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    CARR

    MAGAZINE

    EASTERN

    PROMISES ISSUE 4

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    2 3

    EDITORIAL

    Were looking eastward.

    CARR 4 is a little different tan te pre-

    vious issues.

    We are still a poster m agazine, we are still

    independent, and we are still focussing on

    topics were oter car magazines call it

    quits because its too far awa, too futu-

    ristic. But tat is ust wat we are inte-

    rested in, after all. We want to sow wat

    opportunities car design reall offers, ow

    beautiful innovative design can be.

    Tis issue is a premiere. It is te first

    issue of CARR wit a specific focus we

    call tis issue Eastern Promises. Car design

    from Eastern Europe.

    We ave Arsen Kostromin, a oung Russian

    designer, wo is particularl interesting

    not ust because e is one of te biggest

    oung talents in is countr, but because

    e plaed an important role in making Dacia

    formerl a subect of okes a serious

    and forward-tinking brand.

    A oung German designer and is brand are

    still at te ver beginning of teir our-

    ne. Nils Poscwatta as developed a remar-

    kable design for te Trabi. CARR got

    togeter wit te designer in Zwickau, te

    same town in deepest Saon were tis car

    was once produced in te das of te GDR.

    And ten we ave two more stories simpl

    because we ad alwas wanted to do tem.

    As ou page troug te magazine, ou

    will easil recognize tem. Wen ou sa

    Wat a sill game. Our response to tat:

    Rigt ou are.

    Eno te issue.

    CONTENT

    WAy OUT WEST

    From Russia wit stle: An interview wit

    Arsen Kostromin

    P 4

    GO TRABI GO

    Te unbelievable resurrection:

    Visiting Trabants new future in

    Zwickau, Saon

    P 8

    MARUSSIA

    Moscows finest: Te future of te future

    of race car design

    P 18

    ThE KIDS ARE ALL RIGhT

    Trul great design ideas b cildren -

    turned into real concepts

    P 20

    BUILD A CARR

    Construction site: A self-made Tatra truck

    P 26

    SKETCh BATTLES

    how to design a veicle in 20 minutes

    and anoter in 20 das

    P 36

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    Way

    outWestArsen, ou grew up in Balasci-ca, a satellite cit in te sub-urbs of Moscow, in a time wentere were not man Lamborginis,BMWs, or oter fanc Western carsdriving around in Russia. how didou get into car design? honestlspeaking, I never paid an atten-

    tion to car design until te da I

    graduated from secondar scool.

    Tat afternoon, I was plaing

    soccer wit m buddies near m

    apartment building, and one of te

    gus said tat e wanted to stud

    car design. Until tat moment, I

    ad not even known tat tis was

    someting ou could stud. I oined

    im at te universit on te first

    da of class. It turned out to be

    totall amazing seeing te

    campus, meeting designers, seeing

    sketces and students presen-

    tation boards. I decided tere and

    ten to stud car d esign too. So I

    took drawing classes.

    you never ad anting to do wit

    drawing or design before gradua-

    ting from ig scool? Not reall.

    Balascica is a small cit in te

    Moscow region, 20 kilometers out-

    side te capital. A tpical Russian

    industrial town. I grew up surroun-

    ded b factories, spent m time

    anging around wit friends, and

    te last ting I tougt about was

    design, drawing, or art.

    A NEW WAVE OF yOUNG

    R DESIGNERS FROM ThE EAST

    IS TAKING OVER.

    ONE OF ThEM IS ARSENy

    OSTROMIN. hE STARTED OUT

    IN ThE SUBURBS OF

    MOSCOW, ThEN ESTABLIShED

    hIMSELF IN BUChAREST,

    AND IS NOW hEADING TO

    VOLKSWAGEN IN GERMANy.

    ThIS 26-yEAR-OLD

    RUSSIAN WILL BE ONE OF

    ThE MOST ExTRAORDINARy

    DESIGNERS OF ThE

    ExT DECADE AND NOT jUST

    BECAUSE OF hIS SKETChING

    SKILLS.

