Catalogue produced on 11/04/2011 o DVD · El Traje de Flamenca por Rosa María Martínez Moreno ... Pack of 5 volumes of flamenco dance History by Jose Luis Navarro Garcia. Flamenco

Catalogue produced on 11/04/2011

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Books .................................................................................................................................................................................... 2

Phone Number: (0034) 91 5427251 - We export Flamenco worldwide. 2

El Traje de Flamenca por Rosa María Martínez Moreno

22.00 €31.69 USD

The pejorative connotations which accompanied frequently the flamenco Andalusia dress find their reason in the lack ofdocumented studies about this subject. The work we present alleviate a bit this absence. 456 pages.


Poética y didáctica del flamenco por Jose Cenizo Jimenez

17.50 €25.21 USD

Fleming to teach in the schools they are necessary some things: time, programming, hours, matters, teachers, pupils,materials. Especially it is necessary to make it with head, know wherefrom it departs and where one takes the pupils. Tohave rigor and seriousness, to know that it is a very complex art and that there are many things still in the air. 244 pages.


Flamenco music history by Maria Jesus Castro.

30.00 €43.21 USD

“Flamenco history” offers an original and a new perspective which is based on flamenco as music, far from the biographicalaspects, typical of the articles published until now about this topic. As first pedagogical method of flamenco music, there’resome innovative propositions: divisions in musical moments, generational classification of sing and music schools,development of the flamenco repertoire and actual categories exhibition like the Posflamenco. In fact, this work allowsteachers, students and fans to know and study the flamenco music history in another way.

A4 format,128 pages.

Texts in Spanish.



Tradition and Avant-Garde.The dance today, The dance tomorrow by por Jose Luis Navarro Garcia

10.55 €15.2 USD

The flamenco dance is living a great period and its future will be bright. A time where are living together those who gave itits splendour during the last decades of las century. They are offering us new artistic proposal. They are writing with theirnames and their artistic fibre the history of the contemporary flamenco dance.

Tradition and avant-garde are moving closer, thanks to their success and efforts. You will find two different approaches, onejournalistic and another historical. The historical part is the most important: analysis and strict narration.

This book complete a plan initiated in 2008 with De Telethusa a La Macarrona and continued in 2003 with El Ballet Flamencoand in 2004 with Paso a dos by Terpsícore and Talía. A trip through times.


Antonia Merce. The Flamenco and the Spanish avant-garde

22.00 €31.69 USD

Two artistic nicknames, distinguished between a diminutive, that dazzle the Spanish dance world during the first part of the20. Century. One of the nicknames, La Argentinita, belongs to a passionate and scandalous woman, with a lively fame. Theother surname, La Argentina, is less known today, but belongs to the most acute Spanish dancer of her time. The mostmodern and sophisticated dancer. Antonia Mercé took the flamenco dance out of the tablaos to the international stages,giving to this dance graceful attributes but always based on the ancestral roots.On the other side, La Argentina had a perpetual musical and scenic interaction with avant-garde figures (Falla, García Lorca,Granados, Néstor de la Torre, Joaquín Nin…) and with mythical dancers like Vicente Escudero. She was a very importantartist in the Spanish culture. When she died (July 18. 1936) the international newspapers compared her to the Pavlova of theflamenco.

275 pages.



Jose Luis Navarro Garcia. Flamenco dance history I,II,III,IV,V

79.95 €115.14 USD

Pack of 5 volumes of flamenco dance History by Jose Luis Navarro Garcia. Flamenco dance is the mixed race son of amulticultural union. The enriched fruit of three people especially talented for music and dance: “Andalusia”. The people fromAndalusia have participated with more “salt”, more freshness, grace, elegance and mischief; the gypsies have strongcharacter and the sense of interpretation; the blacks, with dances that, since the XV century, came from Caribbean islands,the sensuality of the way they sway the hips, the forwardness of the feints and its binary rhythms. All brought the best oftheir culture and of their dance, and contributed to the birth of the “creature”. Without the fraternal participation of thegypsies and andalusians, today it will exist gypsy’s dances and andalusian dances but none of them would have the beautyof our flamenco. An open and free dialogue without any prejudice between andalusian and “Calé” in which participated blackpeople who arrived in our costs. This dialogue benefited prejudice t all the interlocutors and the dance itself. Thanks to it, wefused all styles and we stored up the steps. It became every time richer and the dance patrimony of each generation handeddown to the other one. After, around the middle of the XIX century, all the richness stored up started to crystallize. Andsomething new and different came: flamenco. Since then, this dance didn’t stop to grow up until reaching universal fameand prestige.

ArtistsJose Luis Navarro Garcia


Flamenco Dance History Vol. I by José Luis Navarro Garcia

20.00 €28.81 USD

Flamenco Dance History Vol. 1 by José Luis Navarro Garcia.

First volume of an extraordinary investigation work revealing the gears of the flamenco dance. Mixed race son born from acultural wedding between three races: Andalusian, Gipsies and Africans. A dance growing and enriching, prestigious.

462 pages.



Flamenco Dance History Vol. II by José Luis Navarro Garcia

20.00 €28.81 USD


Second volume of an extraordinary investigation work revealing the gears of the flamenco dance. Mixed race son born froma cultural wedding between three races: Andalusian, Gipsies and Africans. A dance growing and enriching, prestigious.

350 pages.



Flamenco Dance History Vol. III by José Luis Navarro Garcia

20.00 €28.81 USD


In this third volume, we cover the 70’s of the last century and we work on artsists as Salvador Távora, Mario Maya, JoséGranero, Pilar López, Antonio Gades, María Rosa, Rafael de Córdova, Manuela Vargas, Merche Esmeralda, Cristina Hoyos…

314 pages



Flamenco Dance History Vol. IV by José Luis Navarro Garcia

20.00 €28.81 USD


Flamenco dance is the mixed race son of a multicultural union. The enriched fruit of three people especially talented formusic and dance: Andalusia, Gypsies and Blacks. People and cultures which met on the same site: Andalusia.

