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ART. STYLE. CULTURE. INTO THE LIGHT THE ART OF LIGHT PAINTING STREET TALK GET TO KNOW ONE OF BALTIMORE’S FINEST STREET ARTISTS: SORTA STREETART SHADY A LOOK THROUGH RETROSUPERFUTURE LENSES FEATURED ARTISTS * SORTA STREETART LAUGHING SQUID OMEN NEWFIE BULLET JULIEN BRETON LICHTFAKTOR AND MORE... SNEAK PEEK BALTIMORE’S NEWEST CLOTHING LINE: BALTEES VISIT CHARMMAGAZINE.COM NEW ISH UP AND COMING STYLES OF 2012 8 MUST-SEE U.S. GRAFITTI SITES SUPER NO. 01 VOL. 01

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A magazine of art and style influenced by urban culture.

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Page 1: Charm Magazine

ART. STYLE. CULTURE.

INTO THE

LIGHTTHE ARTOFLIGHTPAINTING

STREETTALKGET TO KNOW ONE OFBALTIMORE’S FINESTSTREET ARTISTS:SORTA STREETART

SHADYA LOOK THROUGHRETROSUPERFUTURELENSES

FEATURED ARTISTS*

SORTA STREETART

LAUGHING SQUID

OMEN

NEWFIE BULLET

JULIEN BRETON

LICHTFAKTOR

AND MORE...

SNEAK PEEKBALTIMORE’S NEWEST CLOTHING LINE: BALTEES

VISIT CHARMMAGAZINE.COM

NEW ISHUP AND COMING STYLES OF 2012

8 MUST-SEEU.S. GRAFITTI SITES

SUPER

NO.

01VOL.

01

Page 2: Charm Magazine

NEW ISHUp and Coming Styles of 2012

8 MUST-SEETop Graffiti Sites in the U.S.

48

35

C O N T E N T S

SUPER SHADYA Look Through RetroSuperFuture Lenses

FIND US ON TWITTER @CHARM_MAG | CHARMMAGAZINE.COM

STYLES

BALTEESMNMLSOIREE

SORTA STREETART XZENZLAUGHING SQUID

MARCO OMENAND MORE...

CREATIVE RECMATIX

ARTISTS EXTRAS

PG. 37 ON THE LOOKOUT

PG. 65 HIDDEN IDENTITY

PG. 73 BALTEES

ALSO IN THIS ISSUE

39 4133

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F E A T U R E S

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INTO THE LIGHTThe Art of Light Graffiti

STREET TALKInterview with Sorta Streetart

T R E N D S E T T E R

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PHO

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CHARM / / TRENDSETTER

NEW ISHUPCOMING STYLES FROM

THE HOTTEST BRANDS

DC Shoes logo hat

$24 | dcshoes.com

Clockwise

from top:

Penfield short-sleeved

gingham shirt

$42 | penfieldusa.com

Johnny Cupcakes mini

check tie

$32 | johnnycupcakes.com

Levi’s black and white

lether belt

$25 | levis.com

Etnies backpack

$54 | etnies.com

Knowledge The Hensley

chain wallet

$19 | karmaloop.com

Converse Chuck Taylor

All Star Scribble

Plaid sneaker

$60 | converse.com

Page 5: Charm Magazine
Page 6: Charm Magazine

PHO

TOS

CO

URT

ESY

OF

SUPE

R.C

OM

SUPER SHADY

Offcially launched in spring 2007, SUPER is today currently distributed

in over 350 shops worldwide. You can find them in some of the most

infuential trend leaders stores such as Colette in Paris, Barneys New

York, 10 Corso Como in Milan, Bodega in Boston, Fred Segal in Los

Angeles, Steven Alan, Paris Texas in Denmark, Caliroots in Sweden

and many others. The sunglasses come in black straight frame with

a metal stripe on the front and small gold logo at the ends. The

glasses come in red, black, and jaquard, a mixture of brown and

gold. The frames are all very thick and bold providing the ultimate

nerdy look.

The people from Italian Pig Magazine took it into their hands

to create this sunglass brand in 2007. Super sunglasses are made

to the highest possible standards, hand made in Italy by the best

manufacturers (same as Ray-Ban) and with the best materials.

