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MArch NCSU December 2013
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Chelsea Mason Sacks
Portfolio of Work
Chelsea Mason Sacks
North CaroliNa State UNiverSity MaSter of arChiteCtUre, fall 2013
Table of ConTenTs studio Projects02 Jenkins Craft Center
08 flex house
12 animal Shelter + vet Clinic
16 insiteful
20 Wyly theatre
22 truss house
26 house + Garden
Publications30 the Problem of the house
31 raleigh house Project
32 the Student Publication vol. 36
33 australian vernacular architecture
34 about Me
36 references
37 Contact information
02
08
26
16
20
22
12
Jenkins Craft CenterComprehensive Studio Project Mill Run, PennsylvaniaFall 2012
Jenkins Craft Center was a comprehensive semester-long project that focused on all aspects of building design at various scales. The concept for the building was derived from two of the site’s most notable features; its proximity to Frank Lloyd Wright’s Fallingwater and the breathtaking view of western Pennsylvania’s landscape. Aligned on axis with these two elements, it consists of two distinctly different linear volumes, one housing the studio work spaces and administration and the other, the more public gallery. Converging at their intersection to create the shared public lobby, the two volumes are clearly articulated both on the building’s interior and exterior.
02 _ Jenkins Craft Center
Building Model Built at 1”:8’ Scale
Jenkins Craft Center _ 03
OverhangsDeep overhangs and inset fenestration provide sufficient shading and reduce excessive solar heat gain during hot months
Green RoofThe craft center will have an occupiable vegetated roof to enhance the building’s environment, aid in insulation (and reduce heat gain), and handle water storage
Rain GardensComposed of native plants, rain gardens are located throughout the site to aid in reducing stormwater runoff and improving and maintaining water quality in the local Youghiogheny River
SIPsstructurally insulated panels are used on the gallery roof, achieving a highly insulated enclosure and allowing for an easy and quick prefabricated assembly
Green Walla green wall composed of trumpet creeper, a local deciduous vine, is located on the south facade of the gallery to provide shading for the gallery and privacy for the studio spaces
Rainwater CollectionWater collected from the gallery roof will be directed into a rainwater cistern and used for outdoor irrigation for the green wall and rain garden
Locally Sourced Materialsspecial care has been taken in selecting materials that are within a 200 mile radius of Mill Run, thus reducing transportation distance and cost, and supporting local suppliers
Natural Ventilationoperable windows will be installed in all office and studio spaces to allow for maximization of natural ventilation and enhanced occupant comfort
DaylightingGlazing is visually accessible to nearly every interior space, allowing for natural light to penetrate the building, reducing energy costs, enhancing the indoor environment, and strengthening occupants’ connection to the outdoors
Xeriscapinglandscaping will all be xeriscaped, thus using indigenous, drought-tolerant plants that require minimal maintenance and irrigation
SustainabilityWith a goal of building in harmony with the natural environment, sustainable development involves a more in-depth understanding of natural systems than is required by conventional development. The design of this building seeks to incorporate several sustainable strategies from the initial schematic phase all the way through the final design.
50 miles100 miles
200 miles
Steel
Concrete
Glazing
Copper Limestone Panels
Reclaimed Wood Floor
Structurally Insulated Panels
Glulam BeamsMaterial Sourcing
Interior Materialsenvironmentally preferable products have been selected for interior material finishes. Wood flooring is made from reclaimed local lumber, concrete utilizes recycled aggregate, all wall finishes are toxin-free and contain recycled content, and acoustic panels in lobby are pesticide free.
Indoor Environment low/no-VoC products have been selected for all interior finishes, optimizing the indoor air quality for occupants. additionally, all spaces have views to the outdoors, providing natural light and enhancing occupants’ experience
To minimize carbon emissions, reduce transportation costs, and support the local economy, all construction materials for the Jenkins Craft Center are manufactured within a 200 mile radius of the site.