288 pages.



Flamenco Dance History Vol. V by José Luis Navarro Garcia

20.00 €28.81 USD


In this fifth volume we review the artists who started their career in the XXI century. Fifth and last book of an excellentinvestigation work: “Flamenco dance History”. We reveal the secrets of flamenco dance, the mixed race son of amulticultural union between three people talented for music. With this last volume, the publishing firm closes the collectionand sells it in a pack in which we incorporate the previous volumes.

340 pages.



Flamenco... All you wanted to know. Book

21.00 €30.25 USD

Only available in English.

This landmark historical text delivers the goods promised in its title. It does not address flamenco dance whatsoever,focusing instead on flamenco song forms with a special chapter devoted to the role of the guitar. Includes Spanish lyrics fordozens of flamenco songs along with English translations and interpretive notes, a glossary of flamenco terminology, plus arecommended bibliography and discography are also provided. Informal in its demeanor, this carefully researched, insightfulbook will help you develop a deeper appreciation for the flamboyant art of flamenco.128 páginas.

Contents:

Introduction 1 - What is Flamenco? 2 - A big pink bird? 3 - How deep is deep? 4 - Who invented Flamenco?


5 - Who sings Flamenco 6 - "Time carries in its shawl, my truths" 7 - What´sthe gypsy´s story? 8 - Are they improvising? 9 - Growing pains, flamenco´s adolescence 10- Flamenco guitar or spanish guitar 11- Who were the famous flamenco guitarrist? 12- What the Duende? 13- What is Flamenco fusion? 14- Why are people shouting at them when they sing? 15- Patriarchs for a new millenium Glossary of flamenco terms Recommended listening


Como en pocos lugares. Noticias del flamenco en Barcelona de Francisco Hidalgo Gómez

10.00 €14.41 USD

Francisco Hidalgo has written -and demonstrated- that "Cataluña and more concretly Barcelona, has been for more than onecentury one of the enclaves where the Andalusian Art has had one notable difusión out of his Andalusian environment". Thisbook is an investigation on the birth and bloom of this art in Cataluña.

In this work its' author re-lives the most fruitful epoch of this art so singularly joined to life. Across its pages the legendaryCoffee Singers return to open their doors, we feel again the beating of the most mythical figures and take part of the beautyand the art that reached insuperable quotas in the streets and places of Barcelona.

216 pág.

ArtistsFrancisco Hidalgo Gomez


De Estética Flamenca by Agustín Gómez

10.00 €14.41 USD

The book speaks about the origins of flamenco, about its relation with the cultural movements and with the plastic arts, withthe bullfighting and with the big poets like García Lorca or the great musicians as Manuel de Falla, speech of the cyclicalevolution of flamenco and about how through flamenco, historical reality and the social injustice are expressing, it alsospeaks about Franconeti, the Breva, the marchenismo, Manolo Sanlúcar, Moreno Galván etc, with quite a scientist's criterionand a passion of whom can taste the Flamenco art.

Lucid and brave analysis of the contributions that have been done to this art by the big figures of sings.It also peels thedetours and mixtificaciones that has suffered and suffers this singular art. From Manolo Caracol up to La Niña de los Peines,from Lorca to Falla, cleared of topics, all the big figures are valued on their just term and criticized for their mistakes. Anindispensable aesthetic and vital guide for whom wants to submerge in the kingdom of the duende.

232 págs.

Artists


Agustin Gomez


La comedia Flamenca by Eugenio Cobo

9.00 €12.97 USD

La comedia flamenca extracts all the literary and vital influences that appear in the comedies written in spanish in thesecond half of the XIX century and the first half of the XXth. The book is full of quotes which express the whole Andalusianwittiness and the customs in general of Spain during the romantic epoch.

The book consists on four chapters: 1 Origins of the Andalusian gipsy theatre (1842-1874) and in it alludes to the work of sixcomediógrafos. 2 The restoration (1875-1900). This epoch, with 14 authors is the most prolific and in it flamencoimpregnates most of the written comedies. 3 End of Century and Belle Époque. Perhaps the epoch in which thecomediógrafos reach the zenith of the quality with authors such as Pedro Muñoz Seca, Carlos Arniches etc… 4 TheAndalusian gipsy Opera (1922-36).Thanks to La comedia flamenca of Eugenio Cobo this world of flamenco that was dozingfragmented among forgotten shelves, recovers force and what till now were vague suppositions appears suddenly withnames, dates, anecdotes and this halo of life that leak the recovered fragments. A part of our history returns to flutter againbetween these pages.

176 págs.



Sebastía Gasch: el flamenco y Barcelona de Francisco Hidalgo Gómez

9.00 €12.97 USD

The decade of the twenties and the first one of the thirties of this century is specially active for flamenco in the Condal City.Exceptional witness of the epoch is Sebastiá Gasch, who, across his articles describes this epoch of brilliance.

In this work Francisco Hidalgo reconstructs the steps of Sebastià Gash, this impenitent sleepwalker and recreates hisexperiences and thoughts. Thus he opens the window for us to an intense epoch that marked flamenco’s destiny forever.

140 págs.

ArtistsFrancisco Hidalgo Gomez


Mariemma: Mis caminos a través de la danza

28.40 €40.9 USD

Written by Mariemma. Paperback in Spanish, 20 by 26 cm; 449 pages long; Mariemma’s own artistic biography, as well as agreat commentary on Spanish Dance, a must, a huge gift for the acknowledgement of our dance.


