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CAMERON SHAMPINE ARCHITECTURE WORKS 2009-2014

Cameron Shampine | Architecture Portfolio

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Page 1: Cameron Shampine  |  Architecture Portfolio

CAMERON SHAMPINEARCHITECTURE WORKS2009-2014

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Contents

Cultural Communication Center | Tahrir Square, Cairo, Egypt | Studio III | Fall 2011 Ken Renaud, Instructor

Bathing Pavillion | Un-disclosed Location | Studio II | Spring 2011 Rob Pyatt, Assoc. AIA, Instructor

Re-Envision | Artesian Pool | Eldorado Springs, Colorado | Studio II | Spring 2011 Rob Pyatt, Assoc. AIA, Instructor

Immersion | Abalone Dive & Research Center | Sonoma Coast, California | Summer 2011 Supplemental Studio | Scott Lawrence, Instructor

Azotea, Demonstration Farm and Kitchen | Boulder, Colorado | Studio I | Fall 2010 Martha Hutchinson, Instructor

Depression Treatment Clinic | Boulder, Colorado | Studio IV | Spring 2012 Dr. Ping Xu, Instructor

Waring Associates | Interior Architecture, Design and Space Planning | Samples Summer 2012 - Present

Circa 1920 Beverage Cart | Design Within Reach Window Featured Design | Spring 2013Green Technology Furniture Fabrication | Julee Herdt, AIA, Instructor

Plant-form Terrariums | Denver Post: Earth Day Featured Design | Spring 2013

Green Technology Furniture Fabrication | Julee Herdt, AIA, Instructor

061723303744505458

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Academic ArchitectureUndergraduate Projects:

University of Colorado at BoulderSchool of Environmental Design

Fall 2009 - Spring 2013

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In early 2012, Cairo, Egypt, began receiving massive international media attention. Following the fall of the Tunisian President, Zine el-Abidine Ben Ali, Egyptians began protesting for their own political freedoms. Tahrir Square, a historic setting for protest and celebration, became an international symbol of this revolution overnight. The substantial riots that took place in this location had such an impact that they eventually helped in igniting a regional revolution that would become known as the Arab Spring.

Through the use of digital media and technology as a form of communication Egyptians effectively organized and changed the way in which protesting could be initiated on a global scale. Building a structure in the city center (Tahrir Square) that could act as a platform for free speech and engage-ment would create a dynamic forum within the intricate urban fabric of Cairo. Providing a permanent space for vocalization of ideas where regular interactions could be possible, could helping to strenthen the societies and institutions of the future.

Tahrir Square | Cairo, Egypt | Fall 2011Instructor: Ken Renaud

Cultural Communication Center

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MEDIA

RELIGION

GOV’T

REVOLUTIONARIES

PEOPLE

MOTIVE

MEDIA

RELIGION

GOV’T

REVOLUTIONARIES

PEOPLE

MOTIVE

MEDIA

RELIGION

GOV’T

REVOLUTIONARIES

PEOPLE

MOTIVE

MEDIA

RELIGION

GOV’T

REVOLUTIONARIES

PEOPLE

MOTIVE

MEDIA

RELIGION

GOV’T

REVOLUTIONARIES

PEOPLE

MOTIVEDemographic Composition of Tahrir Square

Tahrir Square typically functions as a main commuting hub for Cairo. In certain circumstances Cairo citizens utilize this area as a public space for celebration and vocalization. The riots that took place during 2012 exemplify this sites flexiblity and adaptive abilities. Tahrir Square has provided a social forum for both ideas and opinions to be expressed, and has many times beneficially impacted the political dynamic of Egyptian society. By providing a permanent space for conversation and expression within the square, an opportunity exists to continue inspiring the free-flowing thoughts of the citizens.

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Core Concept: Communication Developing a home for the exploration of free-flowing communication was the premise of this project. This led to a structure containing spatially linked spaces, from the gound floor to the upper level dormitories, devoted to flexible social programs and engagement.