Super introduced its optical range in Spring/Summer as a response

to an eyeglasses market lacking in fresh design and appeal. The

optical range offers unique and stylish eyeglasses, with the

guaranteed super seal of handmade excellence. This Autumn/

Winter sees an extension of the OPTICAL line, with more of our

signature silhouettes transformed into stylish eyeglass frames and

the addition of two brand new colorways. The OPTICAL range is

available in both opticians and select retailers.

Super, by Retrosuperfuture®, ignited the phenomenon of acetate

sunglasses. They are made in multiple color graduations, which

has generated a big trend starting in 2007. Super is the 1st brand

to produce a complete range of colorful fashion sunglasses

combining these characteristics together with a very high quality

manufacturing process. Super sunglasses are made to the highest

possible standards, hand made in Italy by the best manufacturers

and with the best materials. For this reason, Super also decided

to adopt ZEISS lenses, which guarantee an extremely high level of

protection to the eyes in all conditions. Since their introduction,

artists, celebrities, sports athletes and trendsetters have been

wearing Super sunglasses. Kanye West, Daft Punk, Who Made Who,

Justice, Pedro Winter (and his “Ed Crew”), Simian Mobile Disco, CSS,

St. Vincent, The Kills, Elio Fiorucci, Sienna MIller, Jessica Alba and

Valentino Rossi are just a few who have been seen sporting a Super.

It has been making headlines through their collaborations with

ALIFE and Barneys. Here we’re showing you their own sunglasses

and glasses that is consistent with the signature style by putting a

modern twist on classic frames. For this reason, Super also decided

to adopt ZEISS lenses, which guarantee an extremely high level of

protection to the eyes in all conditions. In other words quality is

amazing and style is on point!

35

LOOKING THROUGH RETROSUPERFUTRE LENSES

Left to Right:Classic Resin Poison $195

Classic Red $138 Chicano $163Chicano $163

CHARM / / TRENDSETTER

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Street culture and graffiti are well-known for being provocative, appealing, and uncompromising. Originally used by gangs to mark their territory in some urban area, graffitis have now become a rich medium for unrestricted expression of ideas. In fact, creative designers and artists across the globe use this form of art to deliver their message and showcase their work.

8 MUST-SEE U.S. GRAFITTI SITES

Allan Dalla San Francisco, CA

Unlimited in terms of time and

space, Allan Dalla the fictional

character of the planetary art

hereby represents the black

and white, good and bad,

beautiful and ugly, peace and

war, love and hate, the link

between the terrestrial and the

extraterrestrial.

Sorta Baltimore, MD

Sorta Streetart pastes up his

giant art work on abandon

buildings around Baltimore

city. He’s made a recent run

through Philadelphia putting

up wheat pastings, and has

also been showing his work in

several galleries in the area. He

also goes by the nickname Sorta

Rican; a nickname given to him

by his Puerto Rican mother.

Michael.jh Miami, FL

Michalel.jh was already a fixture

in the Los Angeles graffiti scene

by 1997 when he completed

the largest graffiti piece ever

created. His piece on the sloping

cement bank of the Los Angeles

River was nearly the size of a

professional football field, and

took 97 gallons of paint and 35

nights to complete.

Xenz New York, NY

Michalel.jh was already a fixture

in the Los Angeles graffiti scene

by 1997 when he completed

the largest graffiti piece ever

created. His piece on the sloping

cement bank of the Los Angeles

River was nearly the size of a

professional football field, and

took 97 gallons of paint and 35

nights to complete.

Marco St.Louis, MO

Marco was raised by creative

parents and discovered his

passion for art at an early age.

At age 13, he was introduced

to graffiti when they took him

to see the spray paint-covered

Belmont Tunnel. From that

moment on, he was hooked.

After honing his skills on local

walls, Marco joined MSK.

Laughing Squid Houston,

TX Laughing Squid features

interesting art, culture &

technology from around the

web. It is also an independently

owned and operated cloud-

based web hosting company.

Laughing Squid was founded in

1995 by primary tentacle Scott

Beale, who is the Editor-In-Chief

of the blog.

