1
1SM Friday, July 22, 2016 ............... 51 Watch video of band at: thescottishsun.co.uk NEW MUSIC By Jim Gellatly HALO TORA WHO: Chris Alexander (vocals/ guitar), Ian McCall (vocals/gui- tar), Mark Young (bass), Ryan Connery (piano /keys), Chris McKeown (drums). WHERE: Glasgow. FOR FANS OF: Biffy Clyro, Mog- wai, Coheed and Cambria. JIM SAYS: Since releasing their debut album Omni\One last year, Halo Tora have been on a roll. Back in May they played The Great Escape in Brighton, the UK’s biggest and most influen- tial showcase for emerging acts. Last month the band were in action at Scotland’s premier rock and metal festival, Wildfire. Chris Alexander and Chris McKeown previously played with Airdrie outfit Anavris, com- ing together as Halo Tora around 2011. Chris Alexander told me: “We wanted to take our sound in a different direction and this required a different line-up. We knew Ian from playing shows with his band at the time so we got him in. I met Ryan in a music shop that I worked in and he told me he played piano. I practically grabbed him and gave him no choice but to come for a jam. The bass position has reshuf- fled a few times but we are dead set now with Mark at the helm. “The response to the album has been incredible. At Wildfire we were hearing people sing the words back to us in a place that isn’t our home. For people to get the record enough to listen and learn the songs is absolutely amazing. We are truly grateful to everyone that has taken notice of it.” Omni\One is a glorious mix of metal, prog and post-rock. An atmospheric soundscape that hooks you in, it has a certain cin- ematic quality. Chris explained: “There are a million things that inspire and influence us on a daily basis. Speaking for myself I’d have to say someone like John Carpen- ter is a huge influence on me creatively. He wrote, directed and scored the music for the Halloween movie franchise.” Always challenging them- selves musically, Halo Tora are a band forever moving forward. Chris said: “We have always stayed clear of pigeon holes with this band. We write what we like. “With the album we tried to push the boundaries as far as we could. It was a challenge but we are incredibly proud.” After sell-out shows at Audio and King Tut’s in Glasgow, Halo Tora now have their sights set further afield, with a European tour planned for October. The guys are also working on new material. Chris added: “We can’t wait to unleash our new work. We’ve been working hard writing for another record. It costs an unbelievable amount of money to make an album so we just need to finance it. If there are any rich music enthusiasts out there, hit us up.” More info: www.halotora.com l Jim presents a weekly show- case of New Music on Amazing Radio, Sundays, 2-4pm. www.amazingradio.com www.jimgellatly.com ing back the years WE DELVE INTO PHIZZ-WHIZZING ARCHIVES OF BGF GREAT THE INITIAL IDEA Roald kept two ideas books to write down his early thoughts. In one of the books, the notes read: “A Fantasy . . . The man who captured and kept in bottles ideas from the brain . . . thoughts . . . pieces of knowledge . . . jokes.” Underneath this, Roald had written “B.F.G.” and “Big Friendly Giant”. The next note seems to suggest he was initially thinking of this as something quite spooky. It says: “Not many people know about the Big Friendly Giant. He only comes out at night. He moves very silently. He is careful not to be seen.” Alongside this text, Roald drew a picture of a trumpet-like implement blowing a smoke-like substance towards a sleeping child. FIRST APPEARANCE IN PRINT As true Roald fans will know, the character of The BFG first appears in his earlier novel Danny, The Champion of the World in a story told by Danny’s dad. Roald wrote a poem about The BFG for the original draft of Danny, which included these lines: And out of the door In the grassy floor There comes a giant man With a jet black cloak He is tall as a tree He creeps on his toes Towards the caravan Straight for the caravan. The poem did not make it into the final draft. FIRST DRAFT In the original draft of The BFG, the central character is a boy called Jody not a girl named Sophie. And the BFG talks in normal language, not Gobblefunk. He wears a tall black hat, a leather apron, black trousers and black leather boots. Instead of a suitcase, he carries a knapsack. He is 18ft tall. In the final draft he is 24ft. The snozzcumber makes an appearance but there is no mention of frobscottle or whizzpoppers yet. GOBBLEFUNK Roald ultimately decided to make up a whole new language for the BFG, and called it Gobblefunk. WHIZZPOPPING Writing to his editor about one of the later versions of the story, Roald tells him that he has added a scene in which The BFG does a whizz-popper for the Queen. Roald knows this is vulgar but he also knows that children will love it. (This is a great scene in the movie, too!) In an interview, Roald states his belief that children find nothing funnier than an adult farting! He thinks bodily functions are mysterious and funny to kids and that they also humanise adults. WHAT THE BFG WORE The BFG originally wore boots but they didn’t look right in Quentin Blake’s initial illustrations. One day, Quentin received one of Roald’s own giant Norwegian sandals in the post which he then incorporated into the drawings. This is probably the only time Roald ever made alterations to the text of his story to suit Quentin’s illustrations. THE BFG movie launches in cinemas today and promises to be the film of the summer. The book about little Sophie’s adventures with the Big Friendly Giant was published in 1982, just eight years before Roald Dahl’s death in 1990. To coincide with the film, there is a new BFG exhibition at the Roald Dahl Museum and Story Centre in Great Missenden, Bucks. Here we delve into the amazing archives to see just where all the whizzpoppers and Gobblefunk came from. BOOKS Edited by NATASHA HARDING 1. After You – Jojo Moyes 2. The Girl on the Train Paula Hawkins 3. Get Even – Martina Cole 4. Murder House – James Patterson 5. Me Before You – Jojo Moyes Chart from WHSmith NEW VERSION IS BRILLIDICIOUS THE BFG Roald Dahl & Quentin Blake, £11.99 THIS beautwiddle edition is available exclusively at Waterstones, with some editions also available in the House of Illustration shop. We asked ZAK HOPE, ten, to review the new version of the book. He writes: I’VE read all of Roald Dahl’s books and The BFG is one of my favourites. This version is really special. It’s got lots of pictures I haven’t seen before and that makes it seem more memorwizzle. The BFG tells the story of Sophie’s adventures when she’s taken from her bed in the dead of night by a giant. It sounds really scary but it isn’t because the giant, although HUGE, is actually very friendly and he looks after Sophie really well and they go on a magical journey together where they catch dreams. I love the way that the giant speaks, it makes me laugh a lot. I’ve read this book three times before, but I’ll read it again. It’s brillidicious. HHHHH BOOK OF THE WEEK

