21st AnnualCarolina Conference

on Romance Literatures

Conference Coordinators: Tessa Gurney and Catherine A. Viano

Co-coordinators: Elena Casey and Adrienne Erazo

Special recognition is given to the following for their support:

The Graduate School, The Department of Romance Studies, The Institute for the Arts and Humanities, The School of Arts and Sciences, The Graduate Romance

Association, Center for European Studies, Latin@ Studies

Thank you to the following individuals for their invaluable help:

Logan Brackett, Dr. Frank Domínguez, Kate Good, Sam Krieg, Francisco Laguna-Correa,

Dr. Irene Gómez Castellano, Emiliano Guaraldo Rodriguez, Rhi Johnson, April Weintrit

Keynote Lectures at the 2015 CCRL

Thursday April 9th, 6:15-7:15pm: Juliette Cherbuliez

Keynote Address: Waking Early: Toward An Untimely Study of

Character in PerformanceDey Hall, Room 305

Friday, April 10th, 6:15-7:15pm: Lina Insana

Keynote Address: How to do Things with Islands; or, Performing

SicilyDey Hall, Room 305

Saturday, April 11th, 11:30-12:30pm: Martine Delvaux

Invited Artist Address: De façon à ce que j’existe moins…Dey Hall, Toy Lounge

Saturday, April 11th, 4:30-5:30pm: Gustavo Pérez Firmat

Keynote Address: Wallace Stevens, manisero

Dey Hall, Toy Lounge

Thursday, April 9, 2015

10:00 am - 3:30 pm

Registration: Student Union 2511

11:00 am - 12:30 pm

1. Sexuality, Visuality, and Language in Peninsular Texts Chair: Joaquin Rodriguez-Barbera, Sam Houston State UniversityStudent Union 3407

Joaquin Rodriguez-Barbera, Sam Houston State UniversityDiscurso de “Los enamoramientos” de Javier Marías

Derek Segebarth, The University of North Carolina at Chapel HillHuebos Roto(s), la historia de OPUS

Antonio Balsón, The University of North Carolina at Chapel HillVisuality in the early works of Francisco de Isla

2. Translating Identity Across MediaChair: Alejandra Márquez, The University of North Carolina at Chapel HillStudent Union 3206A

Jesús González, Tarrant County CollegeEl narco mexicano como “héroe” en las artes visuales y musicales

Rafael Acosta, University of KansasSongwriters of the Desert

Sarah Booker, The University of North Carolina at Chapel HillThe Power of the Translator: The Presence of Latin American Literature in the United States

Kristine Taylor, The University of North Carolina at Chapel HillEquivalence in Translation of Mozambican Fiction

3. Religious Reconciliation in Spain Across the Centuries Chair: Grant Gearhart, The University of North Carolina at Chapel HillStudent Union 2420

Felipe Munoz, Villanova UniversitySocial Change and Egalitarian Relationships in Ocaña (Toledo, Spain) in the 16th Century

Harry Karahalios, Duke UniversityOf Jews and Others: Cultural Politics in Spain since the Economic Crisis

Adriano Duque, Villanova UniversityOn Carpets and Gardens: Visual Imagery in 15th century Spain

4. Shifting Selves, Shifting Nations Chair: TBAStudent Union 3209

Rachelle Phillips, The University of VirginiaDon Álvaro or the Force of Mimetic Desire

Lauris McQuoid-Greason, Virginia Polytechnic Institute and State University Failed Performance: Self-Transformation (Attempted) in the “Late Levrero”

Adrienne Royo, Southern Adventist UniversityHistoria de España e Hispanoamérica – La perspectiva literaria

María Aparicio-Torres, Florida International UniversityFrom Autonomy to Independence for Cuba in Pi y Margall's literary production

12:30 pm - 2:00 pm

Lunch Break

2:00 pm - 3:30 pm

5. Transnational Visions of Performance Theory in ActionChair: Emiliano Guaraldo Rodriguez, The University of North Carolina at Chapel HillStudent Union 3206A

