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SAMEDA Monthly News the official publication of the

San Diego Area Middle Eastern Dance Association

Chief Officer: SAMEDA Board Members President: Sohaila (760) 7 43-1235 Vice President: Mele ah (619) 280-8424 Treasurer: Cindy Scheidt (619) 334-87 45 Secretary: Jolie Lucas (619) 294-9400 Newsletter Editor: Lynn Perry lynn@nethere.com

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music. He gave me that from the beginning. Our mutual respect continues to grow. N - I got to know him better and realized he may be quiet, but he has a great inner strength. I admire him a great deal.

6. M - Do you have plans to do another CD? K - Yes, he has some CDs he is completing now and has asked me to listen to them. After they are finished, we would like to do another. I already have ideas for music and packaging. N - Yes, we have just completed my Arabic Rhythms Volume 2 CD for training dancers. We will also continue to work together as we both have tons of ideas.

NOW FOR ABOUD I'S INPUT- I asked him basically the same questions, but wanted his input on working with the two female dancers .

I . M . Why the recording business? A . Recording was something I have always wanted to do since 1973 when I purchased my first portable cassette recorder. I was fascinated by the fact that a simple push of the button can preserve sound for generations to come.

2.M. Why creating over other people 's music? A. Creating music gives me a sense of fulfillment and allows me to relive the feelings that made me create it.

3. M . Why did you choose to work with those you have? A.I enjoy working with people I know and have worked with for a long time. The musicians and producers were efficient and patient; two elements that are a definite must in any studio or recording environment.

4. M. How did you pick the pieces for both artists? They are both so different! W. Writing music is based on feelings that come from memories or situations. Some music can be written to fit a certain personality, as well but personality is a hard thing to detect in the audio by the average listener. I think the emotions that create certain music can be interpreted as a close representation of the influences left on the writer by the subject .

5. M. How was this different from live stage work? A. Working with Katia and Nourhan in the studio is very different form the live stage where one can correct things by a wink or an arm signal. In the studio, you can spend hours and sometimes days working on a single or a few phrases. Any overlooked glitches will be imprinted in your audio for the whole world to hear over and over. Both ladies endured and smiled their way through the rough moments.

6. M. Do you have future plans or recording? A. Yes, I do. I just finished Lebanese Rhythms Vol. 2 for Nourhan. The next two CDs are self produced: I. Arabic Maqams, a teaching tool for Arabic scales and their affects on music and mood. 2. Harat Al Rawaq. On the Oriental fusion side, we have released two this past summer.

My final word is that Aboudi was always fun to work with. He was always willing to learn the music we dancers wanted. But, he was always dabbling in his own thing. He is a sweetheart and one of the most talented composers there is. I am very proud to know him and tell you about this artist. These recordings are good for both students, teachers, and the professional. For more information, you may contact me through www.DancerAndDrummer.com.

( Februa ry 2002 T HE.. f AFYR.US 5 )

.~A'} •

SAMeDA w~n1n: •••..••..••••...•••...••.••••.••..••• www.sdsameda.com SAM EDA ............. ...................... ... ................ SDSAMEDA@aol.com Aleia ... .. ...... ... ......... ..................... .................. aleia@worldnet.att.net Alexa ... .............................. ....... ..... ... .. .... ...... .. nnishim1@san.rr.com Morwenna Assaf ... .... ................................... ADAcomplex@aol.com Atlantis .............. ........................................ ... tonya-and-atlantis.com Garet Bedrosian ... .... .. .................... ................... garet@dancers.com John Bilezikjian ... ... ...... ... ......... ....... ..... .. ... ... .. ..... dantzrec@aol.com Vicki Deriso ... ... ..... ....................... ...... ....... ...... vicsheer@san.rr.com Dave Dhillon ................ .. ... ................... .... .. ..... ddhillon6@home.com Dondi ........... .. ............................ ... ...... ....... .... . www.dondidahlin .com Donna Dutton ............................. .. ................. .. .. ddutton@san.rr.com Elle .... ...... ... .......................................... arabesquelle@netscape.net Fahtiem ....................... .................................... .. .. www.fahtiem .com Theresa Freese ........................ .. ... .. ...... ........ taffyfreese@home.com Ana Goebel .... .......... ........................................ tarmac@bigfoot.com Claudia lmmerzeel ........ ... ........ ........ ...... claudiaim@worldnet.att.net Iridescence ................. ... .... .... ... lridescence_Dancers@hotmail.com Linda Kitiara ............ ........ .. ............ ...... ..... .... .. wwwDanceKitten .com Arnie Larner ........ ........ .. ........................ ...... ....... .. .. alarner@aol.com Frank Lazzaro ............... ...................................... flazzaro@msn .com Jamila .......... .... ........... .. ........................... jamilasemail@yahoo.com Jasmina ..... .. ............... ........... ........... ......... ..... ldscheidt@home.com Kypris ..... .... ... ... ....... .... .................. .. ....... ... .. kypris@worldnet.att.net Jolie Lucas .. .. ... ........ .. ............... ............................ joliefab@aol.com Nora Luchs ..... ................... .. .... ... .. ... ...... ... aluchs@sdcoe.k12.ca.us Malika ...... .. ....... .. ...... ..... ...... .... .. .. .. .... ..... .. .. .. mreed001@san.rr.com Marguerite ..... ..... .... ....... ... ... .... ....................... www.gypsymagic.com Mariah .. ........... .. ..... ... ................. .. .... .......... mariahyoga@yahoo.com Marula ......... .... .......... ................. .... .. ... ...... ... . www.maruladance.com Meleah .......... ..... ............ ........ .. ... .... .. ... ... ............... www.meleah.com Mesmera ...... .. ..... ........... ........ ...... .. .. ... .... .......... www.mesmera.com Angelika Nemeth ..... .. .... .. .... .. .................. www.angelikanemeth .com Niki ........................... ... ........................... .............. nikista1@aol.com Lynn Perry ... .. ...... .......... .. ................................... lynn@netherel.com Larysa Shmorhay ............................... ....... .. juiceplus@hotmail.com Jheri St. James ........................... .. .... ....... . jheristjames@yahoo.com Francena Sherburne ............... ... ..... .... ........ ......... berridge@cts.com Sa bah ........... .. ........ .. ... ........... .... ..... ... .. ....... .. gakhalsa@yahoo.com Harry Saroyan ........... ...... ............ ..... ... ... .. .... ... www.saroyanzils.com Sohaila ............... ........................ .. ........................... www.sohaila.net Lily Splane ... .. .. .. .. ......... .... .................. ... ............ www.cyberlepsy.net Heather Stants .. ... .... .... .. .. .. ....... .. ....... .... www.urbantribaldance.com Tonya & Atlantis .. .. ............................... www.tonya-and-atlantis.com Zarifa ... .... ........ .............. ... .............................. ...... brteresa@aol.com

( 6 . .. . THE_ F AFYRU5 f ebruar;J 2002 )

~AM ~DA Pf!tfotmf!t~ Ditf!cfoty (all are in the 619 area, unless noted} c ___ o_A_N_c_E_R_s __ ) c Mus1c1ANs )

Aleia ..... ............... (760) 721-0080 Alexa ................... (858) 336-8886 Amalya ................ (760)432-6574 Ana ... ...................... ... . 660-6965 Morwenna Assaf .. (760) 757-44 70 Atlantis .. .... .......... (562) 433-6615 Cyriana ..... .. ......... (909) 987-1670 Dondi ................... (858) 483-2719 Fahtiem .............. . (626)810-9470 Jamila ........ .. ................ 466-8233 Jasmina ....................... 334-8745 Jinaan .................. (760)471-8747 Jheri .................... (949)494-5031 Julia ...................... ....... 988-0902 Linda Kitiara ................ 384-6822 Luisa .......................... . 299-1129 Marguerite .... .. .. .. . (310) 370-5155 Mariah .... ... .... .. .... (760) 727-4545 Marula .. ......... .............. 298-2599 Cassie Mavis .. ...... .... ... 230-9442 Meleah ................... ..... 280-8424 Mesmera ......... .... (323) 669-0333 Angelika Nemeth ....... .............. .. .......... www.angelikanemeth.com Nagwa .... nagwadance@aol.com Niki .................. .... (760) 634-3680 Nora .................... (858)457-7741 Pamela .. ...................... 299-7337 Abhi-lrena Peraich (760) 751-3436 Roseau .... .................... 809-7840 Sabah .......................... 448-6501 Sahar ........ ........... (760) 433-9993 Sahra Saeed a ..... . (909) 359-6782 Sanura ................. (760) 630-7063 Scherazade ....... .. (858)581-0135 Sheerah ............... (858) 792-7496 Shirin ........................... 660-5225 Sohaila ........... ..... (760) 7 43-1235 Heather Stan ts ..... ........ 696-3788 Theresa .. ............. (619) 521-0849

Walid Assaf ........... (760)757-4470 John Bilezikjian .... (949)581-5664 Dave Dhillon ..... ... ... ...... 284-5367 Paul Hali ............ ........... 595-7887 Frank Lazzaro ...... (760)942-1326 Lily Splane .... lily@cyberlepsy.net Richard Steiger .... ....... .. 283-6325 Var Daghdevirian ........ ...... ........ . .. ...... ......... ........... .. (909) 976-1670

C TROUPES J Arab-esque ...... ..... (760) 293-3243 BellyDancers of the Universe ...... .... ..... .. ........ ... ...... (562)433-6615

C*E*D*A*R .. CEDARep@aol.com Desert Caravan ............. 448-6501 Iridescence ...... .. .. . (909) 699-9514 Sohaila's Shining Stars .... .... ...... . ........ .................... (760)743-1235 Urban Tribal Dance Company ...... .................................... 696-3788

C PHOTOGRAPHER ~

Jim Kutler .. .... .. .. ........... 708-3491

( February 2002 THE:_FAFYRU5 27 )

2. M - Why did you pick Aboudi? K - He had done a couple of CDs for singer George Chamoun and then Nourhan had asked him to do a dancer ' s CD. It was a natural progression after working with him for so long ... it seemed the next logical step in our dancer-musician relationship. We felt we knew each other well enough. We had been part of so many steps in each other's careers. N - I was working with him a lot. We got along really well and he asked me to listen to some compositions. He is incredibly talented and nobody was aware he was composing.

3. M - Did you help choose the musicians? K - I had complete trust in Aboudi and most of the musicians had also been part of my dancing careers in nightclubs, Near East Dance Theater shows, seminar shows, and hafli's. I would have chosen exactly the same people. N - It was the regular band and we were working together a lot. We were in a groove and the CD is a snapshot in time of my career and a highlight of working with live musicians.

4. M - How were the pieces picked? K - The title piece "Youm el Farrah" was something that Aboudi had been working on for a long time. He said he was waiting for some one who believed in it. "Bint el Hijaz" was a collaboration between Aboudi and Moustapha. The other pieces were written for me. "Katia ti Saiid" was my idea and I had the most input on this piece. It was a process in which I learned a lot about

music. Aboudi is very patient to work with. N - Aboudi chose them for me and I believed in him. He wrote all the music for me and it was me at the time. We helped each other create and this is now part of our history as artists.