Mrzer Minneapolis, MN

In 2011, Mrzer’s solo show,

The American Graffiti Artist

opened in New York to great

acclaim. Additionally, his art

was featured in two museum

exhibitions, Street Cred at the

Pasadena Museum of California

Art and MoCA Los Angeles’s

blockbuster Art in the Streets.

Newfie Bullet Lincoln, NE

Rarely do we see a street

artist with the skills of Newfie

Bullet. Rapidly establishing

himself as one of the greats

of the genre, Newfie Bullet

is compellingly repulsive. His

complex, seductive, appealing

and ambitious yet equally

mischievous, brutal and insular

demonstrate what an angry,

intelligent talent can achieve.

CHARM / / TRENDSETTER

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PHOTOS BY SORTA STREETART AND LEXI PEARSON

INTERVIEW BY LEXI PEARSON

GETTING TO KNOW

SORTA STREETART

Page 12: Charm Magazine

and it’s free to look at., and hat’s why

I love it.

Would you consider your work

“graffiti”? What meaning does Urban

Art have for you and what do you think

the difference is between street art and

graffitti?

That’s why I love it. Under no

circumstances would I label what I do

graffiti. Graf is writing a name or drawing

a character on a surface. Often, it’s some

glue sniffin punk with no handstyle just

trying to be cool. But it’s the pieces of

talented writers that keep my attention.

Like El Mac... he’s my favorite. He’s got

skill. Or Retna, I love his shit too.

I wrote graffiti. I kinda outgrew it once

I had kids, but always picked up a can

when I could. I placed first in 2 graffiti

competitions in south Florida within the

last couple years and it sparked the drive

again. So wheatpasting is a less frowned

upon form. I have been confronted by

police and they usually just appreciate

it, or are concerned for my safety. There

are thousands of vacants in the city and

they make for the best canvas. They can

only be improved. But street art is really

anything art related that’s done on the

street, in public view. It’s for everyone

Your art is seen all over Baltimore city,

but nobody knows something about

you, so who are you and where are

you from and what does “Sorta Street

Art” mean?

I’m from Baltimore. Born on the

westside. I’m a father of 2 boys and

one stepson (even though I’m divorced,

I still play that role). My children’s

mother is who gave me the name

“Sorta.” My mother is Puerto Rican and

since I’m not full blooded, she calls me

Sorta Rican. It’s quite funny actually.

Sorta Streetart is one of Balitimore’s most active and highlighted street

artists. Lexi Pearson from Charm Magazine sat down with him to find out more about his hidden identity, his process, why he chose to do street art in Baltimore city.

Street art is such a growing part

of the urban art movement. Why

did you choose this particular way

of recreating the city? What’s the

difference to other street art forms?

Street Art is the biggest art movement

since the renaissance period. I have

always been drawn to the street

and everything about it. When I was

younger and even into my adult life,

What determines the spots in which the

work is installed?

I want to find the most rundown of

vacant properties. If they have an

overhang, or awning that is better. But

the uglier/dilapidated the vacant, the

better.

50

STREET TALK / /

Page 13: Charm Magazine

A lot of your work seems to reflect the

environment in the areas in which they

are installed. What’s your intention and

what’s the message of your artworks?

Part of my reasoning for doing what

I do is to give the people something

beautiful to look at other than the run

down, shit holes that are surrounding

their residences. in a sense I like to kind

of cater to the people. This is why I like to

use the very same people I encounter in

these neighborhoods in my art. I also use

my own children because I feel like there

is nothing more beautiful than the

innocence in a child’s face. In addition

to that, I sometimes shape my pieces to

fit doors or other surfaces I find while

I’m out there. Here’s the thing, imagine

working your entire life to provide a safe

comfortable home for your kids and

your grandchildren only to eventually

walk out of your front door and your

neighborhood looks like Beirut. And

now, you are too old to do anything

about it. That’s what a lot of people in

the inner city are dealing with. I know

that my efforts are small... but at least I

am putting forth some effort.

How much does your art affect/

influence your everyday life and are

there any role models or artists who

inspired you?

I live and breathe to create art. I HAVE

to do it. I have no choice. So it affects

everything. I parent my kids with art.