    I N T E R V I E W

    j A N K I R S T E N B I E N E R

    your parents must be proud of ou

    now. M parents still do not under-

    stand wat I am actuall doing.

    Te are rater confused b m

    work. Wen te look at m sket-

    ces, te dont reall get wat

    te see. I am te onl one from m

    famil wo is into drawing and

    design.

    But ou must ave at least sket-

    ced sometimes before ou decided

    to stud car design. Well, as a kid

    I once drew an arm truck on m

    wall at ome. It was a pen drawing,

    ver roug looking. But tis is one

    of te ver few moments I remember

    mself drawing.

    Wat was te first car ou reall

    loved for its design? I guess an

    old Moskvic 412. I must ave been

    around si ears old back ten. M

    uncle bougt one it was a tpical

    famil car in Russia, a small

    sedan, produced from te 60s to te

    80s. I loved tat car. But I dont

    remember if tis love reall was

    about te design or ust because it

    was a car.

    Wat were our favorite cars wen

    ou were a kid? I collected cards

    wit pictures of cars, wic ou

    got as a giveawa in packs of a

    Russian cewing gum brand called

    Turbo. Te ad tese small cards

    in ever pack even i nternational

    cars. Ever kid wanted to ave te

    full collection. In te end, I got

    about 700 different cards wit

    pictures of te most beautiful cars

    and concepts from around te world.

    Prett soon, I decided I liked

    American cars from te 60s to te

    80s best. And classic Italian cars,

    of course. Lamborgini! Ferrari! I

    still tink te are etraordina-

    ril beautiful.

    you are from Russia, ou worked a

    long time in Bucarest for Dacia

    and Renault, and ou will be

    working for Volkswagen in German

    soon. Do ou tink tat te future

    of car design is in Eastern Europ e?

    I guess te future of car design is

    simpl were te mone is. So it

    migt be in Russia, but mabe even

    in Cina, Korea, or India. Te eco-

    nom decides and te designers

    will follow.

    Frankl, Bucarest is not reall

    known as a ot spot for car desig-

    ners. Wat was our eperience

    working tere? I liked it a lot. I

    wasnt surprised b te cit wen I

    first arrived tere. An Eastern

    European cit wit a Communist

    background, more or less like te

    places I saw in m cildood in

    Russia. A poor and toug place.

    People tr to get troug life

    someow. But te ting is tat struggling cities give ou a fres

    perspective on life because ou can see all kinds of people on te

    streets from poor gps grandfaters to twent-ear-old gus driving

    around in new Ferraris. Its a place of contrasts. But its real, tis is

    ow te world reall is. And b te wa, te cit represented te people

    we were designing cars for prett well.

    Do ou tink t at designers from Russia ave a different view of cars

    tan colleagues from, sa, Munic? Obviousl tere is a uge love for

    sports cars and SUVs in our ome countr rigt now Of course, we are

    different. We are a generation of cange. Born in te Soviet Union, we

    grew up in New Russia. Going from total protection, we were trown into

    a ver roug period. Te 90s were reall a ard ti me for us in Russia

    we were poor and grew up witout an governmental support. And tis

    situation made ou dream of cange. First and foremost individual cange.

    And tese dreams make ou figt for our future. I am not sure if m

    colleagues from Munic ever ad an eperience like I ave ad. But I

    wouldnt sa in term s of design and sketcing t at Russian designers are

    so ver different from Western ones. Te big difference is rater tat

    te are read to figt for teir proects.

    In dust we trust:

    Dacias new adventure

    concept

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    you also sa tat our life ad

    an impact on our creative output.

    Sure. It does ave an impact. We

    ave different inspirations. For

    instance, in our cildood, te

    Russian arm was reall an essen-

    tial part of our lives. We saw a lot

    of different arm veicles on te

    streets, plaed wit scale models

    of tanks in kindergarten, wen

    oter kids in Europe plaed wit

    Barbies and to Ferraris, I guess.

