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Chapter 32. The Modernist Assault. Ezra Pound: “Make it new.”. Modernist Art. Cubism Futurism The fauvism Abstract sculpture Nonobjective art Constructivism. Features. Revolt against the tyranny of representation Aimed to evoke rather than describe experience - PowerPoint PPT Presentation
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FeaturesRevolt against the tyranny of representation
Aimed to evoke rather than describe experience
Marked by primitivism, abstraction, and experimentation
Cubism(1) Analytical cubism: a multiplicity of viewpoints replaced one-point perspective
(2) Synthetic cubism: emerged around 1912. A combination of painting and sculpture by means of collage.
FuturismFilippo Tommaso Marinetti (Italian)
Futurist Manifesto (1909): “We declare . . . that there can be no modern painting except from the starting point of an absolutely modern sensation . . . . A roaring motorcar is more beautiful than the winged Victory of Samothrace.” (Fiero 827)
FuturismFuturist Manifesto (1909): “The gesture that we would reproduce on canvas shall no longer be a fixed moment in universal dynamism. It shall simply be the dynamic sensation itself.” (Fiero 827)
FuturismFuturist painters multiplied the image, attempting to communicate the dynamic energy and the power associated with machines, using these as metaphors for modern life. http://personal.cityu.edu.hk/~entim/Professional/Courses/EN3524/Modernism/Modernist_design.html
Russian ConstructivismRevealed the tendency towards abstraction and the quest for new methods of artistic representation characteristic of the early 20th century in Russia.
First introduced by Tatlin in 1915, it began with a focus on abstraction through "real materials" in "real space."
AbstractionNonobjective art
Wassily Kandinsky
SuprematismKasimir Malevich
De Stijl (The Style)Piet Mondrian
Wassily KandinskyOne of the most original and influential artists of the twentieth-century.
His "inner necessity" to express his emotional perceptions led to the development of an abstract art.
Kandinsky's compositions were the culmination of his efforts to create a "pure painting" that would provide the same emotional power as a musical composition. http://www.glyphs.com/art/kandinsky/
Beginnings: "Mother Moscow" 1866-1896
Metamorphosis: Munich 1896-1911.
Breakthrough to the Abstract: The Blue Rider, 1911-1914
Russian Intermezzo 1914-1921.
Point and Line to Plane: The Bauhaus 1922-1933
Biomorphic Abstraction: Paris 1934-1944.
Wassily Kandinsky
De stijl: Neo-plasticism
Dutch art movement begining c.1916-17
centered mainly around artist Piet Mondrian
often referred to as De Stijl after a magazine published by the group http://users.senet.com.au/~dsmith/constructivism.htm
De stijl: Neo-plasticism
emphasized the geometrical, ordered, simplified and precise qualities of art and design as opposed to organic forms. Saw line and primary colors as important
began as a pictorial based style like Cubism but became increasingly non-objective http://users.senet.com.au/~dsmith/constructivism.htm