PROJECT DATAConstruction Sequence
Landscape
Materials Structure Cladding Roofing Interior
Heating Passive Strategies Active Strategies
Cooling Passive Strategies Active Strategies
Water Resources/Strategies
Energy Reduction Strategies
Energy Generation Strategies
site Construction, Prefab
Xeriscaping, Rain Garden
Rainwater Collection for outdoor Irrigation
steel frame, Glulam Columns and beams, sIPs, ConcreteCourse limestone Panels, black Cherry Wood sidingCopper Panels, extensive Green Rooflow/no-VoC Materials specified
natural Ventilation, overhangsforced air HVaC system
Direct solar Gain, forced air HVaC system, Radiant floor Heating
energy star appliances, occupancy sensors, leD light fixtures
Photovoltaic array
Site Design/Strategy Conservative floor Plan, flexible layout for building Reuse
Building Model Built at 1”:8’ Scale
Section Model Built at 1”:4’ Scale
Section Model Built at 1”:2’ Scale
Ground Floor
01 Cafe02 fire stairs03 lobby04 entrance05 Gallery06 sculpture Garden07 elevator08 Women’s bathroom09 Men’s bathroom10 Visiting artist’s office11 Visiting artist’s studio12 office13 Drawing studio14 Painting studio15 office16 office17 Clay/Plaster studio18 fire stairs19 loading Dock20 outdoor studio space21 Cistern22 Green Wall
01
02
03
04
05
06
07
08
09
10
11
12
13
14 15
16
17
18 19
20
21 22
Ground floor Plan
A
A
B
B
04 _ Jenkins Craft Center
West elevation North elevation
parking
pede
stria
n fo
otpa
th
to m
ill r
un r
oad
entr
ance
rain garden
loading dock
sculpture gardenview perspective
exterior courtyard
Site Plan
Jenkins Craft Center _ 05
Section aa Section BB
First Floor
23 employee lounge24 fire stairs25 exterior balcony26 Mezzanine/Display space27 elevator28 Women’s bathroom29 Men’s bathroom30 Director’s office31 Director’s assistant’s office32 seminar Room33 faculty office34 faculty office35 seminar Room36 faculty office37 faculty office38 administrative suite39 faculty office40 faculty office41 administrative office42 administrative office43 fire stairs
23
25
2627
28
29
30
31
32
33
3435
36
3738
39
40
41
42
43
first floor Plan
lobby entrance
Gallery Space
06 _ Jenkins Craft Center
Jenkins Craft Center _ 07
Habitat for Humanity Concept HouseRaleigh, North CarolinaSpring 2012
Flex House
08 _ Flex House
Flex House is the result of a two-week long sketch project with guidelines derived from a Habitat for Humanity Student Design Competition. The house is designed around a system for construction that allows for ample flexibility and versatility, accommodating the needs of various affordable housing conditions. It is constructed of prefabricated modular units and a corten steel structural service wrapper. The wrapper provides structure for the building and houses all service functions within its walls. The units are constructed off site from structurally insulated panels (SIPs) which are then shipped to the site and stacked in place. In addition to greatly reducing site disturbance, modular prefabrication enables the units to be constructed in a highly controlled environment, ensuring quality and quick erection time.
Flex House _ 09
Solar Hot Water PanelsBuilt into the cladding system, solar hot water panels utilize the sun’s energy to provide hot water for FlexHouse. This system has the potential to reduce energy consumption
between 15-25% annually.
Service WallIn addition to serving as an integral structural component, this wall houses all electrical,
plumbing, and HVAC systems.
Structurally Insulated PanelsConstructed of structurally insulated panels (SIPs), FlexHouse has a tighter building envelope and higher insulating properties than a conventional framed house. The SIPs work as framing, insulation, and sheathing and therefore allow for quick and easy
assembly.
Shading DevicesHorizontal shading devices are installed on all fully glazed walls to reduce excessive solar heat gain and provide occupant privacy. Panels may easily be added or removed
to satisfy occupant comfort.
Prefabricated Modular SystemFlexHouse is constructed of a service wrapper clad in corten steel and prefabricated building units made of SIPs. The 12-foot design module allows these units to easily be assembled in a highly controlled factory environment and shipped by truck to the site.
