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Digital Video Editing By Muhammad Hanafi Husop Department Digital Film & Animation Kolej Kemahiran Tinggi MARA Rembau 3

By Muhammad Hanafi Husop Department Digital Film & Animation Kolej Kemahiran Tinggi MARA Rembau

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Page 1: By Muhammad Hanafi Husop Department Digital Film & Animation Kolej Kemahiran Tinggi MARA Rembau

Digital Video Editing By Muhammad Hanafi Husop

Department Digital Film & AnimationKolej Kemahiran Tinggi MARA Rembau

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Page 2: By Muhammad Hanafi Husop Department Digital Film & Animation Kolej Kemahiran Tinggi MARA Rembau

Video Format 24-P

24p refers to a video format that operates at 24 frames per second (or typically, 23.976frame/s when using equipment based around NTSC frame rates) frame rate with progressive scanning (not interlaced). Originally, 24p was used in the non-linear editing of film-originated material. Today, 24p formats are being increasingly used for aesthetic reasons in image acquisition, delivering film-like motion characteristics. Some vendors advertise 24p products as a cheaper alternative to film acquisition.

Standard Widescreen

Standard NTSC frame aspect ratio (4:3)Video Settings Frame size: 720h 480v (0.900) Frame rate: 23.976 frames/second Pixel Aspect Ratio: D1/DV NTSC (0.9) Fields: No Fields (Progressive Scan)

Widescreen NTSC frame aspect ratio (16:9)Video Settings Frame size: 720h 480v (1.200) Frame rate: 23.976 frames/second Pixel Aspect Ratio: D1/DV NTSC Widescreen 16:9 (1.2) Fields: No Fields (Progressive Scan)

Page 3: By Muhammad Hanafi Husop Department Digital Film & Animation Kolej Kemahiran Tinggi MARA Rembau

Video Format NTSC

NTSC (National Television System Committee) is the analog television system that was used in most of the Americas, Japan, South Korea, Taiwan, Burma, and some Pacific island nations and territories (see map). NTSC is also the name of the U.S. standardization body that adopted the NTSC broadcast standard. The first black-and-white NTSC standard for broadcast was developed in 1941 and had no provision for color transmissions

Standard Widescreen

Standard NTSC video (4:3 interlaced).Video Settings Frame size: 720h 480v (0.900) Frame rate: 29.97 frames/second Pixel Aspect Ratio: D1/DV NTSC (0.9) Fields: Lower Field First

Widescreen NTSC video (16:9 interlaced).Video Settings Frame size: 720h 480v (1.200) Frame rate: 29.97 frames/second Pixel Aspect Ratio: D1/DV NTSC Widescreen 16:9 (1.2) Fields: Lower Field First

Page 4: By Muhammad Hanafi Husop Department Digital Film & Animation Kolej Kemahiran Tinggi MARA Rembau

Video Format PAL

PAL, short for Phase Alternating Line, is an analogue television encoding system used in broadcast television systems in large parts of the world.

(4:3 interlaced)Video Settings Frame size: 720h 576v (1.067) Frame rate: 25.00 frames/second Pixel Aspect Ratio: D1/DV PAL (1.067) Fields: Lower Field First

Standard Widescreen

(16:9 interlaced)Video SettingsFrame size: 720h 576v (1.422)Frame rate: 25.00 frames/secondPixel Aspect Ratio: D1/DV PAL Widescreen 16:9 (1.422)Fields: Lower Field First

Page 5: By Muhammad Hanafi Husop Department Digital Film & Animation Kolej Kemahiran Tinggi MARA Rembau

Video Format SECAM

SÉCAM (Séquentiel couleur avec mémoire, French for "Sequential Color with Memory"), is an analog color television system first used in France. A team led by Henri de France working at Compagnie Française de Télévision (later bought by Thomson) invented SECAM

Page 6: By Muhammad Hanafi Husop Department Digital Film & Animation Kolej Kemahiran Tinggi MARA Rembau

Video Format HDV

HDV is a format for recording and playback of high-definition video. The format was originally developed by JVC and supported by Sony, Canon and SharpTwo major versions of HDV are HDV 720p and HDV 1080i. The former is used by JVC and is informally known as HDV1. The latter is preferred by Sony and Canon and is sometimes referred to as HDV2

Page 7: By Muhammad Hanafi Husop Department Digital Film & Animation Kolej Kemahiran Tinggi MARA Rembau

HDVHDV 1080i25 (50i)GeneralEditing mode: HDV 1080iTimebase: 25.00 fps

Video SettingsFrame size: 1440h 1080v (1.333)Frame rate: 25.00 frames/secondPixel Aspect Ratio: HD Anamorphic 1080 (1.333)Fields: Upper Field First

HDV 1080i30 (60i)GeneralEditing mode: HDV 1080iTimebase: 29.97 fps

Video SettingsFrame size: 1440h 1080v (1.333)Frame rate: 29.97 frames/secondPixel Aspect Ratio: HD Anamorphic 1080 (1.333)Fields: Upper Field First

HDV 1080p 25GeneralEditing mode: HDV 1080pTimebase: 25.00 fps

Video SettingsFrame size: 1440h 1080v (1.333)Frame rate: 25.00 frames/secondPixel Aspect Ratio: HD Anamorphic 080 (1.333)Fields: No Fields (Progressive Scan)HDV 1080p 30GeneralEditing mode: HDV 1080pTimebase: 29.97 fps

Video SettingsFrame size: 1440h 1080v (1.333)Frame rate: 29.97 frames/secondPixel Aspect Ratio: HD Anamorphic1080 (1.333)Fields: No Fields (Progressive Scan)

Page 8: By Muhammad Hanafi Husop Department Digital Film & Animation Kolej Kemahiran Tinggi MARA Rembau

HDVHDV 720o 25GeneralEditing mode: HDV 720pTimebase: 25.00 fps

Video SettingsFrame size: 1280h 720v (1.000)Frame rate: 25.00 frames/secondPixel Aspect Ratio: Square Pixels (1.0)Fields: No Fields (Progressive Scan)

HDV 720p 30General Editing mode: HDV 720p Timebase: 29.97 fps

Video Settings Frame size: 1280h 720v (1.000) Frame rate: 29.97 frames/second Pixel Aspect Ratio: Square Pixels (1.0) Fields: No Fields (Progressive Scan)t

Page 9: By Muhammad Hanafi Husop Department Digital Film & Animation Kolej Kemahiran Tinggi MARA Rembau

Television Encoding System

Page 10: By Muhammad Hanafi Husop Department Digital Film & Animation Kolej Kemahiran Tinggi MARA Rembau

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