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CONTEMPLATIVE

INTERACTIVE

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major interactive zones major contemplative zoneskey joining programs

LIBRA

RYME

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USING

BREAK-UP BASED ON PROGRAM CATEGORY

IDENTIFY DIGITAL COMMUNICATION ZONES, LINK SPACES

IDENTIFY PROGRAM WITH SUBSTANTIAL COMMUNICATION USE

BUMP OVER PROGRAMSLESS DEPENDENT ON COMMUNICATION NEEDS

UTILITIES

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Scale

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Project NumberCameron Shampine

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Project NumberCameron Shampine

Tahrir Square Comm. Cntr.Issue DateAuthorChecker

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A

B

1st Floor 2nd Floor 3rd Floor

Section: A

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Tahrir Square Comm. Cntr.Issue DateAuthorChecker

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Tahrir Square Comm. Cntr.Issue DateAuthorChecker

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Project NumberCameron Shampine

Tahrir Square Comm. Cntr.Issue DateAuthorChecker

No. Description Date

4th Floor 5th Floor 6th Floor

Section: B

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1

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5

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1. Open Lecture Space2. Collaborative Group Area3. Digital Workspace4. Café5. Library6. News Center7. Residence Dorms8. Preformance Stage

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Social spaces throughout the building were designed based on the context surroundingthe facility. Each gathering space is placedwithin the building with large windows facingone of four unique views. These views inform the social spaces and direct users attentiontowards a specific structure in the square that has greatly impacted Egyptian society.Through strategic placement of these gathering spaces cross-communication between each was possible, allowing conversations to extend beyond each programmed area.

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Interlocking Screen System: Geometric units designed as an exterior screen system resulting in simple assembly and a basket weave type pattern.

1.

2.

4. 5.

3.

1. Floor Plates2. Steel Braces3. Structural Curtain Wall Anchors4. Curtain Wall5. Pre-cast Concrete Blocks

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Images: Final Model, 1:16 Scale, Materials: Wood, Acrylic, Mesh, Chipboard Renderings: Created using Autodesk Revit and Photoshop

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Bathing PavillionBathing Pavillion | Washington | Spring 2011Instructor: Rob Pyatt

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The practice of utilizing water to help rejuvenate and relax, as well as bring people together for social experiences, dates back many centuries. Ancient Rome, for example, was one of the most notable societies to embrace these practices. They developed hygiene rituals, engineered marvels, and encouraged daily social routines, all centered on the concept of having readily available water for their citizens.

This project aimed to embrace water as an element that is often taken for granted. A structure was designed to embrace and integrate water rituals for health benefits, after thorough research of many different ancient water practices.

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There were two primary features that this project was developed around: the state (still) and temperature (cold) of water on the site. To develop a building around these simple features, special attention had to be paid to the details of the structure to ensure that they enhanced the experience of the surroundings. Reflection became a key component in the design of this building (referencing the still state of water). Using reflection as a starting point, a circulatory path was developed: bringing bathers up through the reception, revealing scenes of the waters below the building. The path continues, leading them through the building and eventually down to the pool below.

Images: Hand drawn elevations: ink on mylar, sticky back prints (trees)

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0’ 2.5’ 5’ 10’

1. Reception/Store2. Men’s Locker Room 3. Women’s Locker Room4. Steam Shower5. Shower6. Lounge Deck7. Lap Pool8. Pool

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Privacy Screen: Individual louvers are spaced and rotated to provide a range of privacy needs to the pavilion. Large spacing in the reception allows for framed views of the surroundings. Tighter density and rotation of the louvers in the locker spaces allows light to flood the building while still providing full privacy.

Images: (left) Model: Bass wood, Pulp board, Acrylic1. Detail image of privacy screen on south side of structure2. Cantilevered staircase leading to entrance

Private ProgrammingSocial Programming

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The artesian swimming pool located in Eldorado Springs, Colorado was once a vibrant and bustling tourist attraction that fed the community and acted as the heart of this small town. The pure artesian spring waters that flow at the site were the source of all the attention. Recognized as the Coney Island of the west, the famous aquatics facility, dance hall and tourist complex on the site attracted vacationers and celebrities from all over the United States in the early 20th century. (Historic images to left) Eventually the vibrant culture of the facility slowed as floods and fires de-stroyed most of the celebrated tourist destination, leaving it to decades of neglect.

