CHARLES CHARLES CORREACORREA

BY ANEENAPAULSON

Y3 053

HIS EARLY WORKSHIS EARLY WORKS…………..

GANDHI SMARAKSANGRAHALAYASabarmati Ashram, Ahmedabad1958-63 HANDLOOM PAVILION ,DELHIHINDUSTAN LEVER PAVILION DELHIECIL OFFICE COMPLEX , ANDRA PRADESH

GANDHI SMARAKSANGRAHALAYAGANDHI SMARAKSANGRAHALAYASabarmatiSabarmati Ashram, Ashram,

LOCATION- AHMEDABADYEAR- 1958-63TYPE- MEMORIAL MUSEUMDESCRIPTION – MADE OF MODULAR UNITS OF CONCRETE BASIC MATERIALS LIKE STONE FLOORS BRICK WALLS WOODEN DOORS LOUVRED WINDOWS

UNITS PLACED IN ASSYMETRIC MANNER WITH PATHWAYS AND MEETING POINTS LIKE CENTRAL WATER COURT AND SEATING AREAS FOR VISITORS TO REST AND MEDITATE.

UNCOMPROMISING EXECUTION OF AN IDEA AS A POWERFUL STATEMET OF FORM

HANDLOOM PAVILIONHANDLOOM PAVILION

LOCATION DELHIYEAR – 1958TYPE – INTERNATIONAL EXHIBITIONDESCRIPTION- BRICK , MUD, AND CLOTH ROOF REFLECT THE CRAFT NATURE OF THE PAVILION

15 SQ EACH 7m SQ PIVOTED AROUND AN INTERIOR GARDENTO MAKE A MAZE

DUE TO WINTER SPACES OPEN AND PARTITIONS AND VARYING LEVELS

SINGLE STRONGEST DESIGN ELEMENT ROOF OF WOOD AND HANDLOOM CLOTH AS A SERIES OF CHATRIS

HINDUSTAN LEVER PAVILIONHINDUSTAN LEVER PAVILION

LOCATION- DELHIYEAR -1961TYPE- INDUSTRIAL FAIRDESCRIPTION- SAME CONCEPT OF PROGRESSION THROUGH A MAZE

SPACES ENCLOSED BY RANDOMLY FOLDED REINFORCED CEMENT

TOP LIGHT CANNON FOR CONVECTION OF AIRCURRENTS

TUBE HOUSETUBE HOUSE

IT IS 18.2m X 3.6 m SECTION OF HOUSE SHOWS SLOPING ROOF TOGETHER WITH ADJUSTABLE LOUVRES IN WINDOWS SETS UP CONVENTION CURRENT NATURALLY VENTILATING THE DWELLING LEVEL DIFFERENCES PROVIDE MULTI PURPOSE ACTIVITY AND PRIVACY

ECIL OFFICE COMPLEXECIL OFFICE COMPLEX

LOCATION – HYDRABADYEAR -1965-68DESCRIPTION- LARGE NO.OF MODULAR UNITS IN CRUCIFORM SHAPE SEPERATED TO PROVIDE LIGHT AND VENTILATION

SEALED ON EAST TO MINIMISE HEAT GAIN

PERGOLAS AS OVERHANGS FOR SHADE

ROOF HAS SOLID SURFACE REFLECTING SURFACE OF WATER AND PERGOLA

HOUSING AND URBAN HOUSING AND URBAN PLANNINGPLANNING

PREVI EXPERIMENTAL HOUSINGKANCHANJUNGA APARTMENTSTARA GROUP HOUSINGMALABAR CEMENT TOWN SHIP HUDCO HOUSING

PREVI EXPERIMENTAL HOUSINGPREVI EXPERIMENTAL HOUSING

LOCATION- PERUYEAR 1969-73DESCRIPTION - MINIMISATION OF SERVICE INFRASTRUCTURE AND USE OF CLIMATE AS TEMPERATURE REGULATOR

BUILDINGS STAGERRED ALONG A COMMUNITY SPINE ALSO PROVIDED EARTHQUAKE RESISTENCE

HOUSES PROVIDED WITH LOUVERED AIR SCOOP OVER THE DOUBLE HEIGHT UNIT TO DRAW IN AIR

KANCHANJUNGA APARTMENTSKANCHANJUNGA APARTMENTS

LOCATION- BOMBAYYEAR- 1970-83DESCRIPTION- IT WAS DESIGNED BY USING CLIMATIC PRINCIPLES

THE BUILDING IS 28 STOREY HIGHBUILD AROUND A CENTRAL SERVICE

CORE IT HAS GARDEN TERRACESWELL VENTILATED AND BRIGHTLY

COLOURED INTERIORS

TARA GROUP OF APARTMENTSTARA GROUP OF APARTMENTS

LOCATION- DELHIYEAR- 1975-78DESCRIPTION – THE UNITS ARE STACKED IN INTERLOCKING ROWS AND THE UPPER STOREYS ARE STEPPED BACK TO FORM TERRACES

THE CENTRAL SPACE LANDSAPEDPARALLEL PARTY WALLS STAGERRED

UNITS AND PERGOLAS GIVE A STRONG SENSE OF LIGHT AND SHADOW AND ARTICULATION OF FORM

BANDS OF CONCRETE WITH PANEL WALLS OF BRICK REVEAL THE STRUCTURE AND ACT AS UNIFYING ELEMENT

RESORTS AND HOTELSRESORTS AND HOTELS

KOVALAM BEACH RESORTBAY ISLAND HOTEL CIDADE DE GOA

KOVALAM BEACH RESORTKOVALAM BEACH RESORT

LOCATION- KERALA YEAR- 1969-74DESCRIPTION – BUILDINGS FOLLOW THE HILL SLOP , EACH WITH A PRIVATE TERACE

INDEPENDENT UNITS ALSO IKE KUDILS

PLASTERED WHITE WALLS RED TILE ROOF SUNDECKS

MASTER PLAN SCATTERS THE FACILITY OVER THE SITE CREATING A NUMBER OF POTENTIAL GROWTH POINTS AND ALLOWING A FLEXIBLE GROWTH FOR FUTURE DEMANDS

