Cebuano Journalism “STORYTELLING”(NAGA-ASOY) STORYTELLING?

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Text of Cebuano Journalism “STORYTELLING”(NAGA-ASOY) STORYTELLING?

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  • Cebuano Journalism
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  • STORYTELLING(NAGA-ASOY)
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  • STORYTELLING?
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  • Emotion
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  • STORYTELLING? Emotion Human Voice
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  • STORYTELLING? Emotion Human Voice Facial Expression (extreme CU shot)
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  • STORYTELLING? Emotion
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  • STORYTELLING? What do they (listeners) expect?
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  • STORYTELLING? What do they (listeners) expect? Every listener should understand every word of every story we broadcast.
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  • STORYTELLING? What do they (listeners) expect? Every listener should understand every word of every story we broadcast. They should remember the story well enough to tell it to someone else.
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  • STORYTELLING? Emotion Human Voice Facial Expression (extreme CU shot) Hooks
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  • STORYTELLING? Emotion Human Voice Facial Expression (extreme CU shot) Hooks
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  • STORYTELLING? HOOKS.
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  • STORYTELLING? HOOKS. HOW?
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  • STORYTELLING? HOOKS. HOW? George Teren (Singer/Songwriter):
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  • STORYTELLING? HOOKS. HOW? George Teren (Singer/Songwriter): something that is so catchy, its that
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  • STORYTELLING? HOOKS. HOW? George Teren (Singer/Songwriter): something that is so catchy, its that little melodic phrase that drives you
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  • STORYTELLING? HOOKS. HOW? George Teren (Singer/Songwriter): something that is so catchy, its that little melodic phrase that drives you crazy so that you cant get it out of your head.
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  • STORYTELLING? HOOKS. HOW? George Teren (Singer/Songwriter): something that is so catchy, its that little melodic phrase that drives you crazy so that you cant get it out of your head. Its the identifying moment in the song.
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  • STORYTELLING? HOOKS. HOW? George Teren (Singer/Songwriter): something that is so catchy, its that little melodic phrase that drives you crazy so that you cant get it out of your head. Its the identifying moment in the song. Its taking one phrase and illustrating it
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  • STORYTELLING? HOOKS. HOW? George Teren (Singer/Songwriter): something that is so catchy, its that little melodic phrase that drives you crazy so that you cant get it out of your head. Its the identifying moment in the song. Its taking one phrase and illustrating it in several different ways
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  • STORYTELLING? HOOKS. HOW?
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  • STORYTELLING? HOOKS. HOW? Robert Krulwich (ABC News):
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  • STORYTELLING? HOOKS. HOW? Robert Krulwich (ABC News): you have to find a metaphor that people
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  • STORYTELLING? HOOKS. HOW? Robert Krulwich (ABC News): you have to find a metaphor that people will remember.
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  • STORYTELLING? HOOKS. HOW? Robert Krulwich (ABC News): you have to find a metaphor that people will remember. I have to find the hook that people will
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  • STORYTELLING? HOOKS. HOW? Robert Krulwich (ABC News): you have to find a metaphor that people will remember. I have to find the hook that people will remember me, otherwise it goes right
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  • STORYTELLING? HOOKS. HOW? Robert Krulwich (ABC News): you have to find a metaphor that people will remember. I have to find the hook that people will remember me, otherwise it goes right through. I find that thinking musically,
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  • STORYTELLING? HOOKS. HOW? Robert Krulwich (ABC News): you have to find a metaphor that people will remember. I have to find the hook that people will remember me, otherwise it goes right through. I find that thinking musically, thinking with the strategy of a
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  • STORYTELLING? HOOKS. HOW? Robert Krulwich (ABC News): you have to find a metaphor that people will remember. I have to find the hook that people will remember me, otherwise it goes right through. I find that thinking musically, thinking with the strategy of a songwriter
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  • STORYTELLING? What do they (listeners) expect? Every listener should understand every word of every story we broadcast. They should remember the story well enough to tell it to someone else.
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  • STORYTELLING? What do they (listeners) expect? Every listener should understand every word of every story we broadcast. They should remember the story well enough to tell it to someone else. They hear broadcast news in a different way emotionally, inwardly, at a gut level.
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  • STORYTELLING? What do they (listeners) expect? Every listener should understand every word of every story we broadcast. They should remember the story well enough to tell it to someone else. They hear broadcast news in a different way emotionally, inwardly, at a gut level. CONNECTIONS
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  • STORYTELLING? Emotion Human Voice Facial Expression (extreme CU shot) Hooks
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  • STORYTELLING? Emotion Human Voice Facial Expression (extreme CU shot) Hooks Connections
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  • STORYTELLING? Emotion Human Voice Facial Expression (extreme CU shot) Hooks Connections
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  • STORYTELLING? CONNECTIONS.
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  • STORYTELLING? CONNECTIONS. HOW?
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  • STORYTELLING? CONNECTIONS. HOW? George Teren (Singer/Songwriter):
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  • STORYTELLING? CONNECTIONS. HOW? George Teren (Singer/Songwriter): I had a song and it was just about the
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  • STORYTELLING? CONNECTIONS. HOW? George Teren (Singer/Songwriter): I had a song and it was just about the conflict a guy goes through balancing
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  • STORYTELLING? CONNECTIONS. HOW? George Teren (Singer/Songwriter): I had a song and it was just about the conflict a guy goes through balancing home and job and all of that. Billy Ray
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  • STORYTELLING? CONNECTIONS. HOW? George Teren (Singer/Songwriter): I had a song and it was just about the conflict a guy goes through balancing home and job and all of that. Billy Ray told me that he never had a song where
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  • STORYTELLING? CONNECTIONS. HOW? George Teren (Singer/Songwriter): I had a song and it was just about the conflict a guy goes through balancing home and job and all of that. Billy Ray told me that he never had a song where so many people came up and talked to
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  • STORYTELLING? CONNECTIONS. HOW? George Teren (Singer/Songwriter): I had a song and it was just about the conflict a guy goes through balancing home and job and all of that. Billy Ray told me that he never had a song where so many people came up and talked to him about it and it was just because it
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  • STORYTELLING? CONNECTIONS. HOW? George Teren (Singer/Songwriter): I had a song and it was just about the conflict a guy goes through balancing home and job and all of that. Billy Ray told me that he never had a song where so many people came up and talked to him about it and it was just because it was relate-able
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  • STORYTELLING? What do they (listeners) expect? Every listener should understand every word of every story we broadcast. They should remember the story well enough to tell it to someone else. They hear broadcast news in a different way emotionally, inwardly, at a gut level. CONNECTIONS
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  • STORYTELLING? What do they (listeners) expect? Every listener should understand every word of every story we broadcast. They should remember the story well enough to tell it to someone else. They hear broadcast news in a different way emotionally, inwardly, at a gut level. COURAGE
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  • STORYTELLING? Emotion Human Voice Facial Expression (extreme CU shot) Hooks Connections
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  • STORYTELLING? Emotion Human Voice Facial Expression (extreme CU shot) Hooks Connections Courage
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  • STORYTELLING? What do they (listeners) expect? Every listener should understand every word of every story we broadcast. They should remember the story well enough to tell it to someone else. They hear broadcast news in a different way emotionally, inwardly, at a gut level.
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  • STORYTELLING? What do they (listeners) expect? Every listener should understand every word of every story we broadcast. They should remember the story well enough to tell it to someone else. They hear broadcast news in a different way emotionally, inwardly, at a gut level. They care about stor