I encourage any kind of creativity. My

biggest influences are Swoon, El Mac,

Shepard Fairy (despite a lot of people

thinking he’s a sell out), Gaia and on a

more personal level...Nether. He taught

me a lot and he is currently my running

mate on a lot of my late night runs.

51

"I HAVE BEEN CONFRONTED BY POLICE AND THEY USUALLY JUST APPRECIATE IT, OR ARE CONCERNED FOR MY SAFTEY."

Page 14: Charm Magazine
Page 15: Charm Magazine

This peice was drawn out from a portrait of Sorta’s son.

How long do you need to elaborate

your next action and what inspires

your next piece?

There isn’t much thought with my head

that goes into my work. It’s more heart

felt. I know that’s kind of cliché to say,

and borderline lame to say...but it is

the truth. I paint/draw/paste what my

gut tells me to do. So once my subject

matter is in my heart, my hands create

it with little effort.

Have you done other types of artwork

than what we see around Baltimore?

Has any of your work been in galleries?

I made a recent run through Philadelphia

putting up wheat pastings, and I have

shown my work in several galleries.

Can you give a quick run down of the

process of your work, starting from

the time it is thought up to the time it

is put on a wall?

The subject matter isn’t premeditated.

I just draw whatever comes to mind.

Sometimes it’s local people from the

city that I photographed. Sometimes

it’s my own kids. So I draw or paint

them in my studio, photograph it, then

print it. I take the prints, cut them out,

sometimes paint on them and then I

ride around and look for vacant places.

Then I just paste them up. Day or night.

53

Page 16: Charm Magazine

If your art would be a musical genre – which

one would it be?

Dubstep. Just kidding, I’m mostly influenced by

hip hop and reggae... so let’s go with that.

Have you ever been in trouble with the police?

[Laughs] Sure have. However my trouble with

the law and my experience with the court

system has absolutely nothing to do with art.

I am a recovering alcoholic and heroin addict,

and I’m not ashamed to admit that. Finding a

spiritual solution to my past life has offered me

the opportunity to experience everything that

life has to offer. It has also given me the privilege

of helping many people with my experiences,

whether those were good or bad experiences.

So my past life choices have landed me in jail

multiple times. And my current life choices allow

me to help people. My art is directly impacted

by my past drug addiction. And my current

spiritual stance also is reflected in my art and

my day to day life. (Bet you weren’t expecting

that answer, huh?)

What would you recommend to someone

who wants to get active/make street art him

or herself?

I would say to find someone who knows

what they’re doing and ask for help. Then it’s

mostly trial and error. Don’t give up. And don’t

destroy occupied homes and small businesses...

that’s just wrong. Also, be original, don’t bite

someone else’s style...find your own voice.

54

"Finding a spiritual solution to my past life has given me the privilege of helpingpeople with my experiences."

Page 17: Charm Magazine

HIDDEN IDENTITY

Street artists and graffiti artists prefer to keep their identities anonymous, preferring to

stay hidden and unattached from their works, whilst marveling at their art from afar. While

they do sign their names on their works (as can be seen in the photo on the left and the

photo above, Sorta Streetart usually has a unique rendering of his name, ‘Sorta,’ somewhere

on every peice he pastes up), they hide it in plain view, including it in their spray paint

masterpieces or wheat paste pin-ups, and thus protecting their identities in this particular art

form. This became very popular with street artist ‘Banksy,’ who’s work can be seen all around

the world. Almost everyone in the art world is familiar with his style.

55

Sorta pasting up his work located on Park Ave. in Baltimore. This peice is 14ft wide and over 10ft tall.

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"I LIVE AND BREATHE TO CREATE ART. I HAVE TO DO IT. I HAVE NO CHOICE."

What are your plans for the future?

What do we have to expect from you

to see?

Your guess is as good as mine.

“Attention Baltimore, get ready to see this image of Art Modell all over the city by the next Ravens game.” - @sorta_street_art on Instagram

Page 20: Charm Magazine

INTO THE

LIGHTTHE ART OF LIGHT GRAFFITI

Page 21: Charm Magazine

LIGHTT

The art of light painting is amongst the final

visual frontiers of human creativity. It requires

precise photographic skill, carefully choreographed

performance and a wild imagination. Light graffiti as

an art is not yet a century old, a discipline born from

photographic mistakes and years of experimentation.