5. M.- How was it different with Aboudi as a creator in a studio over working with him as a musician on stage? K - For us, it was similar because we value each other's opinion and want to come out with a good product. I was amazed at his technical knowledge of sound reproduction. Of course, he does have an engineering degree.

.,., On my part, I was very careful to listen to what he had created and to keep an open mind as the music was from his creative genius. He also valued my opinion. I wanted music that Aboudi, who knew me as a dancer, would write to reflect my style and taste in

( 26 . ·-~·· THE_ f AFYR.US f ebruar!;J 2002 J

Wf,c 8 s u4ic~~, !}J~~~~, By Morwenna Assaf

Anyone who has purchased either Katia in Youm el Farrah, produced by Katia Nordgren of Boston, or Belly Dance with Nourhan Sharif, produced by Nourhan Sharif ofNYC, has heard of Aboudi. He was nominated for best recording at the 2001 International Academy of Middle Eastern Dance in Los Angeles. I thought you might be interested in knowing more about him as he is a very talented individual and has a little insight into the business of producing and creating music. Aboudi is fast becoming a household name in the dance circle.

About Aboudi Badawi: Born Abdallah Badawi in Lebanon in the Northern town of Amoun in 1957, his first interest in music started at age 6 and was greatly influenced by an uncle. By age 9, he was performing and continued to play accordion into the seventies, heavily influenced by the Rhabani Brothers and the music of the late Halim Hafez and Oum Koulthoum ofEgypt. After a short period in Kuwait in 1976, he arrived in Boston to attend college (1977). By 1978, he was playing at the Continental Restaurant on a weekly basis with other local musicians. At this time he met Amira, Katia, Morwenna and Nara Yaout who comprised the Middle Eastern Village Folk Dancers directed by Morwenna. He was completely surprised to see Western girls dancing to Arabic music with such passion. He continued playing and joined the group Al Badiah Band. At this time, he started playing the Arabic Org, and he started teaching piano throughout the Lebanese community. During the same era, he played in most of the Arabic clubs where he worked with Boston's finest musicians. In 1988 he recorded his first demo tape ofFeiruz and Rahbani music.

In the early 1990's he did theater shows with Bostona 's Near East Dance Theater and performed in NYC for the Late Ibrahim Farrah and for Yousry Sharif. He has performed with many top Middle Eastern stars.

Aboudi is an active composer and he has produced many CD's for George Chamoun, Nourhan Sharif, and Katia- all with original compositions. Aboudi has currently completed his recording Studio (STIJDIO 15) with the latest digital equipment and produced various projects from demos to professional level teaching tapes.

I interviewed Aboudi, Katia, and Nourhan. The questions were basically the same. Then, Walid and I have added our own comments. I wanted you to get a full perspective on this very talented and amazingly fine person. NOTE:TheA represents Aboudi Badawi. The K represents Katia. The M represents Morwenna Assaf. The N represents Nourhan Sharif and the W represents Walid Assaf. Interview with Katia and Nourhan by Morwenna Assaf!

I. M- What made you go into the recording business? Katia- I just decided to collaborate with Aboudi on making Youm el Farrah which somehow seemed a natural thing to do. Nourhan - He asked me. He told me he was greatly inspired by my dancing. I trust him completely. Whenever he is there, I know I am protected. When he is there, everything will be OK.

( February 2002 THE_ F AFYR.US 7 )

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I..,___ ShoW6 & Special 6fflt19 w ... wgJ •Weekly Showcases- The Hajji Baba is featuring a weekly Thursday evening "professional & novice showcase" with live music. Call Paul at (619) 595-7887 to perform or e-mail Marula at xmarula@aol.com.

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Lfil... Out-of-Cown 6fflrt8 :J Wednesdays-Tonya and Atlantis present their Original Belly Dance Show­case from 8:45- 1 I :30 p.m. at the Los Angeles Harbor Sheraton Hotel, 60 I S. Palos Verdes St. , San Pedro. For show information call Tonya at (3 I 0) 434-3987; for reservations call (310) 5 I 9-8200.

March 1-l~Sohaila Gamal's Egypt Tour. Call for more info (760) 743-1235.

March - Sohaila is giving a dance seminar in Rio de Janiero and Sao Paulo, Brazil at the end of March.

Belly dance & yoga, focus on fundalmentals . Mariah will guide you through the basics. Second Saturday of the month: 1/ 12, 2/9, 3/9, 4/ 13. Call (760) 727-4545.

February 3 STABILITY BALL WORKOUT WITH MARULA- See Announce­ments on page I 4 for more information.

February 24 at I :30 p.m. Belly dance seminar with Farhana Masri at Jamila's home. Farhana will be teaching a choreography to Raja's "A Dancer's Dream." This opening beledi includes 6/8 and 9/8 rhythms. Contact Jamila at (619) 466-8233 to RSVP. Cost is $10. Afterwards, there will be a potluck and video party. Bring a dish to share or $3 .50.

March 2 - Kypris will present "Belly Dance and the 5 Elements," a moving meditation workshop that uses belly dance movements to work with the energies of earth, air, fire, water, and spirit. The workshop will be held at the Yoga Studio, Carlsbad, 3 I 38-J Roosevelt Street. Fee is $35 before Februrary 22, $40 at the door. Call Kypris to register (760) 723-6999.

( 8 THE. F AFYRUS f eb ru a r!:J 2002 )

Belt, Dara C\Qll3al TEACHERS PLEASE NOTE: PLEASE NOTIFY THE EDITOR ON ALL CLASS TYPES, CLASS DATES, AND CLASS TIMES

North County & Beyond

Aleia (760) 721-0080 • Carlsbad •Beginning Cabaret M • Intennediate Cabaret T •Private coaching by appointment Amalya (760) 432-6574

4 Women Only Fitness Club, Poway •Beginning •Beginning

4 Women Only Fitness Club, San Marcos •Beginning

Escondido Center for the Arts •Int/Adv Angelika Nemeth Tustin (949) 786-3111

Tustin/Community Services (714) 573-3326

M T

w

TH

•Beginning M • Intennediate/ Advanced M

6:00-7:00p 7:00-8:30p

10:45-11 :45a 8:00-9:00p

7:30-8:30p

7:30-8:30p

6:30-8:00p 8:15-9:45p

Costa Mesa/Orange Coast College (714) 432-5735 •Beginning TH 6:00-8:00p •Intennediate/Advanced TH 8:00-10:00p

Golden West College, Huntington Beach (714) 895-8306 •Beginning W 7:30-9:30p

Westrninister Performing Arts Center (714) 550-9285 •Beginning F 8:30-1 O:OOp

Academy of International Dance (714) 550-9285 •Beginning SA 11:00-12:00n •Int/Adv SA 12:00-l:30p Morwenna & Walid Assaf-Art/Dance Academy Complex (760)757-4470

1837A So. Coast Hwy, Oceanside • Intro to Middle Eastern dance •Choreography, Arabic style •Drumming • Improvisation •Gypsy, Zam bra morro •Technique, Arabic

M T w w w TH

6:30-7:30p 6:30-8:00p 6:00-7:00p 7:00-8:00p 8:00-9:00p I 0:30a-I 2:00n

( february 2002 THE.FAFYRUS 25 J

ALww ME To INTRonucE MYSELF!

Hi SAMEDA members! My name is Kate Lyon. I have been a SAMEDA member for two and a half years and I have been belly dancing for three years under the name Kalea. I felt that I could make a contribution to The Papyrus because I am earning a degree as a copyeditor and feature writer from UCSD. This is my first month as the advertising director of The Papyrus. It has been a little overwhelming so far, but I am sure that I will get the hang of it pretty soon. I am working closely with Dave Dhillon and he has been a great mentor. Say "hi" to me when you see me in different classes and feel free to e-mail me if you have any questions.

SAMEDA Costumer List

Aleia .. .... ......... .... ........ ...... .................. . (760) 721 -0080 B.D. Patterns .......... .. ........... .. ...... ... .............. 444-4197 Morwenna Assaf .... ..... ......... ................ (760) 757-44 70 Cristobal ...... ............. .. .. ................. ............... 697-9121 Gypsy Wear (Rebecca Long) .. ........ .. ... .. ....... 579-9526

Nagwa (Patricia Ferrari) ............... ................ . 572-8744 Scherezade's Souk .. ................. .. ......... (858) 581-0135 Sohaila ... ... .... ... ..... ............... ....... .. .. .... (760) 7 43-1235 Nicki Vaccar ..... .... ........................ .. ...... (760) 634-3680 Zarifa ... ...... .. ........... .... ... .. ..... ........ .. ..... (619) 453-0811

[ ~2+~ T HE. f AfYR.US f ebruar!;:J 2002 ~J

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by Jolie Lucas

As I was driving home from work the other day, a familiar song came on the radio - one that I recall as being one of my favorites . As the voices sang about a summer breeze and their tidy little house and porch, I joined in, "And I come home from a hard day's work, and she 's waiting there - not a care in the world!" And I thought, "Well! Wasn 't THAT a fun little excursion back to the dark ages!"

Any sociologist will tell you that the lives of American men and women are immensely more complicated today than even twenty years ago. Few people are more aware of this complexity than our former board member/secretary, Donna Dutton. With two small children, a husband, a parent and a demanding job (all requiring her attention) it's a wonder that she is still sane. In an effort to preserve that condition, Donna made the difficult decision to resign from her position on the board of directors for SAMEDA. She regrets this, and certainly plans to keep in touch and help out when she can.

In addition to ministering to her family's needs, which include new baby Diana who was born last November, Donna works as a biologist. Having attended college with many biology majors (who are now employed in such diverse occupations as "Manager of the Luggage Department"), I talked with her about how she managed her career and I asked her if she was, in fact, doing what she "always wanted to do." The answer was "yes!" She spoke of her career evolution from interning with a professor to her current glamorous-sounding job of studying the leatherback sea turtles in the Virgin Islands. If you see her, she will no doubt try to tell you just how unglamorous counting turtle eggs can be, but Donna, please don't burst my bubble! I'm in complete awe!

She described a path that included studying with some really sharp instructors, hard work, flexibility, and the luck of being in the right place at the right time. Hmmm. Sounds like the formula for success in our field!

Speaking of our field , Donna learned to dance when the style was (as she tells it) "Lean as far back as you can .. . " She had to curb her dance activities while she was starting her family (priorities, you know!). She was reluctant to step into the shoes of"Acting President" until a new president could be elected because she felt that the board should be led by a currently-active dancer. But, when the board experienced a large turnover of officers, Donna's soft Texas-lilt and calm-but-firm manner helped to ease the board through a transition that could have been a crisis situation. I know she'll still be part of the dance community, but I also know that the rest of the board and I will miss her presence very much, perhaps one day when family issues are more settled and children are a little older. Until then, we wish you luck, Donna. See you at the SAMEDA Faires!

