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China: Through the Looking Glass ANDREW BOLTON, ADAM GECZY, MAXWELL K HEARN AND HAROLD KODA ET AL For centuries, China’s export arts—jade, silks, porcelains, and, more recently, cinema—have fueled Western fantasies of an exoc East and served as enduring sources of inspiraon for fashion. This stunning publicaon explores the influence of Chinese aesthecs on designers, including Giorgio Armani, Chrisan Dior, Jean Paul Gauler, Karl Lagerfeld, Ralph Lauren, Alexander McQueen, and Yves Saint Laurent. Drawing upon Chinese decorave arts, cinema, and costume—notably imperial court robes, the close-fing cheongsam, and the unisex Mao suit—their designs are fantascal pasches of anachronisc mofs. 300 color illustraons. Pbk | 256pp | 9780300211122 | 2015.05 Metropolitan Museum of Art | A$69 | NZ$83 279x235mm | UK Alexander McQueen: Savage Beauty ANDREW BOLTON, TIM BLANKS, SUSANNAH FRANKEL AND SØLVE SUNDSBØ Arguably the most influenal, imaginave, and provocave designer of his generaon, Alexander McQueen both challenged and expanded fashion convenons to express ideas about race, class, sexuality, religion, and the environment. Alexander McQueen: Savage Beauty examines the full breadth of the designers career, from the start of his fledgling label to the triumphs of his own world-renowned London house. It features his most iconic and radical designs, revealing how McQueen adapted and combined the fundamentals of Savile Row tailoring, the specialized techniques of haute couture, and technological innovaon to achieve his disncve aesthec. It also focuses on the highly sophiscated narrave structures underpinning his collecons and extravagant runway presentaons, with their echoes of avant-garde installaon and performance art. 250 color illustraons. Hbk | 240pp | 9780300169782 | 2011 Metropolitan Museum of Art | A$73 | NZ$87 337x248mm | UK For full details and our complete range of current titles, visit our website. MAY ART & FASHION HIGHLIGHTS footprint books MAY | 2016 Manus x Machina – Fashion in an Age of Technology ANDREW BOLTON The complex and oſten ambiguous relaonship between the hand craſted and the machine made is examined in this intriguing look at the ever- changing world of fashion and taste. Manus x Machina traces styles of dress from one-of-a-kind works and haute couture created by highly skilled arsans, through the introducon of industrial manufacturing, to extraordinary recent technological advancements applied to high fashion, such as 3D prinng, laser cung, and computer-generated weaving and paerns. The book features new photography of extraordinary pieces, including intricate 19th-century floral designs by William Morris, handcraſted haute couture of designers such as Chrisan Dior and Alexander McQueen, and the spectacular 3D creaons of Iris van Herpen. 200 colour illustraons. Andrew Bolton is curator in charge of The Costume Instute at The Metropolitan Museum of Art. Hbk | 256pp | 9781588395924 | 2016.05 Metropolitan Museum of Art | A$69 | NZ$83 318x235mm | UK Plus Bestselling Back List S = Specialist Discount S www. footprint .com.au

Celebrating 15 years MAY ART & FASHION HIGHLIGHTSfootprintbooks.com.au/footprint-downloads/Art_Fashion_New... · the close-fitting cheongsam, ... Nicolas Regnier, Cecco del Caravaggio,

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China: Through the Looking GlassANDREW BOLTON, ADAM GECZY, MAXWELL K HEARN AND HAROLD KODA ET ALFor centuries, China’s export arts—jade, silks, porcelains, and, more recently, cinema—have fueled Western fantasies of an exotic East and served as enduring sources of inspiration for fashion. This stunning publication explores the influence of Chinese aesthetics on designers, including Giorgio Armani, Christian Dior, Jean Paul Gaultier, Karl Lagerfeld, Ralph Lauren, Alexander McQueen, and Yves Saint Laurent. Drawing upon Chinese decorative arts, cinema, and costume—notably imperial court robes, the close-fitting cheongsam, and the unisex Mao suit—their designs are fantastical pastiches of anachronistic motifs. 300 color illustrations.