Just how good can light painting get? Light painting

is a photographic technique in which exposures are

made by moving a hand-held light source or by moving

the camera. The term light painting also encompasses

images lit from outside the frame with hand-held light

sources. Light Painting Photography can be traced

back to the year 1914 when Frank Gilbreth, along

with his wife Lillian Moller Gilbreth, used small lights

and the open shutter of a camera to track the motion

of manufacturing and clerical workers. Man Ray, in

his 1935 series “Space Writing,” was the first known

art photographer to use the technique and Barbara

Morgan began making light paintings in 1940.

By moving the light source, the light can be used to

selectively illuminate parts of the subject or to “paint” a

picture by shining it directly into the camera lens. Light

painting requires a slow shutter speed, usually a second

or more. Light painting can take on the characteristics of

a quick pencil sketch. In 1949 Pablo Picasso was visited

by Gjon Mili, a photographer and lighting innovator,

who introduced Picasso to his photographs of ice skaters

with lights attached to their skates. Immediately Picasso

started making images in the air with a small flashlight

in a dark room. This series of photos became known as

Picasso’s “light drawings.”

Light painting by moving the camera, is the

antithesis of traditional photography. At night, or in

a dark room, the camera can be taken off the tripod

and used like a paintbrush. An example is using the

night sky as the canvas, the camera as the brush and

cityscapes (amongst other light sources) as the palette.

Putting energy into moving the camera by stroking

lights, making patterns and laying down backgrounds

can create abstract artistic images.

Here is Charm Magazine’s collection of 10 excellent

light graffiti artists from around the world, dating back

to the days of Picasso and times more recent. So grab

a flashlight and prepare to experience the best light

painting the world has to offer.

Page 22: Charm Magazine

INTO THE LIGHT / /

The multi-disciplinary graphic artist and designer

Taylor Pemberton has tried his own hand at light

graffiti, and the resulting images are stunning.

Much of Pemberton’s work with light painting is

rooted in traditional graffiti, as the swirls and curves of

his flashlight reflect the pieces shown on walls in cities

throughout the world. This next gen graffiti is set in

abandoned places where concrete, steel and a sense

of decay frame these brilliant shapes of light.

Taylor Pemberton

62

One of the 20th century’s greatest artists was quite

adept with light painting himself. The great Pablo

Picasso experimented with light painting in his later

days. Picasso stood in front of the camera, armed with

a flashlight, and traced his style of imagery in the air

before the shutter slammed shut. The result was an

illuminating set of photos set of photos that show the

artist at work - a wild set of set of self portraits where

this famed painter shared the focal point with his art.

Pablo Picasso

Page 23: Charm Magazine

The French calligrapher and graphic artist Julien Breton has

extneded his calligraphy into the world of photography and

light. Julien Breton’s Light Calligraphy is unerringly precise,

a collection of Arabic inspired characters that come alive

in the set for Compagnie Cortex, a french dance crew. As

light graffiti is as much about photography as it is about

performance, Breton’s collaboration with this dance crew is

representational of the nature of this art form. The dancers

hold their pose, the lights are set and Breton outlines their

forms with light calligraphy before the shutters close.

Julien Breton

Unerringly precise, a collection of Arabic-inspired characters that come alive.”

63

Page 24: Charm Magazine

TCBTCB, the artist also known as Twin Cities Brightest, creates

some of the most vivid and complex light graffiti we’ve seen.

The lines within TCB‘s light graffiti are flawless, unbroken

ribbons of light that weave into complicated shapes and

patterns. TCB is quite prolific with his light painting and light

graffiti, an artist whose body of work most certainly deserves

a close look.

INTO THE LIGHT / /

64

Page 25: Charm Magazine

Lightmark

Lightmark Light Painting by Cenci Goepel and Jens Warnecke

focus more on minimal shapes within nature than outright

light graffiti. Their light designs appear to be a part of the

environment, organic shapes that fit within the context of

nature. Light spheres within snowy fields, stalks of light above

waterfalls and subtle forms on water are amongst some of

their better designs. Their light painting may not be inspired

by graffiti, but the introduction of alien light into the natural

world leaves their own mark in this imagery.