Erotismo Y Humor En Las Coplas Flamencas

12.00 €17.29 USD

"Erotismo y humor en las coplas flamencas" (EHCF) contains more than 450 caps of condensed and time-proof humor. Thecombination of AC (Alusiones Cornamentales), CV (Calebturas Varias) and HAC (Humor Altamente Cáustico) make of thisbook an effective medicine against all kinds of psychopathologies: pre-matrimonial phobia, depressive conditions producedby the holidays virus, pre-divorce euphoria, lovers schizofrenia, persecution mania, etc.But you don't have to be completely crazy to feel the miraculous power coming from "Erotismo y humor en las coplasflamencas", it is enough to feel daily troubles: work allergy, love boredom, football dependence, television indigestion, antineighbourhood, business menopause...

168 pages


El flamenco y la música andalusí de Cristina Cruces

10.00 €14.41 USD

A deep study on the presence of the Arabic-Andalusian music in the Andalusian gipsy singing both in melodic aspects and inthe use of instruments. More than a hundred photographies and ancient engravings illustrate a book, exceeding the bordersof music, investigating the vital, literary and rhythmic affinities between the current flamenco and the andalusí music.

In this book the authoress explores some of the kinships of the andalusí music with flamenco, as an attempt of suggestingfacts in their structural and historical connections. The contents of the text, with abundant documentary notes and exposedin a divulgative way, move between the examination of flamenco’s own musical systems and the Arabic-Andalusian music,the influence of nubas, moaxajas, jarchas and zéjeles in flamenco, the study of the couplet, the execution, the transmissionand the instrumentation, an approximation to the dances, the festive expression and the role of the ethnic groups ofmoriscos and gypsies, and a last note about the ultimate meaning of the music that they share. Inheritances andcoincidences are revealed, helping to fill in this way the investigative emptiness that still exists in the comparative analysisof the musical systems and rituals of flamenco and arabic music. It is a fundamental text to reconstruct the Andalusianmusical culture.


140 págs.

ArtistsCristina Cruces


Sernita de Jerez. ¡Vamos a acordarnos!. La memoria cabal de su casta de José Manuel Gamboa

27.00 €38.89 USD

.Prologue by Diego Carrasco.

.Includes a CD with songs and unpublished pictures.

Jose Manuel Gamboa presents this fantastic biography about Sernita de Jerez, one of the fathers of the contemporaryflamenco singing.

They are some persons who were born in the right place but maybe out of their time. Sernita de Jerez was born in a pure,authentic territory, when poetry was experiencing hard times. During his adolescence he realized that the situation wasturning really bad, times of shotage were awaiting. Among his fellow-countryman, his generation he was an avant-gardistemigrant, claining his flamenco identity, always thinking about a wonderful world and trying to find solutions to the homeproblems, that was his first objective. Sernita travel all around the wrold singing. With Susana and José, with Antonio elBailarón... He arrived in Madrid and settled down. He will offer his best performances in Madrid. A real and traditional gipsyand father of a lot of artists. As a master he followed his own road, always loving his country, Andalusia. He was a pioneer,one of the fathers of the contemporary flamenco , even if he had no time to enjoy this situation. José Manuel Gamboa


expresses all these feelings along this touching, original and magical work where the feelings, the jokes and the stricnessblend together offering a refined reading.

276 pages.

ArtistsJose Manuel Gamboa


Guía comentada de música y baile preflamencos (1750-1808) de Faustino Núñez

35.00 €50.41 USD

A very meticulous study in which the author investigates in more than 3000 works of the XVIIIth century, the origin offlamenco. A work of something more than 800 pages and four years of incessant research in newspaper libraries have givenplace to the most rigorous study on the origin of flamenco.

The book comes to cover an emptiness on documentary information that exists on this crucial epoch, which will help tounderstand better the processes that gave place to the styles of sing, touch and Fleming dance as we know them today.

830 pages.

ArtistsFaustino Nunez


Tradición y experimentos en el baile flamenco: Rosa Montes y Alberto Alarcón

18.00 €25.93 USD

"Tradición y experimentos en el baile flamenco": Rosa Montes and Alberto Alarcón, an essay about the past and the future offlamenco.With an exceptional clarity Nadine Cordwinus synthesize the essential characteristics which configure the 3 pillars of theflamenco art through the history. Then she tries to analyse the present insisting on the dance. We will also find expertsopinions and we will find the significant example of the dancers Rosa Montes and Alberto Alarcón.

The Spanish readers have an idea of the external perception on the flamenco art and they notice the interest aboutflamenco in foreign countries.

180 pages.


The roots of the Mines Songs. Pedro Fernández Riquelme

12.00 €17.29 USD

In the fascinating world of the "Antonio Chacon - La Taranta

II Part. Flamenco and couplet in the region of Murcia.

III Part. Guierrita and the Lost Generation.

Only available in Spanish.


Cante de la minas. Notas a pie de festival (La Unión 2004-2007)de Francisco Hidalgo Gómez

16.00 €23.05 USD

"Cante de la minas. Notas a pie de festival (La Unión 2004-2007)" by Francisco Hidalgo Gómez.

Francisco Hidalgo summarize the history of the Festival "La Unión" and tells anecdotes about the last years. All the greatfigures of flamenco offered performances in this festival.

Paco Hidalgo is an expert of the flamenco current affairs. He offers personal moments of the Festival Internacional del Cantede las Minas out of his memories. He also leads us to the heart of the flamenco intra-history; it is very rare to find somedocuments about this subject in the flamenco litterature, even if this topic deserves a writing processing. Flamenco is notonly data collection and conscientious analysis but also a human art: experienced facts throughout the ages.


El Niño de Marchena. Book

7.90 €11.38 USD

''In el Niño de Marchena, with crystal clear purity of spring serrano, it’s the inexhaustible of the true andalusian songwithout the obstacles which make them small by including it in the small songbooks''. Like that, Manuel de Falla was talkingabout Pepe Marchena, whose life, art and songs are gathered in this facsimile of the first edition of the collection ''Figures ofthe andalusian style of singing'' printed in 1930, compiled by the songwriter and poet from Granada Hermenegildo Montes.

