Chapter VII the Realistic Period

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Chapter VII The Realistic Period

Chapter VII The Realistic Period

1. Realism

In literature, the term is used to identify a literary movement in Europe and the United States in the last half of the 19th century and the early years of the 20th century. But the practice of realism has a long history and can be traced back to ancient times. As Aristotle pointed out in his on poetics, Sophocles depicts what he thinks man should be like, while Euripides describes people as what they really are. This is the fundamental difference between romanticism and realism/

Realism, as a literary movement, is usually called critical realism, for it rose as a reaction to the social reality round about the 1830s, when the capitalist system was established successively in European countries after the bourgeois revolution. With the development of capitalism, the class contradictions, especially that between the workers and capitalists, were becoming increasingly intense. The ruthless exploitation and suppression of the capital left the working class living in overwhelming poverty, which resulted in series of proletarian revolutions against capitalism. The revolutions started in France in 1848 and swept over the other European countries later on. But they all failed because of lack of strong leading nuclear powers. The failure brought about a time of disillusionment and loss of hope and a literary revolution against the false imagination and sentimentary of Romanticism. The need was left for a return to what was plain and real. Therefore the name realism was given to the new movement in literature

2 Features of Critical Realism

Critical realism mainly featured in the following ways.

a.Critical realism succeeded the literary method of traditional realism, which is characterized by the verisimilitude of detail derived from observation and objective description of the typical character in the typical circumstances.

b. By depicting the typical character in the typical circumstances, critical realists exposed the social contradictions of capitalism, criticized the corruption and ugliness of the bourgeoise world, and provided a vivid picture of the capitalist society.

c. Critical realists had their own limitations. They criticized capitalism from a democratic and humanistic viewpoint. They regarded the evils of capitalism just as the ugly practice against human nature. Thus their works pointed toward moral evolution and reform rather than revolution. They showed profound sympathy for the common people, but did not find them a way out.

d. The language used by critical realists was usually simple, clear and direct, and their tone was often satiric.

3. Historical Backgrounds of American Realism

a. American Realism rose with the Civil War. After four years of fighting, the industrialized north defeated the agrarian south and the United States headed toward capitalism.

b. In post-war America, commerce took the lead in the national economy. Increasing industrialization and mechanization soon produced extremes of wealth and poverty. Beneath the glittering surface of prosperity lay suffering and unhappiness. Disillusionment and frustration were widely felt. What had been expected to be a Golden Age turned out to be Mark Twains Gildedone.

c. Added to this was the fact that the frontier was closing. The frontier had been a factor of great importance in American life. As long as the frontier was there, people could always hope to escape troubles over the next hill and have a better life ahead. Now that the frontier was about to close and people had no shelter to find but to reexamine life. The war and the post-war dazzling wealth and poverty taught people that life, man, and God were not so good as assumed by the Transcendentalists. Against the daydream of romanticism appeared a good number of realistic writers like William Dean Howells, Henry James, and Mark Twain, who exposed life to board daylight.

4. Features of American Realism

a.American realism first appeared in local colorism, which stressed the realistic presentation of the local characters with their regional qualities such as dialects and customs. The representatives are Bred Hart, Harriet Beecher Stowe, Mark Twain etc, who provided regional stories and tales of the life of Americas Westerners, Southerners, and Easterners.

b. Most American realists found their subject matter in the experiences of the American middle class, describing their houses, families, and jobs, their social customs, achievements and failures. They intended to limit themselves to optimistic treatment of the surface of life, like Howells, who called for the treatment of the smiling aspects of life, insisting that America was truly a land of hope. While the greatest of Americas realists, Henry James and Mark Twain, moved well beyond a superficial portrayal of 19th America. James probed deeply at the individual psychology of his characters, writing in a rich and intricate style that supported his intense scrutiny of complex human experience. Mark Twain, breaking out of the narrow limits of local color fiction, described the breadth of America experience as no one had ever done before, or since.

c. American realism developed into naturalism at the end of the century. Naturalism, like realism, is a literary movement that began in France in the middle of the 19th century. Naturalists attempted to achieve extreme objectivity and frankness and emphasizes the helpless brutal struggle of the low social and economic classes for survival in a cold world full of crushing forces of environment and heredity. American naturalism stressed the animality of man, his insignificance in a cold world, and his lack of dignity in face of the blind forces of nature. The pessimism and deterministic ideas of naturalism pervaded the works of such writers as Jack London, Theodore Dreiser, and Stephen Crane.