65

Page 26: Charm Magazine

The photographers and performance artists Joerg Miedza

and JanLeonardo Woellert are the creative minds behind

LAPP Pro, a crew that has experimented with the full gamut

of light painting. LAPP Pro’s secret is both the setting and the

tools with which they create these amazing images. Sparks

fly into the night air, spheres of light form in desolate places,

and shapes converge around the artists themselves as they

take part in these photographs. Throughout the years of their

light painting experiments, many visually stunning works have

been created.

Lapp Pro

Sparks fly into the night air, spheres of light form in desolate places, and shapes converge around the artists themselves.”

INTO THE LIGHT / /

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Page 27: Charm Magazine

Lichtfaktor‘s work is unparalleled in the world of light

graffiti, where urban environments meet a form of light-

based architecture that merge into amazing imagery.

While we loved the Lichtfaktor London Light Graffiti

before, the group’s full body of work is entirely impressive,

even featured on magazine covers and advertisements in

ultimate style. Beyond the teaser gallery below, a long look

at Lichtfaktor’s work is required to understand just how

brilliant light graffiti can be.

The light graffiti artist known as Sola has produced a wide,

colorful and bright range of light graffiti that must be seen

to be believed. By that, we mean that his work may appear

to be manipulated, but the images are untouched after

the camera shutter closes. Sola has weaved an impressive

number of light graffiti images, ranging from swirls and

shapes on urban backgrounds to intricate graffiti patterns

with wild backgrounds.

Lichtfaktor

Sola Light

67

Michael Bosanko is a photographer who’s taken on

light painting in a series called “We Come in Peace”, in

which figures made of light seem to interact with their

surroundings in a way that’s comical, fun and highly

engaging. The series features giant spiders crawling

down a highway, “alien” rocks gathering around a central

“spaceship”, a light figure skateboarding on a ramp and

another hitchhiking on the side of a road.

Michael Bonsanko

Page 28: Charm Magazine

INTO THE LIGHT / /

“ The art of light

painting is amongst the

final visual frontiers

of human creativity. ”

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Page 29: Charm Magazine

Toby Keller of Burn Blue Photography has himself experimented

with light graffiti, in forms that share inspiration in the work of

artists like Lightmark and Pemberton, shown above. Keller’s

canvas is nature– the quiet, sandy beaches of Santa Barbara and

brick ruins elsewhere, onto which he paints bright, vivid forms of

light. The result is entirely natural, where the patterns of light

appear to be a part of the environment around them.

Toby Keller

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Page 30: Charm Magazine

BMORE’SNEWEST

LINEOF

STREETWEAR

ANDURBANSTYLE

BALTEES, Baltimores newest, freshest, urban clothing line,

has hit the scene and is taking off fast. Baltees is mostly tees,

for men and women, that take some aspect of Baltimore

and tie it into the design of the shirt. Whether it’s an area

code, Baltimore’s Inner Harbor, or nickname, Charm City,

Baltees nails the city chic enviornment that is Baltimore.

Baltees began with sports apparel for the Baltimore

Orioles and the Baltimore Ravens. Their black and orange

“BAL SWAG” tees and their black and purple “BALtimore

So Hard” tees were a huge hit to get the business up and

running.

The founder, MICA graphic design student Lexi Pearson,

wanted to spread the love for Baltimore city to its residents.

After attending school in the city, she wanted a way to ex-

press this and allow other people to express thier love for

the city as well. She also wanted to give back. Each purchase

of a Baltee gives ten percent to the “WBAL Kid’s Campaign”

to support the kids in Baltimore.

The business plans to expand to other apparel such as

sweatshirts and beanies in the very near future, so keep an

eye out at baltees.com.

Four 1 0 Tank Top:This nautical tank top has Baltimore’s area code, 410, represent-ing the city and it’s characteristics. It mixes the essence of the city and the inner harbor all in one tank top.$19.99 | baltees.com

Charm City Tank Top:Baltimore City, a.k.a Charm City loves to represent their charm. This unique tank top shows off Baltimore love by rocking a Charm City logo design that you can’t find anywhere else.$19.99 | baltees.com

72

NEW AND NOTEWORTHY

CHARM / / ON THE LOOKOUT

Page 31: Charm Magazine