El Niño de Marchena, the most keen artist and with greatest, stylistic and melodic extent of the flamenco music, the songwas enriched since the artistic fandango until the songs of there and back, going through the creation of the colombiana.They compile here fandanguillos, soleares, malagueñas, half granainas, guajiras and milongas that sang with the best of theandalusian style of singing as Canalejas de Puerto Real, Pepe Pinto or Rafael Farina.

Technical data of the facsimileCollection: Flamenco and andalusian folklore


ISBN: 978-84-96909-70-0Code: E04-00100Format: 130 X 200Pages: 70 (b/n)

Original workPrinter: Garrofé, DomingoPlace of impression: BarcelonaYear of edition: 1930Language: Spanish


New verses. Nuevas coplas

16.20 €23.33 USD

Narciso Díaz de Escoyar, erudite, dramatic author, poet, lawyer and journalist from Malaga, gathers in this work, printed forthe first time in Barcelona in 1917, a selection of his songs, mainly of malagueñas, peteneras, soleares, seguidillas,granadinas, percheleras and gitaneras that had best acceptance at that time: ''Those couplets I don’t know how they werewithin the reach of the public, not as a book form, but released, shooting from feast to feast and from the talk of the town''The copy gathers the opinions that the verses of Días de Escoyar deserve important figures of that time like Cánovas delCastillo, Miguel Echegaray, Canalejas or the brothers and sisters Alvarez Quintero.

Technical data of the facsimileCollection: Flamenco and andalousian folklore ISBN: 978-84-9862-088-7Code: E04-00059Format: 130 X 190Pages: 201 (b/n), 1 (color)


Original workPrinter: Bauza, BPlace of impression: BarcelonaYear of edition: 1917Language: Spanish


De cante grande y cante chico

11.60 €16.71 USD

The current facsimile collects the first edition of the well known work of 1926 "De cante grande y de cante chico" by JoséCarlos de Luna, industrial ingineer, Civil governor of Badajoz and Seville, collaborator of many national newspapers and,above all, a "costumbrista" poet, one of the most well-read and recited poets in castellano.Then he excelled at flamencology with works such as "El Cristo de los Gitanos" or "Café de Chinitas", and he became reallypopular with his poem "El Piyayo". He also was famous as a researcher with his work "Historia de Gibraltar". "The scenes and descriptions make up a complete exhibition of the Andalusian life, in the fresh air, in the road, driving thetreshing machine, looking at the Easter processions, near the crib, forging, in a tablao, in the mountains, in the countryhouse, in the patio, during the grape harvest, in the mountainous regions and in the depth of the mine." The aim of theauthor with the work "De cante grande y de cante chico" is " to instil a little bit of affection and respect" for the songflamenco. Therefore he develops a mentionned compilation about songs or poems, some written by his own and some byother authors. He gives a special place to the peteneras, soleares, seguirillas, saetas, martinetes, fandangos and sevillanas.


Technical data of the facsimileCollection: Flamenco and Andalusian folkloreISBN: 978-84-9862-085-6 Code: E04-00044Format: 130 X 200Pages: 130 (b/n)

Original workPrinter: Talleres VoluntadPlace of impression: MadridYear of edition: 1926Language: Spanish


Very new songbook erotic-sentimental and flamenco.Book

9.50 €13.69 USD

The current facsimile collects the very Novice songbook erótic-sentimental and flamenco of Juan Manuel Villén, a completesynopsis of malagueñas, peteneras, rondeñas, soleares and fandangos. ''Many centuries ago, they have been writing andpublishing; there is no thinking, thought, accident neither possible success in the human life that have not been described insongs by the way of seguidillas, or verses of other kind. Nevertheless, maybe we can find something new in my songbook,because, a time ago, I have been moving my impressions to paper according to what have occurred or the events that havelet them possible. So, many of the couplets or their series have a completely historic character''. In this very curious work of1887, the author as well as compiling a great number of songs where he gathers the feeling of that period, he also includeda brief dictionary of words commonly used by the gypsies. Technical data of the facsimileCollection: Flamenco and andalusian folklore


ISBN: 978-84-96909-42-7 Code: E04-00045Format: 100 X 160Pages: 102 (b/n)

Original workPlace of impression: SevilleYear of edition: 1887Language: Spanish


Collection of flamenco singing

19.50 €28.09 USD

Antonio Macahado Alvarez, ''Demófilo'' (Santiago de Compostela, 1848-Sevilla, 1893), writer, anthropologist and spanishfolklorist of the 68 Generation. Son of Antonio Machado Nuñez, well-known politician and andalusian scientist, and father ofthe poets Antonio and Manuel Machado, he was without a doubt one of the main intellectuals of the second half of the XIXcentury in Andalusia and the most brilliant exponent of the scientific study of the flamenco. His collection of flamencosinging printed for the first time in Sevilla in 1881, edition that we gather here, would suppose an milestone in the history ofthe study of this song, being the first approximation rigorously anthropologist of the matter. The second edition, printed in1887 with the title of ‘’Flamenco singing’’ and also published in facsimile format by Extramuros Edition, it will be anapproach less technique and more popular to this work strictly flamenco, to the first anthropology of this poetic expression,

The work is about the origin of the different songs, compiling the lyrics of soleares of three or four verses, gypsies seguiriyas,polos, cañas, martinetes, tonás, livianas, deblas and peteneras.

''Demófilo'' was acted as consultant during its working out, its well-known work, to the best-nknown singers Juanelo de Jerezand Franconetti; to this last one we would add to this edition a biography and a compilation of songs, just as a list offlamenco singers through Andalusian localities. The Machado work was and continue to be the basis on which important partof the bibliography linked to flamenco is constructed and one of the indispensable sources to study and enjoy this art.