( f ebruary 2002 THE. f AFYR.US 9 )

•Belly dance for fun & fitness •Belly dance for fun & fitness •Technique, Arabic

TH 6:30-7:30p SA 1 :00-2:00p SA 2:00-3:00

Gotta Dance, 30th Street, North Park •Intro to Middle Eastern dance M 5:00-6:15p

Academy of World Dance in Arts, Rancho Bernardo •Arabic style TH Effie Horning (760) 630-7063 • Private coaching by appointment Jheri (949) 494-5031 • Laguna Beach •Beg belly dance T • Int belly dance SU Linda Kitiara (619) 384-6822 • San Marcos • Beg gypsy dance Kypris (760) 723-6999

w

8:30-9:30p

8:00-9:00p 5:00-6:30p

7:00-8:00p

•Quarterly moving meditation workshops. Topic rotates, call for details/dates. •Private coaching by appointment Frank Lazzaro (760) 942-1326 • Encinitas •Dnnmning •Private lessons by appointment

M

Mariah (760) 727-4545 - Yoga Studio, Carlsbad •Belly dance/yoga- all levels (2nd Sat. of ea. month) S Sheerah (858) 271-2710 • Carmel Valley Rec Center •Basic belly dance W Sohaila (760) 743-1235 • Escondido • Sohaila's Studio

7:00-8:30p

1:00-3:00p

6:30-7:30p

....

-Choreography class T •Int/adv improvisation/technique T •Int improvisation/technique S • Beginning belly dance TH •Intermediate belly dance TH

8:00-9:00 7:00-8:00 10:00-11 :OOa 7:00-8:00p 8:00-9:00p

Poway Adult Education •Beginningbellydance(!Oweekcourse) M 7:00-8:30p

•Bellyrobics M 8:00-9:00p Learning Annex seminars once a month. Call for information . Private coaching by appointment

( IO THE.. F A~FYR.U5 F ebruar~ 2002 )

Kathy Stradley (909) 699-5606 Temecula Community Rec. Center •Beginningbellydance W 6:00-7:00p •Intermediate/Advanced belly dance W 7: 10-8:20p Tonya (562) 434-3987 Golden West College • 714-891-3991 •Mixed level belly dance So. Calif. Dance Academy (562) 434-3987

•Mixed level belly dance Cerritos College (562) 860-2451 , ext. 2521 •Mixed level belly dance Santa Monica College (310) 434-3600

T 6:30-8:00p

TH 7:30-8:30p

F 7:00-8:30p

•Mixed level belly dance TII 7:30-8:30p Nicki Vaccar (760) 634-3680 • Carlsbad Parks & Recreation Carlsbad Parks & Recreation •Beg. belly dance • Begllnt be) ly dance San Dieguito Adult Ed, Encinitas • Beg belly dance • Begllnt belly dance Coast Athletic Club, Encinitas • Intff ech. belly dance •Int/Adv perfonning troupe dance •Private coaching by appointment

Metro

Alexa (858) 336-8886 • Mira Mesa Rec Center • Beg belly dance • Int belly dance Standley Park Rec Center • Beg belly dance

Paul Hajj (619) 595-7887 • Arabic music, guitar, keyboard, drums •Private lessons by appointment

M M

T T

7:15-8:15p 8:15-9:45p

7:00-8:00p 8:00-9:00p

TII 7:30-8:30p TH 8:30-9:50p

M M

w

7:00-8:00p 8:00-9:00p

8:00-9:00p

Layla Sidonia ( 619) 256-1244 • Tierrasanta Rec. Center, 11220 Clairemont Mesa Blvd. •Gypsy belly dance M 7:15-8:!Sp

( February 2002 THE.. F AFYR.U5 2) J

~ltllJfl)ff Hoard of Director~

Election~ • July 2002

If you would like to run for office, please submit a letter of intent to the SAMEDA mailbox (see below address) by April 1, 2002. We will post all applicants' names in The Papyrus. Ballots will be available in the June issue for submission at the SAMEDA Faire on July 14 or mail I t.J in by July 22. ""

Offices that are available: President Vice President Treasurer Membership Chairman Board Member

Please submit your letters to:

SAMEDA PO Box 16821 San Diego, CA 92176

These offices are open to any hard-working SAM EDA member. Come join us and make a difference! All positions listed are volunteer.

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( 22 THE_ F AFY~U5 F ebruar!j 2002 )

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Mediterranean Cuisine

~ Healthy and Delicious

Cuisine Live Entertainment!

Lunch Hours Mon.-Fri. 11:00a.m. - 3:00p.m.

Dinner Hours Wed. - Sat. 6·00p. m. - close

'H .. . 'B g has been serving ~).,

4 4 San Diego since 1969. Customers have enjoyed our traditional recipes, and our festive dining environment complete with live authentic entertainment.

PLAN YOUR NEXT PARTY AT HAJJI BABA

We hope you enjoy your dining experience, and think of us for your next special event or occasion. Our dinner packages include a sound system, dance floor, and no room charges - all in our beautiful interior.

SAMEDA Members Show your membership card and receive one complimentary appetizer when you order two regular dinner entrees.

San Diego's premier showcase for over 30 years Live music and BELLYDANCING Friday and Saturday at 9:30 p.m.

,t-~J,J ;l 13-et g-et Mediterranean Cuisine

World Live Music

1065 4th Avenue Downtown San Diego

4th and C Street

619.595.7887

( February 2002 THE. F AFY~U5 1 1 )

Luisa (619) 299-1129 • La Jolla Rec Center, 615 Prospect Street •Beg belly dance T 6:30-7:45p Dancing Unlimited • 4569 30th Street •lnt/Advbellydance TH 6:15-7:30p

Mahara (619) 688-9467 • Grace Tower, 3955 Park Blvd. •Beg. belly dance for women over 50 F 10:30-12:00n

Marola (619) 298-2599 Mission Valley YMCA, 5055 Friars Road •Beg. belly dance • Ad Begt'Int belly dance Mission Valley YMCA - MPR Room

•Int/Adv. belly dance ( 4 wk sessions) Private coaching by appointment

Meleah (619) 280-8424

s s

M

Centre City Ballet, 928 Ft. Stockton, Mission Hills

1:30-2:30p 2:30-4:00p

8:30-9:30p

• Beg, foundations of belly dance W 7:30-8:30p • Intl Adv technique & combinations, zills, double veil W 6:25-7:25p

Stage 7 Studio, 3980 30th St, North Park •Begt'Intbellydance TH 7:30-8:30p Taoist Sanctuary, 4229 Park Blvd. , North Park •Int/Adv F l:30-2:30p

Scherazade (858) 581-0135 • 3234 Idlewild Way, Clairemont • Private coaching by appointment

Heather Stants (619) 696-3788 • Tribal Belly Dance SD Center for Moving Arts • 3255 5th Ave

•Master/mixed levels Ballet Basics Studio • 2323 Broadway •Int/Adv •Beg/Mixed levels

Richard Steiger-Drumming (619) 521-6325 •Private coaching by appointment

T

w SA

7:35-8:30p

7:00-8:00p 12:00-1 :OOp

Theresa ( 619) 521-0849 • Centre City Ballet, 928 Ft. Stockton •Beg. thru Int. belly dance M 7:00-8:30p

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[ .. - 1 2 T HE. F AFYR.U5 F ebruar!;J 2002 J

East County

Cyrena ( 619) 698-9421 • San Carlos Rec Center, 6445 Lake Badin Ave. •Begbellydance M 6:00-7:!Sp •Multi-level belly dance M 7:15-8:30p Ana Goebel (619) 660-6965 • Spring Valley Rec Center, 8735 Jamacha Blvd. • Beg/Int belly dance (group classes) W 7 :30-8 :30p

Miss Lori 's Dance Studio, Spring Valley (619) 41-3262 • Beg/Int belly dance ( semi-private classes) M 7 :00-8:00p • Private coaching by appointment Amy Janeke (Shirin) (619) 667-1333 • La Mesa Rec Center •Bellydancing TH 6:30-7:30p Jamila ( 619) 466-8233 • Santana Adult Center, Magnolia & Mast, Santee •Hawaiian T 6:00-7:00p • Beg belly dance T 7 :00-8 :OOp •lntbellydance T 8:00-9:00p • Private coaching by appointment Jasmina (619) 660-4350 • Cuyamaca College, Room R205 •Begsession T 4:30-5:30p •Intsession TH 4:30-6:00p Sa bah ( 619) 448-650 I • Santee Elementary School, Rm CSD2 •Beg session S 10: 15-11: !Sa • Int session S 11 :30-12:30p

DEFYING GRAVITY

Personalized Workout Programs For You

Maryann Nowell, A.C.E.

Personal Trainer & Fitness Specialist

619-298-2599 ~

( f ebruary 2002 T HE. f AFYR.US 2 I .. J

k ~ ~ K Resraurant & Tavenm

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RESTAURANT. TAVERNA Be Greek once a week

Professional instructors & student bellydance performances are welcome. Please contact Kostas or Emilia to make arrangements• Call (?60) 603-9672 • LIVE MUSIC r---------------~-------~ I EARLY BIRD DINNER $8.95 I FREESAGANAKI I I Lamb Shanks• Gyro Plate• Pastisio • Chicken Souvlaki with purchase of 2 I I Reg. $12.95 & up Sun-Tues-Wed-Thurs 5-8pm I lunch or dinner entrees I I Dine-in only. Not valid with other specials or coupons. I $6.95 value I • Limit 2 oer couoon, 4 oer table I Not valid with other soecials •

________________ .... _______ _ 6030 PASEO DElL NORTE • CARLSBAD • (760) 603-9-0PA (672) CATERING AVAILABLE• PARTIES WELCOME•PATIO DINING AVAILABLE

Hours: Mon 1 lam-3pm, Tues thru Thurs 1 lam-3pm& 5-IOpm Fri & Sat 11 am-midnight, Sun 11 am-11 pm •Dinner served until close on weekends

• See our menu on line at SanDiegoReader.com !

( 20 THE. f AFYR.US f ebruar!;J 2002 )

Alexa & Mateo photo by Kai Kotka

Carla and Tina photo by Kai Kotka

Scottie photo by Kai Kotka

( f ebruary 2002 THE. f AFYR.US I ) )

Linda Kitiara Gypsy (Rom) Dancer

Add extra spice to your next show or event! Call or eMail Linda for schedule information.

Phone: (619) 384-6822 or eMail: LynderCynder@Yahoo.com

You can visit Linda on the web at www.DanceKitten.com

( I+ T HE_ f AFYRUS f ebruar!;J 2002 )

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t.m. Ffmoummmt8 ••m••J ***** ATTENTION TEACHERS: The Papyrus is growing! This is terrific, but we need to conserve space. Beginning in March, the "Connected" section will be a quarterly flyer insert instead of a monthly listing. Classes listed must be belly dance or Arabic. We will not be able to list other types of dance or exercise.

STABILITY BALL WORKOUT WITH MAROLA FE.BRUARY3~Work.­ing out with the stability ball is a revolutionary way to improve your fitness and health and to develop the core muscles that are so important to every dancer! Nothing works as well as the stability ball in isolating your abs, back, and thighs for maximum results . After a long day of sitting, bending, twisting, or lifting, the ball revitalizes tired, achy, and stiff muscles while supporting the entire spine. Even while you watch T.V. you can exercise on the stability ball. Balls are pro­vided or you may bring your own. All the proceeds will be donated to the Building Bridges Across Our Community.- Tax deductible: $5.00 in advance or at the door. From 12:00 to 12:45 right before the Workshop With Atlantis- Great warm-up!! Mail checks to Marula: 4395 Arista Drive, San Diego, CA, 92103 • (619) 298-2599.