This results in minimal site disturbance and quick construction.
Natural VentilationAll glazed surfaces in FlexHouse are fully operable. The use of natural cross ventilation
improves indoor air quality and reduces cooling costs.
Daylighting Glazing on the north and south facades allows natural light to penetrate the building,
reducing energy costs and enhancing the indoor environment.
Minimal Site Disturbance FlexHouse utilizes a four-pier helical foundation system requiring minor excavation. This results in minimal site preparation and small overall footprint, significantly lowering cost. This system can also be installed on sites that are difficult for use with standard
construction.
MaterialsClad in corten steel and local shiplap siding, FlexHouse utilizes architecturally rich, yet
inexpensive, materials.
Outdoor LivingThe modular, stacked design of FlexHouse maximizes outdoor living space, greatly
enhancing occupant comfort with minimum site impact.
Step 1
Step 2
Step 3
Wrapper assembled on site
Units transported to site
Units lifted into place
Construction Process sustainability
Ground floor first floor Second floor
A A
10 _ Flex House
Flex House _ 11
Section a-a east elevation
efficiency apartment 1 bedroom 1 bedroom + breezeway 2 bedroom + breezeway 3 bedroom 3 bedroom + breezeway
flexible layout
12 _ Animal Shelter + Vet Clinic
Animal Shelter + Vet ClinicThis was a semester-long project that began as an in-depth study on a location of each student’s choosing. Following a month of extensive research, students were required to identify a need, establish a program, and ultimately design an architectural or urban intervention in the location they had studied. The idea for an animal shelter and vet clinic developed as an effort to improve animal welfare and the devastating conditions in the city that resulted from the earthquake in 2010. In addition to the necessities required for an animal shelter and vet clinic, the program for this project also included educational spaces where visiting veterinarians could come teach local vets, and where the local community could come learn about pet care and health. The program also included accommodations for a mobile vet clinic that would reach out into the community, as well as a food bank where people could come and get food for their pets. Inspired by local Haitian building traditions and practices, the intent of this project was to create a community facility that focused on animal welfare and health, with the idea that people’s health and livelihoods are affected by their animals’ well-being.
Research-Based Studio ProjectPort au Prince, HaitiFall 2013
Animal Shelter + Vet Clinic _ 13
Prevention
Treatment
Education
Community
57% of homes in Port-au-Prince keep dogs
6% of dogs are spayed or neutered
42.6% of homes with dogs feed dogs they do not own
Port-au-Prince Pet StatisticsThere are approximately 150,000 dogs and cats in Port-au-Prince and over 500,000 in Haiti
41.6% of dogs with homes are vaccinated
28.2% of households have had a household member bitten by a dog
There are less than 1,000 vet techs in Haiti
There are only 24 vets in HaitiContext Model
Built at 1”:164’ Scale
Process Model Built at 1”:32’ Scale
final Model Built at 1”:8’ Scale
14 _ Animal Shelter + Vet Clinic
HAITI
Port-au-Prince
2012 Population: 9,801,664 (Haiti) 942,194 (Port-au-Prince)
2012 Age Structure
35.3%0-14 years
34.4%25-54 years
21.4%15-24 years
4.9%55-64 years
4%65 + years
21.6 years
21.4 years
21.9 years
Total
Male
Female
2012 Median Age
2011 Population Growth Rate: 0.888%2012 Birth Rate: 23.87 births/1,000 population2012 Infant Mortality Rate: 52.44 deaths/1,000 live births2012 Life Expectancy at Birth: 62.51 years2012 Fertility Rate: 2.98 children born/woman
0 5 10 15 20
105,000 houses were completely destroyed
Earthquake
250,000 people were killed
1.3 million people were displaced
An additional 300,000 people were injured
Magnitude of 7.0
188,383 houses collapsed or were badly damaged
Building Damage
Earthquake Intensity
SevereModerateMinor
Baptist
PentecostalA
dventistO
therN
one
Roman Catholic
Religion
8 out of 10 people live on $2/day
70%
of the population is unemployed or underemployed
Employment
62% of the population lives below the international poverty line of $1.25/day
Jan feb Mar apr May Jun July aug Sep oct Nov Dec
0
10
20
30
40
50
60
70
80
90
100
tem
pera
ture
s/re
lativ
e h
umid
ity
Pre
cipi
tatio
n/W
et D
ays/
Sun
light
/Win
d S
peed
/fro
st
0
2
4
6
8
10
12
14ClimateMax temp.