Belén Tortosa Pujante, The University of Santiago de CompostelaIdentidades escénicas: performatividad, sexo y género en Tragedia Endogonidia de Romeo Castellucci

Emiliano Guaraldo Rodriguez, The University of North Carolina at Chapel HillMatter, Animality, Cosmos: Performing the Non-human in the works of Societas Raffaello Sanzio

Ana Puchau de Lecea, Villanova UniversityFrom the Girls’ Voice: Performativity and Reader Engagement in Elena Fortún’s Celia and Ana María Matute’s Paulina

6. Social Commentary Through Music in the Americas Chair: Thomas Phillips, The University of North Carolina at Chapel HillStudent Union 3209

Nathan D. Brown, Randolph-Macon CollegeSinging as a Canadien:  Political Songs and Identity in Québec, 1794-1807

Lori Oxford, Western Carolina UniversityAyotzinapa Somos Todos: Musical Responses to a Mexican Tragedy

Eunice Rojas, Lynchburg CollegeVoicing Cuban Money Matters: Musical Critiques of Cuba’s Dual Currency

Patricia Reagan, Randolph-Macon College“See No Evil, Hear No Evil, Speak No Evil”: Disengaging the Senses in Songs of Latino Immigration

7. Violence and Resistance in Early Modern LiteratureChair: Whitney Winters, UNC-CHStudent Union 2420

Santiago Vidales, The University of Massachusetts AmherstHearing Voices Where There is Silence: Sycorax and Caliban in The Tempest

Maria Villodre, Roberts Wesleyan CollegeHonor y deshonor femenino en La vida es sueño

Elena Neacsu, The University of VirginiaViolencia y transgresión: (Re)presentando la criminalidad femenina en La niña de los embustes: Teresa de Manzanares de Alonso de Castillo Solórzano

3:45 pm - 5:15 pm

8. Embodying the Ideal: Materiality, Art and Identity Chair: Stella Kim, The University of North Carolina at Chapel HillStudent Union 3206A

Zachary Ludington, The University of VirginiaAvant-Garde Performance against “Bad Infinity”: a Hegelian Look at Dalí’s “Antiartistic Manifesto”

Alison Atkins, Wake Forest UniversityEspuma caliente de grasa de foie gras and Aire de wasabi: Materiality and the “Patenting” of Culinary Art in Cookbooks by Ferran Adrià

9. Memory and Performance: (Re)Constructing Experiences in French and Francophone TextsChair: Drew Gard, The University of North Carolina at Chapel HillStudent Union 3209

William G. Allen, Furman UniversitySpace and Postmemory in Modiano’s Dora Bruder

Martha Moreno, University of North Carolina Chapel HillHistoire personnelle, histoire nationale. Le trauma et les manipulations de mémoire dans Persepolis de Marjane Satrapi

Wendy Combs, University of North Carolina Chapel HillEnding the Guerres de Mémoires: Fiction and Multidirectional Memory in Boualem Sansal’s Le Village d’Allemand

6:15 pm - 7:15 pm

Dey Hall, Room 305Keynote Speaker, French: Juliette Cherbuliez Keynote Address: Waking Early: Toward An Untimely Study of Character in Performance

Friday, April 10, 2015

8:00 am - 3:45 pm

Registration: Student Union 2511

9:00 am - 10:30 am

11. Textual Geographies: Interactions of Text, Setting, and GenreChair: Alicia Rivero, The University of North Carolina at Chapel HillStudent Union 3409

Pilar Osorio, University of Massachusetts AmherstAlgunas aproximaciones al problema de la propiedad en Doña Bárbara de Rómulo Gallegos

Orosman López Bao, Mercer UniversityOur Abject Island: Ecological Manifestation of Puerto Rico’s Political Status in Mayra Montero’s Captain of the Sleepers

James Hayden, The University of North Carolina at Chapel HillSerranas, Serranillas and Changing Attitudes toward Nature in Late Medieval Spain

12. Women and Socio-National Structures in Finisecular Texts Chair: Emily Clark, The University of North Carolina at Chapel HillStudent Union 2423