Arab-esque Dance Ensemble Audition! For infonnation, please visit our website www.arab-esque.org/events.html or contact Elle (760) 804-6262.

Volunteers need for the SAMEDA street fair booth starting in May. Contact Dave Dhillon (6 I 9) 284-5367.

SPECIAL lNTRooucroRY OFFER! Tone and strengthen in 2002 - Purchase a special 4 session workout plan - introductory price of $100 for 4 workouts. Train in a private home studio with no gym fee - must be purchased between January & March and completed before the end of April. Call Marula (619) 298-2599 or xmaruJa@aol.com

( f ebruary 2002 THE_ F AFYRUS I 9 . J music such as Latin American hits for the American Belly Dancer by Hossam Rarnzy, this class was helpful to learn some moves to go with the music.

Saturday's music was provided by Al Kimie for open dancing, and by Desert Wind for performers at the Bazaar and Greek Palace. Desert Wind Goined by Dave Dhillon and Richard Steiger) was swept away with enthusiasm this year and extended their performance to two hours. Fortunately, I had extended the day for an extra hour so we had plenty of time to enjoy them and the dancers scheduled for after the live music. They sang songs of peace in keeping with the world climate. Afterwards, at the Greek Palace, they worked the house. On Sunday, my regular bBedouin Bazaar Band featuring John Bilezikjian with Dave Dhillon and Richard Steiger livened up the day with their enthusiastic playing. This year in honor of our renewed patriotism, I wore a red, white, and blue costume for the finale. John and Dave later perfonned at the After Hours Party at the Greek Palace. Also on Sunday, we had the added event of a drum circle on the second floor. It was led by Frank Lazarro and enjoyed by the upstairs vendors and dancers who wanted to dance to live drumming.

This year's winners of the $50 dancer's raffle were Kareenah El Succor on Saturday, and Jheri St. James on Sunday. The dancer raffle is unique to my event. All dancers have a chance of winning $50 on the day they perform. Another unique concept is the vendor raffle. Each vendor that has been with me for 5 or more years has a chance of winning a free table for next year. Audrena won this year- she is a two-time winner. Next year, Audrena's International Bazaar will have seven tables! Many others won wonderful raffle prizes donated by the generous vendors, and by Raven and Zephirah.

I'd like to thank everyone who came, especially those who supported the vendors by making purchases and examining their spectacular wares. As you know, many events were cancelled which directly affected the Livelihood of our vendors. The vendors are the ones who make it possible for me to rent the fabulous Al Bahr Shrine Center with its sphinxes providing the perfect photo spot.

Next year's seminar instructors will be Marguerite Kusuhara, Richard Steiger, and Mariah. Marguerite gave us a taste of her sensuous bolero at the Bazaaar and the After Hours Party. I hope to see you again next year and bring your friends! Remember, it will be October 12th-13th, 2002.

more photos next page

( 18 THE..FAFYRUS februar!:!2002 )

Jg,.e~DUltt Jg,."'z."'"''• 2.001

By Scottie Schultz (Scherazade)

In spite of the uncertainty in the world, the Bedouin Bazaar went off without a hitch. The seminars were well attended, the perfonnances were some of the best ever, and the shoppers were delighted with their purchases.

I received many comments and letters from those who came about how much they enjoyed the Bazaar. Many of the vendors remarked on the high quality of our local San Diego talent. We have some of the finest dancers living here, so it is always easy for me to present good shows- thanks to their support and willingness to perform at my events. I also have many top-quality, professional dancer friends who come to perform from other areas such as Los Angeles, Orange County, and Northern California. Since this is mostly a labor oflove, it's nice to hear how much I'm appreciated for my efforts.

This year was much more relaxed for me because I didn ' t have to prepare the food- Kayla's Food Cart took over that chore. They were very pleased with the patronage and gave me some much needed Hostess cupcakes to sustain me during the long hours of the Bazaar and After Hours Party. Dave Dhillon provided the sound system, which left my Friday and Monday free (no pick up or return). It was a much better sound system than we've had before. Richard Steiger took total charge of running the sound and playing the tapes and CDs for the dancers, and setting up the sound for the Jive music.

My stress level was further reduced by all the volunteers and my reliable staff. Thanks to Randwulf, Je-Nell, Louise, Alia, Tim, Abhi, and those who helped on the spot as the need arose. I especially want to thank my regular staff of Toni, Dottie, and Richard, who helped with setup, ticket sales, MC, and sound. Richard, again, produced the graphics used at the event as well as the program. Thanks to my family for all their help and support. My son, Zod, has helped every year with loading and unloading whatever needed it (at an ungodly early hour for him), and does so without complaint. My mom, Kakie, flew out again this year from Maryland to help. She was undeterred by the increased flight security. She also has become great friends with Toni and Dottie. The three of them were a hit during open dancing at the Greek Palace, the party after the Bazaar. My sister, Jinx, and her daughter, Errika, took over the front desk, greeting everyone with enthusiasm.

A big thank you goes out to this year 's seminar instructors for a job well done, not only in teaching, but also promoting the event. Claudia Immerzeel and Jean Durante ofTandemonium presented classical Persian on Saturday and Tribal Persian on Sunday. Their seminars included copious notes as well as dance steps. Judeen taught veil dancing and drum solos on Saturday. Sunday's class included sword dancing with floor performance. Judeen is well known for her expertise in these areas, and has been the recipient of several awards. As a change of pace, Louise (Sohaila's mom) led her students in some hot salsa and meringue dancing. Now that we have

( f ebruary 2002 THE.. f AFYRUS 1 5 J

~ltHJEl)lt Hoard meeting ~chedule

~undny. mnrch 3 • 10:00 n.m. 2464 ijnller ~treet .'.Rorth Pnrk

619-2B4-536'I

~undny. ltpril 'Ith • 11:00 n.m. fscondido - loczation Tlllt

('160) '143-1235

~undny. mnv 5th • 10:00 n.m. 2B05 mnple ~treet.'.Rorth Pnrk

619-2BO-S424

~undny. June 2 • 10:00 n.m. fscondido - loczation Tlllt

('160) '143-1235

~undny. July 'Ith • 10:00 n.m. 2464 ijnller ~treet .Rorth Pnrk

619-2B4-536'I

~undny. ltugust 4th • 10:00 n.m. fscondido - loczation Tlllt

('160) '143-1235

~undny. ectober 6th • 10:00 n.m. 2B05 mnple ~treet.'.Rorth Pnrk

619-2BO-S424

come join us - we'd love to see youJ

( 1 6 . T HE. f AFYRUS f ebruar!;l 2002 )

J?ettef ,ts of ,Stk~;'"'5 JZ)~ttce {P~,·t f tVo

By Morwenna Assaf

It is essential to learn the basics and learn them well. The execution of dance is primarily technique. Once you have technique, you then learn what constitutes ethnic dance or a dance from a culture. And you, of course, then put yourself in the dance and your personality comes through. Classes should be at different levels. This means a teacher offers placement and basic step vocabulary and reinforces by repetition. Dance steps build one on another, it is important to know the basics and learn them well, before progressing. Adults tend to get impatient, but need to realize that, unlike academic studies, dance is just not learned, but has to be honed and perfected. This alone can be a very satisfying experience. Just because you know a movement does not mean you can put it aside and learn a knew one. Building and using it in different combinations makes it better and more beautiful. Plus, you have to be able to use it in different ways. Dance is movement, but movement with technique. Before one can fly across the room with a veil and look beautiful, one needs to undergo years of basics with stretching and strengthening the whole body. You have to have strength and control.

Not everyone wants to be a dancer. Some just want to relax and exercise. This is very valid. We all have different reasons for studying dance. But, the same principles hold true. If you put into practice what you have learned, then you are strengthening the body. Some adults pick up movement naturally, some don't. Movement- the essence of dance---comes from the inside out. Some people have to be encouraged to dance. Adults who are competitive by nature tend to bring this to dance class and feel like they are not progressing fast enough. Hold on! Your inadequacies are surfacing. Dance should not be competitive. Or, should not be. It is totally about you and not anyone else.

You also do not need to take the same class every week. Take a different class at a different time on a different day. You might find the dynamics different and enjoyable. If you have or are recovering from an injury, make sure the instructor is aware. The goal not is only to teach merely fitness, but also to assure there is fitness without injury.

In reference to adults performing, is this realistic? Yes, in our dance form yes! There are some things to think about though before you decide to jump in. Dance is a performing art, not just fitness techniqu. And to some degree, every class is a performance in which you are expected to do your best. At some level of training, you may desire to perform on stage. Don't be too shy to explore the

( February 2002 T HE. F AFYRUS 1 7 )

opportunities. Performing reflects positively on your teacher. It is never too late to pursue something you love, as long as you are realistic about it. Know where you belong and at what level.

There is also more to dance than perfonning. Performing in our business is very complex. There are recitals where students perform and showcases where students dance solo in a restaurant to get exposure. Don't confuse these with professional situations. There is a world of difference and the audiences ' expectations are very different. So are those of the people who hire you. Make sure you are ready for that next level. Most dancers study seriously for years, and even after making the decision and commitment to pursue a career in dance, still study. Always observe to see if you are ready. Ifnot, be patient and good to yourself.

Make sure you know all there is to know. We have such a diverse dance form. The basics of all are the same - good dance technique! For me, this means a solid foundation in Arabic dance. I call it this because it is not just Egyptian, Turkish, folk, cabaret, or anything else you can think of. It is the foundation so you can do anything, branch out into anything you want. Learn it right and do it well. It is your dance. Have respect for the culture it comes from, never disrespect this. As westerners we have taken this dance and made it ours but it is still their dance . Their national dance; their social dance, their performing dance. Do not discredit this. Know the music, study it and understand it. Know the correct costuming, know the history, and know the background. Hazy as it is, there is protocol.

Take this dance and treat it with love and respect so that you can go far no matter what your interest or decisions are. Never, under any circumstances, waiver in your aesthetics. Enjoy this, our dance form, to the fullest at whatever level you are or want to be.

( 1 6 . T HE. f AFYRUS f ebruar!;l 2002 )

J?ettef ,ts of ,Stk~;'"'5 JZ)~ttce {P~,·t f tVo

By Morwenna Assaf

It is essential to learn the basics and learn them well. The execution of dance is primarily technique. Once you have technique, you then learn what constitutes ethnic dance or a dance from a culture. And you, of course, then put yourself in the dance and your personality comes through. Classes should be at different levels. This means a teacher offers placement and basic step vocabulary and reinforces by repetition. Dance steps build one on another, it is important to know the basics and learn them well, before progressing. Adults tend to get impatient, but need to realize that, unlike academic studies, dance is just not learned, but has to be honed and perfected. This alone can be a very satisfying experience. Just because you know a movement does not mean you can put it aside and learn a knew one. Building and using it in different combinations makes it better and more beautiful. Plus, you have to be able to use it in different ways. Dance is movement, but movement with technique. Before one can fly across the room with a veil and look beautiful, one needs to undergo years of basics with stretching and strengthening the whole body. You have to have strength and control.

