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© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part. Chapter 14 Principles of Hair Design

Chapter 14 Principles of Hair Design

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Chapter 14 Principles of Hair Design. “The optimist sees opportunity in every danger; the pessimist sees danger in every opportunity.” – Winston Churchill. Objectives. Describe the possible sources of hair design inspiration. List the five elements of hair design. - PowerPoint PPT Presentation

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Page 1: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Chapter 14

Principles of Hair Design

Page 2: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

“The optimist sees opportunity in every danger; the pessimist sees danger in

every opportunity.”

– Winston Churchill

Page 3: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Objectives

• Describe the possible sources of hair design inspiration.

• List the five elements of hair design.

• List the five principles of hair design.

Page 4: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

• Understand the influence of hair type on hairstyle.

• Identify different facial shapes and demonstrate how to design hairstyles to enhance or camouflage facial features.

• Explain design considerations for men.

Objectives (continued)

Page 5: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Inspiration

• Inspiration: can come from anywhere at any time

• Visual understanding: what styles work best with different face shapes

• Strong technique and skills: explore new possibilities; develop customized styles

Page 6: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Elements of Design: Lines

• Horizontal

• Vertical

• Diagonal

• Curved

Page 7: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Repeating Curved Lines

• Curved lines repeating in opposite directions to create a wave

Page 8: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Designing with Lines

• Single line • Parallel lines

Page 9: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

• Contrasting lines

• Transitional lines

• Directional lines (forward or backward movement)

Designing with Lines (continued)

Page 10: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

• Form: outline or silhouette of the style

• Space: area surrounding the form or area the hairstyle occupies

Designing with Lines (continued)

Page 11: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Design Texture and Tools

• Styling tools

• Chemicals

• Designing with wave patterns

Page 12: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Color

• Color psychology (creates texture and lines, ties design elements together, evokes reactions)

• Creating dimension with color (warm colors create volume, cool colors recede)

Page 13: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

• Creating lines with color (color can attract the eye)

• Color selection (tone should be compatible with skin tone).

Lines and Tones

Page 14: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Proportion

• Proportion: Relationship between objects relative to their size

• Body proportion (hair and body portion must be compatible)

Page 15: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Balance

• Symmetrical

• Asymmetrical

Page 16: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Rhythm

• The regular, recurrent pattern of movement in a style

Page 17: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Emphasis

• Wave patterns

• Color

• Change in form

• Ornamentation

Page 18: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Harmony

• The most important principle in hair design; the orderly and pleasing arrangement of shapes and lines– Form with interesting lines

– Pleasing color and textures

– Balance and rhythm to strengthen design

Page 19: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Physical Characteristics

• Shape of head

• Features

• Body posture

• Influence of hair types– Texture

Page 20: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Guidelines for Hair Types

• Fine, straight hair (no body or volume)

• Straight, medium hair (more versatility in styling)

• Straight, coarse hair (hard to curl and carries more volume)

Page 21: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

• Wavy, fine hair (looks fuller with layering)

• Wavy, medium hair (offers most versatility)

• Wavy, coarse hair (can appear unruly if not shaped properly)

Guidelines for Hair Types (continued)

Page 22: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

• Curly, fine hair (responds well to mild relaxers)

• Curly, medium hair (creates a wide silhouette)

• Curly, coarse hair (needs heavy styling products)

Guidelines for Hair Types (continued)

Page 23: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

• Very curly, fine hair (best cut short)

• Extremely curly, medium hair (chemical relaxers and hair pressing are good options)

• Extremely curly, coarse hair (chemical relaxing recommended with other thermal services)

Guidelines for Hair Types (continued)

Page 24: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Facial Types

• Oval

• Round

• Square

Page 25: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Facial Types (continued)

• Triangular

• Oblong

• Diamond

• Inverted triangle

Page 26: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

• Convex profile

• Concave profile

Facial Profile

• Straight profile

Page 27: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Special Considerations: Top Third of Face

• Wide forehead

• Narrow forehead

• Receding forehead

• Large forehead

Page 28: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

• Crooked nose

• Wide, flat nose

Middle Third of Face

• Close-set eyes

• Wide-set eyes

Page 29: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

• Long, narrow nose

• Small nose

• Prominent nose

Middle Third of Face (continued)

Page 30: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Lower Third of Face

• Round jaw

• Square jaw

• Long jaw

Page 31: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

• Receding chin

• Small chin

• Large chin

Lower Third of Face (continued)

Page 32: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Head Shapes

• Not all are round

• Design for volume and lack of volume

Page 33: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Styling for Eyeglasses

• Consider eyeglass arms.

• Consider hair length around ear.

Page 34: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Hair Parts and Fringe

• Triangular

• Diagonal

• Curved

Page 35: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

• Diagonal

• Zigzag

Style Parts

• Center

• Side

Page 36: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Designing for Men

• Styles

• Mustache and beard shapes

Page 37: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

Summary and Review

• What are some of the possible sources a hair designer might use for inspiration?

• What are the five elements of hair design?

• What are the five principles of hair design?

• What influence does hair type have on hairstyle?

Page 38: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

• List and describe the seven facial shapes and explain how hair design can be used to highlight or camouflage facial features.

• How do the elements and principles of hair design apply to men?

Summary and Review (continued)

Page 39: Chapter 14  Principles of Hair Design

© Copyright 2012 Milady, a part of Cengage Learning. All Rights Reserved. May not be scanned, copied, or duplicated, or posted to a publicly accessible website, in whole or in part.

You have completed one unit of study toward course completion.

Congratulations!