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Warm up your voice in the shower Read aloud before you go to bed with your voice recorder. Film yourself, do one speech a week. 1- Respiración abdominal, costillas y la espalda baja. 2- Laringe, dependiendo del estilo que se cante se ubica la posición de la laringe. En clásico, se suele usar más bajo, mientras que en contemporáneo se utiliza alto. Importante no tensar al subir o bajar. 10- dont get louder, larynx calm, volumen control. Better middle note then better your high notes be 12- Cracking is good. Essential por learning to mix. 13- Belt its not a bad thing. Dont go louder to go higher. Don’t push air. Tips Go to karaoke bar. Go to the stage. Don’t move the larynx Being in shape, cardiovascular for breathing. Careful with the neck YOGA Lower Your Larynx BUB (5) (4) (3) (2) (1) Warm up Nasal Resonance: N5 N3 N1 Head Voice HU (5)(1) Chest voice YO1 YO5 YO1 Mixed Voice kay8 nay5 nay3 nayn1 Eh (1) eh(5) eh(3) eh(6) eh(5) eh(4) eh(3) –put your hands in your cheeks. Forehead Belt Sing Let the air out Chest voice

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Warm up your voice in the showerRead aloud before you go to bed with your voice recorder.Film yourself, do one speech a week.1- Respiracin abdominal, costillas y la espalda baja.2- Laringe, dependiendo del estilo que se cante se ubica la posicin de la laringe. En clsico, se suele usar ms bajo, mientras que en contemporneo se utiliza alto. Importante no tensar al subir o bajar.10- dont get louder, larynx calm, volumen control.Better middle note then better your high notes be12- Cracking is good. Essential por learning to mix. 13- Belt its not a bad thing. Dont go louder to go higher. Dont push air.

Tips Go to karaoke bar. Go to the stage. Dont move the larynx Being in shape, cardiovascular for breathing. Careful with the neck YOGA

Lower Your LarynxBUB (5) (4) (3) (2) (1)

Warm upNasal Resonance: N5 N3 N1Head Voice HU (5)(1)Chest voice YO1 YO5 YO1Mixed Voice kay8 nay5 nay3 nayn1Eh (1) eh(5) eh(3) eh(6) eh(5) eh(4) eh(3) put your hands in your cheeks. Forehead

Belt SingLet the air outChest voiceHigh LarynxMakes Mix go higher

Difference between Classical and Pop singing Larynx low in classical Larynx high in pop

Goal from nowHow I have to be diferente that I was beforeRealize my dream but it is timePassaggio Use nasal ressonance Dont use falsetto or became airy Dont lower larynx or squeeze Think in lift notes and not high notes. Somethings start in your head https://www.youtube.com/watch?v=Gt3pfALWWBs .Lib Bubble Do it with an close a almost o like a yawn Put a voice yawn. This help to lower your larynx and disappear the tensin. Relax your cheeks with your fingers to make your muscles relax. Make your paladar be high. This with lower larynx make the sound be more pure. Precise airRead While you do lip bubble. This help to control the air yo need to this exercised.Lip bubbles help to: Discover your head voice. Connect your register. This happened because it helps to control your air pression. In the passaggio. Make your muscles relax It is a reset for many singers when they forget how to.POP VOCAL Breathiness Vocal Fry RiffsTips Breathng types, be concious Learn different vocal register. Learnt voice with possition ofthe larynx Establish Vowel Accuracy ACT, PLAN SUCESSTOMORROW M, N NG WILL HELP YOU ACHIEVE NASAL RESONANCE Establish Vowel Accuracy HA HA HA HA. Pay attention to each syllable. How begin and end 26Voy en el 28 libroimpedancia acstica del tracto vocaltracto vocal semiocluidoapggopmiller Linquest o VennardI. Titze, J. Sunberg o J. Estill,II. Singing for the Star tecnic III. Punto melbaBel Canto: A History of Vocal Pedagogy" de James Stark.

Define your chest register and voice