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 LEGIBILITY OF HISTORICAL URBAN SQUARE IN SHAPING IMAGE OF THE CITY: A CASE STUDY OF MERDEKA SQUARE, KUALA LUMPUR Tan Jun Jie  Master of Arc hitecture, Sc hool of Arc hitecture, Build ing & De sign, Taylor’s Un iversity, Sub ang Jay a, 47500, Malaysia  Abstract Since Dutch and British colonial settlements in Malaysia during 18 th  until 20 th  century, few historical cities such as Georgetown, Melaka, Ipoh and Kuala Lumpur were developed. Many of the unique and historic buildings, open spaces and other township components have contributed in shaping the character of these cities.  Padang is one of the elements found in the heart of many historical urban square in Malaysia, introduced during British colonial. It is a huge green open space for many social activities and also a ground of exercising nation’s right of assembly for democracy. However, many of these  padang are in the threat as the victims of the rapid urbanization in this day and age. This paper is a review on the significance and role of a padang in the image of the city of Malaysia. Case study was selected as the main research methodology where a historical urban square in Kuala Lumpur- Merdeka Square was selected due to its distinctive character and significance as a  padang in the city. With historical approach in the research, the role and the fate of the padang were identified on the basis of its morphological, sociological characteristics and architectural meanings to the nation and general public. The paper revealed Merdeka Square have been disrupted by the invasion of rapid development which resulted to the disappearance of its original unique identity as a civic square due to the changes in its use. This paper also suggests that the  padang and its surrounding  built enviro nment conv ey variou s architectural m eanings which lead to the image formation of a city.  Keywords: Legibility ; Historical urban square; Padang; Image of the city; Merdeka Square  1.0 Introduction A city without old places is like a man without memory  (Vani, 2005). Many cities have quarters that play an irreplaceable role in shaping an image for the city. For most of the time, public squares are contributing to part of the city’s charm and appeal, as their aesthetical and functional qualities are essential in s hapi ng the city’s image and identity. Public square in a city acts as a breathing space for the urban dwellers to have their recreational activities and social interactions. A public place also providing a place for exercising the right of assembly and free speech, heartbroken communion and civic discussion which are i mportant to participatory democracy and the good life (Child, 2004). In Malaysia’s development and urban form, the elements that commonly be seen are urban squar es, parks and public open spaces, which most of t hem are locally known as  padang . Padang  is a Malay word which means a large field turfed with grass with an area bigger than a foot ball pitch (Zalina and  Ismail, 2008). In British India,  padang  was begun as esplanade and extended to South East Asia later on (Hoyt, 1993). Hoyt (1993) described the  padang  as an expanse of green known as a large closely trimmed lawn alien to pre-colonial, equatorial Malaya. During British Colonial.  Padang  was one of the most notable features found in front of British administrative  buildings that being used for parades on formal occa sions. In the decades of rapid development where city urbanisation and technological advancement are taking place, many historic cities are being threatened. The new development will insist an irreversible transformation to the  physical and also visual image which causes loss of identity. Consequently, all features such as open spaces, streets and traditional activities; attributes that give a city its unique character and provide the sense of belonging to its community are continuously disappeared. Many of these spaces have gradually disappeared, including the  padang  in many cities in Malaysia. This research will look into the contribution of a  padang in shaping the city’s image. This research will explores the physical qualities of a  padang  which relate to the attributes of history, identity, place attachment and meaning of it to the mental map of the public. This leads to the definition of legibility, that physical and visual quality of the objects which give it a high probability to evoke a strong image in urban observers (Lynch, 1960). An image interpretation and use in the design will be then be focused in the research through literature reviews and case study. Image interpretation is being reviewed in terms of histor y, local context, spatial identity, and how surrounding activities affect the identity of the padang . In this research, historical padang namely Merdeka Square in Kuala Lumpur was chosen as case study sites due to its uniqueness and importance.

