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SERIES CARL FISCHER Grade 3 FULL SCORE Slavonic Dance No. 8 Antonin Dvoˇ rák Arranged by Andrew Balent CPS106 INSTRUMENTATION Full Score. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Flute 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Flute 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Oboe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Clarinet 1 in B. . . . . . . . . . . . . . . . . . . . . . . . 4 Clarinet 2 in B. . . . . . . . . . . . . . . . . . . . . . . . 4 Clarinet 3 in B. . . . . . . . . . . . . . . . . . . . . . . . 4 Bass Clarinet in B. . . . . . . . . . . . . . . . . . . . . 2 Bassoon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Alto Saxophone 1 in E. . . . . . . . . . . . . . . . 2 Alto Saxophone 2 in E. . . . . . . . . . . . . . . . 2 Tenor Saxophone in B. . . . . . . . . . . . . . . . 2 Baritone Saxophone in E. . . . . . . . . . . . . . 2 Trumpet 1 in B. . . . . . . . . . . . . . . . . . . . . . . 4 Trumpet 2 in B. . . . . . . . . . . . . . . . . . . . . . . 4 Trumpet 3 in B. . . . . . . . . . . . . . . . . . . . . . . 4 Horn 1 in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Horn 2 in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Trombone 1 . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Trombone 2 . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Euphonium T.C. in B. . . . . . . . . . . . . . . . . . 2 Euphonium B.C.. . . . . . . . . . . . . . . . . . . . . . . 3 Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Mallet Percussion . . . . . . . . . . . . . . . . . . . . . .1 Bells Timpani . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Percussion 1 . . . . . . . . . . . . . . . . . . . . . . . . . . .2 Snare Drum, Bass Drum Percussion 2 . . . . . . . . . . . . . . . . . . . . . . . . . . .2 Crash Cymbals, Triangle

CARL FISCHER Concert Band Grade 3 Slavonic Dance No. 8reflect the spirit, mood, and rhythmic vitality and excitement of Slavonic folk music but were original works by Dvorak. There

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  • PerformanceSeries

    Performance Series

    Performance Series

    Performance Series

    Performance Series

    S E R I E S

    S E R I E S

    C A R L F I S C H E R

    P

    S E R I E S

    C A R L F I S C H E R

    Concert Band

    Grade 3

    FULL SCORE

    Slavonic Dance No. 8Antonin Dvǒrák

    Arranged by

    Andrew Balent

    CPS106INSTRUMENTATION

    Full Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1Flute 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4Flute 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4Oboe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2Clarinet 1 in B≤ . . . . . . . . . . . . . . . . . . . . . . . . 4Clarinet 2 in B≤ . . . . . . . . . . . . . . . . . . . . . . . . 4Clarinet 3 in B≤ . . . . . . . . . . . . . . . . . . . . . . . . 4Bass Clarinet in B≤. . . . . . . . . . . . . . . . . . . . . 2Bassoon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2Alto Saxophone 1 in E≤ . . . . . . . . . . . . . . . . 2Alto Saxophone 2 in E≤ . . . . . . . . . . . . . . . . 2Tenor Saxophone in B≤ . . . . . . . . . . . . . . . . 2Baritone Saxophone in E≤. . . . . . . . . . . . . . 2Trumpet 1 in B≤ . . . . . . . . . . . . . . . . . . . . . . . 4Trumpet 2 in B≤ . . . . . . . . . . . . . . . . . . . . . . . 4Trumpet 3 in B≤ . . . . . . . . . . . . . . . . . . . . . . . 4Horn 1 in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2Horn 2 in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2Trombone 1 . . . . . . . . . . . . . . . . . . . . . . . . . . 3Trombone 2 . . . . . . . . . . . . . . . . . . . . . . . . . . 3Euphonium T.C. in B≤ . . . . . . . . . . . . . . . . . . 2Euphonium B.C. . . . . . . . . . . . . . . . . . . . . . . . 3Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4Mallet Percussion . . . . . . . . . . . . . . . . . . . . . .1

    BellsTimpani . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1Percussion 1 . . . . . . . . . . . . . . . . . . . . . . . . . . .2

    Snare Drum, Bass DrumPercussion 2 . . . . . . . . . . . . . . . . . . . . . . . . . . .2

    Crash Cymbals, Triangle

  • 2

    CPS106F

    Program Notes

    Dvorak’s Slavonic Dances, Opus 46, were written as piano duets in 1878 and later were orchestrated. They reflect the spirit, mood, and rhythmic vitality and excitement of Slavonic folk music but were original works by Dvorak. There are two sets of eight dances. This arrangement is of number eight from the first set.