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Page 1: ChartfromWHSmith NEW WE DELVE INTO PHIZZ ......SHOP BOYS I’m collecting them on vinyl NEW MUSIC By Jim Gellatly HALO TORA WHO: Chris Alexander (vocals/ guitar), Ian McCall (vocals/gui-tar),

1SM Friday, July 22, 2016 ............... 51

Watch video of band at:thescottishsun.co.uk

ON: THE PETSHOP BOYS

I’m collectingthem on vinyl

NEWMUSICBy Jim Gellatly

HALO TORAWHO: Chris Alexander (vocals/guitar), Ian McCall (vocals/gui-tar), Mark Young (bass), RyanConnery (piano /keys), ChrisMcKeown (drums).WHERE:Glasgow.FORFANSOF:Biffy Clyro, Mog-wai, Coheed and Cambria.JIM SAYS: Since releasing theirdebut album Omni\One lastyear, Halo Tora have been on aroll.

Back in May they played TheGreat Escape in Brighton, theUK’s biggest and most influen-tial showcase for emerging acts.

Last month the band were inaction at Scotland’s premierrock and metal festival, Wildfire.

Chris Alexander and ChrisMcKeown previously playedwith Airdrie outfit Anavris, com-ing together as Halo Toraaround 2011.

Chris Alexander told me: “Wewanted to take our sound in adifferent direction and thisrequired a different line-up. Weknew Ian from playing showswith his band at the time so wegot him in. I met Ryan in a musicshop that I worked in and he toldme he played piano. I practicallygrabbed him and gave him nochoice but to come for a jam.The bass position has reshuf-fled a few times but we are deadset now with Mark at the helm.

“The response to the albumhas been incredible. At Wildfirewe were hearing people sing thewords back to us in a place thatisn’t our home. For people to getthe record enough to listen andlearn the songs is absolutely

amazing. We are truly grateful toeveryone that has taken noticeof it.”

Omni\One is a glorious mix ofmetal, prog and post-rock. Anatmospheric soundscape thathooks you in, it has a certain cin-ematic quality.

Chris explained: “There are amillion things that inspire andinfluence us on a daily basis.Speaking for myself I’d have tosay someone like John Carpen-ter is a huge influence on mecreatively. He wrote, directedand scored the music for theHalloween movie franchise.”

Always challenging them-selves musically, Halo Tora are aband forever moving forward.

Chris said: “We have alwaysstayed clear of pigeon holeswith this band. We write what welike.

“With the album we tried topush the boundaries as far aswe could. It was a challenge butwe are incredibly proud.”

After sell-out shows at Audioand King Tut’s in Glasgow, HaloTora now have their sights setfurther afield, with a Europeantour planned for October. Theguys are also working on newmaterial.