Not everyone wants to be a dancer. Some just want to relax and exercise. This is very valid. We all have different reasons for studying dance. But, the same principles hold true. If you put into practice what you have learned, then you are strengthening the body. Some adults pick up movement naturally, some don't. Movement- the essence of dance---comes from the inside out. Some people have to be encouraged to dance. Adults who are competitive by nature tend to bring this to dance class and feel like they are not progressing fast enough. Hold on! Your inadequacies are surfacing. Dance should not be competitive. Or, should not be. It is totally about you and not anyone else.

You also do not need to take the same class every week. Take a different class at a different time on a different day. You might find the dynamics different and enjoyable. If you have or are recovering from an injury, make sure the instructor is aware. The goal not is only to teach merely fitness, but also to assure there is fitness without injury.

In reference to adults performing, is this realistic? Yes, in our dance form yes! There are some things to think about though before you decide to jump in. Dance is a performing art, not just fitness techniqu. And to some degree, every class is a performance in which you are expected to do your best. At some level of training, you may desire to perform on stage. Don't be too shy to explore the

( February 2002 T HE. F AFYRUS 1 7 )

opportunities. Performing reflects positively on your teacher. It is never too late to pursue something you love, as long as you are realistic about it. Know where you belong and at what level.

There is also more to dance than perfonning. Performing in our business is very complex. There are recitals where students perform and showcases where students dance solo in a restaurant to get exposure. Don't confuse these with professional situations. There is a world of difference and the audiences ' expectations are very different. So are those of the people who hire you. Make sure you are ready for that next level. Most dancers study seriously for years, and even after making the decision and commitment to pursue a career in dance, still study. Always observe to see if you are ready. Ifnot, be patient and good to yourself.

Make sure you know all there is to know. We have such a diverse dance form. The basics of all are the same - good dance technique! For me, this means a solid foundation in Arabic dance. I call it this because it is not just Egyptian, Turkish, folk, cabaret, or anything else you can think of. It is the foundation so you can do anything, branch out into anything you want. Learn it right and do it well. It is your dance. Have respect for the culture it comes from, never disrespect this. As westerners we have taken this dance and made it ours but it is still their dance . Their national dance; their social dance, their performing dance. Do not discredit this. Know the music, study it and understand it. Know the correct costuming, know the history, and know the background. Hazy as it is, there is protocol.

Take this dance and treat it with love and respect so that you can go far no matter what your interest or decisions are. Never, under any circumstances, waiver in your aesthetics. Enjoy this, our dance form, to the fullest at whatever level you are or want to be.

( 18 THE..FAFYRUS februar!:!2002 )

Jg,.e~DUltt Jg,."'z."'"''• 2.001

By Scottie Schultz (Scherazade)

In spite of the uncertainty in the world, the Bedouin Bazaar went off without a hitch. The seminars were well attended, the perfonnances were some of the best ever, and the shoppers were delighted with their purchases.

I received many comments and letters from those who came about how much they enjoyed the Bazaar. Many of the vendors remarked on the high quality of our local San Diego talent. We have some of the finest dancers living here, so it is always easy for me to present good shows- thanks to their support and willingness to perform at my events. I also have many top-quality, professional dancer friends who come to perform from other areas such as Los Angeles, Orange County, and Northern California. Since this is mostly a labor oflove, it's nice to hear how much I'm appreciated for my efforts.

This year was much more relaxed for me because I didn ' t have to prepare the food- Kayla's Food Cart took over that chore. They were very pleased with the patronage and gave me some much needed Hostess cupcakes to sustain me during the long hours of the Bazaar and After Hours Party. Dave Dhillon provided the sound system, which left my Friday and Monday free (no pick up or return). It was a much better sound system than we've had before. Richard Steiger took total charge of running the sound and playing the tapes and CDs for the dancers, and setting up the sound for the Jive music.

My stress level was further reduced by all the volunteers and my reliable staff. Thanks to Randwulf, Je-Nell, Louise, Alia, Tim, Abhi, and those who helped on the spot as the need arose. I especially want to thank my regular staff of Toni, Dottie, and Richard, who helped with setup, ticket sales, MC, and sound. Richard, again, produced the graphics used at the event as well as the program. Thanks to my family for all their help and support. My son, Zod, has helped every year with loading and unloading whatever needed it (at an ungodly early hour for him), and does so without complaint. My mom, Kakie, flew out again this year from Maryland to help. She was undeterred by the increased flight security. She also has become great friends with Toni and Dottie. The three of them were a hit during open dancing at the Greek Palace, the party after the Bazaar. My sister, Jinx, and her daughter, Errika, took over the front desk, greeting everyone with enthusiasm.

A big thank you goes out to this year 's seminar instructors for a job well done, not only in teaching, but also promoting the event. Claudia Immerzeel and Jean Durante ofTandemonium presented classical Persian on Saturday and Tribal Persian on Sunday. Their seminars included copious notes as well as dance steps. Judeen taught veil dancing and drum solos on Saturday. Sunday's class included sword dancing with floor performance. Judeen is well known for her expertise in these areas, and has been the recipient of several awards. As a change of pace, Louise (Sohaila's mom) led her students in some hot salsa and meringue dancing. Now that we have

( f ebruary 2002 THE.. f AFYRUS 1 5 J

~ltHJEl)lt Hoard meeting ~chedule

~undny. mnrch 3 • 10:00 n.m. 2464 ijnller ~treet .'.Rorth Pnrk

619-2B4-536'I

~undny. ltpril 'Ith • 11:00 n.m. fscondido - loczation Tlllt

('160) '143-1235

~undny. mnv 5th • 10:00 n.m. 2B05 mnple ~treet.'.Rorth Pnrk

619-2BO-S424

~undny. June 2 • 10:00 n.m. fscondido - loczation Tlllt

('160) '143-1235

~undny. July 'Ith • 10:00 n.m. 2464 ijnller ~treet .Rorth Pnrk

619-2B4-536'I

~undny. ltugust 4th • 10:00 n.m. fscondido - loczation Tlllt

('160) '143-1235

~undny. ectober 6th • 10:00 n.m. 2B05 mnple ~treet.'.Rorth Pnrk

619-2BO-S424

come join us - we'd love to see youJ

( I+ T HE_ f AFYRUS f ebruar!;J 2002 )

mhlJllJ!iJJnlllhW iiiiiliiiiiiiiiiitai.iii

t.m. Ffmoummmt8 ••m••J ***** ATTENTION TEACHERS: The Papyrus is growing! This is terrific, but we need to conserve space. Beginning in March, the "Connected" section will be a quarterly flyer insert instead of a monthly listing. Classes listed must be belly dance or Arabic. We will not be able to list other types of dance or exercise.

STABILITY BALL WORKOUT WITH MAROLA FE.BRUARY3~Work.­ing out with the stability ball is a revolutionary way to improve your fitness and health and to develop the core muscles that are so important to every dancer! Nothing works as well as the stability ball in isolating your abs, back, and thighs for maximum results . After a long day of sitting, bending, twisting, or lifting, the ball revitalizes tired, achy, and stiff muscles while supporting the entire spine. Even while you watch T.V. you can exercise on the stability ball. Balls are pro­vided or you may bring your own. All the proceeds will be donated to the Building Bridges Across Our Community.- Tax deductible: $5.00 in advance or at the door. From 12:00 to 12:45 right before the Workshop With Atlantis- Great warm-up!! Mail checks to Marula: 4395 Arista Drive, San Diego, CA, 92103 • (619) 298-2599.

Arab-esque Dance Ensemble Audition! For infonnation, please visit our website www.arab-esque.org/events.html or contact Elle (760) 804-6262.

Volunteers need for the SAMEDA street fair booth starting in May. Contact Dave Dhillon (6 I 9) 284-5367.

SPECIAL lNTRooucroRY OFFER! Tone and strengthen in 2002 - Purchase a special 4 session workout plan - introductory price of $100 for 4 workouts. Train in a private home studio with no gym fee - must be purchased between January & March and completed before the end of April. Call Marula (619) 298-2599 or xmaruJa@aol.com

( f ebruary 2002 THE_ F AFYRUS I 9 . J music such as Latin American hits for the American Belly Dancer by Hossam Rarnzy, this class was helpful to learn some moves to go with the music.

Saturday's music was provided by Al Kimie for open dancing, and by Desert Wind for performers at the Bazaar and Greek Palace. Desert Wind Goined by Dave Dhillon and Richard Steiger) was swept away with enthusiasm this year and extended their performance to two hours. Fortunately, I had extended the day for an extra hour so we had plenty of time to enjoy them and the dancers scheduled for after the live music. They sang songs of peace in keeping with the world climate. Afterwards, at the Greek Palace, they worked the house. On Sunday, my regular bBedouin Bazaar Band featuring John Bilezikjian with Dave Dhillon and Richard Steiger livened up the day with their enthusiastic playing. This year in honor of our renewed patriotism, I wore a red, white, and blue costume for the finale. John and Dave later perfonned at the After Hours Party at the Greek Palace. Also on Sunday, we had the added event of a drum circle on the second floor. It was led by Frank Lazarro and enjoyed by the upstairs vendors and dancers who wanted to dance to live drumming.

This year's winners of the $50 dancer's raffle were Kareenah El Succor on Saturday, and Jheri St. James on Sunday. The dancer raffle is unique to my event. All dancers have a chance of winning $50 on the day they perform. Another unique concept is the vendor raffle. Each vendor that has been with me for 5 or more years has a chance of winning a free table for next year. Audrena won this year- she is a two-time winner. Next year, Audrena's International Bazaar will have seven tables! Many others won wonderful raffle prizes donated by the generous vendors, and by Raven and Zephirah.

I'd like to thank everyone who came, especially those who supported the vendors by making purchases and examining their spectacular wares. As you know, many events were cancelled which directly affected the Livelihood of our vendors. The vendors are the ones who make it possible for me to rent the fabulous Al Bahr Shrine Center with its sphinxes providing the perfect photo spot.

Next year's seminar instructors will be Marguerite Kusuhara, Richard Steiger, and Mariah. Marguerite gave us a taste of her sensuous bolero at the Bazaaar and the After Hours Party. I hope to see you again next year and bring your friends! Remember, it will be October 12th-13th, 2002.

more photos next page

( 20 THE. f AFYR.US f ebruar!;J 2002 )

Alexa & Mateo photo by Kai Kotka

Carla and Tina photo by Kai Kotka

Scottie photo by Kai Kotka

( f ebruary 2002 THE. f AFYR.US I ) )

Linda Kitiara Gypsy (Rom) Dancer

Add extra spice to your next show or event! Call or eMail Linda for schedule information.