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LEGIBILITY OF HISTORICAL URBAN SQUARE IN SHAPING IMAGE OF THE

CITY: A CASE STUDY OF MERDEKA SQUARE, KUALA LUMPUR

Tan Jun Jie

 Master of Architecture, School of Architecture, Building & Design, Taylor’s University, Subang Jaya, 47500, Malaysia 

Abstract

Since Dutch and British colonial settlements in Malaysia during 18th  until 20th  century, few historical cities such as

Georgetown, Melaka, Ipoh and Kuala Lumpur were developed. Many of the unique and historic buildings, open spaces and

other township components have contributed in shaping the character of these cities. Padang is one of the elements found in

the heart of many historical urban square in Malaysia, introduced during British colonial. It is a huge green open space for

many social activities and also a ground of exercising nation’s right of assembly for democracy. However, many of these

 padang are in the threat as the victims of the rapid urbanization in this day and age. This paper is a review on the significance

and role of a padang in the image of the city of Malaysia. Case study was selected as the main research methodology where a

historical urban square in Kuala Lumpur- Merdeka Square was selected due to its distinctive character and significance as a

 padang in the city. With historical approach in the research, the role and the fate of the padang were identified on the basis of

its morphological, sociological characteristics and architectural meanings to the nation and general public. The paper revealed

Merdeka Square have been disrupted by the invasion of rapid development which resulted to the disappearance of its original

unique identity as a civic square due to the changes in its use. This paper also suggests that the  padang and its surrounding

 built environment convey various architectural meanings which lead to the image formation of a city.

 Keywords: Legibility; Historical urban square; Padang; Image of the city; Merdeka Square 

1.0  Introduction

“A city without old places is like a man without memory” (Vani, 2005). Many cities have quarters that play

an irreplaceable role in shaping an image for the city. For most of the time, public squares are contributing to part

of the city’s charm and appeal, as their aesthetical and functional qualities are essential in shaping the city’s image

and identity. Public square in a city acts as a breathing space for the urban dwellers to have their recreationalactivities and social interactions. A public place also providing a place for exercising the right of assembly and

free speech, heartbroken communion and civic discussion which are important to participatory democracy and the

good life (Child, 2004).

In Malaysia’s development and urban form, the elements that commonly be seen are urban squar es, parks

and public open spaces, which most of them are locally known as padang . Padang  is a Malay word which means

a large field turfed with grass with an area bigger than a football pitch (Zalina and Ismail, 2008). In British India,

 padang  was begun as esplanade and extended to South East Asia later on (Hoyt, 1993). Hoyt (1993) described

the padang  as an expanse of green known as a large closely trimmed lawn alien to pre-colonial, equatorial Malaya.

During British Colonial.  Padang  was one of the most notable features found in front of British administrative buildings that being used for parades on formal occasions.

In the decades of rapid development where city urbanisation and technological advancement are taking place,many historic cities are being threatened. The new development will insist an irreversible transformation to the

 physical and also visual image which causes loss of identity. Consequently, all features such as open spaces,

streets and traditional activities; attributes that give a city its unique character and provide the sense of belonging

to its community are continuously disappeared. Many of these spaces have gradually disappeared, including the

 padang  in many cities in Malaysia.

This research will look into the contribution of a  padang in shaping the city’s  image. This research will

explores the physical qualities of a padang  which relate to the attributes of history, identity, place attachment andmeaning of it to the mental map of the public. This leads to the definition of legibility, that physical and visual

quality of the objects which give it a high probability to evoke a strong image in urban observers (Lynch, 1960).

An image interpretation and use in the design will be then be focused in the research through literature reviews

and case study. Image interpretation is being reviewed in terms of history, local context, spatial identity, and how

surrounding activities affect the identity of the padang . In this research, historical padang namely Merdeka Squarein Kuala Lumpur was chosen as case study sites due to its uniqueness and importance.

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1.1 Merdeka Square 

Merdeka Square has been witnessing the growth and development of Kuala Lumpur specifically within

its vicinity. However Merdeka Square had undergone to a certain extent of transformation and make over. It is

one of the earliest  padang  created by the British in Malaya and known as the Padang Club Selangor formerly

(Federal Department of Town and Country Planning, 2005). It is located at the central of an old government

administration district, and parallel with the Gombak River and sited opposite to hillock area of Bukit Aman (BluffHill), the location for National Police Department headquarters. The padang  was originally a military ground for

the police and army throughout the British colony (Federal Department of Town and Country Planning, 2005).Eventually it became the centre for sports and recreation for the British and the elites group, often complemented

 by a clubhouse. Cricket and football were played on regular basis and the  padang   evolved as the social and

recreational centre while serving its civic duty as the administration hub.