Gabrielle Miller, The University of VirginiaEmbodying Disability in Pérez Galdós’ Tristana

Irene Gómez Castellano, University of North Carolina at Chapel HillFrom Sweaty to Sweetie: Reading Sappho in 19th-century Spain

Marina Cuzovic-Severn, Michigan State UniversityExpresión de las ideas feministas en La Gaviota (1849) e Insolación (1889) a través de la internalización de la orientalización francesa de España

Francisco Javier Fernández-Urenda, Longwood UniversityEl cuerpo del pecado: Misoginia y sicalipsis en la prensa periódica del Sexenio Democrático

13. The Textual Power of the Subaltern: Race and Identity in the Americas Chair: Emilio del Valle Escalante, The University of North Carolina at Chapel HillStudent Union 3102

Wesley Costa de Moraes, The University of North Carolina at Chapel HillUn testimonio de resistencia indígena en el medio urbano brasileño: la escritura del guerrero en Todas as vezes que dissemos adeus de Kaka Werá Jecupé

Luciano Cruz, The University of CincinnatiNación e identidad cubanas en “El derecho de nacer”, de Félix B. Caignet

Brenda Quinones-Ayala, The University of North Carolina at CharlotteEl rito fúnebre: Espacio de poder e identidad del subalterno en Puerto Rico

14. Imagery Through Sound: Performativity and Music in Contemporary Francophone Texts and TheaterChair: Martine Delvaux Student Union 3209

Valérie Lebrun, Université du Québéc à Montréal/Institut de recherches et d’études feministes“Comme du cristal”: le poids, le bruit et les images de la voix chez Christine Angot

Sophia Wilson Niehaus, New York UniversityMusical figures and liminal space in Solibo Magnifique

Angela Ritter, University of North Carolina Chapel HillExile as dispossession as seen through performativity in Wadji Mouawad’s Seuls

10:45 am - 12:15 pm

15. Doctors, Merchants, and Youth: New Perspectives on Boccaccio’s Critique of Society Chair: Martino Rabaioli, The University of North Carolina at Chapel HillStudent Union 3409

Massimiliano Cirulli, University of North Carolina at Chapel HillThe Mercantile World in Boccaccio’s Decameron: Between Epic and Satire

Ugo Goetzl, UNC Part-time Classroom StudiesBoccaccio's Decameron and the Critique of Medicine: Mock Doctors in a World Turned Upside Down

Martino Rabaioli, University of North Carolina at Chapel HillFilostrato’s Day Four at the Intersection of Human Sexuality, Wickedness, and Corrupted Nature

16. (Re) Writing History: Text and Visual Imagery as Performance of Memory Chair: Mary Greenwood, The University of North Carolina at Chapel HillStudent Union 3209

Monica Scovell, University of North Carolina Chapel HillSelling a Revolution: French Press Retrospectives of mai ’68

Guyomar Pillai, The Ohio State UniversityPhotographic Narrative: The Sensorial Experience of Memory in Annie Ernaux’s fiction

Clara-Cristina Adame de Heu, The University of VirginiaLa découverte de la civilisation de l’image: le portrait de Fouché dans les Mémoires d’outre-tombe de Chateaubriand à la lumière du Dialogue avec le visible de Huyghe

17. Art, Orality, and Performance: The Empowerment of the Self-Fashioning Female Subject in the Contemporary Peninsular Novel Chair: Maria Fellie, The University of North Carolina at Chapel HillStudent Union 3102

Antonia Delgado-Poust, University of Mary WashingtonObfuscating Fact and Fiction: The Self-Fashioning Narrator and Her Feminist Reworking of the ‘Truth’ in Marina Mayoral's Casi perfecto

Katie Vater, The University of Wisconsin- Milwaukee“Feminizar lo masculino”: Art and Female Self-Fashioning on the Eve of the Transition in Rafael Chirbes’ La caída de Madrid