Technical data of the facsimile Collection: Flamenco and andalusian folfklore.ISBN: 978-84-9862-101-3Code: E04-00370Format: 120 X 165Pages: 238 (b/n)

Original workPrinter: Printing and lithography of El Porvenir.Place of printing: SevillaYear of edition: 1881Language: Spanish


''Crotalogía'' science of the castanets

13.10 €18.87 USD

This curious argument is, more than a method of the art of the castanets, a scientific-philosophical treatise camouflaged,loaded of a very fine irony against what at that time meant the ‘’Cañí Spain’’. The fundamentals notions of the ‘’Crotalogía’’or science of the castanets, the description and construction of these ones or the exclusive method and easy to learn how toplay this instrument in the self-taught way hint at the biting and sharp satire of the author. This facsimile reproduces theedition of the Royal Printing, printed in Madrid in 1792.

Technical data of the facsimileCollection: Flamenco and andalusian folklore.ISBN: 978-84-96909-36-6Code: E04-00022Format: 115 X 155Pages: 114 (b/n)Original workPrinter: Royal prnintingPlace of impression: MadridYear of edition: 1792


Language: Spanish


The castanets. Book

8.90 €12.82 USD

Francisco Asenjo Barbieri (Madrid, 1823-1894), composer considered father of the Zarzuela and precursor of the musicallanguage authentically Spanish. He played instruments as clarinet and piano.

Choir conductor and orchestra, founder of different musical and cultural associations, among them the musical Spain, theConcerts Society and the Book lovers Society, publisher, critic, researcher, historian and essayist, belonged to San FernandoAcademy and to the one of the Language and reached to compose more than 60 zarzuelas. Excellent composer, well-knownconductor and tireless musicologist, he was responsible in the recovery of the musical heritage of his fatherland.

To the castanets, the only thing to do is to tie them to the fingers. Sinking well the teeth into the cords to tighten the pin,and start playing them, without amending in trifle, although yes in castanets. So, reader play them and I will be happy thatyou have a good time.

Technical data of the facsimileCollection: Flamenco and andalusian folklore


ISBN: 978-84-96784-59-8Code: E04-00184Format: 120 X 175Pages: 40 (b/n)

Original work: Printer: Aribau and Cia ( successors of Rivadeneyra)Place of impression: MadridYear of edition: 1878Language: Spanish


The cante jondo. Gypsy Siguiriyas , soleares et soleariyas

12.20 €17.57 USD

For the first time they publish in facsimile the work printed in 1922. The andalusian style of singing. Gypsy siguiriyas,soleares and soleariyas, written by Gabriel María Vergara, professor of geography and history who showed a special interestin recovering and compiling proverbs and folk singing, that he himself defines as clear demonstrations of the traditionalwisdom.

Amongst the multiple folk songs of the beautiful Andalusia, the so-called andalusian style of singing stands out, which is notto be mistaken with flamenco, for having one or other distinctive characters very marked, while the typical song of this oneis rondeña, and belongs to it, amongst others, the one of Málaga and the one of Granada, the characteristic song of that oneis gypsy siguiriya, and contribute to make up the soleares, soleariyas, carcelares, marrtinetes, polos and cañas, formingamongst all these different kind of songs a special group, sui generic, so-called andalusian style of singing, which is typicalof the gypsies’’ In this present volume of Gabriel María Vergara collects many songs extracted form different classical workson the subject, just as from the oral tradition of Andalusia.


Technical data of the facsimile Collection: Flamenco and andalusian folklore.ISBN: 978-84-9862-086-3Code:E0400049 Format: 120 X 180Pages: 142 (b/n)Original work Printer: Hermando, Successors of Place of impression: MadridYear of edition: 1922Language: Spanish.


Figures of flamenco singing. Paco el Americano

7.90 €11.38 USD

Bruno de Perinat compiles in this work, which first edition we reproduce an unpublished repertoire of verses written to besung by Paco ''El Americano' remarkable figure of flamenco of the XXth century for his nice voice, of tone and soft and withenergy gestures. The copy which contains an autograph of the artist dedicated to his readers gather an interview of thesinger where he narrates his beginnings, anecdotes and his way to understand the art, with his most representative songs asthread to follow and the collection of fandangos, granadinas, soleares and guajiras.

Technical data of the facsimileCollection: Flamenco and andalucian folklore.ISBN: 978-84-96909-66-3Code: E04-00088Format: 130 X 190Pages: 54 (b/n)

Original work


Printer: Sánchez,MPlace of impresion: SevilleYear of edition: 2007Language: Spanish.


Figures of flamenco singing. La Niña de los Peines. The Cuyanos

7.90 €11.38 USD

For the first time, they publish in facsimile format the work ‘’Figures of the flamenco singing’’: La Niña de los Peines, LosCuyanos, compilation of fandangos, seguiriyas gitanas, tarantas and soleares of Pastora María Pavón Cruz, considered themost outstanding songwriter of all the time, and tangos, valses and zambas of the famous musical duet from Argentine LosCuyanos. The text forms part of the collection ‘’Figures of the flamenco singing’’ which titles as Canalejas, Paco el Americanoor Pepe Pinto, husband of la Niña de los Peines belong to. They are also published by Extramuros Edition.

Technical data of facsimileCollection: Flamenco and andalusian folkloreISBN: 978-84-96909-67-0 Code: E04-00090Format: 120 X 175Pages: 70 (b/n)

Original workPrinter: printing Bergali


Place of printing: SevilleYear of edition: 2007Language: Spanish

ArtistsLa Nina de los peines


Figures of Flamenco singing.Pepe Pinto

7.90 €11.38 USD

This facsimile contains the first edition of the publication homage paid to the member of the avant -garde of flamencosinging Pepe Pinto, artistic name José Torres Garzón, of exquisite sensitivity and figure of the flamenco golden period, thatwith its incomparable art, he knew to transform the mature esthetic of the old flamenco singing. Great expert andinterpreter of the quality of all the styles, with a nice voice and well gifted for the singing of every flamenco style, Pepe Pintoreaped discographic successes, the same like his wife, la Niña de los Peines, one of the best singers the flamenco singinghas ever had.

