CASA RICORDI COMPOSERS

CASA RICORDI COMPOSERS

The Young Generation

RICORDI

CASA RICORDIUniversal Music Publishing ClassicalPromotion DepartmentPhone + 39 802828 12Email [email protected] B. Crespi, 19 - AREA MAC 420159 Milano, Italywww.ricordi.com

Traduzioni - Translations: John Rugman

Editing: Annamaria Macchi – Erica D’Auria

Graphic designer: Bruno Rossi

Copyright @ 2017 Casa Ricordi SrlTutti i diritti riservati – All rights reserved Stampato in Italia – Printed in Italy

Photo credits:

Gianluca Moro (Francesco Antonioni) – Alessandra Saccà (Emanuele Casale) – Carlo Baroni (Matteo Franceschini) -Roselyne Titaud (Mauro Lanza) – Guido Suardi (Marco Momi) – Florian Léger (Lorenzo Pagliei) – Jean Radel(Francesca Verunelli)

L’editore è a disposizione degli aventi diritto che non è stato possibile contattareThe publisher remains at the disposal of copyright owners who could not be contacted.

This publication was conceived as a way to focus attention on a group ofyoung composers, all of whom are published by CASA RICORDI.We’ve chosen the youngest – those born after 1970.Besides a brief bio of each composer, we’ve also included lists of a selectionof their works.

For more information on these composers and their works, contact:

Annamaria Macchi, Promotion Manager CASA [email protected]

141339

FrancescoAntonioni(1971)

Ballata (2008) for eight strings 3 vl, 2 vle, 2 vc, dbDuration: 18’

Da cosa nasce cosa. Un omaggio aBruno Munari (2015)for six instruments fl, cl, vl, vc, perc, pianoDuration: 8’

Due colori, nella notte (2011)for ensemble in echo fl, cl, bcl, 2 hn, 2 vl, vla, vc, dbDuration: 8’

Gli occhi che si fermano (2009)for orchestra picc 2.2.2.2. / 4.2.3.0. / timp, perc /stringsDuration: 8’

Nostro mare (2015)Cinque brevi scene for smallorchestra 2.2.2.2. / 2.1.0.0. / timp, perc /strings (min. 8.6.4.4.2.)Duration: 13’

Francesco Antonioni was born in 1971, into afamily of musicians. At conservatory he ma-

jored in piano and composition. He studied underAzio Corghi at the Santa Cecilia National Aca -demy in Rome, where he earned a master’s de-gree in composition. He went on receive a QueenElizabeth the Queen Mother scholarship, andstudied under Julian Anderson and George Ben-jamin at the Royal College of Music in London,where he also won the Marjorie and DorothyWhyte Memorial Award. His music, always ap-preciated for its originality and independence,has been performed by major orchestras and fes-tivals, including the Santa Cecilia NationalAcademy, Ensemble Modern, the BirminghamContemporary Music Group, the Venice Bien-nale, the Albany Symphony Orchestra. He hasreceived commissions from prestigious institu-tions and musicians, including his mentors,George Benjamin and Hans Werner Henze, forwhom he worked as composing assistant forthree years. His music often originates from in-tellectual curiosity and cultural investigations,spanning from meditation on post-modern cul-ture to a confrontation between a southern Italianfolk song and 14th-century polyphony.

http://www.francescoantonioni.com/

Selection from hiscatalogue

3

141688

Zeno Baldi

Zeno Baldi(1988)

Bonsai (2017)for ensemblefl, cl, perc, nord drum 2, vl, vla, vc,dbDuration: 10’

Klangsauger (2015)for pipe organ with drawknobsDuration: 7’

Mimo (2014)for five instrumentscl, prepared piano, vl, vla, vcDuration: 10’

Morene (2016)for amplified doublebass and pedalsDuration: 15’

Spikes (2014)for amplified viola d’amore, freezepedal and audio track (tape)Duration: 8’34”