Chris added: “We can’t wait tounleash our new work. We’vebeen working hard writing foranother record. It costs anunbelievable amount of moneyto make an album so we justneed to finance it. If there areany rich music enthusiasts outthere, hit us up.”More info: www.halotora.coml Jim presents a weekly show-case of NewMusic onAmazingRadio, Sundays, 2-4pm.

www.amazingradio.comwww.jimgellatly.com

ingback theyearsWEDELVEINTOPHIZZ-WHIZZINGARCHIVESOFBGFGREAT

THE INITIAL IDEARoald kept two ideas books to write down hisearly thoughts.

In one of the books, the notes read: “AFantasy . . . The man who captured and kept inbottles ideas from the brain . . . thoughts . . . piecesof knowledge . . . jokes.”

Underneath this, Roald had written “B.F.G.”and “Big Friendly Giant”.

The next note seems to suggest he wasinitially thinking of this as something quitespooky.

It says: “Not many people know about theBig Friendly Giant. He only comes out at night.He moves very silently. He is careful not to beseen.”

Alongside this text, Roald drew a picture of atrumpet-like implement blowing a smoke-likesubstance towards a sleeping child.

FIRST APPEARANCE IN PRINTAs true Roald fans will know, the character

of The BFG first appears in his earlier novelDanny, The Champion of the World in a storytold by Danny’s dad.

Roald wrote a poem about The BFG for theoriginal draft of Danny, which included theselines:

And out of the doorIn the grassy floorThere comes a giant manWith a jet black cloakHe is tall as a treeHe creeps on his toesTowards the caravanStraight for the caravan.The poem did not make it into the final

draft.FIRST DRAFT

In the original draft of The BFG, the centralcharacter is a boy called Jody not a girl namedSophie. And the BFG talks in normal language,not Gobblefunk.

He wears a tall black hat, a leather apron,black trousers and black leather boots. Insteadof a suitcase, he carries a knapsack.

He is 18ft tall. In the final draft he is 24ft.The snozzcumber makes an appearance but

there is no mention of frobscottle orwhizzpoppers yet.

GOBBLEFUNKRoald ultimately decided to make up a whole

new language for the BFG, and called itGobblefunk.

WHIZZPOPPINGWriting to his editor about one of the later

versions of the story, Roald tells him that hehas added a scene in which The BFG does awhizz-popper for the Queen.

Roald knows this is vulgar but he alsoknows that children will love it. (This is agreat scene in the movie, too!)

In an interview, Roald states his beliefthat children find nothing funnier than anadult farting!

He thinks bodily functions are mysteriousand funny to kids and that theyalso humanise adults.

WHAT THE BFG WOREThe BFG originally wore boots but

they didn’t look right in Quentin Blake’sinitial illustrations.

One day, Quentin received one ofRoald’s own giant Norwegian sandals inthe post which he then incorporatedinto the drawings.

This is probably the only time Roaldever made alterations to the text ofhis story to suit Quentin’sillustrations.

THE BFG movie launches in cinemastoday and promises to be the film of thesummer. The book about little Sophie’sadventures with the Big Friendly Giantwas published in 1982, just eight yearsbefore Roald Dahl’s death in 1990. Tocoincide with the film, there is a newBFG exhibition at the Roald DahlMuseum and Story Centre in GreatMissenden, Bucks.Here we delve into the amazing

archives to see just where all thewhizzpoppers and Gobblefunk came from.

BOOKS Edited byNATASHA HARDING

1. After You – Jojo Moyes2. The Girl on the Train –Paula Hawkins3. Get Even – Martina Cole

4. Murder House – JamesPatterson5.MeBeforeYou – Jojo Moyes

Chart fromWHSmith

NEWVERSIONISBRILLIDICIOUS

THE BFGRoald Dahl &Quentin Blake, £11.99

THIS beautwiddle edition is availableexclusively at Waterstones, with some

editions also available in the House ofIllustration shop. We asked ZAK HOPE, ten, toreview the new version of the book. He writes:

I’VE read all of Roald Dahl’s books and The BFG isone of my favourites. This version is really special. It’sgot lots of pictures I haven’t seen before and thatmakes it seem more memorwizzle. The BFG tells thestory of Sophie’s adventureswhen she’s taken from her bedin the dead of night by a giant.

It sounds really scary but itisn’t because the giant,although HUGE, is actuallyvery friendly and he looks afterSophie really well and they goon a magical journey togetherwhere they catch dreams.

I love the way that the giantspeaks, it makes me laugh alot. I’ve read this book threetimes before, but I’ll read itagain. It’s brillidicious.

HHHHH

BOOKOFTHEWEEK