cjh Fine Art Abstract Newsletter, Issue 16

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    Issue 15November 11, 2010

    Abstract Expressionism: Bill

    Komoski (1954 - )

    What are the paintings of Bill Komoski

    about? They are about looking. Asmap-like as they sometimes appear,

    there is a layering and complexity thatinvites and confounds reconnaissance.

    The paintings can be seen asorganized and chaotic at the same

    time. There can be a subtle

    symmetrical structure that is not

    immediately apparent. It sets up abalance, he says, and undermines

    it. Shadows are cast, but not by anelement in the painting. They have an

    independent life. Things are hidden inplain sight.

    The paintings are about spacial

    dislocation. Komiski submerges theviewer, showing us what rises to the

    surface, what lies beneath, and whathovers and trails in between. There is

    a feeling of fluidity, floating, flow, and

    weightlessness; there are currents,crosscurrents and tides. The light in

    the paintings is silvery gray, as if itwas refracted from a rippled surface of

    water, or seen from below, yet with aneerie, unnatural quality.

    Komoski, like many abstract painters,has no preconception, no plan before

    he begins to work. His starting pointis a controlled accident: a drip of

    paint that he allows to stream along

    the surface of the canvas, both guidingit and letting it find its own route. He

    refers to this procedure as the initialdrawing, which he then responds to.

    Forms are suggested as are space

    and depth. He paints wet into wet,and so the painting has to be

    completed in a single session.

    Once the painting has been started,

    other aspects are slower, and he goesback and makes changes. Although in

    our reading of the paintings we maymake certain associations, Komoski

    never gives descriptive titles to his

    works. Instead they are titles withtheir dates of completion.

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    The paintings show webs, nets,networks, arteries. What are these

    paintings about, and what do we seein them? If the paintings are, as

    Komoski has said, unsettled, thenmaybe they have something to do with

    the times we're living through.

    Featured Artist: Alan Taylor

    Jeffries (1958 - )

    Although he's had a lifelong interest inart, he started to paint in 2008. He's

    self-taught. His favorite artists are

    Willem DeKooning, Melville Price,

    Nicolas de Stael, Michael Goldberg,Mary Abbott, Ralph Turturro, Iain

    Robertson, Robert Rauschenberg, &Julian Schnabel.

    He was featured in a September 2009show the Emerging Artist exhibition,

    Artworks Around Town, in Wheeling,West Virginia.

    He agrees with the critic who once said

    that a painting does not have to be"about" anything other than the

    process of its own creation.

    To Jeffries, all art is self-portraiture.

    He quotes, "I rarely want to knowwhat's in the artist's mind. Finding out

    what an artist thinks about his art is

    nowhere near as exciting as findingout what it means to you." - DavidBowie

    Some of his work is very reminiscentof de Kooning.

    More work is featured at [link].

    What Ive Been Up to Lately:

    http://www.redbubble.com/people/atj1958http://www.redbubble.com/people/atj1958
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    Heritage II, October 2010

    I was offered to participate in a showin New York for emerging artists.

    They found me on abstractart.com.Unfortunately, they wanted money to

    help pay for advertising and catalogprinting costs. I strongly suspect that

    the artists are paying the full cost(their amount was very high) and I

    also don't think that they market theart during the reception. In photos,

    cards with prices are not visible. Theystand to make $40,000 for each

    exhibit, which runs for a month. So, a

    very profitable exercise, even for NewYork. I was disappointed.

    Poem of the Month:

    Yes, you can experience a love story.A season in Hell

    Rattle laundryPandora's Box

    RetreatA thief of residencies

    Wide awake fieldsFirst prize artist

    Translated by deadlinesThe gathering region; memoir of trust.

    September 2007

    [Written as a "collage poem" for aCreative Writing Class in

    Asheville. We cut out words from amagazine while in class and

    combined them to make a poem. I didmine in 10 minutes and

    then waited another 45 for everyoneelse to finish!]

    Quote of the Month:

    A sincere artist is not one who makesa faithful attempt to put on to canvas

    what is in front of him, but one whotries to create something which is, in

    itself, a living thing. - William Dobell

    Celeste J. [email protected]

    www.cjhfineart.com

    http://c/Users/Celeste/Desktop/Art%20Newsletter/[email protected]://www.cjhabstracts.com/http://c/Users/Celeste/Desktop/Art%20Newsletter/[email protected]://www.cjhabstracts.com/