Phone: (619) 384-6822 or eMail: LynderCynder@Yahoo.com

You can visit Linda on the web at www.DanceKitten.com

[ .. - 1 2 T HE. F AFYR.U5 F ebruar!;J 2002 J

East County

Cyrena ( 619) 698-9421 • San Carlos Rec Center, 6445 Lake Badin Ave. •Begbellydance M 6:00-7:!Sp •Multi-level belly dance M 7:15-8:30p Ana Goebel (619) 660-6965 • Spring Valley Rec Center, 8735 Jamacha Blvd. • Beg/Int belly dance (group classes) W 7 :30-8 :30p

Miss Lori 's Dance Studio, Spring Valley (619) 41-3262 • Beg/Int belly dance ( semi-private classes) M 7 :00-8:00p • Private coaching by appointment Amy Janeke (Shirin) (619) 667-1333 • La Mesa Rec Center •Bellydancing TH 6:30-7:30p Jamila ( 619) 466-8233 • Santana Adult Center, Magnolia & Mast, Santee •Hawaiian T 6:00-7:00p • Beg belly dance T 7 :00-8 :OOp •lntbellydance T 8:00-9:00p • Private coaching by appointment Jasmina (619) 660-4350 • Cuyamaca College, Room R205 •Begsession T 4:30-5:30p •Intsession TH 4:30-6:00p Sa bah ( 619) 448-650 I • Santee Elementary School, Rm CSD2 •Beg session S 10: 15-11: !Sa • Int session S 11 :30-12:30p

DEFYING GRAVITY

Personalized Workout Programs For You

Maryann Nowell, A.C.E.

Personal Trainer & Fitness Specialist

619-298-2599 ~

( f ebruary 2002 T HE. f AFYR.US 2 I .. J

k ~ ~ K Resraurant & Tavenm

l~~A<$,~ Dance,~:e~~ashion

RESTAURANT. TAVERNA Be Greek once a week

Professional instructors & student bellydance performances are welcome. Please contact Kostas or Emilia to make arrangements• Call (?60) 603-9672 • LIVE MUSIC r---------------~-------~ I EARLY BIRD DINNER $8.95 I FREESAGANAKI I I Lamb Shanks• Gyro Plate• Pastisio • Chicken Souvlaki with purchase of 2 I I Reg. $12.95 & up Sun-Tues-Wed-Thurs 5-8pm I lunch or dinner entrees I I Dine-in only. Not valid with other specials or coupons. I $6.95 value I • Limit 2 oer couoon, 4 oer table I Not valid with other soecials •

________________ .... _______ _ 6030 PASEO DElL NORTE • CARLSBAD • (760) 603-9-0PA (672) CATERING AVAILABLE• PARTIES WELCOME•PATIO DINING AVAILABLE

Hours: Mon 1 lam-3pm, Tues thru Thurs 1 lam-3pm& 5-IOpm Fri & Sat 11 am-midnight, Sun 11 am-11 pm •Dinner served until close on weekends

• See our menu on line at SanDiegoReader.com !

( 22 THE_ F AFY~U5 F ebruar!j 2002 )

~-ei,jj ,l 13 ,el, g ,el,

Mediterranean Cuisine

~ Healthy and Delicious

Cuisine Live Entertainment!

Lunch Hours Mon.-Fri. 11:00a.m. - 3:00p.m.

Dinner Hours Wed. - Sat. 6·00p. m. - close

'H .. . 'B g has been serving ~).,

4 4 San Diego since 1969. Customers have enjoyed our traditional recipes, and our festive dining environment complete with live authentic entertainment.

PLAN YOUR NEXT PARTY AT HAJJI BABA

We hope you enjoy your dining experience, and think of us for your next special event or occasion. Our dinner packages include a sound system, dance floor, and no room charges - all in our beautiful interior.

SAMEDA Members Show your membership card and receive one complimentary appetizer when you order two regular dinner entrees.

San Diego's premier showcase for over 30 years Live music and BELLYDANCING Friday and Saturday at 9:30 p.m.

,t-~J,J ;l 13-et g-et Mediterranean Cuisine

World Live Music

1065 4th Avenue Downtown San Diego

4th and C Street

619.595.7887

( February 2002 THE. F AFY~U5 1 1 )

Luisa (619) 299-1129 • La Jolla Rec Center, 615 Prospect Street •Beg belly dance T 6:30-7:45p Dancing Unlimited • 4569 30th Street •lnt/Advbellydance TH 6:15-7:30p

Mahara (619) 688-9467 • Grace Tower, 3955 Park Blvd. •Beg. belly dance for women over 50 F 10:30-12:00n

Marola (619) 298-2599 Mission Valley YMCA, 5055 Friars Road •Beg. belly dance • Ad Begt'Int belly dance Mission Valley YMCA - MPR Room

•Int/Adv. belly dance ( 4 wk sessions) Private coaching by appointment

Meleah (619) 280-8424

s s

M

Centre City Ballet, 928 Ft. Stockton, Mission Hills

1:30-2:30p 2:30-4:00p

8:30-9:30p

• Beg, foundations of belly dance W 7:30-8:30p • Intl Adv technique & combinations, zills, double veil W 6:25-7:25p

Stage 7 Studio, 3980 30th St, North Park •Begt'Intbellydance TH 7:30-8:30p Taoist Sanctuary, 4229 Park Blvd. , North Park •Int/Adv F l:30-2:30p

Scherazade (858) 581-0135 • 3234 Idlewild Way, Clairemont • Private coaching by appointment

Heather Stants (619) 696-3788 • Tribal Belly Dance SD Center for Moving Arts • 3255 5th Ave

•Master/mixed levels Ballet Basics Studio • 2323 Broadway •Int/Adv •Beg/Mixed levels

Richard Steiger-Drumming (619) 521-6325 •Private coaching by appointment

T

w SA

7:35-8:30p

7:00-8:00p 12:00-1 :OOp

Theresa ( 619) 521-0849 • Centre City Ballet, 928 Ft. Stockton •Beg. thru Int. belly dance M 7:00-8:30p

~

( IO THE.. F A~FYR.U5 F ebruar~ 2002 )

Kathy Stradley (909) 699-5606 Temecula Community Rec. Center •Beginningbellydance W 6:00-7:00p •Intermediate/Advanced belly dance W 7: 10-8:20p Tonya (562) 434-3987 Golden West College • 714-891-3991 •Mixed level belly dance So. Calif. Dance Academy (562) 434-3987

•Mixed level belly dance Cerritos College (562) 860-2451 , ext. 2521 •Mixed level belly dance Santa Monica College (310) 434-3600

T 6:30-8:00p

TH 7:30-8:30p

F 7:00-8:30p

•Mixed level belly dance TII 7:30-8:30p Nicki Vaccar (760) 634-3680 • Carlsbad Parks & Recreation Carlsbad Parks & Recreation •Beg. belly dance • Begllnt be) ly dance San Dieguito Adult Ed, Encinitas • Beg belly dance • Begllnt belly dance Coast Athletic Club, Encinitas • Intff ech. belly dance •Int/Adv perfonning troupe dance •Private coaching by appointment

Metro

Alexa (858) 336-8886 • Mira Mesa Rec Center • Beg belly dance • Int belly dance Standley Park Rec Center • Beg belly dance

Paul Hajj (619) 595-7887 • Arabic music, guitar, keyboard, drums •Private lessons by appointment

M M

T T

7:15-8:15p 8:15-9:45p

7:00-8:00p 8:00-9:00p

TII 7:30-8:30p TH 8:30-9:50p

M M

w

7:00-8:00p 8:00-9:00p

8:00-9:00p

Layla Sidonia ( 619) 256-1244 • Tierrasanta Rec. Center, 11220 Clairemont Mesa Blvd. •Gypsy belly dance M 7:15-8:!Sp

( February 2002 THE.. F AFYR.U5 2) J

~ltllJfl)ff Hoard of Director~

Election~ • July 2002

If you would like to run for office, please submit a letter of intent to the SAMEDA mailbox (see below address) by April 1, 2002. We will post all applicants' names in The Papyrus. Ballots will be available in the June issue for submission at the SAMEDA Faire on July 14 or mail I t.J in by July 22. ""

Offices that are available: President Vice President Treasurer Membership Chairman Board Member

Please submit your letters to:

SAMEDA PO Box 16821 San Diego, CA 92176

These offices are open to any hard-working SAM EDA member. Come join us and make a difference! All positions listed are volunteer.

~ I .

~ ~ ~ .. r-,

.. , .. , . ..JC..-. ..... -~

[ ~2+~ T HE. f AfYR.US f ebruar!;:J 2002 ~J

~otttt~ ~uttott

by Jolie Lucas

As I was driving home from work the other day, a familiar song came on the radio - one that I recall as being one of my favorites . As the voices sang about a summer breeze and their tidy little house and porch, I joined in, "And I come home from a hard day's work, and she 's waiting there - not a care in the world!" And I thought, "Well! Wasn 't THAT a fun little excursion back to the dark ages!"

Any sociologist will tell you that the lives of American men and women are immensely more complicated today than even twenty years ago. Few people are more aware of this complexity than our former board member/secretary, Donna Dutton. With two small children, a husband, a parent and a demanding job (all requiring her attention) it's a wonder that she is still sane. In an effort to preserve that condition, Donna made the difficult decision to resign from her position on the board of directors for SAMEDA. She regrets this, and certainly plans to keep in touch and help out when she can.

In addition to ministering to her family's needs, which include new baby Diana who was born last November, Donna works as a biologist. Having attended college with many biology majors (who are now employed in such diverse occupations as "Manager of the Luggage Department"), I talked with her about how she managed her career and I asked her if she was, in fact, doing what she "always wanted to do." The answer was "yes!" She spoke of her career evolution from interning with a professor to her current glamorous-sounding job of studying the leatherback sea turtles in the Virgin Islands. If you see her, she will no doubt try to tell you just how unglamorous counting turtle eggs can be, but Donna, please don't burst my bubble! I'm in complete awe!

She described a path that included studying with some really sharp instructors, hard work, flexibility, and the luck of being in the right place at the right time. Hmmm. Sounds like the formula for success in our field!

Speaking of our field , Donna learned to dance when the style was (as she tells it) "Lean as far back as you can .. . " She had to curb her dance activities while she was starting her family (priorities, you know!). She was reluctant to step into the shoes of"Acting President" until a new president could be elected because she felt that the board should be led by a currently-active dancer. But, when the board experienced a large turnover of officers, Donna's soft Texas-lilt and calm-but-firm manner helped to ease the board through a transition that could have been a crisis situation. I know she'll still be part of the dance community, but I also know that the rest of the board and I will miss her presence very much, perhaps one day when family issues are more settled and children are a little older. Until then, we wish you luck, Donna. See you at the SAMEDA Faires!

( f ebruary 2002 THE. f AFYR.US 9 )

•Belly dance for fun & fitness •Belly dance for fun & fitness •Technique, Arabic

TH 6:30-7:30p SA 1 :00-2:00p SA 2:00-3:00

Gotta Dance, 30th Street, North Park •Intro to Middle Eastern dance M 5:00-6:15p

Academy of World Dance in Arts, Rancho Bernardo •Arabic style TH Effie Horning (760) 630-7063 • Private coaching by appointment Jheri (949) 494-5031 • Laguna Beach •Beg belly dance T • Int belly dance SU Linda Kitiara (619) 384-6822 • San Marcos • Beg gypsy dance Kypris (760) 723-6999

w

8:30-9:30p

8:00-9:00p 5:00-6:30p

7:00-8:00p

•Quarterly moving meditation workshops. Topic rotates, call for details/dates. •Private coaching by appointment Frank Lazzaro (760) 942-1326 • Encinitas •Dnnmning •Private lessons by appointment

M

Mariah (760) 727-4545 - Yoga Studio, Carlsbad •Belly dance/yoga- all levels (2nd Sat. of ea. month) S Sheerah (858) 271-2710 • Carmel Valley Rec Center •Basic belly dance W Sohaila (760) 743-1235 • Escondido • Sohaila's Studio

7:00-8:30p

1:00-3:00p

6:30-7:30p

....