Allison Libbey Titus, The University of Wisconsin-Milwaukee“Y se sentía sola, extraña, diferente”: Voices of Solitude in Ana María Moix’s Julia and Lucía Extebarria’s Amor, curiosidad, prozac y dudas

18. Urban Spaces: Artistic Visions of the Latin American CityChair: Rosa Perelmuter, The University of North Carolina at Chapel HillStudent Union 2423

Verónica Grossi, The University of North Carolina at GreensboroLove and the City in Sor Juana Inés de la Cruz

Matthew Richey, Virginia Polytechnic Institute and State UniversityCommod[e]fication: Bathrooms and Neoliberal Space in Ana Clavel’s “El cuerpo naufrago”

12:30 pm - 2:00 pm

Lunch Break

2:00 pm - 3:30 pm

19. Reinventing Italian Style Across Four Centuries Chair: Sydney Conrad, The University of North Carolina at Chapel HillStudent Union 3409

Michael Clark, University of North Carolina at Chapel HillAn Actress Playing Twins: Performing Hermaphroditism in Andreini’s Amor Nello Specchio (1622)

John Welsh, Harvard UniversityCharacters in Search of an Ethics: The Moral Reticence of Pirandello's Theater

Erin Patel, Florida Atlantic University Francesco Meriano e la (ri)illuminazione delle parole in libertà

20. Identity and Performance in Francophone Theater, Music, and Texts Chair: Emma Monroy, The University of North Carolina at Chapel HillStudent Union 3209

Eliza Bourque Dandrige, Duke UniversityCowboys and Indians in Africa: Dis/locating Images of the American West Within Postwar Franco-Belgian Comics

Daniel Pinelli, University of North Carolina Chapel HillEn un meme silence: Torture et déculturation à travers trois versions de L’Ennemi intime

Viviane Koua, Auburn UniversityL’écriture Beur comme marque de dénonciation et d’identité: le cas du thé au harem d’Archi Ahmed de Medhi Charef et Bomkoeur de Rachid Djaïdani

21. Book presentation: Ser mujer y estar presente. Disidencias de género en la literatura mexicana contemporánea (UNAM, 2014), by Oswaldo Estrada Student Union 2422

Oswaldo Estrada, The University of North Carolina at Chapel Hill

Irma Cantú, Texas A&M International University

Verónica Grossi, The University of North Carolina at Greensboro

María A. Salgado, The University of North Carolina at Chapel Hill

22. Subversive Screens: New Cinematic Visions of Social, Political, and Narrative Realities Chair: Sam Amago, The University of North Carolina at Chapel HillStudent Union 2423

Carmen Moreno-Díaz, The University of VirginiaRetando en escena a la folclórica tradicional: parodia y subversión en La niña de tus ojos (1998)

David Gregory(Filming) Unsettling Realities: Twisted Characters and Images in Pablo Larraín’s Post Mortem and No

Daniel Zimmerman, The University of VirginiaThe Viewer as Accomplice in Nueve reinas and El aura

23. Catharsis as Retrograde Intersemiotic Translation into Symbolic ProseLecture by Ruy Burgos-Lovece Student Union 3102

3:45 pm - 5:15 pm

24. Italian Literature and Cinema Across Time and Space Chair: Xin Liu, The University of North Carolina at Chapel HillStudent Union 3409

Brian Tholl, Rutgers University(Mis)reading Machiavelli in A Bronx Tale

Martina Adani, University of North Carolina at Chapel HillIda Dalser and Aldo Moro's Letters: An Escape from Prison in Bellocchio's Cinema

Zachary Scalzo, Indiana University Literature, Memoir, and Exclusivity: A Comparative Study of Editorial and Critical Strategies Surrounding Dante's Vita nova and Tondelli's Biglietti agli amici

25. Orality, Poetry, and Performance in Early Modern and Medieval French Texts Chair: Juliette Cherbuliez, The University of MinnesotaStudent Union 3209

Donald R. Sunnen, Virginia Military InstituteChrétien de Troyes and the Art of the captatio benevolentiae