Pbk | 256pp | 9780300211122 | 2015.05 Metropolitan Museum of Art | A$69 | NZ$83 279x235mm | UK

Alexander McQueen: Savage BeautyANDREW BOLTON, TIM BLANKS, SUSANNAH FRANKEL AND SØLVE SUNDSBØArguably the most influential, imaginative, and provocative designer of his generation, Alexander McQueen both challenged and expanded fashion conventions to express ideas about race, class, sexuality, religion, and the environment. Alexander McQueen: Savage Beauty examines the full breadth of the designers career, from the start of his fledgling label to the triumphs of his own world-renowned London house. It features his most iconic and radical designs, revealing how McQueen adapted and combined the fundamentals of Savile Row tailoring, the specialized techniques of haute couture, and technological innovation to achieve his distinctive aesthetic. It also focuses on the highly sophisticated narrative structures underpinning his collections and extravagant runway presentations, with their echoes of avant-garde installation and performance art. 250 color illustrations.

Hbk | 240pp | 9780300169782 | 2011 Metropolitan Museum of Art | A$73 | NZ$87 337x248mm | UK

For full details and our complete range of current titles, visit our website.

MAY ART & FASHION HIGHLIGHTS

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Celebrating 15 years

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footprint books Celebrating 15 years

MAY | 2016

Manus x Machina – Fashion in an Age of TechnologyANDREW BOLTONThe complex and often ambiguous relationship between the hand crafted and the machine made is examined in this intriguing look at the ever-changing world of fashion and taste. Manus x Machina traces styles of dress from one-of-a-kind works and haute couture created by highly skilled artisans, through the introduction of industrial manufacturing, to extraordinary recent technological advancements applied to high fashion, such as 3D printing, laser cutting, and computer-generated weaving and patterns. The book features new photography of extraordinary pieces, including intricate 19th-century floral designs by William Morris, handcrafted haute couture of designers such as Christian Dior and Alexander McQueen, and the spectacular 3D creations of Iris van Herpen. 200 colour illustrations.Andrew Bolton is curator in charge of The Costume Institute at The Metropolitan Museum of Art.

Hbk | 256pp | 9781588395924 | 2016.05 Metropolitan Museum of Art | A$69 | NZ$83 318x235mm | UK

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After CaravaggioMICHAEL FRIEDDuring the twenty years following Caravaggio’s death, his revolutionary precedent inspired the creation of a remarkable body of paintings. Drawing together works by Bartolomeo Manfredi, Valentin de Boulogne, Nicolas Tournier, Nicolas Regnier, Cecco del Caravaggio, and the young Jusepe de Ribera, Michael Fried examines the nature of this later generation’s engagement with Caravaggio. Fried approaches his topic with seriousness and sophistication, revealing the density of meaning and sheer pictorial ambition in the works of the painters known as the Caravaggisti. Fried moves with agility between broad and focused fields of vision. In his final remarks, he makes a compelling case for understanding these paintings in relation to the thought of Rene Descartes. 100 color and 50 black and white illustrations.

Hbk | 232pp | 9780300218640 | 2016.05 Yale University Press | A$88 | NZ$106 254x190mm | UK

Hieronymus Bosch, Painter and Draughtsman: Catalogue RaisonnéMATTHIJS ILSINK, JOS KOLDEWEIJ, RON SPRONK AND LUUK HOOGSTEDECompiled by members of the Bosch Research and Conservation Project and published on the 500th anniversary of Hieronymus Bosch’s death, this is the definitive new catalogue of all of Bosch’s extant paintings and drawings. His mastery and genius have been redefined as a result of six years of research on the iconography, techniques, pedigree, and conservation history of his paintings and on his life. This stunning volume includes all new photography, as well as up-to-date research on the individual works. For the first time, the incredible creativity of this late medieval artist, expressed in countless details, is reproduced and discussed in this book. Special attention is being paid to Bosch as an image maker, a skilled draughtsman, and a brutal painter, changing the game of painting around 1500 by his innovative way of working. 350 colour and 100 black and white illustrations.

