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Chapter Eighteen
Improvisation and Form
New Orleans at the Turn of the 20th Century
A Blending of 3 Musical Styles:∑Folk Music
Celtic-English-FrenchAfrican-American (Slave Songs)
∑Popular Music“Gay 90’s” SongsVaudeville SongsMinstrel Songs
∑Light Classical Music (Parlor Songs)OperettasChautauqua
New Orleans at the Turn of the 20th Century
Instrumental/Stylistic Influences:
∑Military Bands (cheap musical instruments)
∑Ragtime (syncopation)
∑The Blues (call and response)
Important Musical Elements in Jazz
Vocal Inflections
•“Blue” notes
•Bending pitches (melismas)
•Word painting
Important Musical Elements in Jazz
Rhythmic Elements:
∑Steady Tempo (Pulse)
∑Syncopation
∑Repetition of Short Patterns (riffs)
∑Call and Response
Swing –– Early 30’s to Late 40’s
Big BandsFletcher HendersonDuke EllingtonCount BasieBenny GoodmanDorsey BrothersGlenn Miller
CombosArt TatumLionel HamptonBen WebsterLester Young Jonah JonesDjango Reinhardt
Edward Kennedy “Duke” Ellington [1899-1974]
• Pianist• Composer/Arranger• Band Leader
Diversity and Breadth of his Style:Characteristics of his Music
Arrangements Film Scores Romantic Ballads Exotic Works Concert Works Sacred Works Concerto-Type Works Swinging Instrumentals
with Jazz Solos
Duke’s Arranging is Unique Diversity of themes
within a single piece Block Scoring Voicing Across Sections Wordless Vocals Parts written for unique
capabilities of musicians
Mixture of improvised parts with prewritten parts