Anna Bernard-Hoverstad, University of North Carolina Chapel HillReframing the Transgressive: Common Harlotry and the Critical Reception of Louise Labé’s Oeuvres Complètes in the 18th and 19th Centuries

Jordan Bessette, University of North Carolina Chapel HillPassive-Aggressive Break-Ups: Dissimulation and the Role of Letters in La Place Royale

26. Female Poiesis: Writing as WomenChair: Kate Good, The University of North Carolina at Chapel HillStudent Union 2423

Rhi Johnson, The University of North Carolina at Chapel HillThe Grotesque Gendering of Creative Performance in Gertrudis Gómez de Avellaneda

Maria Rippon, Furman UniversityA Room of One’s Own?: Salisachs, Laforet, Matute, and the Writing Life

Justin Bland, Virginia Polytechnic Institute and State UniversityTextual Reproduction: Transtextuality, Authorship, and Adaptation in Cristina Morales’s Los combatientes

27. “Yo sé quién soy”: Cinematic and Literary Reinterpretations of Don Quijote Chair: Holly Sims, The University of North Carolina at Chapel HillStudent Union 2422

Ricardo Castells, Florida International UniversityLas mujeres escritoras, las Escuelas Normales y el tercer centenario de Don Quijote (1905)

Slav Gratchev, Marshall UniversityDon Quixote on Russian screen: the problem of double re-accentuation

6:15 pm - 7:15 pm

Dey Hall, Room 305Keynote Speaker, Italian: Lina Insana, University of PittsburghKeynote Address: How to do Things with Islands; or, Performing Sicily

8:00 pm

Reception at Frank Domínguez’s House. All are welcome! (Directions in folders)

Saturday, April 11, 2015

9:00 am - 3:45 pm

Registration: Student Union 2510

9:30 am - 11:00 am

28. Visualizing Contemporary Crisis in Italy Chair: Federico Luisetti, The University of North Carolina at Chapel HillStudent Union 3409

Alessia Martini, University of North Carolina at Chapel HillA Theater in Ruins: Contemporary Italy between Reality and Appearance in Human Capital by Paolo Virzì

Emiliano Guaraldo Rodriguez, University of North Carolina at Chapel HillStadiopticon. Financialization of Sport Spectatorship and the Emergence of Surveillance in the Italian Stadium

29. Transatlantic Approaches to Detective FictionChair: Juan Carlos González Espitia, The University of North Carolina at Chapel HillStudent Union 3407

Alain Richard Sappi, Wesleyan CollegeLa figura de los detectives en El Misterio de la Cripta Embrujada de Eduardo Mendoza y Nunca te Enamores de un Forastero de Ramon Diaz Eterovic

Nora Benedict, The University of VirginiaLa novela negra en Jorge Luis Borges: una aproximación nueva a “El Muerto”

Gillian Price, The University of Virginia“Desentrañando la historia”: Detection, Critical Analysis and Semantic Violence in Cristina Rivera Garza’s La muerte me da

30. Crossing Borders from French Text to Film Chair: Diana Garcia, University of North Carolina at Chapel HillStudent Union 3209

Kasia Stempniak, Duke UniversityText, Film, and Palmpsest: 19th century Textual Traces in Jacques Rivette’s Céline et Julie vont en bateau

Nadia Naami, University of MiamiDésir et dé-représentation: pour un éthique iconoclaste dans Un captif amoureux et Hiroshima mon amour

31. Textual Form and Narrative Expression: The Novel on TV, TV in TheatreChair: Robert Noffsinger, The University of North Carolina at Chapel HillStudent Union 3206A

Josephine Dudek, The University of Illinois at Urbana-ChampaignThough the Telescope: Male gaze and Narrative Structure in Three Interpretations of La Regenta

Nicholas Wolters, The University of VirginiaFrom the Sacristy to the Screen: Costuming the Clergy in La Regenta (1995) and Oviedo Express (2007)

Alicia López Operé, The University of VirginiaSíntesis dramática: el microteatro del siglo XXI