Hbk | 608pp | 9780300220148 | 2016.05 Mercatorfonds | A$221 | NZ$266 324x241mm | UK

Unfinished: Thoughts Left VisibleKELLY BAUM, ANDREA BAYER AND SHEENA WAGSTAFFThis unprecedented book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present. Unfinished presents more than 170 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cezanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works, across centuries and media, is that each one displays some aspect of being unfinished. Essays and case studies by major contemporary scholars address this key concept from the perspective of both the creator and the viewer, probing the impact that this long artistic trajectory - which can be traced back to the first century - has had on modern and contemporary art. 300 colour illustrations.

Hbk | 336pp | 9781588395863 | 2016.04 Metropolitan Museum of Art | A$92 | NZ$111 267x229mm | UK

What Is Paleolithic Art?: Cave Paintings and the Dawn of Human CreativityJEAN CLOTTESWas it a trick of the light that drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the heads of lions, likenesses of bison, horses, and aurochs in the reliefs of the walls, as they flickered by firelight? Or was it something deeper - a creative impulse, a spiritual dawn, a shamanistic conception of the world efflorescing in the dark, dank spaces beneath the surface of the earth where the spirits were literally at hand? In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to this “why” of Paleolithic art. While other books focus on particular sites and surveys, Clottes’s work is a contemplative journey across the world, a personal reflection on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant - what function they may have served - for their artists. 28 halftones, 2 line drawings.

Pbk | 192pp | 9780226266633 | 2016.04 University of Chicago Press | A$37.95 | NZ$45.95 229x152mm | USA

Cave Temples of DunhuangNEVILLE AGNEWThe Mogao grottoes in northwestern China, located near the town of Dunhuang on the fabled Silk Road, constitute one of the world’s most significant sites of Buddhist art. In some five hundred caves carved into rock cliffs at the edge of the Gobi desert are preserved one thousand years of exquisite wall paintings and sculpture. Founded by Buddhist monks in the late fourth century, Mogao grew into an artistic and spiritual center whose renown extended from the Chinese capital to the far western kingdoms of the Silk Road. Among its treasures are 45,000 square meters of murals, more than 2,000 statues, and some 50,000 medieval silk paintings and illustrated manuscripts. This sumptuous catalogue accompanies an eponymous exhibition which will run from May 7 through September 4, 2016 at the Getty Center. 190 colour and 25 black and white illustrations.

Pbk | 220pp | 9781606064894 | 2016.05 Getty Publications | A$88 | NZ$106 250x150mm | UK

Little Black Dress: From Mourning to NightSHANNON MEYERWhat’s the most important garment in a woman’s closet? More often than not, the answer is “the little black dress.” For decades, fashion magazines have touted the LBD as the perfect solution to almost every fashion crisis. Dressed up or down, with flats or heels, statement jewelry or a subdued jacket, the little black dress can be worn anywhere, for any occasion. Where did the little black dress come from? And how did black become the color of choice for every occasion? In Little Black Dress, Shannon Meyer answers these questions by offering a visual history of the black dress, illustrating its transformation from a traditional mourning garment to the fashion staple it is today. 75 color plates.

Pbk | 160pp | 9781883982843 | 2016.03 Missouri History Museum Press | A$68 | NZ$81 254x203mm | USA

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Fairy Tale FashionCOLLEEN HILL

Hbk | 276pp | 9780300218022 | 2016.04 Yale University Press | A$69 | NZ$84 279x229mm | UK

Isaac MizrahiCHEE PEARLMAN

Van Dyck: The Anatomy of PortraitureSTIJN ALSTEENS AND ADAM EAKER

Hbk | 236pp | 9780300212143 | 2016.04 Jewish Museum | A$68 | NZ$82 330x254mm | UK

Hbk | 320pp | 9780300212051 | 2016.04 Yale University Press | A$91 | NZ$109 279x241mm | UK