    But at te end of te da, te rules

    of design rigt now are actuall

    more important tan inspirations

    from te past.

    Do ou tink tat te regional

    markets for cars are ver diffe-

    rent, tat people in German want

    different cars tan people in te

    USA or in Russia? yes. Tese

    markets are different indeed. Its

    a question of te general standard

    of living in a countr. In Russia,

    te discrepanc between ric and

    poor people is uge. And te ones

    wo ave mone want to drive te

    best and most e pensive veicles in

    te world ust to separate tem-

    selves from te background tat

    te came from. A BMW for a German

    is a nice and practical car, big

    enoug for an entire fam il of four

    or five, good to drive, safe. Its

    like a Dacia for Romanians or Autovaz

    for Russians, noting special. But

    a BMW for Russians? Its a luur

    car tat none of our neigbors can

    afford to bu. Its pure luur.

    Prestige. So I am sure tat for te

    foreseeable future, customers in

    Moscow sowrooms will be asking for

    te most epensive cars because

    te dont want to be like ever-

    bod else.

    Mabe ou sould focus on sports

    cars ten and work for Ferrari,

    Lamborgini, or Marussia. Well,

    tere are so man talented desig-

    ners on te market rigt now wo

    know ow to design proper sports

    cars. I dont tink I am anting

    special in tis area.

    Do ou tink tat tere is a special tradition of Russian car design?

    yes. I tink tere is an emotional aspect in our designs. Wen we draw

    cars, we tink intensel about colors, perspective, and te caracter and

    stle of te car. Tis is our tradition. We are epressive and em otional

    in our sketcing.

    Coming back to our last ob at Dacia, wasnt it strange to alwas take

    into consideration tat a Dacia ad to be ceap? No, not at all. Te

    ceaper a car as to be, te more interesting it is. you figt for small

    details, wic ou dont even care about wen ou draw a Porsce or a

    Lamborgini. And I actuall believe tat one da Dacia will beat Renault.

    W will te? To me, teir p ositioning is muc stronger and clearer.

    Te brand migt be rater ceap rigt now, but in ten ears te will be

    strong enoug to produce a more epensive range of models.

    how do ou work? Do ou still sketc or doodle b and sometimes? Most

    of te time I use m Wacom Intuos3 A4 tablet, wic I prefer to all oter

    Wacom products. M favorite software is a 3D program ca lled Alias Design

    Studio, wic also features a painting application tat I reall

    like. But es, I sometimes sketc b and, but I do so less and less, for

    reasons of time a nd qualit.

    how will car design develop in te net 20 ears? Wat will be te

    maor trends? Cmon gus, veicles will not be able to fl. Its planet

    Eart, not Star Wars. So cars will look more or less te same as we see

    tem now on te streets. Wit one big difference even more safet. Tere

    will be new materials and tec nolog developed for cars, but mainl for

    safet reasons. Te tecnical packages will cange, we will see iger

    oods to protect pedestrians. So all in all, cars will be less attractive

    tan te are now.

    Wat kind of car do ou drive? Well to tell ou te trut, I still

    do not ave a drivers license. It sounds funn, I know. I design

    veicles, but I ave no idea ow to drive tem.

    6

    Robust aestetics:

    Featuring caracteristic

    Dacia design cues, te

    front end is adorned wit

    eadligts tat wrap over

    te front fenders, forming

    a tapering line of ligt

    towards te doors.

    e Duster is Dacias

    rst concept crossover

    blending te design

    aracteristics of a

    orts coupe wit an

    V. Dimensions: 4.25m

    ng, 1.64m wide and

    9m ig.

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    Go

    TrabiGo

    ThE DESIGNER NILS POSChWATTA hAS

    DEVELOPED A NEW TRABANT AS AN ELECTRIC CITy CAR.

    ThIS APPROACh MIGhT SOUND DARING BUT ThE

    DESIGN hAS WORKED OUT VERy WELL. WILL ThIS CONCEPT

    CAR GO INTO PRODUCTION SOON?