As outdoor sports began gaining popularity during the mid-20th century, the Eldorado Canyon area began attracting significant numbers of rock climbers. With the changing dynamic of the town, the pool which once acted as heart of the community became a less prominent part of the city. This project was an initiative to analyze the existing pool, site and propose how it might once again enhance its value to the town.

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Artesian Pool | Eldorado Springs, CO | Spring 2011Instructor: Rob Pyatt

Re-Envision: Eldorado Springs

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1. Entry2. Men’s Locker Room 3. Women’s Locker Room4. Artesian Water Bar5. 50M Lap Pool6. Lounge Deck7. Hot Tub8. Exisiting Artesian Pool

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Site Map: Eldorado Springs, CO N

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The building design, inspired by the unique artesian spring located on site, was strongly influenced by the idea of water arising from its source and being dispersed as it flows downstream. The shallow delta shape of the building became the representation of this concept and helped in creating the feeling of a dynamic flow through the building. A sense of compression and gradual release leads patrons from the entry/reception area down to the main pool. Light also performed a key role throughout this design, acting as a guiding element through each space. Windows and skylights were located in strategic places throughout the building in order to cast lines of light and direction leading individuals toward the pool areas.

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Images: 1. Entry Hall (Direct Access to Main Pool) Rendering: Revit, Photoshop 2. Womens Locker Room Exit Rendering: Revit, Photoshop Model: Basswood, Pulpboard, Acrylic

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Sea Ranch, California | Workshop | Summer 2011Instructors: Scott Lawrence, Kevin Nguyen, Stephanie Houstonwww.immersion-workshop.comon

IMMERSION | Sonoma CoastContextually Responsive Architecture

Abalone Dive & Research Center | Sea Ranch

This supplementary on-site studio was aimed at developing an understanding and skill set in analyzing existing site conditions to help create a contextually based architectural space. The class focused on the question “what does it mean to be specific to place?” Throughout the week-long experience, students worked to answer this question on unique sites at the Sea Ranch in northern California. The project, an Abalone Dive Center, was designed and presented through hand drawings/sketches, watercolor, and physical models.

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Boulder, Colorado | Architecture and Landscape Studio | Fall 2010Instructor: Martha Hutchinson n

AZOTEAUrban Farm and Demonstration Kitchen

This studio aimed to create a local venue where individuals could learn about the food production process. Consumers are generally unaware of these pro-cesses and some have started developing a growing concern about where and how their food is produced. Through implementation of an Urban Farm and onsite Demonstration Kitchen, locals have an opportunity to see and be a part of developing their food from seedling to the table, all in the same venue. The concept of this project was to incorporate the farm in a way that it not only seamlessly integrated with the existing circulatory needs of the area, but also provided an educational platform to learn about agricultural techniques. The site is centrally located in Boulder, Colorado, adjacent to the public library, municipal offices, college neighborhoods, and Pearl Street Shopping District. The site also functions as a major thoroughfare for cyclists, runners and pedestrians enjoying the active, outdoor lifestyle along Boulder Creek that is common in this community. Taking all this into account, the site was designed using organic/fluid shapes to maintain the circulation needs of the location. Educational venues, crop space, and a demonstration kitchen were all distributed around the central paths. The intent is that over time, locals can volunteer on the site to learn organic farming techniques and fully under-stand what it takes to foster food. 37

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1. Elevated Observation Hill (left) Winter Rendering 2. Wheat Field 3. Seasonal Sun Crop Space 4. Building Run-off Retention Pond (left) Summer Rendering5. Shaded Crop Space 6. Outdoor Classroom Area 7. Demonstration Kitchen8. Library Entrance1

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The demonstration kitchen was designed to have an integral relationship with the venue by using the site’s crops to help support the building program and giving back to the site through features incorporated into the design. Central to the building is a large structural wall that helps divide core functions of the building. The wall is also utilized as a gutter for run-off water from the roof. This water drains off the roof and travels through a gutter system that navigates the site, supplying water to both crops and an onsite retention pond. In addition to this key feature, the building houses student kitchens, a demonstration stage, a dining room and an in-house germination area.

