from other
materials such as plastic, metal, hard rubber, resin and ivory. Traditionally, the wood is an ebony from
Africa, Asia or South America that is called granadilla wood, however the generally the modern
inexpensive clarinet is constructed from plastic resin.
Many different styles and genres feature the clarinet as a key musical instrument, notably jazz,
classical, folk, Latin, traditional and even rock. Clarinets are an essential for standard orchestra, concert,
military and marching bands, A person who plays the clarinet is known as a clarinetist. Some examples
of well-known clarinetists are Anton Stadler, Karl Leister, Sabine Meyer and Benny Goodman.
The continuous evolution of music has ensured that the clarinet remains a popular instrument in
various genres all around the world. Its range of notes and unique sound allows it to be used for great
solo pieces but also lets it blend well with other instruments. Its versatility has allowed it to become one
of the most favoured wind instruments worldwide.
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2.0 History of the Clarinet
The clarinet was first invented in the late 17th
century by Johann Christoph Denner of Nuremberg,
Germany along with his son Jacob Denner. Before this, there were many forms of woodwind
instruments that were part of its journey to existence. The earliest of these inspirations was the
zummara, the Egyptian invention of a single-reed, double-bore instrument during 2700 B.C. Another
music instrument that was the clarinet’s inspiration is the recorder. During A.D. 200, recorders were
invented thanks to the continuous change of their early ancestors from the Iron Age. They were made to
have seven holes and a solid whistle shape to produce sound.
The baroque era, which was the 1600s, led to the evolution of many music instruments,
including the previously mentioned recorders. The baroque version of the recorder has a two octave
range. During this time, the baroque chalumeau was also invented. The chalumeau is a single reedattached to the body of a recorder. Johann Chirstoph Denner added a register key to the chalumeau,
hence creating the clarinet. A register key helps to raise the pitch of most of the first register notes. This
in turn gave the clarinet a wider range of notes. Besides that, the Demmers also changed the shape of
the mouthpiece from the chalumeau as well as improved the bell.
The clarinet had a more complicated structure than the chalumeau or the recorder, and this led
to it remaining unpopular until around the 18th
century, where composers such as Mozart began to
include a clarinet part into their compositions. In 1716, Antonio Vivaldi wrote an orchestral composition
which included the clarinet – his oratorio Juditha Triumphans. Mozart in turn wrote “Clarinet Quintet in
A Major” which specially features the instrument in 1789. As the clarinet’s popularity began expanding,
so did its evolvement. More keys were added and tone holes were altered for better sound quality.
In 1812, Iwan Muller, a German clarinetist and instrument maker, presented a 13-key clarinet he
developed to the Paris Conservatoire, which is a famous music school in Paris, France. He also invented
new pads for the clarinet. Clarinet pads were formally made from leather or felt strips, which caused air
leakage. The new pads were made of leather or gut stuff with wool and this provided Muller with the
opportunity to add more keys compared to the original six or seven keys.
During this time, more advanced and improved methods for playing the clarinet were also
developed. Sometime around 1839 and 1843, Theobald Boehm, a German flute maker developed the
Boehm fingering, which is similar to the fingering method when playing the flute. This method can also
be used to play the saxophone and the oboe. This was popularly accepted in France and today this
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method is used commonly in the United States. Boehm also invented the ring key which makes it
possible for a player to cover a hole larger than the finger. From this, Hyancinthe Klose and Louis-August
Buffet introduced the “Boehm” design, which has seventeen keys and six rings, which is the same as
clarinets in the present day. In Germany, other instrument makers developed the Oehler system and this
used in other countries today.
In the 1910s, the clarinet was a huge part of the jazz movement in America. Many different
varieties of jazz such as Dixieland Jazz from New Orleans, ragtime and Chicago Jazz all included the
clarinet in their music. It was also during this time that clarinetist Benny Goodman was born. He was
known for his incredible talent on the clarinet and was hailed as the best jazz clarinetist of the 20th
century. The legacy of the clarinet continues until today.
3.0 Parts of the Clarinet
(Picture from Cappelli, 2007)
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3.1 Mouthpiece
(Picture from Cappelli, 2007)
The mouthpiece of the clarinet is where the player places his or her mouth to blow air to
cause the reed to vibrate. It is usually made of ebonite or plastic. The reed is attached to the
mouthpiece with the metal ligature. The reed is the part of the clarinet that produces the
sound. Reeds come in different strengths varying from soft to hard.
3.2 Barrel Joint
(Picture from Cappelli, 2007)
The barrel joint is a short length of a tube located just below the mouthpiece. It is used to
fine tune the clarinet. The tuning of the clarinet is pretty constant, but the barrel allows the
player to make adjustments if needed.
Reed
Ligature
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3.3 Upper Joint and Lower Joint
The body of a clarinet consists of an upper joint and a lower joint. The upper joint keys are
played using the left hand. The left thumb plays the thumb hole and register key. It also has
a cluster of keys at the bottom, which are overhanging from the cork of the joint. These are
known as trill keys. The lower joint keys are then played using the right hand. The lower
joint also has the thumb rest.
3.4 Bell
(Picture from Cappelli, 2007)
The bell is located at the end of the clarinet. It flares out at the end to help highlight the
clarinet’s tone, especially when lower notes are played.
Lower JointUpper Joint
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4.0 Playing the Clarinet
Correct method to hold a clarinet (Picture from Cappelli, 2007)
The clarinet produces sound due to the vibration of the reed when the clarinetist blows on
the mouthpiece. In order to produce different notes, the player has to cover various
combinations of tone holes with either fingers or keys. Every note has a different
combination which would allow air to flow through a different length of tubing and escape
through the bell and the uncovered holes.
The clarinet is a wind instrument, so players need to breathe correctly in order to inhale a lot
of air quickly and quietly. One of the important aspects in this method is posture. When
standing, the player should stand tall with the head up but the neck and shoulders relaxed
with an equal balance of body weight on both feet. If sitting, he or she uses the same
posture but sits at the front of the chair. When inhaling air, the player fills the area below the
stomach below with air without raising the shoulders. When exhaling, air is released slowly
and the diaphragm is expanded. The player should inhale through the nose and exhale
through the mouth.
When playing, the clarinet is help in place mainly by the right thumb. The left hand should be
on the top, which is the upper joint, whereas your right should be on the bottom at the lower
joint. The fingering for the clarinet is as shown in the diagram below.
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(Picture from Cappelli, 2007)
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References
Cappelli, F. (2007). Learn to Play The Clarinet. Eldorado Ink.
Eberhard. (n.d.). Retrieved from the-clarinets.net: http://www.the-clarinets.net/index.html
Hey Kids, It's A Clarinet . (n.d.). Retrieved from Making Music Fun:
http://www.makingmusicfun.net/htm/f_mmf_music_library/hey-kids-its-a-clarinet.htm
Nave, C. (2013). The Clarinet . Retrieved from HyperPhysics: http://hyperphysics.phy-
astr.gsu.edu/hbase/music/clarinet.html