(°f)
70%
80%
of Haitians do not have electricity
of Haitians do not have access to an improved water source
of Haitians do not have running water
of Haitians lack adequate sanitation
50%
90%
Per capita Income: $660/year
avg. temp.(°f)
Sea temp.(°f)
Min. temp.(°f)
avg. Sunlight (hrs./Day)
relative humidity (%)
Wet Days(>0.004 in.)
Precipitation(in.)
Dentistry Personnel Density: <1 per 10,000 peopleThe number of listed dentistry personnel is only 94 for the entire country.
Number of Nursing and Midwifery Person-nel: 834
Physician Density: 3 per 100,000 peopleThe number of physicians in Haiti is only about 2,000.
Haiti has a ratio of 1 doctor per 50,000 people in rural areas.The US has 1 doctor per 350 people.The recommended is 1 per 1,000 people as set forth by the World Health Organization.
Hospital Bed Density: 1.3 per 1,000 people
Health Care
Haiti ranks last in the western hemisphere in terms of health care spending. Per capita, Haiti spends about $83 annually.
The cholera outbreak following the earthquake in 2010 has caused 7,490 deaths and 586,625 people to fall ill.
Education
Net enrollment ratePreschool: 56.37%Basic School (1st + 2nd grades): 76%Post-Basic: 22%
Number of out-of-school children 6 to 11 years old:400,000
Over-aged studentsPreschool: 38%Basic: 72%
Schooling expense per family:$109/year
Education share of the budget:9%
Illiteracy rate 13 years and overTotal Population: 57.24%Male: 55.27%Female: 59.14%
City Streets and Zoning Districts
Streets
Significant Buildings
Waterways
Streets
administrative
Multi-use Commercial/residential
Commercial
City Streets, Buildings and Water System
City Blocks
Blocks
Animal Shelter + Vet Clinic _ 15
City Block texture
existing Buildings
Destroyed Buildings
existing Buildings
Pedestrian Circulation
vehicle Circulation
City Block texture and Circulation routes
Commercial Street elevation
kay Creole house
Repeat Familiar Shapes
“Sameness in houses is a statement of similar ideals, of shared experi-ences and expectations. A house is both a personal and a cultural expres-sion, at once home and habitat.”
Traditional variations on a single basic building type
“Neighborhoods that have developed naturally are characterized by variation and individually constructed around a few dominant architectural types and their numerous variants... These are augmented by unique individualistic ‘intrusions’ and artistic elaboration.”
GalerieSalle
ChambresSoute
Creole HouseKay
Galerie
Salle
Chambre
Street (Urban)/Yard (Suburban)
Basic Kay
Usually no rear windows, but additions to rear or side
Enlarged porch“Camel Back” 2 Story
Roof Ridges
Galerie - front porch, open or enclosed, which often contains a souteSoute - ventilated, lockable storage area above the ceiling of the galerieSalle - main room of the house, only slightly less open than the galerieChambre - bedroom, the most private space in the house
Repeated Elements and Consistent Spacing (set-backs + btwn bldgs)
“PITI PITI ZWAZO FE NICH.” -little by little the bird builds its nest...