The work offers a revision of the career and the life of the songwriter, the only creator of the fandanguillo, sentimental,well-known by his public, and a compilation of fandanguillo, tarantas, medias granadinas, milongas, guajiras, soleares androndeñas.

Technical data of the facsimileCollection: Flamenco and andalucian folklore ISBN: 978-84-96909-68-7Code: E04-00094Format: 120 X 160Pages: 70 (b/n)


Original workYear of edition: 2007Language: Spanish


Figures of Cante Jondo- Juan Pérez Sánchez ''Canalejas''

7.90 €11.38 USD

Capital figure of the flamenca opera, the songwriter gaditano Juan Pérez Sánchez ''Canalejas' is paid homage in this work,first edition of the figure collection of cante jondo, not only for his triumph but also for recovering the health after a caraccident. Its large repertoire consists of fandanguillos, malagueñas, campanilleros, tarantas, soleares and gypsy seguiriyascomposed by Canalejas himself, ''great artist with clear diction'', and by remarkable songwriters as Santiago Ibero, RafaelLeon, Francisco Muñoz ''Currito'' o Serafín and Joaquín Álvarez Quintero.

Cádiz and all its ports/bless Canalejas name/because of the greatest art/It was carrying it already in the blood/for the worldpride/and for the whole Cádiz./Puerto Real will always remind you/ you carried your name so far/that will neverforget. Technical specifications of facsimileCollection: Andalucian Flamenco and folclore.ISBN: 978-84-96909-69-4Code: E04-00096Format: 120 X 160Pages: 72(b/n)

Original work


Printer: Printing works BergaliPlace of impression: SevillaYear of edition:Language: Spanish


Great book of Guitar - Book

10.00 €14.41 USD

The guitar is a fascinating instrument. This book is about guitar, its origins, the different models and its practical use.Learn how to play guitar is the wish of many people. But to study in depth the knowledge of singing of scales which isconsidered an obstacle. Fortunately, there are methods to learn how to play the guitar through graphic chords or score innumbers.This book is about guitar, its origins, the different models and advices on maintenance. Pay special attention to the electricguitar which has succeeded in being an instrument of the reach of all and which is adapted perfectly to our digital era.Let set the first standards and start playing with self- confidence songs well known accompanied of chord and we explain thebasic techniques of the guitarist.

Level: elementaryDiffusion: NationalOrigin: SpainPublication date: 2007Language/support: spanishPages: 193Format: 23 X 31 Cm


Short encyclopedia of flamenco - Jose Maria Esteban

14.90 €21.46 USD

The flamenco dancing is son of how many cultures which have had by proper plot andalusian home and how many forms tounderstand the dancing here which have flourished and prospered. It's the fruit of many mixtures. An so impure heritageand beautiful. From the deepest of the ``jondo'' song and from the historical roots of a tradition more and more alive. Short encyclopediaof flamenco collects the most relevant aspects of an art which was born in Andalusia, but which has become universal. The characters of song, of dancing and of tap are the main characters of these pages, through an art which tries to befaithful to its style and conserves its purity, The Flamenco. In this work, the reader will find all the most important references about the flamenco world: Ministeries of flamencoThe routes of flamencoLights and shades of an art.The keys of the flamenco songStyles or the rhythmic patterns of flamencoRemarkable charactersThe tap: Chano Domínguez, Habichuela, Manolo Sanlúcar, Paco de Lucía, Raimundo Amador, Tomatito and other greatfigures of tap.The dancing: Antonio Canales, Antonio Gades, Carmen Cortés, Cristina Hoyos, Eva la Hierbabuena, Joaquín Cortés, SaraBaras…The song: Antonio Chacón, Camarón de la Isla, El Pescaílla, Estrella Morente, Fosforito, La Niña de los Peines, ManoloCaracol…Festivals, Fairs and discography. Contents


Historic influences (Ministeries, etymology, traces…)Historic outlineStyles or rhythmic patterns of flamenco (The song, the dancing and the rhythmic patterns)Remarkable charactersInstrumentsAppendix

256 pagesBinding: cardboarded.Size: 20 X 27Language: SpanishIllustration in colour.


"50 años de flamencología" José Blas Vega

37.00 €53.29 USD

"50 Años de Flamencología", the final result of a whole professional path. The author is a formidable researcher, editor andspeaker. All his works are an obliged reference to understand the flamenco, the "cante", dance and guitar history. The bookis made of 500 pages and contains around 150 engravings, pictures, paintings and old posters coming from his vast archives:a magnificient graphical reflection of the varied aspects of this flamenco exciting world.


Flamenco rythm and singing method by Curro Cueto - Book+CD

24.95 €35.94 USD

This book-CD isn't only for those who want to learn flamenco singing; it's also for guitarists who want to accompany singingand who therefore must know flamenco songs. And since it consists of rhythmic exercises, it's also of great interest topercussionists. And of course for all those who want to understand singing and flamenco rhythms.

Through 58 rhythmic exercises based on hands beating the legs, palms and foot, and in some cases supported by vocalssounds, students (with the practice) will familiarize with the Flamenco rhythm.

Regarding the singing, there are exercises that will allow warming and to know the voice of the student, and preparatoryexercises for different flamenco styles as well. Also included 6 themes interpreted with singing and without singing, and thenstudents can put the voice.

With this CD-book are studied different flamenco rhythms, which can be divided into different regions.

Region 1 - Cantiñas Alegrías, Caracoles, Mirabrás, etc.Region 2 - Soleá de Alcalá, de Triana, Soleá por Bulerías, etc.Region 3 - Bulerías de Jerez, de Lebrija, Jaleos, etc.Region 4 - Tangos de Granada, Extremeños, Tientos, etc.Region 5 - Fragua Deblas, Toná, Martinete, Seguirillas, Cabales, etc.

The CD includes much of the exercises explained in the book as well as themes interpreted both singing, as without singing.