-Choreography class T •Int/adv improvisation/technique T •Int improvisation/technique S • Beginning belly dance TH •Intermediate belly dance TH

8:00-9:00 7:00-8:00 10:00-11 :OOa 7:00-8:00p 8:00-9:00p

Poway Adult Education •Beginningbellydance(!Oweekcourse) M 7:00-8:30p

•Bellyrobics M 8:00-9:00p Learning Annex seminars once a month. Call for information . Private coaching by appointment

( 8 THE. F AFYRUS f eb ru a r!:J 2002 )

Belt, Dara C\Qll3al TEACHERS PLEASE NOTE: PLEASE NOTIFY THE EDITOR ON ALL CLASS TYPES, CLASS DATES, AND CLASS TIMES

North County & Beyond

Aleia (760) 721-0080 • Carlsbad •Beginning Cabaret M • Intennediate Cabaret T •Private coaching by appointment Amalya (760) 432-6574

4 Women Only Fitness Club, Poway •Beginning •Beginning

4 Women Only Fitness Club, San Marcos •Beginning

Escondido Center for the Arts •Int/Adv Angelika Nemeth Tustin (949) 786-3111

Tustin/Community Services (714) 573-3326

M T

w

TH

•Beginning M • Intennediate/ Advanced M

6:00-7:00p 7:00-8:30p

10:45-11 :45a 8:00-9:00p

7:30-8:30p

7:30-8:30p

6:30-8:00p 8:15-9:45p

Costa Mesa/Orange Coast College (714) 432-5735 •Beginning TH 6:00-8:00p •Intennediate/Advanced TH 8:00-10:00p

Golden West College, Huntington Beach (714) 895-8306 •Beginning W 7:30-9:30p

Westrninister Performing Arts Center (714) 550-9285 •Beginning F 8:30-1 O:OOp

Academy of International Dance (714) 550-9285 •Beginning SA 11:00-12:00n •Int/Adv SA 12:00-l:30p Morwenna & Walid Assaf-Art/Dance Academy Complex (760)757-4470

1837A So. Coast Hwy, Oceanside • Intro to Middle Eastern dance •Choreography, Arabic style •Drumming • Improvisation •Gypsy, Zam bra morro •Technique, Arabic

M T w w w TH

6:30-7:30p 6:30-8:00p 6:00-7:00p 7:00-8:00p 8:00-9:00p I 0:30a-I 2:00n

( february 2002 THE.FAFYRUS 25 J

ALww ME To INTRonucE MYSELF!

Hi SAMEDA members! My name is Kate Lyon. I have been a SAMEDA member for two and a half years and I have been belly dancing for three years under the name Kalea. I felt that I could make a contribution to The Papyrus because I am earning a degree as a copyeditor and feature writer from UCSD. This is my first month as the advertising director of The Papyrus. It has been a little overwhelming so far, but I am sure that I will get the hang of it pretty soon. I am working closely with Dave Dhillon and he has been a great mentor. Say "hi" to me when you see me in different classes and feel free to e-mail me if you have any questions.

SAMEDA Costumer List

Aleia .. .... ......... .... ........ ...... .................. . (760) 721 -0080 B.D. Patterns .......... .. ........... .. ...... ... .............. 444-4197 Morwenna Assaf .... ..... ......... ................ (760) 757-44 70 Cristobal ...... ............. .. .. ................. ............... 697-9121 Gypsy Wear (Rebecca Long) .. ........ .. ... .. ....... 579-9526

Nagwa (Patricia Ferrari) ............... ................ . 572-8744 Scherezade's Souk .. ................. .. ......... (858) 581-0135 Sohaila ... ... .... ... ..... ............... ....... .. .. .... (760) 7 43-1235 Nicki Vaccar ..... .... ........................ .. ...... (760) 634-3680 Zarifa ... ...... .. ........... .... ... .. ..... ........ .. ..... (619) 453-0811

( 26 . ·-~·· THE_ f AFYR.US f ebruar!;J 2002 J

Wf,c 8 s u4ic~~, !}J~~~~, By Morwenna Assaf

Anyone who has purchased either Katia in Youm el Farrah, produced by Katia Nordgren of Boston, or Belly Dance with Nourhan Sharif, produced by Nourhan Sharif ofNYC, has heard of Aboudi. He was nominated for best recording at the 2001 International Academy of Middle Eastern Dance in Los Angeles. I thought you might be interested in knowing more about him as he is a very talented individual and has a little insight into the business of producing and creating music. Aboudi is fast becoming a household name in the dance circle.

About Aboudi Badawi: Born Abdallah Badawi in Lebanon in the Northern town of Amoun in 1957, his first interest in music started at age 6 and was greatly influenced by an uncle. By age 9, he was performing and continued to play accordion into the seventies, heavily influenced by the Rhabani Brothers and the music of the late Halim Hafez and Oum Koulthoum ofEgypt. After a short period in Kuwait in 1976, he arrived in Boston to attend college (1977). By 1978, he was playing at the Continental Restaurant on a weekly basis with other local musicians. At this time he met Amira, Katia, Morwenna and Nara Yaout who comprised the Middle Eastern Village Folk Dancers directed by Morwenna. He was completely surprised to see Western girls dancing to Arabic music with such passion. He continued playing and joined the group Al Badiah Band. At this time, he started playing the Arabic Org, and he started teaching piano throughout the Lebanese community. During the same era, he played in most of the Arabic clubs where he worked with Boston's finest musicians. In 1988 he recorded his first demo tape ofFeiruz and Rahbani music.

In the early 1990's he did theater shows with Bostona 's Near East Dance Theater and performed in NYC for the Late Ibrahim Farrah and for Yousry Sharif. He has performed with many top Middle Eastern stars.

Aboudi is an active composer and he has produced many CD's for George Chamoun, Nourhan Sharif, and Katia- all with original compositions. Aboudi has currently completed his recording Studio (STIJDIO 15) with the latest digital equipment and produced various projects from demos to professional level teaching tapes.

I interviewed Aboudi, Katia, and Nourhan. The questions were basically the same. Then, Walid and I have added our own comments. I wanted you to get a full perspective on this very talented and amazingly fine person. NOTE:TheA represents Aboudi Badawi. The K represents Katia. The M represents Morwenna Assaf. The N represents Nourhan Sharif and the W represents Walid Assaf. Interview with Katia and Nourhan by Morwenna Assaf!

I. M- What made you go into the recording business? Katia- I just decided to collaborate with Aboudi on making Youm el Farrah which somehow seemed a natural thing to do. Nourhan - He asked me. He told me he was greatly inspired by my dancing. I trust him completely. Whenever he is there, I know I am protected. When he is there, everything will be OK.

( February 2002 THE_ F AFYR.US 7 )

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I..,___ ShoW6 & Special 6fflt19 w ... wgJ •Weekly Showcases- The Hajji Baba is featuring a weekly Thursday evening "professional & novice showcase" with live music. Call Paul at (619) 595-7887 to perform or e-mail Marula at xmarula@aol.com.

tibbifflrnl!!~lln A@@Ull@JQIQliill

Lfil... Out-of-Cown 6fflrt8 :J Wednesdays-Tonya and Atlantis present their Original Belly Dance Show­case from 8:45- 1 I :30 p.m. at the Los Angeles Harbor Sheraton Hotel, 60 I S. Palos Verdes St. , San Pedro. For show information call Tonya at (3 I 0) 434-3987; for reservations call (310) 5 I 9-8200.

March 1-l~Sohaila Gamal's Egypt Tour. Call for more info (760) 743-1235.

March - Sohaila is giving a dance seminar in Rio de Janiero and Sao Paulo, Brazil at the end of March.

Belly dance & yoga, focus on fundalmentals . Mariah will guide you through the basics. Second Saturday of the month: 1/ 12, 2/9, 3/9, 4/ 13. Call (760) 727-4545.

February 3 STABILITY BALL WORKOUT WITH MARULA- See Announce­ments on page I 4 for more information.

February 24 at I :30 p.m. Belly dance seminar with Farhana Masri at Jamila's home. Farhana will be teaching a choreography to Raja's "A Dancer's Dream." This opening beledi includes 6/8 and 9/8 rhythms. Contact Jamila at (619) 466-8233 to RSVP. Cost is $10. Afterwards, there will be a potluck and video party. Bring a dish to share or $3 .50.

March 2 - Kypris will present "Belly Dance and the 5 Elements," a moving meditation workshop that uses belly dance movements to work with the energies of earth, air, fire, water, and spirit. The workshop will be held at the Yoga Studio, Carlsbad, 3 I 38-J Roosevelt Street. Fee is $35 before Februrary 22, $40 at the door. Call Kypris to register (760) 723-6999.

( 6 . .. . THE_ F AFYRU5 f ebruar;J 2002 )

~AM ~DA Pf!tfotmf!t~ Ditf!cfoty (all are in the 619 area, unless noted} c ___ o_A_N_c_E_R_s __ ) c Mus1c1ANs )

Aleia ..... ............... (760) 721-0080 Alexa ................... (858) 336-8886 Amalya ................ (760)432-6574 Ana ... ...................... ... . 660-6965 Morwenna Assaf .. (760) 757-44 70 Atlantis .. .... .......... (562) 433-6615 Cyriana ..... .. ......... (909) 987-1670 Dondi ................... (858) 483-2719 Fahtiem .............. . (626)810-9470 Jamila ........ .. ................ 466-8233 Jasmina ....................... 334-8745 Jinaan .................. (760)471-8747 Jheri .................... (949)494-5031 Julia ...................... ....... 988-0902 Linda Kitiara ................ 384-6822 Luisa .......................... . 299-1129 Marguerite .... .. .. .. . (310) 370-5155 Mariah .... ... .... .. .... (760) 727-4545 Marula .. ......... .............. 298-2599 Cassie Mavis .. ...... .... ... 230-9442 Meleah ................... ..... 280-8424 Mesmera ......... .... (323) 669-0333 Angelika Nemeth ....... .............. .. .......... www.angelikanemeth.com Nagwa .... nagwadance@aol.com Niki .................. .... (760) 634-3680 Nora .................... (858)457-7741 Pamela .. ...................... 299-7337 Abhi-lrena Peraich (760) 751-3436 Roseau .... .................... 809-7840 Sabah .......................... 448-6501 Sahar ........ ........... (760) 433-9993 Sahra Saeed a ..... . (909) 359-6782 Sanura ................. (760) 630-7063 Scherazade ....... .. (858)581-0135 Sheerah ............... (858) 792-7496 Shirin ........................... 660-5225 Sohaila ........... ..... (760) 7 43-1235 Heather Stan ts ..... ........ 696-3788 Theresa .. ............. (619) 521-0849

Walid Assaf ........... (760)757-4470 John Bilezikjian .... (949)581-5664 Dave Dhillon ..... ... ... ...... 284-5367 Paul Hali ............ ........... 595-7887 Frank Lazzaro ...... (760)942-1326 Lily Splane .... lily@cyberlepsy.net Richard Steiger .... ....... .. 283-6325 Var Daghdevirian ........ ...... ........ . .. ...... ......... ........... .. (909) 976-1670

C TROUPES J Arab-esque ...... ..... (760) 293-3243 BellyDancers of the Universe ...... .... ..... .. ........ ... ...... (562)433-6615

C*E*D*A*R .. CEDARep@aol.com Desert Caravan ............. 448-6501 Iridescence ...... .. .. . (909) 699-9514 Sohaila's Shining Stars .... .... ...... . ........ .................... (760)743-1235 Urban Tribal Dance Company ...... .................................... 696-3788

C PHOTOGRAPHER ~

Jim Kutler .. .... .. .. ........... 708-3491

( February 2002 THE:_FAFYRU5 27 )

2. M - Why did you pick Aboudi? K - He had done a couple of CDs for singer George Chamoun and then Nourhan had asked him to do a dancer ' s CD. It was a natural progression after working with him for so long ... it seemed the next logical step in our dancer-musician relationship. We felt we knew each other well enough. We had been part of so many steps in each other's careers. N - I was working with him a lot. We got along really well and he asked me to listen to some compositions. He is incredibly talented and nobody was aware he was composing.