Zeno Baldi was born in 1988. He majored incomposition and graduated from the Kun-

stuniversität Graz, where he studied under KlausLang, and the Giuseppe Verdi Giuseppe Conser-vatory in Milano, where he studied underGabriele Manca. He was selected for the Sessionde Composition Voix Nouvelles 2013 (FondationRoyaumont) and ManiFeste Academy 2014 (IR-CAM, Paris). He is active as a composer, performer and sounddesigner for mixed media. His music has been performed at festivals, in-cluding the London Ear Festival, the Rondò (Mi-lano), Firenze Suona Contemporanea (Floren -ce), the MATA (New York), and in venues thatinclude the Royaumont Abbey, Le Centquatre(Paris), Teatro La Fenice (Venice). He has col-laborated with ensembles and musicians, suchas the Ensemble Intercontemporain, the LineaEnsemble, the Ensemble Zeitfluss, the Diverti-mento Ensemble, the Ex Novo Ensemble, andMarco Fusi, Heather Roche, Manu Mayr, Dome -nico Nordio, Denie Perer and others. He writesworks for acoustic instruments and various elec-tronic devices.

http://www.zenobaldi.com/


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5

Emanuele Casale(1974)

Allegro con bocca (2011)for ensemble and electronics1.1.1.1. / 1.1.1.0. / perc (2) / strings(1.1.1.1.1) - electronic soundDuration: 15’

Esercizio sul risveglio (da OshoRajneesh) (2012)for orchestra picc, 2 fl, 2 cl, perc (2), pf-cel, hp /strings (8.6.4.4.2. - or 16.12.8.8.4. -or 24.18.12.12.8.)Duration: 12’

Esistere lago, nulla e un tempo(2007)for ensemblefl, ob, cl, bn, hr, perc, piano, 2 vl,vla, vc, dbDuration: 12’ ca

Questo è un gruppo e pace (2014)for piano, string trio and electronics Duration: 10’

Teatrino di candele (2009)for ensemble marimba, guitar, violin, doublebassDuration: 8’

Emanuele Casale was born in 1974. Hestudied double bass with Sebastiano Nicotra,

composition with Eliodoro Sollima, andElectronic Music with Alessandro Cipriani. Hecompleted his musical studies at the VincenzoBellini Istituto Musicale in Catania. He went onto advanced study under Aldo Clementi, Salva-tore Sciarrino (composition), Giorgio Nottoli andBarry Truax (electronic music). He has won thefollowing competitions: the Irino Prize (Tokyo);the Reading Panel (Ircam/Ensemble Intercontem-porain, Paris); the Concours International de Mu-sique Electroacustique (Bourges); the GRAME atthe Centre National de Création Musicale (Lyon);the Academy of Arts Competition (Berlin); firstprize in the “juniores” section and first prize inthe “senjores” section in the International MusicCouncil/UNESCO IREM competition; first prizeat the Frankfurt Opera House competition(presided over by Wolfgang Rihm and GeorgeBenjamin), representing Italy. Emanuele Casalehas received commissions from importantinstitutions and ensembles, among them theFrankfurt Opera House, Ensemble Intercontem-porain, the Oslo Sinfonietta, United Instrumentsof Lucelin, the Venice Biennale, Ensemble Or-chestral Contemporain, Festival Manca. Hismusic has been performed by well-knowninternational ensembles.

https://emanuelecasale.com


7

Misterioso

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Silvia Colasanti(1975)

Burning (2010)for ensemblecl, bcl, mand, guit, vl, vla, vcDuration: 12’

Ciò che resta (2017)for orchestra3.3.4.3. / 4.3.3.0. / 2 perc, hp /stringsDurata: 10’ ca

Di tumulti e d’ombre. Studio perFaust (2010)for string quartetDuration: 14’

Preludio, presto e lamento (2014)for viola and string orchestraDuration: 14’

Trio (2013)for violin, viola and celloDuration: 15’

Silvia Colasanti was born in 1975. After grad-uating from the Santa Cecilia Con servatory

in Rome, she went on to study with Fabio Vacchi,Wolfgang Rihm and Pascal Dusapin. She re-ceived a master’s degree from the Santa CeciliaNational Academy in Rome, under the guidanceof Azio Corghi. She was the recipient of the pres-tigious Goffredo Petrassi Award. She has wonprizes at numerous competitions in Italy andabroad, including the Musikfabrik NÖ’s Zeitk-lang International Composition Competition inVienna and the Lopes-Graça Prize in Lisbon. Sil-via Colasanti’s compositions have been per-formed at major music institutions in Italy andabroad, including the Santa Cecilia NationalAcademy, the Théâtre des Champs-Élysées, theOrchestre National de Belgique, Konzerthaus(Berlin), the Venice Biennale, Kuhmon Kamari-musiikki, the Orchestra Sinfonica Giuseppe Verdi(Milano), Maggio Musicale Fiorentino (Flo-rence), the Orchestra Sinfonica Nazionale dellaRAI, the Orquestra Metropolitana de Lisboa, theAccademia Musicale Chigiana , and CarnegieHall. Silvia Colasanti has written music for anarray of different formations, including worksfor musical theater.