The creation of this padang  is not made simply of leftover space between buildings and parking lots. It

is rather strong organizing places about which buildings and other parts of the city of Kuala Lumpur take form,involving the process which is similar to many squares in all around the world. It is such a simple yet a unique

 public place and well preserved since its creation by the British way back in the 1884. There were a lot of

ceremonies and parade held on this  padang . Simultaneously, under the influence of enthusiastic European

sportsmen, it became a playing field for cricket and other team games and was made into level sward. As its

function as a civic square grew, many government offices were built around or near it including Sanitary Board(1890), the Post Office (1894), the High Court (1904), the Survey Department (1909), and the Public WorksDepartment (1920) (Federal Department of Town and Country Planning, 2005).

It soon became the first Merdeka Parade in 1957 upon Malaysia’s Independence   (Amree, 2007). It

underwent change from an urban square to a modern urban square with injection of sophisticated infrastructures

and facilities (big screen television, majestic flag pole, with parking space and commercial allotment underneath)

 by today's professionals of globalization era. The padang is almost a restricted area. It opens only during special

occasions and on Merdeka Celebrations.

1.2 Problem Statement

In Malaysia, the historical Jalan Sultan which located at the heart of Kuala Lumpur is facing the threatwhere the new MRT development is taking place while there were demonstrations and oppositions occurred in

recent years (the Star, 2012). This is happening near the most prominent urban squares located they in addition,

happen to be in the historic areas which were designated by the local authority as conservation zones. The

historical part of the Kuala Lumpur is facing the threat when the pressure for development has taken its toll on

the limited open spaces in the city centre in recent years.

Following the trend of the concept of a European plaza or roof top garden, there are many projects to

upgrade open space especially the padang where pavement, pavilion and concrete stage is included at the central

end of the padang . Similar case goes to Merdeka Square where no one among the early pioneers of this part of

the city of Kuala Lumpur would have imagined that their much admired  padang  would one day be completely

dug up and an enormous underground car park and commercial outlets built under it. Indeed, the completion of a

massive concrete platform during the 1990’s backed by a gigantic digital monitor, bulky concrete performance

stage and flanked by what is reputed to be the world’s tallest flag-pole has totally changed the character of thishistorical site (Chandran, 2004).

With all the changes and transformations, the issue now is, whether image and identity of Kuala Lumpur's

Merdeka Square can withstand the process of change and whether the process of transformation, one way or

another affects the image of the city.

1.3 Research Question

The research question is as bellow;

1. 

How does the design of an urban square affects the city’s image and identity? 

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1.4 Aim and Objectives

The main aim is to examine the legibility of historical  padang   as an open space in a city and its

contributions in shaping the image of the city.

1.4.1 Research Objectives 

1. To explore the character of a padang  in terms of its history, morphology, function and image.

2. To identify the role and architectural meanings of a padang  in the formation of a city’s image.

3. To examine the level of legibility of a padang from the perception of general public.

2.0  Literature Review

2.1. Legibility of Urban Squares as Public Open Space

Public urban square is an open space which commonly found in the heart of a town used for social and

economic exchange, community gatherings (Australian Government Department of Health and Ageing, 2009).

Many researchers have tried to identify the criteria of the ideal and successful urban squares as a public open

space.

Access and Linkages

To be successful, a public square needs to be easy to get to and get through (Project for Public Space, 2009). In

the physical dimension, a high quality public open space should have a clear and easy access and movement

system (Gehl 2002). It could be attained by creating linkage as clear paths which connect each other and by

integration of transportation mode and land use, the present of landmark as orientation. Successful squares arealways easily accessible by foot. The best pedestrian walkway are linking with narrow surrounding streets, well-

marked crosswalks, timed lights for pedestrian, slow-moving traffic and transit stops nearby (Project for Public

Space, 2009).

Comfort and Safety

In psychological dimension, the criteria of a successful public open space is promoting comfort and safety(Danisworo, 1989). Comfort includes perceptions about safety, cleanliness, and the availability of places to sit  –  

the importance of giving people the choice to sit where they want is generally underestimated (Project for Public

Space, 2009). While in the Crime Prevention through Environmental Design (CPTED) principles, few strategies

are set to encourage users of a building, park, or street to feel safe about their surroundings while dissuade

offenders from committing crimes. According to Moffat (1983), the six main concepts are territoriality,

surveillance, access control, image/maintenance, activity support and target hardening.

Greeneries and Amenities

To improve comfort relaxation, natural elements are important factor in public open space. It could be achieved

 by placing tress along pedestrian path and sitting area (Gehl, 2002) that enhance pleasant experience and anticipateunpleasant climate. Other than greeneries, a square should feature amenities such as bench or waste receptaclethat make it comfortable for people to use (Project for Public Space, 2009). While in highlighting specific

activities, entrances or pathways, good lighting should be integrated into the design. Temporary installations such

as public art can act as a great magnet for children of all ages to come together. Whether temporary or permanent,

a good amenity will set up a genial ground for social interaction (Project for Public Space, 2009).