LIFE MAY BE SIMPLE, BUT IT CAN BE VIBRANT AND BEAUTIFUL...
typical Community Diagram Design for the Climate
Modern kay layout
PRIVATE
PUBLIC
KITCHENETTE
GALERIE
KITCHEN
SALLE
CHAMBRECHAMBRE
CHAMBRE
WC
WC
WC
STORAGE
GALERIE
Modern Kay Layout with Indoor and Outdoor Kitchens
YARD/COMPOUND
Typical Street Rhythm of Kays, Enclosed by Walls with Gates
MATERIALS: Traditional Thatch and Matting stayed coolModern Concrete block overheats, stays hot in evening, MIS-USE OF REINFORCED CONCRETE = DANGEROUS!!!Pegged and braced wood frames with in�ll, require reinforcingReinforcing or wire mesh over brick/stone = too expensiveEarth and stone - Haiti’s seismic risk and damp climate renders them inappropriateRubble or stone �ll in GABIONS, thick walls...Woven wall panels = subject to termite damage, frequent replacement, but individu-als can build own homesUn�nished wood poles = stronger than trimmed lumber, more a�ordable, but wood is too scarce and precious nowTin roofs = waterproof, longer life, but HOTMagnesium cement on fabric or woven panels ADD lightweight insulation (mats of reeds, �akes of thatch material, partly �lled grain bas of rice hulls or strawCompressed Earth Blocks (CEBs) and Rammed earth walls, EARTHBAGS (quick, cheap, climate-appropriate, labor intensive)
Entrance porch, galerie, should not be on west side. Most commonly northern and eastern
LET THE PAST ENRICH NEW BUILDINGS...CREOLE: symbol of power, upper class, African tradition but European adoption in HaitiHomes of manor owners and plantation managersmore common in northern areas, European in�uence of Christophe’s kingdomwider lot, therefore less appropriate for city lots, more easily developed into a larger building.
KAYS: Ti-kay = small house (ti from petite)one room wide, well ventilated, clsoe spacing keeps sun o� house’s environsgable ends form a visual wall that de�nes the street... “giving a formal appear-ance to their community may be as important to Haitians as sheltering their family”Used for slave shacks, developed into AN ARCHITECTURE OF DEFIANCE, COMING TO SYMBOLIZE PRIDE AND INDEPENDENCE...Narrow gable end, works well on narrow city lots or in country compoundsHaitian immigrants brought it to Louisiana, re�ning it into the shotgun house
PRIVATE
PUBLIC
KITCHENETTE
GALERIE
KITCHEN
SALLE
CHAMBRECHAMBRE
CHAMBRE
WC
WC
WC
STORAGE
GALERIE
Modern Kay Layout with Indoor and Outdoor Kitchens
YARD/COMPOUND
Typical Street Rhythm of Kays, Enclosed by Walls with Gates
MATERIALS: Traditional Thatch and Matting stayed coolModern Concrete block overheats, stays hot in evening, MIS-USE OF REINFORCED CONCRETE = DANGEROUS!!!Pegged and braced wood frames with in�ll, require reinforcingReinforcing or wire mesh over brick/stone = too expensiveEarth and stone - Haiti’s seismic risk and damp climate renders them inappropriateRubble or stone �ll in GABIONS, thick walls...Woven wall panels = subject to termite damage, frequent replacement, but individu-als can build own homesUn�nished wood poles = stronger than trimmed lumber, more a�ordable, but wood is too scarce and precious nowTin roofs = waterproof, longer life, but HOTMagnesium cement on fabric or woven panels ADD lightweight insulation (mats of reeds, �akes of thatch material, partly �lled grain bas of rice hulls or strawCompressed Earth Blocks (CEBs) and Rammed earth walls, EARTHBAGS (quick, cheap, climate-appropriate, labor intensive)
Entrance porch, galerie, should not be on west side. Most commonly northern and eastern
LET THE PAST ENRICH NEW BUILDINGS...CREOLE: symbol of power, upper class, African tradition but European adoption in HaitiHomes of manor owners and plantation managersmore common in northern areas, European in�uence of Christophe’s kingdomwider lot, therefore less appropriate for city lots, more easily developed into a larger building.