32. The Construction and Reconstruction of National Identities in Literature, Song, and Cinema Chair: Zully Amaya, The University of North Carolina at Chapel HillStudent Union 3102

Jacob Brown, Southwestern UniversityEntre tígueres y padres ausentes: la representación estereotipada del hombre dominicano en el cine español actual

Kristin Connor, The University of VirginiaThe Bodily Experience of Masculinity in La Araucana

Sheree Henlon, Wittenberg UniversityRedemption Song: Mayra Montero, Tú, la oscuridad

11:30 am - 12:30 pm

Toy Lounge, Dey HallInvited Writer, French: Martine DelvauxKeynote Address: De façon à ce que j’existe moins…

12:45 pm - 2:15 pmLunch Break

2:15 pm - 3:45 pm

33. Visualizing Epic Poetry in Italy Chair: Leslie Zarker Morgan, Loyola University MarylandStudent Union 3409

Leslie Zarker Morgan, Loyola University MarylandCharlemagne Censured: Visual Imagery and Expurgation in Pier Jacopo Martello's Carlo Magno (1727)

Federica Caneparo, Princeton UniversityOrlando Medley: Illustrations, Frescoes, and Theatre from Renaissance On

Andrea Gazzoni, University of Pennsylvania Ventriloquizing the Statian Epic: On the First Italian Translation of the Thebaid (1570)

34. 20th Century French Text, Fiction and PerformanceChair: Martha Moreno, University of North Carolina at Chapel HillStudent Union 3209

October Edwards, Virginia Tech

Postmodernist Theatre? That’s Absurd!

Sophie Vainer, University of GeorgiaBonnefoy et l’ekphrase

Marylaura Papalas, East Carolina UniversityElsa Schiaparelli: Fashion, Text and Image

2:30 pm - 3:30 pm

35. A Cuban in Chapel Hill: A Conversation with Gustavo Pérez FirmatStudent Union 2422

Oswaldo Estrada, University of North Carolina at Chapel HillIrene Gómez Castellano, University of North Carolina at Chapel HillJuan Carlos González Espitia, University of North Carolina at Chapel HillAlicia Rivero, University of North Carolina at Chapel Hill

4:30 pm - 5:30 pm

Toy Lounge, Dey HallKeynote Speaker, Spanish: Gustavo Pérez FirmatKeynote Address: Wallace Stevens, manisero

7:30 pm Hors d’oeuvres & 8:00 pm Dinner

Banquet at the WeathervaneHwy 15-501 @ Estes DriveUniversity Mall (next to A Southern Season)