Activities and SociabilityIn urban environments, public spaces such as squares can serve as successful social spaces and can function as a

focus for different activities (Ferdous, 2013). Public open space is successful when it becomes a conducive place

for social interaction with a wide range of activities occur. According to Murat (2013), public squares has the

main contribution to the social interaction. Urban squares act like social catalysts to gather citizens together for

various reasons and activities. The way and context of this social interaction displays the local identity.

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2.3. Legibility of Urban Square as a Civic Open Space 

Civic open space is the representation of a nation civic pride and dignity, and in the case of Malaysia,

often reflects the local community they represent (Federal Department of Town and Country Planning, 2005).

Civic squares and plazas often containing statues or fountains and primarily paved, sometimes providing a setting

for important public buildings (Khalid, 2008).

Image and Identity

Historically, squares were the centre of communities, and they traditionally helped shape the identity of entire

cities (Project for Public Space, 2009). Image of a square often relate to its form at the first sight. A public squares

form is influenced by the surrounding environment. Even though the word “square” points out a form itself, a

 public square can be in any form such as rectangle, square, circle, triangle or amorphous (Murat, 2013). A distinct

form of a civic square that closely ties to the great civic buildings located nearby, such as cathedrals, city halls, or

libraries is often shaping the image of many squares. Sometimes a fountain was used to give the square a strong

image (Project for Public Space, 2009). Think of the majestic Trevi Fountain in Rome or the Swann Fountain in

Philadelphia’s Logan Circle. Today, creating a square that becomes the most significant place in a city– that gives

identity to whole communities – is a huge challenge, but meeting this challenge is absolutely necessary if great

civic squares are to return.

Sense of EnclosureCamillo Sitte, in his work “City Planning According to Artistic Principles” (1889)  emphasizes that the main

requirement of a square is “the sense of enclosure”. Enclosure is one of the  perceptual organization principles of

the Gestalt psychology. Grouping is the fundamental concept of the Gestalt approach. People tend to group objects

that look similar and close to each other. Furthermore enclosure or closure helps us to perceive objects as a whole

(Murat, 2013). The easiest and straightforward way of creating enclosure is grouping buildings around a centralspace. Other than group, another aspect that need to be considered is the height of the surrounding enclosure.

Urban design guidelines by the Scottish Government (2009) suggest that for a square, the minimum ratio of height

of the building to the width of the square is 1:6 to create a good sense of enclosure.

Visual Attractions

Visual attractions of a public open space could be reach by attractive building facade architecture and interesting

scene and details (Gehl, 2002). Sitte (1889) focuses on the visual appearance rather than the functionality. The

ideal morphological aesthetic criteria of the urban square including monuments that are placed on the perimeter,existence of the elements of surprise, attractiveness of architectural façades, and concavity and aesthetic

 pavement. Different research literatures also mention the importance of these physical features and corroborate

the following outcomes together with the inclusion of water features and fountains and presence of monuments

or sculptures (Lynch, 2007).

History

History of a public squares is importance for the city’s identity and they usually reflect the collec tive values of

the community (Murat, 2013). According to Levy (2012), the main difference between a public park and a public

square is that “on a square, citizens are not connected to manifestations of nature, but to the heart of urban culture,history and memory”. In the last few decades, many urban squares have lost their function and memory due to the

new development. Thus, it is important to reconsider and review urban public square design approaches in order

to sustain and improve our existing squares or create enjoyable new ones.

2.4 Legibility of Urban Square in Shaping City’s Image 

Lynch (1960) had identified the five physical elements that will help shaping the identity and structure

of a city, which are (1) paths, (2) edges, (3) districts, (4) nodes, and (5) landmarks. Lynch’s elements all together

 provide a complete image of the city: “districts are structured with nodes, defined by edges, penetrated by paths,and sprinkled with landmarks . . . elements regularly overlap and pierced one another ” (Lynch, 1960). A highly

legible or imageable city will contain structures or areas which is remarkable, distinct that would invite greater

attention and participation from the public.