Denim: Fashion’s FrontierEMMA MCCLENDON

Hbk | 212pp | 9780300219142 | 2016.03 Yale University Press | A$68 | NZ$81 254x190mm | UK

Hbk | 228pp | 9780300214703 | 2016.03 Harvard Art Museums | A$78 | NZ$94 267x203mm | UK

Mark Rothko: Fromthe Inside OutCHRISTOPHER ROTHKO

Hbk | 168pp | 9780300214628 | 2015.10 Yale University Press | A$76 | NZ$92 279x229mm | UK

Hbk | 328pp | 9780300204728 | 2015.10 Yale University Press | A$61 | NZ$74 235x156mm | UK

Goya: The PortraitsXAVIER BRAY

Hbk | 272pp | 9781857095739 | 2015.09 National Gallery London | A$79 | NZ$96 279x229mm | UK

Everywhen: The Eternal Present in Indigenous Art from AustraliaSTEPHEN GILCHRIST

Fashion Underground: The World of Susanne Bartsch VALERIE STEELE, MELISSA MARRA, SUSANNE BARTSCH AND WALEED KHAIRZADA

Sydney Street StyleVICKI KARAMINAS, JUSTINE TAYLOR AND TONI JOHNSON-WOODS

Pbk | 156pp | 9781783203147 | 2015.08 Intellect Ltd | A$55.95 | NZ$67 228x228mm | USA

High Style: Masterworks from the Brooklyn Museum Costume Collection at The Metropolitan Museum of ArtJAN REEDER

Pbk | 256pp | 9780300212310 | 2015.04 Metropolitan Museum of Art | A$48.95 | NZ$58.95 279x254mm | UK

The Brilliant History of Color in ArtVICTORIA FINLAY

Hbk | 166pp | 9781606064290 | 2014 Getty Publications | A$32.95 | NZ$39.95 260x229mm | UK

David Lynch: The Unified FieldROBERT COZZOLINO

Hbk | 128pp | 9780520283961 | 2014 University of California Press | A$63 | NZ$75 279x267mm | USA

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Six Drawing LessonsWILLIAM KENTRIDGE

Hbk | 208pp | 9780674365803 | 2014 Harvard University Press | A$49.95 | NZ$61 235x140mm | USA

Green: The History of a ColorMICHEL PASTOUREAUT

The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and RuschaHAL FOSTERT

Hbk | 240pp | 9780691159362 | 2014 Princeton University Press | A$69 | NZ$84 229x229mm | USA

Pbk | 352pp | 9780691160986 | 2014 Princeton University Press | A$64 | NZ$78 203x140mm | USA

Interaction of Color: 50th Anniversary EditionJOSEF ALBERS

Pbk | 208pp | 9780300179354 | 2013 Yale University Press | A$28.95 | NZ$34.95 235x152mm | UK

Why Would Anyone Wear That? Fascinating Fashion FactsCELIA STALL-MEADOWST

Pbk | 84pp | 9781841507279 | 2013 Intellect Ltd | A$28.95 | NZ$34.95 228x228mm | USA

100 Shoes: The Costume Institute / The Metropolitan Museum of ArtHAROLD KODA AND SARAH JESSICA PARKER

Pbk | 232pp | 9780300172409 | 2011 Yale University Press | A$38.95 | NZ$46.95 178x254mm | UK

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100 Dresses: The Costume Institute / The Metropolitan Museum of ArtHAROLD KODA

Pbk | 232pp | 9780300166552 | 2010 Yale University Press | A$38.95 | NZ$46.95 254x178mm | UK

What Is Contemporary Art?TERRY SMITH

Pbk | 344pp | 9780226764313 | 2009 University of Chicago Press A$49.95 | NZ$62 USA

Walking and Mapping: Artists as CartographersKAREN O’ROURKE

Pbk | 352pp | 9780262528955 | 2016.04 The MIT Press | A$61 | NZ$74 229x178mm | USA

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