    A VISIT TO ZWICKAU ThE OLD AND NEW hOME

    OF ThE TRABANT.

    TExT

    jAN KIRSTEN BIENER

    FOTOS

    RODERICK AIChINGER

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    Its a quirk place, tis region

    poets and t inkers, of inventors

    d craftsmen. As ou approac

    ickau one of te centers of te

    rman automotive industr from

    e sout, te drive on te winding

    toban takes ou troug spar-

    l populated areas. Tere are

    wer and fewer eits, te forests

    come more and more dense, and te

    lls to te left and rigt of te

    ad get iger and iger. If ou

    ke a rigt at Scnfels Castle,

    u will find ourself at te gates

    a perfectl preserved small town

    at looks like a hollwood set for

    istorical flic. Old facades,

    cel renovated streets, a curc

    wer rising up in te center, and

    l around little butcer sops,

    verns, and traditional sops tat

    ve been tere forever. Small-town

    fe. Nice, peaceful, prett. Tis

    wat te souteastern corner of

    on looks like. And wo knows,

    raps Orlando Bloom, dressed as a

    sketeer, will leap out of te

    t courtard and callenge ou

    a duel. But is tis a center of

    e automotive industr?

    yes tat is eactl wat it is.

    s ard to imagine te German

    tomotive industr witout Zwickau.

    Cars ave been built ere for more t an 100 ears and it is still a big

    part of te regions liveliood toda. Tere is a VW plant in town and

    man automative suppliers. More tan 100,000 people in te region work in

    te industr. Automobile istor was written in Zwickau te istor of

    Audi, Porsce and Volkswagen. And te stor of te Trabant, nicknamed

    Trabi probabl te oddest creation of German automotive engineering.

    From 1957 to 1991, te Tra bi was manufactured in Zwickau b Sacsenring.

    After a iatus of 20 ears its possible tat it will be m anufactured ere

    again as te Trabant nT, te new Traba nt, developed b a former Volks-

    wagen designer.

    Its a spring-like da in te middle of januar as we drive b Zwickau.

    A was upriver, in te suburb of Wilkau-haslau, we turn into an industrial

    area, to IndiKar; a compan for prototping and veicle

    armouring. In oter words, primaril limousines for eads of state,

    sports cars for ot spots and war zones, anting tat te customer wants.

    In one of te buildings tere is a 50-meter-long reinforced concrete

    bo, in wic te veicle bodies are sot at to determine if te can

    reall witstand an attack. here we meet Nils Poscwatta. he sows us an

    empt, spotless wareouse nearb, 20,000 square feet. We can start

    production ere soon, e sas. If everting goes according to plan.

    And te plan sounds daring. Poscwatta, on te oter and, doesnt look

    daring at all. Te tall man in is earl 30s is an earnest fellow. An

    automobile designer wos a doer, not a dreamer. he as sort, gelled air

    and big ands tat look like e can tackle anting. And e loves cars

    especiall fast, sport ones. Te idea of building a new Trabi grabbed

    im and didnt let go. A welldesigned Trabi wit an electric motor a

    modern, compact cit car. A car tat will fit rigt in wit te new

    Beetle, te Mini, or te Fiat 500.

    Teres not muc in te wareouse et. Actuall, teres noting e cept

    for te prototpe. Poscwatta developed and built it over te course of

    si monts, togeter wit is col-

    league Sven heu bner, 28, te model-

    ling master. Once t e sin, brigt

    blue model rolls wit te soft um

    of its temporar electric motor,

    its clear tat tis isnt ust

    a gimmick. Te new Trabant is a

    vision to reckon wit. But we wont

    know for several monts weter or

    not te car will become realit.

    Poscwatta would like to build

    6,000 veicles a ear, 30,000 in

    five ears. In 2013, all te big

    manufacturers will be entering te

    market wit teir first electric

    models. Economists are estimating

    tat about 10 million e-veicles

    could be sold worldwide b 2020. A

    uge new market is being created.