Historically, it is proven that the padang  can become strong features or elements in shaping the image of the

cities. Plaza de Mayor in Madrid, Tiananmen Square in Beijing, Time Square in New York, Trafalgar Square inLondon, Old Town Square in Prague, Piazza San Marco in Venice, Saint Peter’s Square in Vatican City and Red

Square in Moscow are some examples of magnificent urban squares of the world. These urban squares seem tohave represented the cities that they are belong to, at the same time helping these cities to become sparkling places.

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4.0  Results and Discussion

4.1 Access and Linkages

 Map 1: Map of Merdeka Square showing location of bus stations and LRT station nearby. (Source: Google Map, 2013)

Merdeka Square is located right at the heart of the colonial district of Old Kuala Lumpur. The padang  

therefore is surrounded by busy traffic network since the old days before Malaysia’s independence. Referring to

Map 1, it is now bounded by the Jalan Raja at the east and Jalan Kinabalu at the west. Jalan Raja which encircled

the padang  and Lebuh Pasar at the east part are narrower for they were constructed the earliest than any other

areas in Kuala Lumpur. The padang  also close to one of the main city’s commercial district at Jalan Tuanku Abdul

Rahman and Jalan Masjid India. Along the street are three Kuala Lumpur remarkable landmarks, namely

Kompleks Dayabumi, the Railway Station and Offices and Sulaiman Building.

In term of public transportation, the padang  is located near the Masjid Jamek LRT station which is within

350m walking distance. The two nearest bus station are the Dataran Merdeka, Jalan Raja Station and Bank Agro,

Lebuh Pasar Besar Station, which are within 100m and 160m walking distance respectively. Result from the

survey shows that majority people agree that the square has an easy accessibility by any mode transportation

including car, bus, LRT and walking (refer to Figure 1). This is because Merdeka Square is reachable by any

modes of transportation and the public transport stations are within walking distance.

 Figure 1: Data collected from the photo survey. (Source: Author, 2013)

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4.2 Comfort and Safety

 Figure 2: Photograph showing backdrop of buildings and pedestrian pavement surrounding Merdeka Square. (Source: Author, 2013) 

In term of safety environment, Merdeka Square has a good setting that it is surrounded by significant

colonial buildings which created a sense of ownership to the square. Around the  padang   is the well paved

 pedestrian walkway and temporary steel railings which clearly demarcate the pedestrian from the green turfed

field (refer to Figure 2). Gathering spaces with water features and shrubs are located at the two ends: North and

South of the padang . With the clear designated pathways and common spaces, public access is being controlled

intangibly. Natural surveillance to the open square is achieved by the traffics and buildings around it.

As for the comfort aspect, the space is always clean where rubbish is hardly be seen during the site visits.

However, it is being found out that the square is lacking of shadings to promote walkability due to the lack of tall

shading trees. During night time, there is hardly any activities occur at the padang when no events are happening,except the visitors who take a stroll there. The streets around the square are always in quiet (refer to Figure 3).

 Figure 3: Photographs showing condition of Jalan Raja at 9.30pm. (Source: Author, 2013) 

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Although the padang and the buildings around it are lit up at night, sense of safety environment to the

visitors is still not promising. This phenomenon is reflected in the survey conducted. Result shows that there is no

major lead from the percentage of people feel safe and comfort over the percentage of people who disagree (Refer

to Figure 4). This shows that general public is still not convinced by the safety and comfort in Merdeke Square.

 Figure 4: Data collected from the photo survey. (Source: Author, 2013)

4.3 Greeneries and Amenities 

 Figure 5: (a) left picture: Photograph showing plantations at the perimeter of the padang, (b) right picture: Photograph showing

 plantations and water features at the northern part of the padang. (Source: Author, 2013) 

The  padang itself is a large field turfed with green. However, the taller greeneries which can provide

shadings are lacking. Tall palm trees are planted surround the boundary of the field with 10 meters apart from

each other (refer to Figure 5a); while the shrubs are only existing surround the water features at the northern part

(refer to Figure 5b). There is no seating or bench designated for the public and people are found sitting on thesteps or curbs around the water fountain.

At night, special lightings are only fitted and lighted up at some of the area (refer to Figure 6a): the flag pole area, Sultan Abdul Samad Buildings and Tuscan column structure area (refer to Figure 6b). Other than that,

the padang  is lighted up with ordinary street lights at the perimeter and a high power spot light irradiate over the

 padang  from the flag pole (refer to Figure 6c). Consequently, the quality of public realm is poor in terms of public

amenities and shadings.