http://www.silviacolasanti.com/

Selection from hercatalogue

9

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Matteo Franceschini

LES EXCENTRIQUES[Traité physionomique à l’usage des curieux]pour six instruments (2016)

aux excentriques

I. L’ala

Matteo Franceschini(1979)

Archaeology (2011)for ensemblefl, ob, cl, bn, cor, 2trb, trbn, perc (2),hp, pf, 2 vl, vla, vc, db (5 strings)Duration: 15’

Les Excentriques (2016)for six instrumentsfl, cl, piano, vl, vla, vcDuration: 15’ca.

La grammatica del soffio (2014)version for bassett horn andensemblefl, cl, perc, piano, vl, vcDuration: 15’

Middle Eight for ensembleI version (2012): fl, cl, perc, piano,vc, db (with 5 strings)II version (2016): fl, cl, perc, piano,vl, vcDuration: 11’

Voce (2012)for cello and orchestra2.2.2.2. / 2.2.3 (2 trbn t, 1 trbn b).0./ perc (2), timp / strings (db 5 strings) Duration: 16’

Matteo Franceschini was born in 1979. Hestudied composition at the Giuseppe Verdi

Conservatory in Milano and received a master’sdegree in composition, under Azio Corghi, fromthe Santa Cecilia National Academy in Rome.He went on to attend the Cursus Annuel de Com-position et d’Informatique Musicale at IRCAMin Paris. He has received commissions from im-portant music institutions, including La Filarmo-nica della Scala Orchestra, the Venice Biennale,the Philharmonie de Paris, Arcal (Paris), the Mi-lano Musica festival, the Accademia Filarmonica(Rome), the Orchestre National d’Île de France,the National Orchestra of Belgium, the FrenchMinistry of Culture, the Reims Opera, and theSaint-Etienne Opera. Since 2006, he has been amember of Agon, one of the most important cen-ters of acoustic and digital musical technologyin Italy. He has composed works for theater,soundtracks for movies, and multimedia instal-lations. He has been composer in residence atArcal Compagnie Nationale de Théâtre Lyriqueet Musical in Paris (season 2008-2009), the Or-chestre National d’Île de France, and the Phil-harmonic Academy of Rome for seasons 2010-2011 and 2011-2012.

http://www.matteofranceschini.com/


11

Daniele Ghisi(1984)

Abroad (2010-2011)for soprano, ensemble and electronics fl, cl, trb, piano, perc, vl, vla, vcDuration: 30’

An Experiment with Time(Reloaded) (2015)for video, ensemble and electronics fl, cl, piano, vl, vla, vc Duration: 50’

Concertino (2011)for 15 instruments fl, ob, cl, fg, 2 trb, trbn, perc (2),piano, 2 vl, vla, vc, db (5 strings)Duration: 11’

If Your Majesty Will Only Tell MeThe Right Way To Begin (2012)for two recitant voices and orchestra 2.2.2.2. / 2.2.0.0. / perc (3), piano /strings (8.6.4.4.2.)Duration: 13’ca.

269 Steps away from you (269Steps away from me) (2016)for bass clarinet, violin andelectronics (and video)Duration: 11’

Daniele Ghisi was born in 1984. He graduatedwith a major in mathematics from the Uni-

versity of Milano-Bicocca. He also studied com-position at the Gaetano Donizetti Istituto Musi-cale (Bergamo) under Alberto Colla and StefanoGervasoni. He has attended seminars and mas-ter-classes at the IEMA, under George Benjamin;Ensemble Modern (Frankfurt, 2005); and VoixNouvelles, under Brian Ferneyhough, MichaelJarrell and François Paris (Royaumont, 2006).He attended IRCAM’s Cursus I and II in Paris.Ghisi has won several competitions and prizes,and has received commissions from the FrenchMinistry of Culture, GRAME, Fondazio ne Spi-nola-Banna per l’Arte, the Venice Bienna le, Roy-aumont, and the Ernst von Siemens Stiftung.Ghisi’s music has been performed by ensemblesand orchestras that include L’Itinéraire, EnsembleModern, musikFabrik, Divertimento Ensemble,Orchestra National de Lyon, Philharmonique deRadio France, Orchestra Regionale della To-scana. His music has also performed at festivalsincluding MiTo, Archipel, the Venice Biennale,the Lyon Biennale, Agora, Play It! Voix Nou-velles. He is a cofounder of theblog www.nuthing.eu, to which he contributesregularly.