    And two questions present tem-

    selves. First of all, can a dead

    brand be resurrected for tis

    uldnt Darwin be proud?

    is is wat te evolution

    te Trabant could look

    ke

    Nils Poscwatta and is

    colleague Sven heubner

    (above) - te two men wo

    developed and built te

    new prototpe

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    future market? And second l, w a

    Trabant of all tings a product

    tat represented te weaknesses

    and errors of East German more

    tan an oter? And wose tpical

    color was glacier blue even toug

    tere wasnt a single glacier to be

    found in te cou ntr.

    just a minute. I ave a q uestion

    for ou, sas Poscwatta quietl.

    Wat are te images in our mind

    wen ou tink of te Trabant? he

    pauses. For me, te are te images

    of te fall of 1989. jubilant peo-

    ple, driving across te border in

    teir Trabis. People leaning out of

    car windows and waving. Te Trabant

    is not a smbol of weakness, but of

    unit, of o. A positive smbol

    tat gives ou a ead start wen

    ou want to position a brand.

    But wasnt te Trabant a ope-

    lessl slapdas product from a

    tecnical point of view?

    Mabe. But did ou ever see an

    old Fiat 500?

    But wasnt te Fiats design well

    tougt out at least?

    Tats debatable. Sure, tecni-

    call, te Trabant was about as far

    as ou can get from a masterpiece.

    But its design reall did ave a

    couple of successful elements te

    smoot alignment between te ood

    and te eadligts and te

    pronounced soulder line connec-

    ting to te rear ligts were simpl

    awesome. Te ood was sculpted

    nicel, and te elliptical stle of

    te rear ligts was attractive. Of

    course, tere was noting dnamic

    about te old model. Te falling

    line of te rear weel arces pro-

    duced volume precisel were tere

    sould never be an from a design

    point of view. Tats w te cars

    rear alwas sagged. But te soul-

    der line was nice and streamlined,

    te front face was striking, te

    ligts round and unique. Tese were

    all elements I could work wit.

    Neverteless, wont te Trabant

    automaticall be associated wit a

    fallen dictatorsip?

    Not if te new car i mpresses its

    audience. Toda, a Dacia isnt a

    12

    nostalgic product tat wants to romanticize Ceaucescu. But its a

    successful brand tat everone was making fun of ust 15 ears ago. And

    everone knows te istor of Skoda and Volkswagen.

    Score for Poscwatta.

    Te automobile industr is facing te biggest canges it as ever

    encountered. Te transformation from te com bustion engine to electronic

    propulsion. Are tere engineers and craftsmen wo can react more quickl

    and ave better ideas in times like tese? Is a concept like te Trabant

    nT arriving at te rigt moment? Mabe. Te onl itc is tat te

    preliminar development pase costs a bout 15 million euros. Tat gets ou

    a prototpe tat is tecnicall mature. And development for mass produc-

    tion costs anoter 60 million euros at least. Tese are uge amounts, but

    onl a tent of te figure tat te development of a new model b a maor

    automobile manufacturer costs.

    We believe in te new Trabant, te manager of IndiKar, Ronald

    Gerscewski, sas. We will implement tis proect. just te recognition

    tat weve gained up to now due to tis concept is incredible. In

    addition to IndiKar, herpa, a manufacturer of miniature models, is also

    involved in te proect. Te compan Trabant nT Gmbh was establised in

    Possible future

    Trabant models: A wide

    range for a tin car

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    15

    cember 2010. Te rigts to te name were acquired a wile ago. Te onl

    ing tats missing is an investor wo believes in te proect. An

    vestor big enoug to invest millions.

    In an case, te fascination wit getting a new Trabi on te road s is

    ormous. And not ust in te eastern part of Germ an. We could alread

    ve delivered 5,000 units witout doing an marketing at all, sas

    ls Poscwatta. Tere were blind orders from Canada and France. Tis

    s te case even b ack in 2007, wen te idea of a new Trabi was presen-

    d for te ver first time, and a rater unsuccessful 1:10 model

    s developed.