KAYS: Ti-kay = small house (ti from petite)one room wide, well ventilated, clsoe spacing keeps sun o� house’s environsgable ends form a visual wall that de�nes the street... “giving a formal appear-ance to their community may be as important to Haitians as sheltering their family”Used for slave shacks, developed into AN ARCHITECTURE OF DEFIANCE, COMING TO SYMBOLIZE PRIDE AND INDEPENDENCE...Narrow gable end, works well on narrow city lots or in country compoundsHaitian immigrants brought it to Louisiana, re�ning it into the shotgun house
• Eight hours of sun per day, afternoon rain, and evening breezes• Trade winds out of the northeast• High ceilings and tall doors• French doors and windows are adjustable for sun shading
• Cluster new shelters or dwellings to express underlying or developing social networks of the residents• The order must be allowed to be social rather than geometric• The dwelling is defined by the house’s shadow
Collaborative Studio Project Raleigh, North CarolinaSpring 2012
16 _ Insiteful
Insiteful is the result of a collaborative studio project that focused on sustainable house design. The initial concept for this house was to create a building that minimally impacted the earth from both an energy and physical standpoint. Realizing that housing trends are inevitably going to change, Insiteful is a system for housing that is designed for disassembly. As a result, the minimum site disturbance allows the site to easily return to its natural state. The system contains two basic elements–a custom built core and an envelope made of structurally insulated panels (SIPs). The core houses all of the service functions, each of which is prefabricated as an individual block and assembled on site. The system utilizes a wood-driven pile foundation, resulting in minimal site impact and allowing the site to easily return to its natural state. The modularity of the SIP envelope allows Insiteful to be easily manipulated, creating one, two or three storeys. It can be oriented in different positions around the core to allow the sloped roof to face south, maximizing southern exposure for the passive and active solar systems.
Insiteful
ModelBuilt at 1”:8’ Scale
Insiteful _ 17
pile insertion ground floor + core assembly panel + roof assembly
assembly process
disassembly process
furniture, fixtures + equipment
200 miles100 miles
50 miles
Material Sourcing
• 21.8% of the cooling needs are provided by natural ventilation• Annual savings by adding shading devices: $52
Domestic Hot Water Geothermal system natural Ventilation + Passive solar PV system
Rainwater Collection
• PV system will reduce energy costs by $103.50 per month • Annual savings: $1,859• 14.4 year payback
• Offset: 35,000 gallons per year• Annual savings: $237
• Annual cost for a geothermal system: $498 • Annual cost for air source heat pump: $830• Annual savings: $332
• Annual cost without solar thermal system: $400• Annual cost with solar thermal system: $2• Annual savings: $398
landscaping Thermal envelope• Xeriscaping planting strategy• Reduce outdoor water usage by 54%• Trees planted on the east and west to provide shading and reduce energy costs
• 24 % less energy consumption with SiP construction as compared to standard stick frame construction• R24 insulating value
assembly ProcessS
usta
inab
le S
trat
egie
s
first floorGround floor0 1 2 4 6
A
B
18 _ Insiteful
B
A
a-aSouth elevation
Insiteful _ 19east elevation B-B
insiteful living
generous outdoor living space
open + efficient floor plan
spacious bedrooms
abundant natural daylight
privacy screens
on-street parking
energy star appliances
durable + renewable bamboo flooring
ample storage
800 sf 1400 sf 1600 sf 2200 sf 1800 sf 2000 sf
Nei
ghbo
rhoo
d P
lan
Wyly Theatre Precedent StudyDallas, TXFall 2011
This project was a precedent study for a design fundamentals studio that focused on the negotiation between key building systems and how this negotiation supports the language of any architectural concept. The study focused specifically on an analysis of the building’s structure, enclosure, volume, and circulation.Innovations in structure allowed REX/OMA to accomplish an unconventional theater design for the Wyly Theatre in which all facilities are stacked above - and below - house. This design allows for ample flexibility in theater configuration, giving the directors ultimate artistic freedom. Visitors descend into the underbelly of the cube-like building only to emerge up into an enormous and entirely flexible performance space surrounded by spectacular views of downtown Dallas.
