Chapter 5 Review (7e)

7/23/2019 Chapter 5 Review (7e)

http://slidepdf.com/reader/full/chapter-5-review-7e 1/3

Chapter 5 review

Don’t forget to review the boldfaced wordsDon’t forge to review the slides

14. Jazz began in the early 20th centry in !!!!!!!!!! of poor rban neighborhoods.

15. "he cltral inflence of #azz was fro$ people of !!!!!!!!!! heritage.

1%. Jazz achieved $ass poplarity dring&

1'. ( standard rhyth$ section is&

1). *atin #azz adds a&

1+. "he $ost poplar ragti$e $sician was&

20. ,pecifically- where was ew /rleans #azz perfor$ed

21. ho was the $ost sccessfl and fa$os ew /rleans $sician

22. ho replaced #azz grops as a reslt of the depression

2. 1+0’s big band #azz is 3nown as the&

24. ig bands typically have !!!!!!!!!! $sicians.

25. D3e llington was a&

2%. ho was the 3ing of swing

2'. /ne side of a ')rp$ record wold play for abot&

2). ebop was born in&

2+. 6illespie- 7on3- and Clar3 began to e8peri$ent with bebop in the&

0. !!!!!!!!!! was the sa8 player who solidified the bebop style.

1. ebop is often&

2. !!!!!!!!!! #azz ca$e fro$ the 50’s and %0’s.



. !!!!!!!!!! was an atte$pt to apply sophisticated ideas in a softer $anner than

bebop.

4. 7iles Davis- Dave rbec3- and ,tan 6etz all played&

5. op $sician John Coltrane played&

%. 9ree #azz was pioneered by&

'. :n fsion #azz the $ost dra$atic change involves borrowing instr$ents and

techni;es fro$&

). "he style and definition of #azz is&

+. 7odern #azz artists who vale the ele$ents of traditional #azz refer to it as&

40. a$e the three instr$ental gropings in big band #azz.

41. a$e the five song types that contribted to early #azz.

42. hat grop $ade the very first #azz recording

4. :n Di8ieland #azz what instr$ent ta3es the place of the piano if one is not available

44. a$e a great stride pianist&

45. a$e the three for$s of swing #azz.

4%. a$e three big band leaders.

4'. a$e the <litzer <rize winning #azz $sician.

Matching

<lease $atch the $sical ter$ to the corresponding phrase.

4). riffs&&

4+. scat singing&&vocal

50. swing&&

51. i$provisation&&

52. syncopation&&

5. cornet&&



54. head arrange$ents&&

55. lead&&

5%. brea3s&&

5'. =it <arade&&

5). virtosity&&

5+. chors&&

%0. side$en&&

a. short- syncopated $elodic patterns

b. the >feel? of #azzc. si$ilar to a tr$pet

d. the $ain $elodic or solo parte. possessing great s3ill

f. the other $sicians in a #azz co$bo

g. i$provisation sing non@sense syllablesh. the e;ivalent of top 40

i. $a3e it p as yo go along

#. versions of songs played fro$ $e$ory

3. off@beat rhyth$sl. Di8ieland stop ti$e

$. a repeated section of a #azz tne

Documents

Chapter 5 Review (7e)