    Tere was lots of pe, even back ten, Nils Poscwatta eplains,

    ut te design was terrible and te concept was panned witin te

    dustr. Tat was wen e got into te proect and declared tat a good

    ea needs good design. At te time, Poscwatta was still working as a

    signer at Volkswagen. Sortl tereafter, e ad a coice: a secure ob

    t one of te most important brands in Europe or a new start wit

    meting e felt passionate about even if it seemed like nostalgia for

    e bad old das. he decided to go wit passion.

    Si monts later, te presented teir stud at te IAA at a tin

    ot, squeezed in between te giants ADAC and Opel. Probabl te

    allest boot tat te IAA ad ever se en, sas Poscwatta toda. Wat

    doesnt sa is tat tis boot was ust as bus as te reall big ones.

    Te reason, of course, could be te brands name. After all, te

    abant is bot te butt of okes and a cult obect in German. But part

    te reason was te design tat creates a armonious relationsip

    tween interior and eterior as few models do. Te ellipse a carac-

    ristic stle element from te old Trabants rear ligts is a detail

    at pops up repeatedl in Poscwattas design. Te ve icles face as a

    gative front, a rarit in modern car design. Tis is someting tat

    l te new BMW 6 as and mabe a few Mitsubisis, sas Poscwatta.

    stead of a ver flat windsield like most of todas serial models, te

    abant nT as a ver steep one. Te effect is a passenger compartment

    t an ecellent interior feel for a car of tis class. We are

    veloping a cit car, were te aerod namics are prett irrelevant, te

    signer eplains. More ead room and a b etter interior feel were muc

    re important for me.

    Does e want to ump on te retro

    bandwagon of te past few ears

    wit tis design? No, we dont

    want to bring back someting old.

    We wanted to do someting comple-

    tel new, Poscwatta sas. But, of

    course, I cant old it against

    anone if te find te car someow

    retro. But I dont like te term

    anwa. Design alwas references

    someting tat came before. Wit

    regard to te Golf, te alwas

    talk about evolution even toug

    te designers of te completel new

    Golf 6 eplicitl reference te

    virtues of te ver first Golf 1.

    Poscwatta gets into te car,

    revs te engine up to a quiet purr,

    and drives out of te all. Weter

    te Trabant will be driving

    into te future or if it will sta

    a bizarre product from te past

    is difficult to sa. As we sa

    good-be, we pat te side of te

    car. It sounds cool and metallic.

    Futuristic someow.

    14

    Class of its own:

    e interior is

    read outstanding

    IndiKar in 2011:

    Te compan

    still specializes

    in building

    securit cars not

    Trabants. yet

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    Mar

    ussiaExPERTS ALL OVER ThE

    WORLD TOLD US ThAT ThE RUSSIAN

    BRAND MARUSSIA IS ThE FUTURE

    OF RACE CAR DESIGN.

    FOR US, ThEIR DESIGNERS WENT

    ONE STEP FURThER AND ShOWED

    US WhAT ThE FUTURE OF ThE FUTURE

    COULD LOOK LIKE.

    Marussia toda

    (left) and wat

    teir race cars

    migt look like in

    te near future

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    TheKids Are

    AllRightWhAT IS ThE MOST

    IMPORTANT SKILL IN CAR DESIGN?

    IMAGINATION.

    AND WhO hAS MOST IMAGINATION

    OF ALL?

    ChILDREN, OF COURSE.

    WE ASKED SOME MINOR INNOVATION

    ExPERTS WhAT ThEIR DREAM

    CARS WOULD LOOK LIKE

    AND TURNED ThEIR BRILLIANT IDEAS

    INTO PROPER CONCEPT CARS

    Branislav Opatka

    Age 6, RUSSIA

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    Janis Kiebler

    Age 10, German

    Andrej Hrovat

    Age 6, RUSSIA

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    Joram Kiebler

    Age 10, German

    Timon Merz

    Age 6, German

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    FRONT WHEEL

    REAR WHEEL

    Epedition Veicle TATRA 815 GTC

    Te cut-out paper model of tis veicle

    is in a scale of 1:43 and also suitable for

    beginners. Please read te following inst-

    ructions carefull before ou start.