Spanish, English, French, German and Japanese Alemán y Japonés76 Pages

Original idea: Curro Cueto y José Manuel MontoyaClapping and Singing: Curro CuetoGuitar: José Manuel Montoya

Content:


IntroductionFlamenco rhythmic patterns (compás)PositionFlamenco compás exercisesMachiavellian ExercisesSubdivision ExercisesPreparation exercises for singing AlegríasPreparatory exercises for singing Soleá por BuleríasPreparatory exercises for singing SoleáPreparatory exercises for BuleríasPreparatory exercises for TangosSubdivisionsLos cantes de FraguaKnow your voiceAlegríasSoleá por BuleríasSoleáBuleríasTangosSeguirillas

ArtistsCurro


Flamenco music theory - Lola Fernández

24.00 €34.57 USD

Languages: Spanish - English - French

Three available languages for this book: spanish, french and english.Flamenco is not just about music, but it is, above all else, music. Flamenco music is a unique and pure art form with anunusual degree of artistic wealth and musical complexity. "Flamenco Music Theory" is an analysis of the specific elementsrelated to its expression: form, rhythm, melody and harmony. This classical approach to analysis, theory and notationprovides musicians with familiar tools and terminology for a more detailed study of flamenco music. Flamenco musicians willfind this book helpful for gaining further insight into their art form. Composers and artists from other musical genres canbecome familiar with flamenco by learning more about its musical elements, while students in music schools andconservatories will find "Flamenco Music Theory" useful as a textbook for further study.

Author: Lola Fernández

Format 17x24, 140 Pages


ArtistsLola Fernandez

Product details:


Luis de la Pica, The silent goblin (BOOK + CD)

19.95 €28.73 USD

Songs: Disc 1 1. Soleares 2. Bulerías 3. Tangos 4. Alegrías 5. Bulerías 6. Bulería por Soleá 7. Fandangos 8. Alegrías 9. Soleares 10. Bulerías

The flamenco singer presents a new cd with a book "Luis de Pica, The silent goblin."Autobiographic book, it contains interviews of well known artists and the lyrics of the songs that are included in this cd andmore. It also includes infromation about the recording: guitar players, dates and places.Contains 126 pages.

CD contents1. Soleares 2. Bulerías 3. Tangos 4. Alegrías 5. Bulerías 6. Bulería por Soleá 7. Fandangos 8. Alegrías 9. Soleares 10. Bulerías

Palos:Bulerias - Alegrias - Buleria por solea - Fandangos - Soleares - Tangos

ArtistsLuis de la Pica


The healthy guitarist - Spanish Version

28.00 €40.33 USD

Spanish version.

FOR GUITARISTS OF ALL STYLES (CLASSICAL, FLAMENCO, JAZZ, ROCK, POP and more).

This book provides a clear description of the fundamental principles behind what goes on in a guitarist’s body, helping you todevelop a healthy technique and to make the most of your playing. Answers to typical technical problems are given alongwith tips and exercises to enhance your fitness and players are also taught how to recognise and therefore prevent the mostcommon injuries caused by poor technique.

BASIC ANATOMY AND BIOMECHANICS FOR GUITARISTS - Passive mechanical parts - Active mechanical parts - And conducting it all… the nervous system - The physiology of movement - Basic biomechanics


THE MECHANICAL DEMANDS OF PLAYING THE GUITAR - Posture analysis: balance - Sitting down with your guitar - Hand position - Movement: main mechanical demands - Learning movements

GUITAR-RELATED INJURIES - Risk factors - Main disorders: causes and symptoms Making the most of your study time: - Keys to prevention: Recommended activities - APPENDIX I: Specific exercises for guitarists - APPENDIX II: planning your practice sessions

Author: Virginia Azagra

Format A4, 110 Pages


The healthy guitarist - English Version

32.00 €46.09 USD

English version.

FOR GUITARISTS OF ALL STYLES (CLASSICAL, FLAMENCO, JAZZ, ROCK, POP and more).

This book provides a clear description of the fundamental principles behind what goes on in a guitarist’s body, helping you todevelop a healthy technique and to make the most of your playing. Answers to typical technical problems are given alongwith tips and exercises to enhance your fitness and players are also taught how to recognise and therefore prevent the mostcommon injuries caused by poor technique.

BASIC ANATOMY AND BIOMECHANICS FOR GUITARISTS - Passive mechanical parts - Active mechanical parts - And conducting it all… the nervous system - The physiology of movement - Basic biomechanics


THE MECHANICAL DEMANDS OF PLAYING THE GUITAR - Posture analysis: balance - Sitting down with your guitar - Hand position - Movement: main mechanical demands - Learning movements

GUITAR-RELATED INJURIES - Risk factors - Main disorders: causes and symptoms Making the most of your study time: - Keys to prevention: Recommended activities - APPENDIX I: Specific exercises for guitarists - APPENDIX II: planning your practice sessions

Author: Virginia Azagra

Format A4, 110 Pages


Antonio Gades

42.00 €60.49 USD

Antonio Gades, from Alicante, book with more than 300 pages, a tribute to his life and artistic work, accross some pictures,that Gades has left to his foundation a few month before his deatgh.You will find, among others, pictures of Colita, Antonio Cores and Pepe Lamarca.

"I began to dance by chance and I was lucky because I found the best teacher, Pilar López." Antonio Gades (November 14, 1936 - July 20, 2004) was a Spanish flamenco dancer and choreographer (born Antonio EsteveRódenas in Elda, Land of Valencia). He helped to popularise the art form on the international stage. His most notable worksincluded dance adaptations of Prosper Merimée's Carmen and Federico García Lorca's Blood Wedding (Bodas de Sangre), aswell as a feature-length adaptation of Manuel de Falla's 23-minute ballet El Amor Brujo. In the 1990s, he toured the worldwith his show Fuenteovejuna based on Lope de Vega's play of the same name. He collaborated closely with the Spanishdirector Carlos Saura in the filming of his such adaptations, and also with Cristina Hoyos, one of the most prolificcontemporary female flamenco dancers.