 Figure 6: (a) top picture: Photograph showing panaroma view the padang at 9pm. (Source: Author, 2013) 

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  Figure 6: (b) bottom left picture: Photograph showing lightings at the Tuscan column structure, (c) bottom right picture: Photograph

 showing spot light from the flagpole. (Source: Author, 2013) 

4.4 Activities and Sociability

 Figure 7: Photograph showing Merdeka Parade held at Merdeka Square on 31 st  August 2013. (Source: the Star, 2013) 

Today, the  padang is still the place for special events such as open air concerts, carnivals, starting or

finishing point for marathons. Parades and ceremonies such as independence celebration (Merdeka parade) is still

continuously taking place on the  padang (refer to Figure 7). The flexible use of the  padang for important civic

functions had led to the utilization of adjacent roads as part of the open spaces as a parade ground (Federal

Department of Town and Country Planning, 2005). In short, the padang  was a centre for social life and a place to

 promenade and place where the people communicate and unite.

However, it has become less significant when the major annual Merdeka parade shifted to grand avenue

of Putrajaya since 2003 (King, 2008) and the scale of the parade held at Merdeka Square these years were muchsmaller than it used to be. The Sultan Abdul Samad Building was also left vacant when the “court” moved to

Putrajaya, the new administration centre of Malaysia (Wijnen, 2013). Except the tourists and a few number ofvisitors, people were hardly be seen during the site visit, especially at night.

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4.5 Image and Identity

 Figure 8: Photograph showing bird eye view on Merdeka Square. (Source: Rhazlin, 2013)

The flat wide green turf which can be seen from a distance has become a backdrop and a floor for thesehistorical buildings. The square is always kept clean and the green turf is always well maintained. Its rectangular

form with surrounding buildings at the perimeter which features coherent architectural style, size and buildings

materials have created a distinctive image to the square. Water features are being found at the northern and

southern part of the  padang . These features has led a good first impression to the visitors as shown in the resultfrom the survey done (refer to figure 9).

 Figure 9: Data collected from the photo survey. (Source: Author, 2013)

These unique features that have historical value have shaped a strong character to the square which makes

it stands out from the other public squares, as agree by majority of the people from the survey done (refer to figure

10). For that reasons, Merdeka Square is successful in delivering the image and identity to the perception of

general public.

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4.7 Visual Attractions

 Figure 13: (a) top left picture: Bangunan Sultan Abdul Samad, (b) top right: 95-metre flagpole,

(c) bottom left picture: Tuscan column structure, (d) bottom right picture: Victoria Fountain (Source: Author, 2013)

The padang  was the centre of social life for the European community and therefore it was surrounded by

many distinctive buildings which symbolizes the landmark of Kuala Lumpur, which most of them are still being

 preserved till today. The building features include a coherent architectural style, size and buildings materials.

Moreover, it has been more than a decade it serves as a dominant ground in depicting one of the most prestigious

handsome building as well as important symbol of Kuala Lumpur, the Neo-saracenic style, Bangunan SultanAbdul Samad (refer to Figure 13a). It is a style that combined some features of Indian Muslim architecture with

Gothic and other European elements (King, 2008). At the southern end of the square is the 95-metre flagpole

(refer to Figure 13b). It is one of the tallest flagpole in the world, standing on top of a flat, round black marble

 plaque. Tuscan column structure at the northern end of the padang is also making a good attraction to the public,

together with the fountain in front (refer to Figure 13c). It is one of the few structure that being lit up at night that

will look appealing to the visitors. The other attraction is the Victorian fountain which is located next to theflagpole (refer to Figure 13d). These features has become strong visual attractions of the square, as agree by

majority of the people from the survey done (refer to Figure 14).

 Figure 14: Data collected from the photo survey. (Source: Author, 2013)

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4.8 History

1887 1930 2007 Figure 15: The growth of Merdeka Square from 1887 to 2007 . (Source: Zalina and Ismail, 2008)

Throughout almost 130 since its creation in 1884, Merdeka Square has witnessed many changes and

events. As can be seen in Figure 15, part of the padang  at the both sides was occupied for several buildings and a

road. Bangunan Sultan Abdul Samad was built and occasionally it continued to be the centre of administrative

district. The most dramatic changes happened in the mid 1980’s when it was completely dug up to accommodate

underground car park and commercial centres comprised of restaurants and business outlets known as Putra Plaza.