    As tis magazine is printed on tin

    paper, ou need to reinforce some parts:

    Mount te following parts onto tin

    cardbo ard: 2 11, 30, 31, 62, 264. Spra

    mount parts 2, 3, 4, 5, 32, 33, 37, 39, 50,

    54, 55 onto paper of same tickness as te

    one ou are olding in our ands now.

    Before cutting out part 32, draw tin lines

    in places marked as A-A, B-B, C-C and D-D.

    Te veicle is wite, if ou wis to

    paint some grapics or a nice piece ofgraffiti on te side - do it now. Best

    suited are large panels suc as parts 32,

    2 or 3.

    Cut wooden rods (or xxL- tootpicks) to

    lengt suggested in parts 72, 73, 4 74 and

    75. Tese will be te ales for te weels.

    Get a flat square rod 11 mm, cut it to te

    lengt indicated in part 77 and paint it

    gre.

    Once ou start cutting out te parts,

    but before glueing tem togeter, ou will

    need to fold tem in te rigt direction.

    See te diagram net to tese instruc-

    tions.

    Spaces tat need to be cut out are indi-

    cated b crossed red lines. Space for weel

    ales is indicated b crossed black lines-

    ust punc tem out.

    Lets start te assembl. Carefull cut out part 1, attac windscreen 6 and sides - left

    2 and rigt 3. Attac rear part 4 to te cabin, finis wit te roof 5. Glue bumper 7 to

    front face 1, numberplate 8 and finis te windscreen b glueing windscreen wipers 2 9.

    Complete te cabin b glueing air condition 10, signal ligts 2 48 and 2 49; attac

    spotligts 2 12, 13, 14. Dont forget 2 11.

    Cut and glue weel arces, left 15 and rigt 16, attac parts 28 and 31 on te left; 27

    and 30 on te rigt we el arc. Glue parts 17, 18, 19 and 20 on marked positions. Te ca bin

    is finised - put it awa and let it dr.

    We move on to te cassis now.

    Glue part 21 togeter, connect part 22 and beam 23 togeter wit te rims 2 29. Attac

    beam 23 to part 22 troug ales 72 and two weels 2 64.

    Te front ales sall be swinging sligtl to te sides. Net task is te completion

    of rear ales. Glue part 24 togeter, as well as swing arms 25 and 26, into wic ou glue

    beams of rear weels - ales 4 74. Attention - tese ave to stick out appro. 8- 9 mm

    and be perpendicular! Attac beams fitted tis wa wit elp of ales 75 and weels 2

    63 to part 24. Wen building bot ales follow instruction illustrated on tis page. Put

    te cassis awa and let it dr.

    In te meantime, continue wit te coacwork. Cut out part 32, paste in main bridging

    structure 35 and smaller parts 2 36 onto te sides. Complete te rear part b glueing

    windscreen 34 wit wiper arm 41.

    Glue recess 38 into te roof and finis off b glueing parts 39 and face 37. Take wind-

    screen wipers 42 and 43, glue tem onto part 39, two mirrors - left 47 and rigt 46, and

    beam 77. Wile working, place te coacwork on a straigt surface and keep on cecking

    if it twists.

    Continue wit reinforcing part 32. Glue reinforcement pieces 245 on position indicated

    b tin lines A-A, B-B, C-C and D-D. Close up te wole assembl wit bottom part 44.

    Once dr, glue te finised coacwork and te cabin onto cassis 21.

    Its time to move on to te rear part 50. Attac part 51 as well as mud flaps 52 and

    53. Glue all tese to te cassis, were indicated. After tat model left side of under-

    bod 54, glue eaust pipe 58 and 59 to te bottom, complete te wole ting wit mud flap

    57 and glue everting to te cassis. Repeat te procedure for te rigt side of under-

    bod, using parts 55 and 62. Glue two tanks, 60 and 61, as well as mud flap 56 to te

    cassis. Almost finised, we continue wit weels.