Gades has also co-founded and became the artistic director of the Spanish National Ballet (Ballet Nacional de España) in1978. He died in Madrid after a long battle with cancer.

The book structure is divided in three parts: the man, the artist and his work.

Measurements: 32 cm. X 24 cm.


Understanding Flamenco : Faustino Núñez

25.15 €36.22 USD

Language: Spanish - English - German

Book-plus-CD that contains the keys to understanding flamenco and its music: the rhythms and 'palmas' of all the styles, theflamenco guitar chords... In the recording there are explanations of: The modal rhythm of each style, with exercises to teachyou flamenco clapping.The flamenco guitar chords and the keys for accompanying both the song and dance. The mainnovelty of this CD is that the explanations of the compás and the guitar, as well as the exercises, can be heardsimultaneously with the music.The book serves as a guide to better understand the explanations on the recording. The book, which is 66 pages long, is useful as a guidebook to understand the explanations included in the CD better.

This book contains explanations in 3 languages: Spanish, German and English.


Rosario. Aquella danza española.

22.65 €32.62 USD

Written by Rafael Salama Benarroch. Hardback in Spanish, 25.5 by 50.5 cm; 124 page long, for over 40 years this Sevilliandancer was acclaimed in the best theatres in the world, first coupled with Antonio Ruiz and later in solo. The author fills animportant void in the study of dance through his many conversations with the artist herself and being given full access toher own personal scrapbook.


Tratado de bailes

6.25 €9.01 USD

Written by José Otero.240 pages. Reproduction of the original book written in 1912, explaining with photos the age and withscores the general dancing knowledge. Paperback 14,5x21,5cm.


La Danza Española

5.05 €7.28 USD

Written by Trini Borrul. Hardback in Spanish, 12 by 16 cm; 143 page long, an historic account of Spanish Dance by regions,dance steps and choreographies. 250grams.


Nueva savia del flamenco. Fotografías - Paco Sánchez

25.65 €36.94 USD

Book of digital pictures in color of young figures of the flamenco art. Dimensions: 28 x 60 centimeters. 140 pages. 60 photographies.


Retratos del flamenco - Paco Sanchez

30.45 €43.86 USD

Hard cover. More than 150 black and white photographs of the best flamenco artistIn this book, Paco Sánchez displays the portraits of the most famous artists in contemporary flamenco. This collection ismade up by 100 photographs of artists who have had their picture taken before or after their performances. The sets for thepictures have been their dressing rooms, waiting rooms or corridors. As for the lighting, it is made up of simple fluorescentcajas de luz (lit. light boxes, comprising a fluorescent tube behind a translucent screen, used to view negatives or slides),designed by the author. The collection also includes pictures of deceased figures of flamenco. Pages: 148


Guia Libre del Flamenco

20.15 €29.02 USD

Written by José Manuel Gamboa. Paperback in Spanish, 17 by 23 cm; 454 pages long, a directory and several indexes ofmusicians, saints’ days and professionals.


El Baile Flamenco

11.05 €15.92 USD

Written by Angeles Arranz del Barrio. Paperback in Spanish, 15 by 21 cm; 254 pages on the basic historic notions tounderstand and get to grips with the traditional andalucian style dances and all channels of expressions in Flamenco,through the minds of the cantaor and the guitarist.


Flamenco percussion (Book + CD)Nan Mercader

18.75 €27.01 USD

Year 2000. 63 pages.For the first time, all of the flamenco palos (forms) are analysed from a strictly rhythmic and musical perspective. It is thefirst complete method that includes cajón (box-drum) and tinaja. It also includes several ideas for congas, bongos, batadrums and drums. All of the basic forms of hand clapping for bulerías, tangos, soleás, rumbas tanguillos, fandangos, guajiras,etc., are covered. You don´t have to read music to follow it, as all the exercises and rhythms are on the CD.


Carmen Amaya

15.75 €22.69 USD

Written by Francisco Hidalgo Gomez. A 227-page biography of Carmen Amaya.


Así canta y baila Andalucia

17.15 €24.7 USD

Written by Pepa Guerra. Paperback in Spanish, 16.5 by 24 cm; 229 page long, from town to town, a complete guide tocostume, dance and songs with sheet music included, from all Andalucia.


El Baile Flamenco (Angel Alvarez)

37.25 €53.65 USD

Written by Angel Alvarez Caballero. Hardback in Spanish, 17.5 by 25 cm; 410 pages with many photos and prints, a verythorough pass all round history of flamenco from its origins, the very old style, the singing cafes, Granada and the zambras,the theatre cycle.


Camarón , se rompió el quejío.

13.25 €19.09 USD

Written by Andrés Rodríguez Sánchez132 pages. it is the story of a man who was born singing. he knew how to invoke the goblin, he was the first one to loveflamenco and his early death united gipsys and non-gispys.Paperback 17x24 cm


Plaza Abierta 2003 - Guia de Flamenco

19.95 €28.73 USD

'PlazaAbierta' is an annual Guide of Flamenco, the only complete one, with all the information of flamenco and itsinternational surroundings, for a professional use overall. Its characteristics give it an important commercial interest,because each firm or artist that desires to organize whatever event, can find the resources and the contacts that issearching for: human, technical and of organization ones. Therefore a part of the Guide will result interesting also for people deeply fond of flamenco for its services and advices thatlet you discover the most genuine taste of this so special world that is flamenco. This section will be published in English andin Spanish.'PlazaAbierta' is a book of 340 pages and is distributed in the bookshops in Spain, France, Germany, Austria, Suisse and USA.The printing of 10.000 copies locates the work at the first place of distribution for quantity among all the actual publications.



books

Documents

Catalogue produced on 11/04/2011 o DVD · El Traje de Flamenca por Rosa María Martínez Moreno ... Pack of 5 volumes of flamenco dance History by Jose Luis Navarro Garcia. Flamenco