INDEXParticipant Panel Number

Adriano Duque …………………………...….. 3

Adrienne Royo ……………………………..... 4

Alain Richard Sappi ………………….…….. 29

Alejandra Márquez ………………….……….. 2

Alessia Martini ……………………..…......... 28

Alicia López Operé ……………………...….. 31

Alicia Rivero ………………………….... 11, 35

Alison Atkins …………………………..…….. 8

Allison Libbey Titus …………………….….. 17

Ana Puchau de Lecea …………………….….. 5

Andrea Gazzoni …………………………….. 33

Angela Ritter ……………………………….. 14

Anna Bernard-Hoverstad ………………..….. 25

Antonia Delgado-Poust …………………….. 17

Antonio Balsón ………………………………. 1

Belén Tortosa Pujante ……………………….. 5

Brenda Quinones-Ayala ……………...…….. 13

Brian Tholl ………………………...……….. 24

Carmen Moreno-Díaz ………………...…….. 22

Clara-Cristina Adame de Heu …………..….. 16

Daniel Pinelli ……………………………….. 20

Daniel Zimmerman ……………………...….. 22

David Gregory ……………………………… 22

Derek Segebarth ……………………………... 1

Diana Garcia ………………………………... 30

Donald R. Sunnen …………………………... 25

Drew Gard ………………………………….... 9

Elena Neacsu ………………………..……….. 7

Eliza Bourque Dandrige ……………………. 20

Emiliano Guaraldo Rodriguez ……............ 5, 28

Emilio del Valle Escalante …………………. 13

Emily Clark ………………………………… 12

Emma Monroy ……………………………… 20

Ennio Rao …………………………………... 10

Erin Patel …………………………………… 19

Eunice Rojas …………………………………. 6

Federica Caneparo ………………………….. 33

Federico Luisetti ……………………………. 28

Felipe Munoz ………………………………… 3

Francisco Javier Fernández-Urenda ………... 12

Gabrielle Miller …………………………….. 12

Gillian Price ………………………………… 29

Grant Gearhart ……………………………….. 3

Guyomar Pillai ……………………………... 16

Harry Karahalios …………………………….. 3

Holly Sims ………………………………..… 27

Irene Gómez Castellano ………………... 12, 35

Irma Cantú ………………………………….. 21

Jacob Brown …………………………….….. 32

Jacquie Pound ………………………...…….. 25

James Hayden ………………………………. 11

Jesús González ………………………………. 2

Joaquin Rodriguez-Barbera ………………….. 1

John Welsh …………………………...…….. 19

Jordan Bessette …………………….……….. 25

Josephine Dudek ……………………………. 31

Juan Carlos González Espitia …………... 29, 35

Juliette Cherbuliez ………………………….. 25

Justin Bland ………………………………… 26

Kasia Stempniak ……………………………. 30

Kate Good …………………………………... 26

Kristine Taylor ………………..……………... 2

Katie Vater ………………………………….. 17

Kristin Connor ……….. ……………………..32

Lauris McQuoid-Greason ……………………. 4

Leslie Zarker Morgan ………………………. 33

Lori Oxford …………………………………... 6

Luciano Cruz ……………………………….. 13

María A. Salgado …………………………… 21

María Aparicio-Torres ……………………….. 4

Maria Fellie …………………………..…….. 17

Maria Rippon ……………………………….. 26

Maria Villodre ……………………………….. 7

Marina Cuzovic-Severn …………………….. 12

Martha Moreno …………………………....... 34

Martha Moreno ………………………………. 9

Martina Adani ………………………………. 24

Martine Delvaux ……………………………. 14

Martino Rabaioli ……………………………. 15

Mary Greenwood …………………………… 16

Marylaura Papalas ………………………….. 34

Massimiliano Cirulli ………………...……… 15

Matthew Richey …………………………..... 18

Michael Clark ………………………………. 10

Monica Scovell ……………………………... 16

Nadia Naami ………………………………... 30

Nathan D. Brown …………………………….. 6

Nicholas Wolters …………………………… 31

Nora Benedict ………………………………. 29

October Edwards …………………………… 34

Orosman López Bao ………………………... 11

Oswaldo Estrada …………………..……. 21, 35

Patricia Reagan ………………………………. 6

Pilar Osorio ……….. ……………………..… 11

Rachelle Phillips ……………………………... 4

Rafael Acosta ………………………………... 2

Rhi Johnson ……………………………….... 26

Ricardo Castells …………………………….. 27

Robert Noffsinger …………………………... 31

Roberto Nicosia …………………………….. 10

Rosa Perelmuter ……………………...…….. 18

Ruy Burgos-Lovece ………………..……….. 23

Sam Amago ……………………………..….. 22

Santiago Vidales ………………………….….. 7

Sarah Booker ……………………………..….. 2

Sheree Henlon ……………………………… 32

Slav Gratchev ………………………………. 27

Sophia Wilson Niehaus …………………….. 14

Sophie Vainer ………………………………. 34

Stella Kim ……………………………………. 8

Sydney Conrad ……………………………... 19

Thomas Phillips …………………………..….. 6

Valérie Lebrun ……………………………… 14

Verónica Grossi ……………………….... 18, 21

Viviane Koua ……………………………….. 20

Wendy Combs ……………………………….. 9

Wesley Costa de Moraes …………………… 13

Whitney Winters ……………………………... 7

William G. Allen …………………………….. 9

Zachary Ludington …………………………... 8

Zachary Scalzo ……………………………... 24

Zully Amaya ………………………………... 32