    First work on front weels: Te outer

    side of te weels consists of part 66, 68

    and 69. Attac disc part 70 and finis te

    piece b glueing te boundar 65 and inner

    side 67.

    Work on te net weel te same wa, and

    glue bot weels permanentl onto ales 73.

    Finis te weels b glueing te face part

    71. Alwas cross reference wit drawing

    above.

    Te rear weel is almost te same. Teouter side of te weel consists of part

    66, 68 and 69. Attac disc 70 and finis te

    piece b glueing te boundar 65 and inner

    side 66.

    Now repeat te procedure for remaining

    tree weels. Once finised, glue all

    weels on ales 74, attac discs 76 and

    glue wit a drop of glue. te last piece to

    be attaced is face 71 - ust follow te

    instruction drawing - te weels will be

    turning freel.

    Te wole kit is finised no w. To acieve

    a better result and to protect it, ou can

    spra it wit a tin clearcoat film. Eno!

    Instructions

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    36 37

    SketchCon

    testsDigital prototping at its best: Autodesks Automotive Das sketc

    battle recentl took place in Munic. Four designers in front of four

    Wacom Cintiqs got 20 minutes to visualize te ideas provided b Autodesks

    Mical jelinek. In eac round, a new topic was presented, and onl two

    designers would move on to te net round until te finals. And te

    faced a wide ra nge of topics, suc as a motorbike for India. Tis ear,

    Daniel han won te competition. you can see Danielss winning sketc

    above te designer ad never even used Alias Designer or Sketcbook

    Pro before. But after a ver brief introduction, e demonstrated clearl

    tat well-developed software can be learned intuitivel and q uickl. Te

    final topic? Design a one-million-dollar veicle.

    hOW TO

    DESIGN A VEhICLE IN

    20

    Minutes

    M goal was to create a snowmobile for racing on special snow race-

    tracks, an equivalent to Formula On e ust for snow sports. Two drivers

    one beind te weel and te oter as navigator - are seated in

    cockpits. M snowmobiles laout is as mmetrical in order to give it more

    emotion and dnamics, wile its sape was influenced b modern F1 race

    cars and te Russian figter et Sukoi, wit its swept-forward wing

    (SU-47). Te basis of m new snowmobile is a structure in te sape of

    te letter x, were te main elements of te construction te bracket,

    te engine, and te central drive track - are fastened. All of tis is

    intended to ensure optimal ale load distribution and acceleration. Te

    result is a fun veicle for plunging into uge masses of snow, a mode of

    transportation for adverse winter conditions, a lifestle obect for

    todas freeskiers and snowboarders, or a fast-moving macine for unters

    or scientists I dont mind. But in m opinion, todas snowmobiles look

    wa too eav, witout d emonstrating emotion or agilit.

    Vasili Kanevski

    Winner of te Kiska D esign Contest

    hOW TO

    DESIGN A VEhICLE IN

    20

    Days

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    STAFF

    MAREK SIMKO

    Publiser

    jAN KIRSTEN BIENER

    Editor-in-Cief

    DANIEL PIETSCh

    Art Director

    RODERICK AIChINGER

    Picture Editor

    CONTRIBUTORS

    Nina Gettler

    Andre hrovat

    janis Kiebler

    joram Kiebler

    Timon Merz

    SPECIAL ThANKS TO

    Peter Umgeer

    jana Meier-Roberts

    Nicolas Roberts

    www.cardesign.ru

    2011, CARR

    Te Worlds First Car

    Drawing Magazine

    ISSUE 4

    AUSTRIA

    CARR Magazine

    Steinbac 12

    5662 Bruck

    www.carrmagazine.com

    GERMANy

    NANSEN & PICCARD

    Ringseisstrae 11 a

    80337 Munic

    www.nansenundpiccard.de

    Imprint

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