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Chapter 8: MUSICAL TEXTURE Musical texture refers to how many different layers of sound are heard at once and what kind of layers they are Monophonic – one sound Polyphonic – pg. 63 Also called “counterpoint” Homophonic – pg. 64 Row, Row, Row Your Boat

Chapter 8: MUSICAL TEXTURE Musical texture refers to how many different layers of sound are heard at once and what kind of layers they are Monophonic

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Page 1: Chapter 8: MUSICAL TEXTURE  Musical texture refers to how many different layers of sound are heard at once and what kind of layers they are Monophonic

Chapter 8: MUSICAL TEXTURE

Musical texture refers to how many different layers of sound are heard at once and what kind of layers they are Monophonic – one sound Polyphonic – pg. 63

Also called “counterpoint” Homophonic – pg. 64

Row, Row, Row Your Boat

Page 2: Chapter 8: MUSICAL TEXTURE  Musical texture refers to how many different layers of sound are heard at once and what kind of layers they are Monophonic

Chapter 9: MUSICAL FORM

Form – the organization of musical elements in time

Techniques to create form: Repetition - creates a sense of unity. Contrast - forward motion, conflict,

and change of mood all come from contrast.

Variation - some of the features of a musical idea will be retained while others are changed.

Page 3: Chapter 8: MUSICAL TEXTURE  Musical texture refers to how many different layers of sound are heard at once and what kind of layers they are Monophonic

Types of Form: three-part form (ternary): ABA This form is also known as “Sonata Form”

(A) - The exposition or first statement

(B) - The development of this material(A) - The recapitulation of the exposition

Twinkle, Twinkle, Little Star

Page 4: Chapter 8: MUSICAL TEXTURE  Musical texture refers to how many different layers of sound are heard at once and what kind of layers they are Monophonic

LISTENING TO ABA FORM

“Dance of the Reed Pipes” from Nutcracker Suite Pyotr Ilyich Tchaikovsky

Page 5: Chapter 8: MUSICAL TEXTURE  Musical texture refers to how many different layers of sound are heard at once and what kind of layers they are Monophonic

Two-part form (binary): AB

Page 6: Chapter 8: MUSICAL TEXTURE  Musical texture refers to how many different layers of sound are heard at once and what kind of layers they are Monophonic

LISTENING FOR AB FORM

“Forlane” from Suite No. 1 in C Major for Orchestra Johann Sebastian Bach

Page 7: Chapter 8: MUSICAL TEXTURE  Musical texture refers to how many different layers of sound are heard at once and what kind of layers they are Monophonic

Rondo Form - (A B A C A D A E A)

Statement A is “brought back” after each contrasting section.

Page 8: Chapter 8: MUSICAL TEXTURE  Musical texture refers to how many different layers of sound are heard at once and what kind of layers they are Monophonic

Forms can also be varied, complicated Example: A B A

aba cdc aba

Page 9: Chapter 8: MUSICAL TEXTURE  Musical texture refers to how many different layers of sound are heard at once and what kind of layers they are Monophonic

LISTENING FOR FORM

“Maple Leaf Rag” Scott Joplin

A A B B A C C D D