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1. Crop/Herb Gardening Space 2. Entry 3. Dining Area 4. Demonstration Stage5. Open Classroom Space 6. Student Kitchens 7. Vegetable Storage8. Dry Storage9. Walk-in Freezer10. Single Restrooms11. Indoor Greenhouse Storage12. Indoor Greenhouse

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Images: 1. Rendering of Entry, Dining Area and Outdoor Crop Space 2. View of Demonstration Stage, Classroom and Student Kitchens **Renderings developed using Sketch-Up, Shaderlight & Photoshop **Elevations and Plan: Pencil on Vellum

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Images: Model - Cherry and Bass Wood, Etched Chipboard, Foam Core Base

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Boulder, CO | Experimental Form Studio | Spring 2012 Instructor: Dr. Ping Xu

DEPRESSION TREATMENT CLINIC

Environmental conditions are as much a part of peoples living systems as physical structures. Exposure to natural areas can have a very beneficial impact on the treatment of and recovery from clinical depression. By creating architecture within a natural environment, the beneficial attributes of these spaces can be utilized to help improve human vitality. This studio focused on developing a spatial composition that could function appropriately according to the building program. Using traditional feng shui practices, a site was chosen in southern Boulder. The building was then designed with consideration for the ideal social, environmental and built atmosphere to assist with the treatment of depression. Exposure to light and the environment, influenced the key form features of the structure and helped distribute the interior programs accordingly. The building incorporates traditional personal/group counseling centers, as well as alternative treatments including: meditation, yoga and acupuncture to allow for a full range of options during the recovery process.

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B

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1st Floor 2nd Floor 3rd Floor

1. Entry/Atrium 2. Water Therapy Room3. Indoor/Outdoor Group Therapy 4. Private Therapy Rooms5. Acupuncture Space 6. Outdoor Lecture Space7. Meditation Space

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1. Entry/Atrium 2. Water Therapy Room3. Indoor/Outdoor Group Therapy 4. Private Therapy Rooms5. Acupuncture Space 6. Outdoor Lecture Space7. Meditation Space

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Industrial Design & Professional ProjectsProfessional Projects:

Waring AssociatesSummer 2012 - Present

Furniture & Product Design:University of Colorado at Boulder

School of Environmental DesignFall 2009 - Spring 2013

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Project Associate | Interior Architectural InternSelect Projects | Denver, CO | 2012 - 2014

WARING ASSOCIATESINTERIOR ARCHITECTURE AND DESIGN

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INTERIOR ARCHITECTURE AND DESIGN

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Images: (left) Craftsy Creative Suite, assisted throughout design process: documentation of as-build site conditions, photography of space, and assisted with Construction Documents

(above) Select Construction Details

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Images: 1660 Lincoln: Building Re-Visioning - (left top to bottom) New hypothetical gym facility,new conference center, Expanded Building Entry. (Sketch-Up, Podium & Photoshop)

(right) Interior rendering of expanded entry lobby.

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c irca_1920 Beverage cart fabricated from re-purposed industrial wheels, scrap metal and donated oak lumber

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Green Technology | Furniture Studio | Boulder, CO | Spring 2013Published: The Daily Camera (Boulder) | Presented: Design Within Reach Instructor: Julee Herdt, Architect

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Images: bottom: detail of handle connection left: detail of rear axle components right: bent steel band structural detail

** All processes and products used to create this beverage cart were natural and non-petroleum based.

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Frame Development: Eighth inch steel sheets purchased from a local scrap metal yard were custom bent and welded to create a structural framework for the cart. Process: - Metal size determined from scaled conceptual model. - Rusted metal sheets cut to size, cleaned and bent into basic form. - Cross bracing welded into place to provide structural support for bent frame pieces. - Holes plasma cut to allow for rotating front wheels. - Framework pieces welded together, creating final tray rests. - Wheels and axel attached. - All metal gound down to a raw finish.