20 _ Wyly Theatre
Wyly Theatre _ 21
Structure Diagramenclosure Diagram volume Diagram Circulation Diagram
Habitat for Humanity Concept HouseRaleigh, North CarolinaSpring 2012
Truss House
22 _ Truss House
Truss House _ 23
Site Plan
A A
BB
0 2 4 8 12
floor Plan
1. back porch2. master bedroom3. master closet4. full bath5. kitchen6. dining7. front porch8. living room9. laundry10. half bath11. storage12. bedroom 113. bedroom 2
1 2 3 4 5 6
78
11
10
9
1213
South elevation B-B
This was the second of two sketch projects with guidelines derived from a Habitat for Humanity Design Competition. Truss House is a comfortable family dwelling inspired by the timeless gable house form and North Carolina’s vernacular barn construction and materials. After closely exploring typical Habitat for Humanity home design and construction, Truss House strives to improve upon the basic principles behind a Habitat for Humanity home to create a simple, solid shelter that fosters family living.
Public areas are distinctly separated from private areas by a centralized service core nestled between the two. The main public area provides an open, light-filled space with a kitchen, dining nook, and living area to the east, while the more private, cellular spaces for sleeping and leisure are kept to the west.
24 _ Truss House
DEC
IDU
OU
S TREE
SC
ON
IFER
OU
S TR
EES
EAST
SOUTH
NORTH
ROAD
SIDEWALK
ON STREET PARKING
.34 MILES TO BUS STOP
solar orientationPositioned along the east/west axis, trusshouse incorporates passive solar strategies in its design to maximize the use of natural daylight while minimizing solar heat gain and decreasing energy costs. Glazing is placed appropriately on the north and south sides to maximize the inherent quality of natural daylight.
landscapingCare has been taken in the selection of local drought-resistant plants to xeriscape trusshouse, greatly enhancing its visual appearance while requiring minimal occupant attention. Placement and selection of trees on the site serve as natural shading for trusshouse, thus reducing heating and cooling costs.
Proximity to streetlocated near the street, trusshouse utilizes on-street parking and encourages social interaction among neighbors. this also allows for a spacious backyard that families can use as they wish. additionally, trusshouse is located along existing infrastructure and near public transit, enhancing livability and convenience.
Community Integrationtrusshouse was designed with a “front porch mentality” in mind, with the intent of encouraging community engagement through the use and placement of outdoor social living spaces. the aesthetic appeal of trusshouse makes it practical and adaptable to existing neighborhood conditions.
Truss House _ 25
slab on grade
volumetric division of space
prefabricated structural wood truss
corrugated steel enclosure
Inspired by North Carolina’s vernacular barn construction and materials, the prefabricated wood truss system is assembled in a fashion similar to a barn raising. The trusses themselves are produced off site, transported to the site, and then raised into place. Wanting to maintain Habitat’s community involvement in construction, trusses can easily be lifted and put in place by Habitat volunteers.
enclosure DiagramConstruction Process
Studio Project Asheville, North CarolinaSpring 2013
The guidelines for this project were based upon quotations from Thoreau’s Walden and the work of an English gardener, Humphrey Repton. Students were encouraged to think intuitively yet unconventionally about program, material, construction, light, and function. This specific project was designed on a steep site for a hypothetical client who was an exercise enthusiast and required a lap pool. Utilizing the natural slope of the site and the client’s penchant for exercise, the house was designed in a tiered linear fashion and on a strict module derived from the dimensions of the lap pool. Circulation was organized along a dominant wall that served to ground the project both literally and figuratively. Particular attention was paid to enhancing the connection between inside and outside and the transition between the two.
26 _ House + Garden
House + Garden
final ModelBuilt at 1”:8’ Scale
Concept Diagram
House + Garden _ 27
floor Plan
east elevation
28 _ House + Gardenfinal Model
Built at 1”:8’ Scale
The second part of this project required students to design a gallery and office for their client’s recently-inherited private art collection as an extension or addition of the pre-existing house and garden. Each student was given five specific pieces of art that were to be displayed in the gallery space and utilized and incorporated into their design. The pieces of art inherited by this particular client were five splatter paintings done by Jackson Pollock, ranging in size from 1.5’x2’ up to 4’x8’. Using the rules and guiding principles established for the house and garden, the gallery developed as a literal extension of the existing built form. Wanting the gallery to be a more internalized space in which the art was the main focus and was protected from natural elements, it was built into the ground and was intended to create a magical experience for viewers.