http://www.danieleghisi.com/


13

2 2

Mauro LanzaAN TRA DIGERITRICE

Mauro Lanza(1975)

Anatra digeritrice (piccola Wunder -kammer di automi oziosi) (2014)for orchestra2.2.2.1. / 2.2.1.1. / perc (2), piano /strings (10.8.6.4.3.)Duration: 5’ ca

Aschenblume (2002)for nine instruments fl, cl, perc (2), piano, vl, vla, vc, db(4 strings)Duration: 17’

The Kempelen machine (2015)for 8 players and computer-controlled electromagnetic devicefl, cl, bn, perc, piano, vl, vla, vcDuration: 20’

The skin of the onion (2002)for six playersfl, cl, perc, piano, vl, vcDuration: 10’

Tutto ciò che è solido si dissolvenell’aria (2015)for ensemble fl, cl, perc, piano, vla, vc Duration: 6’

Mauro Lanza was born in 1975, where hegraduated from the Benedetto Mar cello

Conservatory. He has also studied under BrianFerneyhough, Salvatore Sciarrino and GérardGrisey. He was selected by the Comité de Lectureof the Ensemble Intercontemporain and Ircamto take part in a course in composition and com-puter music. Lanza went on to worked for Ircamas research composer and teacher, and has beenmainly active in the field of synthesis, where heuses physical models and computer-assisted com-position. Tinged with irony, from the very be-ginning his compositions have been the result ofan ever-increasing effort toward an intimate fu-sion of classical instruments with other, less con-ventional sound sources, such as physical- mod-eling synthesis, toy instruments, noisemakersand various objets trouvé. His music has beenperformed by international groups, including En-semble Court-Circuit, Ensemble Alternance, theUnited Berlin Ensemble, Ensemble l’Itinéraire,Divertimento Ensemble, the Accentus ChamberChoir, the Jeune Chœur de Paris, musikFabrik,the Neue Vocalsolisten, and Les Percussions deStrasbourg.

https://soundcloud.com/maurolanza


15

&

&

ããã&

&&t

44

44

44

44

44

44

44

44

44

Chitarra Elettrica

Sassofono Contralto

Percussione

Pianoforte

ã

q = 60

click track:

4 beats before beginning

click track:


click track:


click track:


polystirene

voice

conga

vibraphone

l.h. mallet (handle position)

r.h. bow

&

&

ããã&

ã&t

41 ˆ81

41 ˆ81

41 ˆ81

41 ˆ81

41 ˆ81

41 ˆ81

41 ˆ81

41 ˆ81

44

44

44

44

44

44

44

44

Sax C.

Chit. el.

Pf.

1

œ>œ œ. ‰ . Œ Œ ŒÓ . # #

6:4

Ó . y Œ6:4

Ó Œ œ Œ6:4

––b>‰ . Ó .

A

ffz

with bow

ff

leave the magnet

on the metal harmonic case

frim shot

F fix

[s]

ffz

ã

# J#

&15

lid

Ó Œ ‰ œo

œ œ œ œ œ œ œ œ

# # # #

&

Ó Œ ‰ –

µ

(

hit on the top-center with handle

sim.

F

drag tire's gum slice

along the lowest string

to obtain the highest sound

you may need to drag the slice along an other string

to obtain the correct pitch result

polystirene with bow

crotales ant.

œ œ- ‰ Œ

‰ œ>œ> œ Ó .

œ œ œ œ œ œ œ œ

# # # #

Ó ‰ œ# ‰ Œ3:2

ã

¬ – – ) ‰ Œ ?

ffz

ppp

ALMOST NOWHERE

Marco Momi

to Yaron Deutsch and Ensemble Nikel

for Saxophone, Electric Guitar, Percussion, Piano and Electronics

141314

Marco Momi(1978)

Almost Close (2015)for piano and transducersDuration: 11’

Almost Nowwhere (2014)for sax, el guitar, perc, piano andelectronics Duration: 25’ ca

Unrisen (2016)for smart piano quintet andelectronics Duration: 27’

Unstill (2016)for cello and pianoDuration: 12’ ca.