Tray Development: Three removable wood trays developed from oak to provide storage and stability to the cart. Wood was finished using a three-part natural bees wax and mineral oil to ensure food safety and durability.

Process: - Tray sizes measured and cut. - Edges beveled at 11 degree angles. - Tray lips cut and pneumatically nailed into place. - Trays sanded and treated for durability and periodic maintenance.

Non-Toxic Materials & Finishing Expenses: Low Investment = High Profit 1920 Nutting Truck & Caster Company Industrial Cart $ 05.00 Scrap 2 1/2” X 1/8” Steel Bars (Altitude Steel) $ 01.50/lb Wire Brushes/Natural Cleaners (McGuckins Hardware) $ 16.00 Wood Products Donated Howards Butcher Block Conditioner Acquired Sandpaper (Home Depot) $ 06.00

Images: bottom: detail of handle connection left: detail of rear axle components right: bent steel band structural detail

** All processes and products used to create this beverage cart were natural and non-petroleum based.

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PLANT | FORMSMICRO-ECOSYSTEMS FROM RESOURCED MATERIALS

Green Technology | Furniture Studio | Boulder, CO | Spring 2013Published: Denver Post | Presented & Sold: 2x2 Product Design Show | factoryMADE | Instructor: Julee Herdt, Architect

Simple wood forms developed to house custom made terrariums. Spherical cut-outs within each reclaimed wood base allow unique glass vessels to sit comfortably while fostering minature self-sustaining ecosystems.

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MICRO-ECOSYSTEMS FROM RESOURCED MATERIALS

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Images: (left page) Process and Final Product, (right page) Featured Publications (factoryMADE & The Sunday Denver Post)

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2 2xproduct+print

design

community mixer

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anks

be t

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Creating. Culture.

CU GREEN TECH

FROM SALVAGEFURNITURE DESIGNSS T U D E N T P R O T O T Y P E C O M P E T I T I O N

program in environmental design

Experience the current trends, history and tradition of letterpress print-ing technology at 2X2 by visiting the “Moveable Type” Truck - a mobile print shop built into the back of a vintage delivery truck. Currently on tour of the Great Plains, Moveable Type is setting up shop in front of FACTORY|made for this one-night-only stop in Boulder with an evening of 2D printing demos, studio/truck tours, and tall tales of life on the road.

2X2 presents the launch of furniture design prototypes created by CU undergraduate students using materials from salvage, digital and hand fabrication techniques, and eco-finishing. Meet the student designers and talk with them about evolving methods in 3D design and technology. Winning designs will be for sale through FACTORY|made - all proceeds go to the CU student designers and the CU Center for Students in Recovery.

friday march 15

factory|made2000 21st street boulder co

5-7 pm

factory|made 2x2 community mixer product and print design showcase spring 2013

open house

www.type-truck.comwww.colorado.edu/ENVD

www.madelife.com

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Creating Spherical Cut-Outs: Customcut-outsineachwoodblockweredevelopedtohouseuniqueglassvessels. Utilizing3Dsoftware(Rhinoceros5.0)theshapeofeachvesselwasgeneratedand recreatedtoensureaqualityfitonceinthewoodbase.

Process: -GlassvesselsmeasuredandcreatedusingRhinoceros3Dmodelingsoftware. -Prototypesgeneratedtotestthefitofeachvesselinitscorrespondingwoodblock. -Woodforms3DmodeledandcarvedusingCNC. -Woodblockssandedandtreatedwithathree-partNaturalDanishOilprocessto achieveamattefinish. -Micro-ecosystemsdesignedandplacedintheirindividualvessels.

