62
Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Embed Size (px)

Citation preview

Page 1: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Chapter 4

Creating a Documentary Using Premiere Pro and Audition CS6

Page 2: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Transferring and Importing Video• The documentary is a broad category that describes videos

meant to document history.• Capturing occurs when you connect a live video camera or an

analog tape device, such as a camcorder or VCR that uses videotape, to your computer and you then record the video from the source to a hard disk.

• The process of converting analog video to digital form is called digitizing, and is done so that a computer can process and store it.

Page 3: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Transferring and Importing Video

• Importing video is different from capturing video.

• Digital video cameras that do not use video tape are called tapeless or file-based.

• It is possible to edit the assets on file-based media by attaching the camera to the computer.

Page 4: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Transferring and Importing Video

• AVCHD (advanced video codec high definition) is a format developed by Sony and Panasonic for recording and playback of high definition video.

• It is used in their tapeless video cameras, which record directly to either SD memory cards or hard disk drives.

Page 5: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Transferring and Importing Video

• Once you have transferred video files from your file-based media you then need to import the files into Premiere Pro to make them available to be used.

Page 6: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Transferring and Importing Video

• The Media Browser not only allows you to locate your files more quickly by allowing you to see the structure of your drives and folders, but it filters the folders and files for you by displaying only the video clips.

Page 7: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Viewing file-based media on the Media Browser

AVCHD file-based media

Transferring and Importing Video

Page 8: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Transferring and Importing Video

• A sequence may contain different types of assets with different file formats.

• Premiere Pro performs best if the sequence parameters are set to match the settings for most of the assets that are in the sequence.

• Use a preset that conforms to the specifications of your original assets to preserve editing quality.

Page 9: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Transferring and Importing Video

• The preset you choose sets the frame and pixel aspect ratios for the sequence.

• It is important to choose a preset that most closely matches the parameters of your asset.

Page 10: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Viewing the parameters of an external clip

Image size

Frame rate

Pixel Aspect

Ratio

External clip

Transferring and Importing Video

Page 11: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Viewing the parameters for a clip on the Project panel

File on Project

panel

Transferring and Importing Video

Page 12: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Video

• Trimming is an editing procedure in which you define In and Out points for a video clip.

• In and Out points are created on the Source Monitor by using the CTI on the time ruler and the Mark In and Mark Out buttons.

Page 13: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Video

• Once a clip is trimmed, it can be placed in a sequence on the Timeline.

• Clips that have been placed in a sequence on the Timeline panel can also be viewed on the Source Monitor.

Page 14: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Source Monitor

Mark In button

Go to In button

Go to Out button

Insert button

Overwrite button

Mark Out button

Editing Video

Page 15: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Video

• The Source menu also provides options to clear either the selected clip or all the clips from the Source Monitor.

Page 16: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Source menu

Source menu

Selected clip

Editing Video

Page 17: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Video

• An edit that involves shifting content to make room for a clip is known as an insert edit.

• The Sync Lock feature retains the relationship between clips in multiple tracks.

• If you have clips on multiple tracks, and Sync Lock is enabled, the contents of the other tracks also shift to the right by the length of the inserted clip.

Page 18: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Insert button with Sync Lock enable

Enabled Sync Lock

Inserted clip

Gap created because of Sync Lock

Editing Video

Page 19: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Video

• The Overwrite button places the clip from the Source Monitor over the existing clip, replacing what is already there for the duration of the placed clip.

Page 20: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Using the Overwrite button with Sync Lock disabled

Disabled Sync Lock

Overlay clip

Editing Video

Page 21: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Video

• Making an edit using the Overwrite button is referred to as an overlay edit.

• Editing can be done on the Timeline panel directly on the sequence by using tools from the Tools panel.

• If you want to trim a video clip’s In point or Out point, use the Selection tool.

Page 22: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Using the Trim-in icon on the Timeline panel

Trim-in icon

Tool tip

Editing Video

Page 23: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Video

• The Ripple Edit tool can be used to adjust the cut between two clips; this type of edit is called a ripple trim.

• A ripple trim can move the cut point either backward or forward in time, but only if the clip has frames available.

Page 24: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Video

• Once you have trimmed your clips you may decide to rearrange their order.

• In a rearrange edit, you click and drag a clip to a new location in the sequence.

Page 25: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Performing a rearrange edit

Where clip will be placed

Rearrange edit icon

Number of times clip is being moved

Editing Video

Page 26: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Video

• Premiere Pro allows you to assign your own custom keyboard shortcut to almost any menu command, button, or tool.

• Premiere Pro does not have keyboard shortcuts like After Effects does to trim clips on a sequence.

• You can create your own keyboard shortcuts in the Keyboard Customization dialog box on the Edit menu.

Page 27: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Creating a keyboard shortcut

Edit button

Type [ here

Editing Video

Page 28: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Working with Advanced Editing & Video Effects

• If you need to remove a portion of a clip that is not either at the beginning or at the end, you can use the Razor tool to split the clip.

• The point that you split the clip is called the cut point.

Page 29: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Using the Razor toolTool tip

Working with Advanced Editing & Video Effects

Page 30: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Working with Advanced Editing & Video Effects

• To remove the gap that is left between the remaining clips, use the Ripple Delete command; this shifts the clips to the left , removing the empty space.

Page 31: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Using the Ripple Delete command

Disabled Sync Lock

Locked track

Cuts in clip

Working with Advanced Editing & Video Effects

Page 32: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Working with Advanced Editing & Video Effects

• The Go to Gap command is a convenient way to jump between gaps and to find gaps that are very short and may be difficult to see.

• This command can be used on a sequence or on a specific track if multiple tracks are being used.