Vuoi che i passi accadano (2017)for string quartet and ‘staged’electronicsDuration: 17’

Marco Momi was born in 1978. He has stud-ied piano, orchestral conducting and com-

position in Perugia, Strasbourg, The Hague,Rome, Darmstadt and Paris. From 2007 to 2010he studied and worked at IRCAM in Paris. Hisworks have received awards at several interna-tional competitions, including the GaudeamusMusic Prize, the Seoul International Competition,Impuls - Klangforum Wien, and Reading PanelIRCAM-EIC. In 2008 he received the Kranich-steiner Music Prize from the city of Darmstadt.Momi has also been a composer in residence atthe Akademie der Künste Berlin (2010-11), Fon-dazione Banna Spinola (2012, province ofTorino), and Divertimento Ensemble (2013 sea-son, Milano). His music has been performed byinternationally recognized ensembles, musiciansand festivals, including Ensemble Intercontem-porain, Klangforum Wien, Neue VocalsolistenStuttgart, ASKO, Nikel, mdi, and Quar tetto Pro-meteo, Nicolas Hodges, Mariangela Vacatello,Matteo Cesari, Marino Formenti, Musica Stras-bourg, ManiFeste Paris, Warsaw Autumn, MusicToday Seoul, Time of Music Vitasaari, Akademieder Künste Berlin, and the Venice Biennale.

http://www.marcomomi.com/


17

44

44

44

1°

2°

1°

2°

1°

2°

2°

1°

2°

3°

4°

1ª

2ª

1°

2°

3°

Timpani

2 Bongos2 Bongos

Gran CassaGran CassaGran Cassa

1.

2.

3.

4-6

7-9

1-3

4-6

7-9

1-3

4-6

1-3

4-6

1-2

3-4

Arpa

Flauti

Oboi

Fagotti

Corniin Fa

Trombe

Tromboni

Violini I

Violini II

Viole

Violoncelli

Contrabbassi

Clarinettiin sib

Perc

ussi

oni

3

3 3

5

3

3

Tam tam

III

uniti

uniti

uniti

uniti

uniti

uniti

uniti

uniti

uniti

uniti

NB.: les notes finales des glissandi toujours sansaccent. Les approcher doucement dans leur duréeet ne les marquer pas avec un coup de langue.

Marimba

remarquer la clef d'octave haute[sempre legato non vibrare!]

*: ouvrir le pavillon avec la main sans corriger la hauteurpour produire un glissando ascendent de demiton

sordina wa wa

sordina wa wa

3 3

5

3

*

*

*

*

Piatto su timpanoIII

[jouer du "morse-code" comme couche de fond fixe, loin,irrégulier, un peu capricieux et en temps libre. Jouer toujoursfermé (+) et ouvrir le pavillon sur les accents du "morse-code"]

/

/

3 3

5

3

libres variations dynamiques un peu capricieuseset indépendantes dans les deux mains

3 3

5

(fltz.)

(fltz.)

Vibrafono

ASP.

ASP.

3 3

5

3

[moteur toujours éteint]

[ré-accorder l’instrument en laissant vibrer les éventuelles résonances du cymbale et la membrane]

140918

Lorenzo Pagliei

INFINITI RELATIVIper orchestra (2013)I.

a Sari

Lorenzo Pagliei(1972)

A.L.M.A (2015)for cello and orchestra 2.2.2.2. / 2.2.1.0. / perc (2) / strings(8.6.4.4.2.)Duration: 20’

Corpi celesti (2015)for five voices2s, ms, t, bDuration: 8’30”

Infiniti relativi (2013)for orchestra 2.2.2.2. / 4.2.3.0. / timp, 2 perc /strings (9.9.8.6.4. or 12.12.10.8.6.) Duration: 10’

Polaris (2016)for three percussionists Duration: 25’ ca.