BAY ISLAND HOTELBAY ISLAND HOTEL

LOCATION- ANDAMAN ISLANDSYEAR- 1979-82DESCRIPTION- SITE OF HOTEL SLOPES DOWN TO THE SEA

ARRANGED AROUND COURTYARDS COVERED BY CORRIDORS

LARGE OVERHANGING EAVESINSPIRED BY CONCEPT OF STEPPED

PYRAMID COVERED BY TILED PITCHED ROOF AS IT DOES NOT REQ. ANY ENCLOSING WALLS AND LINE OF VISION UNOBSTRUCTED

LIGHT WEIGHT FURNISHINGS DESIGNED BY THE ARCHITECTS

CIDADE DE GOACIDADE DE GOA

LOCATION –GOAYEAR-1978-82DESCRIPTION- A MIX OF HINDU PORTUGESE MUSLIM AND CONTEMPORARY WESTERN IMAGES - A PLAY OF 2-D IMAGES AND 3-D FORMS

IT PRESENTS A COLLECTION OF IMAGES A LITERARY STATEMENT FULL OF IRONY AND WIT-A REFLECTION OF MAN HIMSELF

PUBLIC BUILDINGSPUBLIC BUILDINGS

SALVACAO CHURCHBHARATH BHAVANKALA AKADEMILIC CENTREJAWAHAR KALA KENDRA

SALVACAO CHURCHSALVACAO CHURCH

LOCATION – BOMBAYYEAR -1974-77, 1983-85DESCRIPTION- CONSIST OF INTERLOCKING COURTYARDS AND COVERED SPACES

COVERED SPACES ARE CAPED BY GIANT CONCRETE SHELLS FOR THE RISING HOT AIR

THE BARE STRENGHT OF CONCRETEPROVIDE STARK ENVIRONMNET FOR WORSHIP ALSO THERE IS USE OF WOOD IN FURNISHING AND ON WALLS

FRESCO ON GLASS FOR THE CEILING LIGHT OF MAIN SHELL

BHARATH BHAVANBHARATH BHAVAN

LOCATION – BHOPALYEAR-1975-81DESCRIPTION- THE NATURAL CONTOURS OF SITE HAVE BEEN USED TO CREATE SUNKEN COURT AND TERRACES

PROGRESSION THROUGH MAZE REFLECTS BHOPALS OWN

ORGANISATIONAL LAYOUTSTOP LIT CANNON PROVIDE LIGHTING

AND VENTILATION

LIC CENTRELIC CENTRE

LOCATION- DELHIYEAR-1975-86DESCRIPTION- IT IS A PIVOTAL SITE BETWEEN PARLIAMENT STREET AND JANPATH

TRANSITION BETWEEN CIRCULAR COLONADES AND NEW HIGH RISE BUILDINGS

LIC CENTRELIC CENTRE

LOCATION –MAURITIUSYEAR-1988-92

MRF HEADQUARTERSMRF HEADQUARTERS

LOCATION – MADRASYEAR- 1987 –92DESCRIPTION - THE BUILDING FOLLOWS THE CURVE OF THE ROAD TO CREATE TERRACED GARDENS

ONE SINGLE COLUMN RISING TO SUPPORT THE PERGOLAS

ALL THE OFFICES CUT OPEN INTO A CENTRAL ATRIUM

SPACES CONNECTED BY STAIRS

JAWAHAR KALA KENDRAJAWAHAR KALA KENDRA

LOCATION- JAIPURYEAR-1986DESCRIPTION- AN ANALOUGE OF THE ORIGINAL CITY PLAN OF JAIPUR

IT DENOTES THE ORIGINAL NAVAGRAHAS ONE SQ PIVOTED TO RECALL ORGINAL PLAN AND ALSO FOR ENTRANCE SQ DEFINED BY 8m HIGH WALLS

EACH BUILDING PROGRAMME HAS BEEN DISAGGREGATED INTO 8 SEPARATE GROUPINGS CORESPONDING TO MYTH OF THAT PLANETTHE CENTRAL SQ LEFT AS VOID DEPICTING NOTHING WHICH IS EVERYTHING THE FLOORING PATTERN IN SQ IS SUN.

VIDHAN BHAVANVIDHAN BHAVAN

LOCATION BHOPALYEAR-1980-96DISCRIPTION- THE PLAN GENERATES A PATTERN OF GARDENS WITHIN GARDENS, DIVIDED INTO 9 SQUARES, AND ARE ARRANGED SO THAT THE 3 MAIN ENTRANCES, EACH QUITE SEPARATED FROM THE OTHER, EXPERIENCE THE COMPLEX INTERNAL SPACE OF THE BUILDING WHILE MOVING ALONG VERANDAHS OVERLOOKING COURTYARDS AND GARDENS, AS IN THE TRADITIONAL ARCHITECTURE OF INDIA

LARGE MURALS ,PAINTINGS RUNNING THROUGHOUT THE WALLS EXPRESES THE GREAT ARTISTIC TRADITION OF THIS PLACE

THANK UTHANK U