Site Plan
House + Garden _ 29
Study ModelBuilt at 1”:16’ Scale
final ModelBuilt at 1”:8’ Scale
floor Plan
Midterm ModelBuilt at 1”:8’ Scale
The Problem of the HouseMay 2012 - December 2013Glover Printing85 pages
The Problem of the House is a compilation of student work from a collaborative studio of architecture and engineering students. The students were faced with the challenge of working in small groups to design a small but flexible suburban dwelling, while implementing sustainable design strategies. In addition to participating in the studio, I led and managed this project from the initial design phase through final print and served as the primary liaison among all parties involved.
Publications
30 _ The Problem of the House
Raleigh House ProjectJanuary 2013 - May 2013Lulu.com77 pages
The Raleigh House Project was the final product of an independent study that focused on research for the prospect of designing and building a small sustainable home in an underdeveloped section of downtown Raleigh. The publication is a collection of my research that served to strengthen the potential success of such a project. I developed the concept and carried out the research and design on my own with Matthew Griffith as my advisor.
Raleigh House Project _ 31
The Student Publication Vol. 36January 2013 - May 2013Theo Davis Printing96 pages
The Student Publication was developed in 1951 as a tribute to Matthew Nowicki for his influence and inspiration as head of the Department of Architecture at North Carolina State University. The publication focuses on timely and important issues in the field and includes letters, projects, and articles from influential designers of the day. With the guidance of an editorial advisor and committee, I served as the project manager and curatorial editor for Volume 36 of The Student Publication.
32 _ The Student Publication Vol. 36
Australian Vernacular Architecture _ 33
Australian Vernacular ArchitectureAugust 2013 - December 2013Lulu.com101 pages
Australian Vernacular Architecture is a publication I put together for a class that focused on vernacular architecture around the world and its impact on present-day architecture. It is the product of a semester-long research project for which I chose to focus on vernacular architecture in Australia. I selected the topic, carried out the research, and designed the publication.
34 _ About Me
About Me.In addition to having a strong passion for architecture, there are many other interests and hobbies I have that serve to define who I am as an individual. While I currently live in Raleigh, North Carolina, I am originally from Chester County, Pennsylvania, a rural part of the state west of Philadelphia. I grew up on a farm and have always had a love for nature and the country. When not working, I can often be found outside running or hiking on trails, riding my horse, fishing, boating, or camping. Growing up and through college sports consumed a large portion of my life. While at Penn State, I played on the Women’s Ice Hockey team for five years, three of which I held a leadership position. From my experience as a student-athlete, I learned invaluable lessons about leadership, teamwork, and time management —all things that continue to aid in my success. I am also incredibly passionate about traveling. I think there is so much one can learn from experiencing other parts of the world. Following my graduation from NC State, my boyfriend and I ventured out on a month and a half long trip across the country with a travel trailer in tow. Along the way, we got to see and experience unbelievable things and places not many people get to see in their lifetimes, and I feel very fortunate for that. While architecture has been a passion and dream of mine since I was very young, I believe the opportunities and experiences I have had in my life have shaped who I am both as a person and as a designer.
About Me _ 35
tania allenAssistant Professor of Art + DesignCollege of Design, Box 7701 North Carolina State UniversityRaleigh, NC 27695-7701 USAtel: [email protected]
Matthew Griffith, aiaAssistant Professor of PracticePrincipal at In Situ Studio704 North Person StreetRaleigh, NC 27604tel: [email protected]
J Patrick rand, faiaDistinguished Professor of ArchitectureCollege of Design, Box 7701North Carolina State UniversityRaleigh, NC 27695-7701 USAtel: [email protected]
David hill, aiaAssociate Professor of ArchitectureGraduate Director of ArchitectureCollege of Design, Box 7701North Carolina State UniversityRaleigh, NC 27695-7701 USAtel: [email protected]
References
36 _ References
Chelsea Mason sacks5527 Cottonrose Lane, Raleigh, NC 27606 | [email protected] | 484.678.3991
Contact Information _ 37