It was then roofed over and turned with many other landscape features on its top such as stage show, and gazebo,

and pedestrian walkways built around it. The underground plaza had, however, stopped operating after a big flood

hit Kuala Lumpur in 2003 (Pertubuhan Arkitek Malaysia, 2007). Now the  padang  is used as a marking point toindicate the distance from any places in Malaysia to Kuala Lumpur city centre (Amree, 2007). It has become even

more easily spotted since the reputedly the world’s tallest flag pole was placed at the edge of it lawn.

 Figure 16: (a) left picture: Merdeka Square in 1961, (b) right picture: Merdeka Square in 2013. (Source: HangPC2, 2013) 

Today, half of the size of the padang and all new structures that were built later on surrounding are being

 preserved from when it was created (refer to Figure 16). Mostly part of the Merdeka Square has been preservednicely and they are still in good condition which people still can trace back the original identity of the square.However, they all had lost their original function which makes them now less significant. The urban culture where

it used to be the centre of administrative district and hold annual Merdeka parade in a large scale has disappeared.

This phenomenon is reflected through the survey conducted when the result shows that majority of the people do

not find the transformation of the square from the past is successful (refer to Figure 17). The memory of this space

in the local community is fading. Merdeka Square has, somehow, failed to reflect the collective values of the

Malaysian community.

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4.9.1 Paths

Paths here are the traffic roads. Pedestrian walkways are built along the roads. The  padang  is bounded

 by two major roads: Jalan Raja at the east and Jalan Kinabalu at the west. Jalan Raja which encircled the padang  

and Lebuh Pasar at the east part are narrower which less traffic is found. Intervening between the major and minorroads has somehow created a unique but confusing path pattern to the Merdeka Square surrounding, where the

axiality and hierarchy in linkage are not clar. 

4.9.2 Edges

Edges are defined by the rivers at the east: Gombak River and Klang River, as well as the main roads

with busy traffic surrounding the padang . Lack of river-crossing bridges and zebra crossing has stopped pedestrian

from the other nodes or districts to come over to Merdeka Square. Together with the heavy traffic roads that runalongside the padang, Merdeka Square has formed a solid edge in between the neighbouring sites at the both sides

of it.

4.9.3 Districts

Each components surrounds the padang is architecturally and urbanistically associated with formalcompositional relationships in example the street that run along the padang, these two may form a district.

Merdeka Square itself, together with the Selangor Club, has formed a district where it is bounded by the paths

that alienate from the surroundings with the hard edges created insensibly. It has become a quiet district with less

 pedestrian visiting throughout the day when there is no function on site.

4.9.4 Nodes

There is no node in the area of Merdeka Square. The nearest major nodes are the pedestrian nodes found

at Masjid Jamek LRT station and Central Market area along the riverside. The nodes at the opposite side of the

river have, however, left a quiet district at the other side of the river, which Merdeka square is located. It is now

only serve as passing point that allows people to come from many other commercial districts such as Jalan Masjid

India and Central Market.

4.9.5 Landmarks

The padang itself has become a landmark for Kuala Lumpur together with the Bangunan Sultan Abdul

Samad, 95-metre flagpole, and Daya Bumi tower. The smaller landmarks are the Selangor Club House. Beingdominance in its green characteristic and broad expanded flat open space, the  padang  is believed to operate as a

 point of reference where from a distance, it can be observed from many angles and distances.

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4.10 Summary

Table 1: Summary of all criteria for legibility of Merdeka Square as different architectural meanings and functions. (Source: Author, 2013)

Legibility Criteria Context

As

Public

Open

Space

Access and

Linkages 

Well linkages with the road systems.

Good accessibility with public transportation.

Comfort and

Safety 

Good setting and access control with proper pedestrian.

Lack of shadings, insufficient lightings at night.

Greeneries

and Amenities 

Lack of tall vegetation.

Absence of designated seats.

Activities and

Sociability 

Lack of social activities for locals constantly throughout the year.

Less significant as compared to previous years.

As

Civic

Open

Space

Image and

Identity 

Good first impression visually.

Strong character with the layout and surrounding structures.

Sense of

Enclosure 

Height of surrounding buildings is not enough.

Ratio of building height to width of square is too small.

Visual

Attractions 

Strong visual attraction by the unique architecture and landmarks.

History  Unsatisfying transformation.

Loosing of its original historical and sociological value.

In

Shaping

City’s 

Image

(Kevin

Lynch’s TheImage of the

City: Five

Elements)

As Paths Unique but confusing path pattern for users.