Developing Terrariums: Eachmicro-climatewasestablishedusingvaryingsoilandplantlife.Intime,each planterwilldevelopitsownspecificecosystemandwillbecomeaselfsustaining climate.

Process: -Setbaselayerofaggregate(forwaterdrainage)inthebottomofglassvessels. -Layercharcoalforwaterpurificationandfiltration. -Laysoilbaseusingsoildspecifictoplanttype. -Developplantenvironmentsandscenes. -Aggregate/sandprotectivetoplayertomaintainsoilmoisture.

Materials & Expenses: Low Investment = High Profit 4x6Beetle-killLumber Acquired PlantSoilandAggregate Acquired 5GlassVesslesfoundatMileHighFleaMarket $07.00 Sandpaper(McGuckingHardware) $15.00 6PlantandSucculents(HomeDepot)($2.95each) $17.70 NaturalDanishOil(McGuckinsHardware) $11.50 CitrusShieldWax $05.00 INDIVIDUALLY VALUED/SOLD: $150.00+

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All processes and products used to develop these terrariums were natural/non-petroleum based.

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EDUCATION

WORK EXPERIENCE

INVOLVEMENT

UNIVERSITY OF COLORADO AT BOULDER 2009-2013Bachelors of Environmental Design - Architecture EmphasisSpecial Honors Graduate - GPA 3.75Deans List 2009-2013

UNIVERSITY OF MINNESOTA (ACCENT-Rome) Fall 2012Urban Planning/City Development - Rome, ItalyGPA - 3.62

WARING ASSOCIATES Summer 2012 - PresentDenver, Colorado - Project Associate & Interior Architecture Intern: Field Surveys, AutoCAD Technical Drafting, Schematic and Presentation Rendering, IBC Research

EVENT GRAPHIC DESIGN AND ADVERTISEMENT 2011-2012University of Colorado at Boulder - AIAS / APSG / VRC - Event and Organization Graphic Advertising

VISUAL RESOURCE CENTER (VISUAL ARTS COMPLEX) 2009-2013University of Colorado at Boulder - Digital Image Re-construction, Alterations and Cataloging, Equiptment Rental

AMERICAN INSTITUTE OF ARCHITECTS (ASSOCIATE AIA) - 2013-2014

AMERICAN INSTITUTE OF ARCHITECTURE STUDENTS (AIAS) Active Member (2010-2013) National Forum Attendee (2011 & 2012) Boulder Chapter Treasurer (2012) Jr. Class Representative (2011-2012)

ARCHITECTURE & PLANNING STUDENT GOVERNMENT - 2011-2012 Sergeant-at-Arms

IMMERSION | Sonoma Coast - Summer 2011 Invited Participant in a Supplemental On-Site Architectural Studio

8977 W. Glasgow Pl.Littleton, CO [email protected]

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CAMERON DREW SHAMPINE

RECOGNITION 2013 - DWR: FURNITURE FINALIST & HONORABLE MENTION:DESIGN WITHIN REACH: Green Technology Furniture Design Competition, Project highlighted in Design Within Reach storefront display - July 2013

2013 - DENVER POST & BOULDER DAILY CAMERA ARTICLES:DENVER POST - EARTH DAY: REINVENTED: Article Highlighted Student Industrial Design ProductsBOULDER DAILY CAMERA - Eco-friendly & Functional Art (Furniture Design)

2013 - DESIGN FEATURED AND SOLD:2X2 PRODUCT AND PRINT DESIGN SHOWCASE: FACTORY | MADE, Boulder, CO

2012 - WINNING TROPHY DESIGN (YAAG):AIA Colorado Young Architects Award Gala

SKILLS DIGITAL Google Sketch-Up / Podium / Shaderlight Plugin Adobe Suite CS4+ / Rendering Skills Autodesk Revit AutoCAD Digital Photography Rhinoceros 3d Modeling

ANALOG Modeling Skills / Sketching Wood Working / Fabrication Hand Drafting Traditional Photography

REFERENCES AVAILABLE UPON REQUEST