    Performance suggestions:1) Rhythm is a vital ingredient of the dance. Maintain a vigorous tempo from the beginning.

    2) Emphasize the dynamic contrasts between the fortissimo and piano sections.

    3) From m. 41 gradual build in intensity to the ƒƒ at m. 65.

    4) Bring out the low brass at m. 65.

    5) From m. 73 there is a gradual diminuendo but carefully maintain the tempo until m. 100 where there is a ritardando leading to the da capo.

    6) Again at m. 162 there is a gradual diminuendo and ritardando leading to the final presto at m. 164.

    Performance Time: 4:30

    About the Arranger

    Andrew Balent is a leading composer and arranger of educational music with over 500 published compo-sitions and arrangements for band, orchestra, chorus and instrumental ensembles. Having received over 25 ASCAP Special Awards for composition, his published works are written for all levels, but he has special-ized in music for young musicians. Mr. Balent taught elementary through high school levels for 30 years in Michigan and received both his Bachelor and Masters degrees from the University of Michigan. Mr. Balent has been a clinician and guest conductor in 45 states, as well as in Canada, Europe and South America.

  • 30

    CPS106F

  • CPS103F

    (Maracas, Castanets) 3

    Mar.

    1

    by any method is an infringement of the Copyright law. Anyone who reproduces copyrightedWARNING! This composition is protected by Copyright law. To photocopy or reproduce

    matter is subject to substantial penalties and assessments for each infringement.

    All rights reserved including performing rights.

    2Copyright © 2010 by Carl Fischer, LLC

    International Copyright Secured.

    Printed in the U.S.A.

    3 4 5 6

    Percussion(Guiro, Temple Blocks) 2

    Guiro

    T. B.

    (Crash Cymbals,Cow Bell, Bass Drum) 1

    C. B.

    Timpani(B : E )

    Mallet Percussion

    (Marimba, Bells, Chimes,Finger Cymbals)

    (2 players)

    Mar. (or Xyl.)

    Tuba

    Euphonium

    Tuba cue:

    Trombone 12

    Horn in F 12

    Trumpet in B

    23

    1

    Molto vivo ( = 160 or faster)

    BaritoneSaxophone in E

    Saxophone in BTenor

    Saxophone in EAlto 1

    2

    Bassoon

    Tuba cue:

    Bass Clarinetin B

    Tuba cue:

    23

    Clarinet in B

    1

    Oboe/Flute 2

    Full Score

    Flute 1/Piccolo

    Molto vivo ( = 160 or faster)

    Mexican Folk Song Fantasy(Percussion Gone Buggy)

    JOSEPH COMPELLO

    3

    CPS103F

    3

    7 8 9 10 11 12

    Perc. 2

    1

    Timp.

    Mall.Perc.

    Bells

    Tuba

    Euph.

    Tbn. 12

    Hn.in F

    12

    23

    Tpt.in B

    1

    Bar. Sax.in E

    T. Sax.in B

    A. Sax.in E

    12

    Bsn.

    B. Cl.in B

    32

    Cl.in B

    1

    Ob./Fl. 2

    Fl. 1

    4

    Picc. soli

    Perc.

    3

    13 14 15 16 17 18

    2

    1

    Timp.

    Mall.Perc.

    Tuba

    Play

    Tbn. 12

    Hn.in F

    12

    23

    Tpt.in B

    1

    Bar. Sax.in E

    T. Sax.in B

    A. Sax.in E

    12

    Bsn.

    Play

    B. Cl.in B

    Play

    32

    Cl.in B

    1

    Ob.

    Fl. 2 only

    Fl.

    +Fl. 1

    5

    15

    15

    Ob./Fl. 2

    Fl. 1

    CPS103F

    Euph.

    CPS103F

    3

    19 20 21 22 Cast. 23 24

    Perc. 2

    1

    Timp.

    Mall.Perc.

    Tuba

    Soli

    Euph.

    TubaPlay

    Tbn. 12

    Hn.in F

    12

    23

    Tpt.in B

    1

    Bar. Sax.in E

    TubaPlay

    T. Sax.in B

    A. Sax.in E

    12

    Bsn.

    TubaPlay

    B. Cl.in B

    Tuba Play

    32

    Cl.in B

    1

    Ob./Fl. 2

    6

    Fl. 1

    31

    CPS106F

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    2 Trombone parts• Expanded use of rhythms, ranges, keys, but technical demands are still

    carefully considered• Generous cross cueing of exposed or solo parts• Expanded percussion writing, within reason, for maturing students• Careful selection of keys and degree of difficulty for advancing musicians