Lorenzo Pagliei was born in 1972. He is acomposer, electro-acoustic musician, pianist

and conductor. He has studied under Azio Corghi,Ivan Vandor, Giorgio Nottoli and Salvatore Sciar-rino. After graduating from the advanced coursein composition at the Santa Cecilia NationalAcademy in Rome (chief examiner: LucianoBerio), he moved to Paris for a two-yearresidency the Ircam Comité de Lecture. He hasreceived commissions from Ircam, the PompidouCentre, the Orchestre Philharmonique de RadioFrance, the Orchestra Regionale Toscana, CNRS– Collège de France, the Teatro dell’Opera diRoma, the Santa Cecilia National Academy, andthe Centre Pousseur in Liège. Since 2009 Paglieihas been a research composer at Ircam, wherehe invented Geecos, or electro-acousticinstruments with which the interpreter can controlthe synthesis of sound in real time throughgestures with the hand on certain surfaces instring instrument wood. In addition to writtenand acousmatic music, he explores numerousother forms of collaborations with artists fromother fields (dancers, sculptors, poets, video-artists, scientists) as composer/performer of elec-troacoustic music.

http://www.lorenzopagliei.com/site/home.html


19

Flauto

Oboe

Clarinetto in B

Clarinetto Basso

Controfagotto

Corno in F

Tromba in Do

Trombone

Piatti (3 altezze)Tam-Tam (molto grande)

Lastra del tuono (molto grande)

Glockenspiel

Timpani

Blocco di polistirolo (grande)

Grancassa

Violino I

Violino II

Viola

Violoncello

Contrabbasso

Piano

FLAUTO PICCOLO !!!suono d'effetto un'ottava sopra

3

Teso $ = 48

Teso $ = 48

sordinadi piombo

ASP

ASP

PICCOLO

** gli accenti di pressione d'arco, senza sollevare l'arco dalla corda. La dinamica é assoluta, cioé il pp del I vln non sarà piu' piano del pp degli altri

*** lentissimamente sollevare il dito fino alla posizione dell'armonico e lentissimamente ritornare in posizione normale (dito premuto sulla tastiera)

* ottenere un suono saturato continuo ma pp; gli accenti con dei movimenti di rotazione del polso (avanti e indietro molto velocemente)

N.B. L'interprete al controfagotto (che suonerà sempre questo strumento) si procuri un'ancia trafficata per ottenere dei pppppp quasi inudibili

< > < > < >

trillo di chiave

armonico doppio : vedere diteggiatura

al piu'acutoposs

**** tenere la posizione e glissare oscillando avanti e indietro al piu' acuto possibile

****

PAUMEil pedale sempre premuto

Sulle corde dell'estremo grave con un sandblock (il pedale di destra premuto): glissare le dita lungo le corde

**

*

*** sim.

*

< > < >

trille sim.

répeter en accelerant

Francesca Verunelli(1979)

Graduale, Disambiguation (2013)for orchestra 2.2.2.2. / 3.2.2.0. / perc (2), harp,piano (also Toy Piano) / strings(12.10.8.6.4.)Duration: 11’ ca

The Narrow Corner (2013)for orchestra 3.2.3.2. / 4.2.3.1. / perc (3), piano,hp / strings (14.12.10.8 6 - db 5strings)Duration: 10’

Néon (2008)for 15 players fl, ob, cl, bcl, dbn, hn, trb, trbn,perc, piano, 2 vl, vla, vc, dbDuration : 10’

Serial Sevens (2012)for seven voices and percussions 2 s, c, ct, t, bar, b / 2 percDuration: 35’

Unfolding (2011)for string quartet and electronics Duration: 18’

Francesca Verunelli was born in 1979. Shestudied composition under Rosario Miri-

gliano at the Luigi Cherubini Conservatory inFlorence, and earned a master’s degree in com-position from the Accademia Nazionale di SantaCecilia in Rome, where she studied under AzioCorghi. She went on to study composition andcomputer music at IRCAM. In 2010 she wasawarded the Silver Lion at the Venice Biennale.She has received commissions from importantmu sical institutions and festivals, including IR-CAM, NeueVocalsolisten Stuttgart, the VeniceBiennale, the Orchestre Philarmonique de RadioFrance, Milano Musica, the Accentus ChamberChoir, the Lucerne Symphonic Orchestra, theMaggio Musicale Fiorentino Orchestra, Court-Circuit, the Festival d’Aix-en-Provence, GMEMde Marseille, CIRM de Nice, French governmentfunding, the FACE Foundation, the InternationalContemporary Ensemble. She has been composerin residence at Ircam, GMEM (Marseille), Casade Velasquez (Madrid, 2015-2016) and Villa Mé-dicis (Académie de France, Rome, 2016-17).

http://www.francescaverunelli.com/

Selection from hercatalogue

21

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