As Edges Hard edges formed by the bounded heavy traffic roads which break

 pedestrian flow.

As Districts Quiet district with less pedestrian visiting.

Alienate from the other districts.

As Nodes No nodes existing on the padang area.

All nodes are far away from the square.

As Landmarks Serves as a prominent landmark for Kuala Lumpur.

Alignment of a number of good landmarks on site

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As a padang , Merdeka Square has done substantially in terms of the physical built environment to serve

as a good open public space to the city. Connectivity including traffic and public transportation system is well

measured to ensure an easy accessibility to the site. However, when it comes to the user experience, some aspects

were not well considered such as the shadings from tall plantations, street amenities and good lighting during

night time. Activities that promote sociability is also lacking. These all aspects have additionally, made the square

a not cosy open space especially for the locals if they want to visit back for the second time. With only tourists

visiting at daily basis now, local sociability is missing.

Good setting with unique surrounding buildings have granted the square a strong character and identity

to the people. Merdeka Square has its irreplaceable value as a civic open space in Kuala Lumpur. However, it is

starting to loose from its original identity which now slowly turning into just a  padang without activities that

chaining with the community. Citizens are no longer connected to the heart of urban culture, history and memory

of the historical civic square.

 Figure 19: Data collected from the photo survey. (Source: Author, 2013)

The design of Merdeka Square has failed to represent the true identity of its belonging city, Kuala

Lumpur and this is reflected from the survey done (refer to Figure 19). What was being raised up as a major

concern is the true identity of Kuala Lumpur. As mentioned by one of the respondent from the survey, “… it was

 surrounded by busy traffics, and it doesn't really show the unique of Malaysia culture”.

When comes to analysing legibility of Merdeka Square in shaping image of the city, it is being found out

that its contribution as the five elements of a city (Kevin Lynch, 1960) were not being achieved successfully. As

the major component of the square and also to the city, the  padang is now being questioned its functionality andits role in contributing a good image to the city, when only the surrounding buildings and historical value of the

 place are taking up the role. “The Merdeka Square does not shape any image of Kuala Lumpur by itself, but

through the buildings surrounding it ”, said by one of the respondents from the survey. Another respondent also

said that “there is not much image given by the design, the image given by the Merdeka Square is by the historical

value of the place that been through in Malaysia shapes the image”. Despite the strong support from the historical

value, the design of the padang is no longer legible to serve as a major element in shaping the city’s image as thetime pass through. Meaning of the Merdeka Square in the city’s image is diminishing slowly in the mental map

of the general public.

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5.0 Conclusion 

Stories of Dataran Merdeka have uncovered it significant contributions to the vibrant social cultural

formation and development of Kuala Lumpur city centre. However, after years of transformation, its consistency

as a huge prominent green open square in the heat of the busiest district in Kuala Lumpur is being questioned.

Confidently, it has a strong unique character reinforced by buildings of various architectural styles and premier

events at once. However, with the gradually alterations of planning layout and activity pattern, functionality of

the padang is also affected. From a recreational ground and place for public contemplation, the padang  has been

transformed into alienated district that only work well as a tourism spot.

The reviews also find that the legibility of an urban square in shaping city image does not stand on its

own, but because of strong character of surrounding elements and historical value of the place. It is hoped that

this finding might deliver a new perspective for the town planners and landscape architects to address for all

heritage conservation works to conserve the heritage values and also to identify role of the  padang in the city. It

can be concluded that the padang and its surrounding area are conveying various role and architectural meanings

to the city and they are all are essential elements for the city’s image. However, these meanings of Merdeka

Square to the mental map of the public is now weakening. 

The findings implies that identity of a place is a chain connecting different elements, and the disturbance

of one element will affect all others. Inappropriate design and development in the city may be disturb the wholeurban environment. The changes and loss of original functionality which marked the character of a city will

directly weaken the place identity and memory of the place to the nation. This syndrome should be cured as they

will lead to the loss of place meaning. In response to this, the needs of conveying a firm framework for sustaining

valuable historical places within the city should become greatly important in town planning and urban design

 practices.

Acknowledgement

I would like to express my gratitude and many thanks to Dr. Roya Shokoochi for her guidance and

constant supervision as well as for providing necessary information regarding the research and also for her support

in completing this research paper. I would like to also thank to whom I had conversations with, and provided me

with many precious information.

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Appendix A: Original Form of Photo Survey

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Appendix B: Table of Data Collected from Survey