Page 33: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Working with Advanced Editing & Video Effects

• The Extract button on the Program Monitor removes a specified area of the sequence marked with In and Out points without leaving a gap in its place.

• The Lift button works in a similar manner to the Extract button, removing a specified area of the sequence; however, the Lift button does leave a gap in its place.

Page 34: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Working with Advanced Editing & Video Effects

• The Paste command behaves like an Overlay edit, and the Paste Insert command behaves like an Insert edit.

Page 35: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Working with Advanced Editing & Video Effects

• You can nest sequences within sequences to create complex groupings.

• Sequences can be nested inside one another whether or not they share the same presets.

• However, you cannot nest a sequence inside itself.

Page 36: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Working with Advanced Editing & Video Effects

• Nesting sequences can also be used as an organizational tool.

• If your movie is too large, you can break it down into manageable parts with sequences.

Page 37: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

A nested sequence in a sequenceReenactment footage

Working with Advanced Editing & Video Effects

Page 38: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Working with Advanced Editing & Video Effects

• A nested sequence adds an empty audio track to the Timeline even when your sequence has no audio associated with it.

• The Drag Video Only icon on the Source Monitor allows you to nest the sequence without the empty audio track.

Page 39: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Working with Advanced Editing & Video Effects

• Premiere Pro has many effects available which include the ability to:– change the exposure or color of footage– distort images– remove the background– adjust lighting affects– apply the Black & White effect

Page 40: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Working with Advanced Editing & Video Effects

• You can apply any number of effects to a clip by selecting the effect on the Effects panel and dragging the effect icon to a clip on the Timeline panel.

Page 41: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Effect Controls panel

Effect without adjustments

Effect with adjustments

Working with Advanced Editing & Video Effects

Page 42: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Working with Advanced Editing & Video Effects

• There are many transitions to choose from, but most professionals use only simple cuts and crossfades.

• Using too many transitions can be distracting and can affect the flow of the video.

Page 43: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Working with Advanced Editing & Video Effects

• Consider the following when you choose a transition:– Does the transition fit with the story you are trying

to tell?– Do the clips work well together with the transition?– Is the transition confusing?– What do you hope to achieve with the transition?

Page 44: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Audio In Audition

• If you have either the Master Collection or Production Premium Suite installed—both of which include Audition—you can apply the Edit in Adobe Audition command to an audio clip from Premiere Pro.

• The Edit in Audition command can be applied to an audio clip from either the Project panel or the Timeline panel.

Page 45: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Edit in Adobe Audition

Edit in Adobe Audition command

Editing Audio In Audition

Page 46: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Audio In Audition

• When editing an audio clip in Audition you have two options: clip and sequence.– The clip option makes edits to a selected clip from

either the Project panel or the Timeline panel.– The sequence option allows you to take all clips

from a sequence, including any cut lines or just a specified range of time.

Page 47: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Audio In Audition

• Transitions are also available for audio in Premiere Pro to add fade-in or fade-out effects.

• Crossfades are audio transitions that fade into or fade out of audio clips.

• A crossfade is created between two adjoining clips on the same audio track.

Page 48: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Audio transitions

Crossfades

Editing Audio In Audition

Page 49: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Audio In Audition

• A fade-in or fade-out effect is created by placing a crossfade transition on either end of a single clip.

• There are three types of crossfades:– Constant Gain– Constant Power– Exponential Fade

Page 50: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Audio In Audition

• The Constant Gain crossfade can sound abrupt because it changes the audio at a constant rate in and out as it transitions between clips.

Page 51: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Constant Gain crossfade

Constant Gain

Editing Audio In Audition

Page 52: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Audio In Audition

• The Constant Power crossfade is the default transition.

• It is analogous to the Dissolve transition between video clips because of the way that it creates a smooth, gradual transition between audio clips.

Page 53: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Constant Power crossfade

Constant Power

Editing Audio In Audition

Page 54: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Audio In Audition

• The Constant Power transition works by decreasing the audio for the first clip slowly and then more quickly towards the end of the transition while increasing the audio for the second clip quickly at first and then more slowly toward the end of the transition.

Page 55: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Audio In Audition

• The Exponential Fade transition fades out the first clip and fades up the second clip.

Page 56: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Audio In Audition

• Premiere Pro can convert the spoken word in an audio file into text transcripts.

• Text transcripts can be used to create closed captioning, or as a way to quickly navigate through video or audio clips by searching on the spoken words.

• In both applications, the Metadata panel is used to initiate the transcription process and to display the transcript when the process is complete.

Page 57: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Audio In Audition

• An XMP metadata file is generated and shared between all of the Video Suite applications when the transcript is created.

• Metadata includes the text transcript and can also include any additional information, such as the title, author, camera model, and date and time the video or image was taken.

Page 58: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Metadata panel with transcribed text

Transcribed text

Metadata panel

Editing Audio In Audition

Page 59: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Audio In Audition

• In most cases, not all the transcribed words are accurate, and the accuracy depends on the clearness of the speaker and the quality of the audio.

• The tools in Audition can be used to clean up the audio before initiating the Convert to Speech option.

Page 60: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Audio In Audition

• In Premiere Pro, you can convert the spoken word to written text by clicking the Analyze button in the Speech Analysis section of the Metadata panel.

Page 61: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Editing Audio In Audition

• If you are going to edit your source file in Audition from Premiere Pro to convert your audio file to a text transcript, you need to export the speech analysis to generate the XMP metadata file– when you return to your project the text transcript

appears on the Metadata panel in Premiere Pro.

Page 62: Chapter 4 Creating a Documentary Using Premiere Pro and Audition CS6

Metadata panel

Speech Analysis

Metadata panel

Analyze button

Editing Audio In Audition