3. M - Did you help choose the musicians? K - I had complete trust in Aboudi and most of the musicians had also been part of my dancing careers in nightclubs, Near East Dance Theater shows, seminar shows, and hafli's. I would have chosen exactly the same people. N - It was the regular band and we were working together a lot. We were in a groove and the CD is a snapshot in time of my career and a highlight of working with live musicians.

4. M - How were the pieces picked? K - The title piece "Youm el Farrah" was something that Aboudi had been working on for a long time. He said he was waiting for some one who believed in it. "Bint el Hijaz" was a collaboration between Aboudi and Moustapha. The other pieces were written for me. "Katia ti Saiid" was my idea and I had the most input on this piece. It was a process in which I learned a lot about

music. Aboudi is very patient to work with. N - Aboudi chose them for me and I believed in him. He wrote all the music for me and it was me at the time. We helped each other create and this is now part of our history as artists.

5. M.- How was it different with Aboudi as a creator in a studio over working with him as a musician on stage? K - For us, it was similar because we value each other's opinion and want to come out with a good product. I was amazed at his technical knowledge of sound reproduction. Of course, he does have an engineering degree.

.,., On my part, I was very careful to listen to what he had created and to keep an open mind as the music was from his creative genius. He also valued my opinion. I wanted music that Aboudi, who knew me as a dancer, would write to reflect my style and taste in

( .. 2 8 T HE.. f AfYR.US Februar.:J 2002 )

music. He gave me that from the beginning. Our mutual respect continues to grow. N - I got to know him better and realized he may be quiet, but he has a great inner strength. I admire him a great deal.

6. M - Do you have plans to do another CD? K - Yes, he has some CDs he is completing now and has asked me to listen to them. After they are finished, we would like to do another. I already have ideas for music and packaging. N - Yes, we have just completed my Arabic Rhythms Volume 2 CD for training dancers. We will also continue to work together as we both have tons of ideas.

NOW FOR ABOUD I'S INPUT- I asked him basically the same questions, but wanted his input on working with the two female dancers .

I . M . Why the recording business? A . Recording was something I have always wanted to do since 1973 when I purchased my first portable cassette recorder. I was fascinated by the fact that a simple push of the button can preserve sound for generations to come.

2.M. Why creating over other people 's music? A. Creating music gives me a sense of fulfillment and allows me to relive the feelings that made me create it.

3. M . Why did you choose to work with those you have? A.I enjoy working with people I know and have worked with for a long time. The musicians and producers were efficient and patient; two elements that are a definite must in any studio or recording environment.

4. M. How did you pick the pieces for both artists? They are both so different! W. Writing music is based on feelings that come from memories or situations. Some music can be written to fit a certain personality, as well but personality is a hard thing to detect in the audio by the average listener. I think the emotions that create certain music can be interpreted as a close representation of the influences left on the writer by the subject .

5. M. How was this different from live stage work? A. Working with Katia and Nourhan in the studio is very different form the live stage where one can correct things by a wink or an arm signal. In the studio, you can spend hours and sometimes days working on a single or a few phrases. Any overlooked glitches will be imprinted in your audio for the whole world to hear over and over. Both ladies endured and smiled their way through the rough moments.

6. M. Do you have future plans or recording? A. Yes, I do. I just finished Lebanese Rhythms Vol. 2 for Nourhan. The next two CDs are self produced: I. Arabic Maqams, a teaching tool for Arabic scales and their affects on music and mood. 2. Harat Al Rawaq. On the Oriental fusion side, we have released two this past summer.

My final word is that Aboudi was always fun to work with. He was always willing to learn the music we dancers wanted. But, he was always dabbling in his own thing. He is a sweetheart and one of the most talented composers there is. I am very proud to know him and tell you about this artist. These recordings are good for both students, teachers, and the professional. For more information, you may contact me through www.DancerAndDrummer.com.

( Februa ry 2002 T HE.. f AFYR.US 5 )

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SAMeDA w~n1n: •••..••..••••...•••...••.••••.••..••• www.sdsameda.com SAM EDA ............. ...................... ... ................ SDSAMEDA@aol.com Aleia ... .. ...... ... ......... ..................... .................. aleia@worldnet.att.net Alexa ... .............................. ....... ..... ... .. .... ...... .. nnishim1@san.rr.com Morwenna Assaf ... .... ................................... ADAcomplex@aol.com Atlantis .............. ........................................ ... tonya-and-atlantis.com Garet Bedrosian ... .... .. .................... ................... garet@dancers.com John Bilezikjian ... ... ...... ... ......... ....... ..... .. ... ... .. ..... dantzrec@aol.com Vicki Deriso ... ... ..... ....................... ...... ....... ...... vicsheer@san.rr.com Dave Dhillon ................ .. ... ................... .... .. ..... ddhillon6@home.com Dondi ........... .. ............................ ... ...... ....... .... . www.dondidahlin .com Donna Dutton ............................. .. ................. .. .. ddutton@san.rr.com Elle .... ...... ... .......................................... arabesquelle@netscape.net Fahtiem ....................... .................................... .. .. www.fahtiem .com Theresa Freese ........................ .. ... .. ...... ........ taffyfreese@home.com Ana Goebel .... .......... ........................................ tarmac@bigfoot.com Claudia lmmerzeel ........ ... ........ ........ ...... claudiaim@worldnet.att.net Iridescence ................. ... .... .... ... lridescence_Dancers@hotmail.com Linda Kitiara ............ ........ .. ............ ...... ..... .... .. wwwDanceKitten .com Arnie Larner ........ ........ .. ........................ ...... ....... .. .. alarner@aol.com Frank Lazzaro ............... ...................................... flazzaro@msn .com Jamila .......... .... ........... .. ........................... jamilasemail@yahoo.com Jasmina ..... .. ............... ........... ........... ......... ..... ldscheidt@home.com Kypris ..... .... ... ... ....... .... .................. .. ....... ... .. kypris@worldnet.att.net Jolie Lucas .. .. ... ........ .. ............... ............................ joliefab@aol.com Nora Luchs ..... ................... .. .... ... .. ... ...... ... aluchs@sdcoe.k12.ca.us Malika ...... .. ....... .. ...... ..... ...... .... .. .. .. .... ..... .. .. .. mreed001@san.rr.com Marguerite ..... ..... .... ....... ... ... .... ....................... www.gypsymagic.com Mariah .. ........... .. ..... ... ................. .. .... .......... mariahyoga@yahoo.com Marula ......... .... .......... ................. .... .. ... ...... ... . www.maruladance.com Meleah .......... ..... ............ ........ .. ... .... .. ... ... ............... www.meleah.com Mesmera ...... .. ..... ........... ........ ...... .. .. ... .... .......... www.mesmera.com Angelika Nemeth ..... .. .... .. .... .. .................. www.angelikanemeth .com Niki ........................... ... ........................... .............. nikista1@aol.com Lynn Perry ... .. ...... .......... .. ................................... lynn@netherel.com Larysa Shmorhay ............................... ....... .. juiceplus@hotmail.com Jheri St. James ........................... .. .... ....... . jheristjames@yahoo.com Francena Sherburne ............... ... ..... .... ........ ......... berridge@cts.com Sa bah ........... .. ........ .. ... ........... .... ..... ... .. ....... .. gakhalsa@yahoo.com Harry Saroyan ........... ...... ............ ..... ... ... .. .... ... www.saroyanzils.com Sohaila ............... ........................ .. ........................... www.sohaila.net Lily Splane ... .. .. .. .. ......... .... .................. ... ............ www.cyberlepsy.net Heather Stants .. ... .... .... .. .. .. ....... .. ....... .... www.urbantribaldance.com Tonya & Atlantis .. .. ............................... www.tonya-and-atlantis.com Zarifa ... .... ........ .............. ... .............................. ...... brteresa@aol.com

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( 2 T HE.. f AFYR.US f ebruar!J 2002 )

SAMEDA Monthly News the official publication of the

San Diego Area Middle Eastern Dance Association

Chief Officer: SAMEDA Board Members President: Sohaila (760) 7 43-1235 Vice President: Mele ah (619) 280-8424 Treasurer: Cindy Scheidt (619) 334-87 45 Secretary: Jolie Lucas (619) 294-9400 Newsletter Editor: Lynn Perry lynn@nethere.com

Assisting Editor: Mele ah (619) 280-8424 Member Chair: Susan Teal sdsameda@aol.com Advertising Director: Kate Lyon (619) 435-3382 • katelyon@pacbell.net Marketing Director: Dave Dhillon (619) 284-5367 Proofreader: Richard Steiger (619) 283-6325

Newsletter Assembly Persons: Vicki Deriso • Susan Teal

SEND NEWSLl!TTl!R SUBMISSIONS, ADS, AND FLYERS

(Sl!E BACK COVl!R FOR ADVl!RTISING RATES) TO:

SAME DA • PMB #51 • 3401 Adams Avenue, Suite A • San Diego, CA 92116-2490 • lynnard8@hotmail.com

All SAMEDA business correspondence & membership goes to the following address:

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Submissions deadline is the 1st of each month. Due to occasional space constraints, non-time-sensitive items may be held over until the next issue.

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~

SAME.DA Advertising Rate Sheet All Fees are per issue and reflect a SAMEDA member

discount. 10% discount on 3 or more issues. All ads must be paid for in advance.

For further information, contact Kate Lyon, Director of Advertising,

at katelyon@pacbell.net • (619) 435-3382 Add $10. 00 per item for non-members

**Members receive 2 free classifieds per year**

• Classified ads 6 lines or less

• Non-member • Business card ad--one issue • Hal-page ad • Full-page ad

(inside front or back cover) • Flyer insert (275 copies) • EX1RAS:

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$10.00 $10.00 $15.00 $25.00 $35.00 $30.00

• Creation ofa flyer master ......... ............ ......... .............. ... ........ ... . $20.00 • Creation of a camera ready ad .............. ........................... $20.00/$30.00

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white paper and clean for scanning. Text must be crisp

& legible, original photos if possible. Otherwise, if extra

M typesetting needs to be done, Y an extra charge of $10 will

be added.

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