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Over the next several months, we’re going to be dis-
cussing our upcoming trip to the 77th International Con-
vention, to be held in Pittsburgh. We’ll cover all of the
important information such as our hotel, the contest
venue, and places to eat and enjoy an adult cold bever-
age and some activities other than singing. We want
you to arrive in Pittsburgh next July well-prepared and
ready to have a great time. So here we go.
This will be the third time that the International has vis-
ited Pittsburgh. The first visit was in 1982, with Classic
Collection winning gold in the quartet competition and
the Vocal Majority taking the top place in the chorus
contest for the third time. The Pride of Indy, as Cir-
cle City Sound was known at the time, finished 12th.
The next trip to Pittsburgh in 1994 had the Jokers Wild
and Vocal Majority winning the gold.
Pittsburgh goes by several nicknames. The first, “Steel
City,” is in recognition of the numerous steel related
businesses that have called Pittsburgh home. You’ll also
hear it called the “City of Bridges” because of the 440+
bridges that cross its rivers.
(Continued on page 2)
News and views from the Greater Indianapolis Chapter of the Barbershop Harmony Society November 2014
Vol. 45, Issue 11
Our chapter mission: To enhance lives by performing with excellence and encouraging singing within our community.
In This Issue
CCS Christmas Show
Thankfulness
The Christmas Songs
We Sing, part 2
Circle City Sound, Toronto, July 2013—seventh place International chorus
Winner, PROBE International Bulletin Contest, 2011 and 2014
Pittsburgh, we’re on our way back! by Greg Roembke, Chapter President-elect
Page 2 November 2014 THE BEAT
Jerry E. Troxel, Editor Member, PROBE (Public Relations
Officers and Bulletin Editors)
129 Yorkshire Blvd. E Indianapolis, IN 46229
317 891-1634 [email protected]
The BEAT is published monthly by the Greater Indianapolis, Indiana,
Chapter of the Barber-shop Harmony Society, a proud member of the Cardinal District.
Chapter Leadership 2014
President Skipp Kropp
VP Chapter Development Scott Beverley
VP Music & Performance Kyle Kitzmiller
VP PR & Marketing Larry Anthony
VP Operations Jeff Boyd
Secretary Bruce Bellen
Treasurer Paul Gabriel
Board Members at Large Jason Best,
David Meade, David Sanders
Immediate Past President Gary Garitson
Director Garry Texeira
Assistant Directors Theo Hicks, David Zimmerman
Circle City Sound meets every
Monday at 7:00 p.m. at Christ Lutheran Church
345 N. Kitley Indianapolis, Indiana 46219
Secure the future of Barbershop harmony through
your generous gifts to the Harmony Foundation. Pro-
vide additional support to your chapter and district
with the Donor’s Choice option.
www.harmonyfoundation.org
And if you are a long time Colts fan, it could also be called “Heartbreak City.”
For it was here on January 14, 1995 that a Jim Harbaugh “Hail Mary” pass to
Aaron Bailey just rolled off Bailey’s chest ending the Colts run to the Super
Bowl.
But I digress.
Whatever name you choose to use, Pittsburgh is home to approximately
300,000 people with over 2.7 million in the surrounding areas. Over the past
30 years it has changed from a gritty industrial town to one of the most beauti-
ful cities in the country. Areas along the river that once housed steel mills are
now parks and green places. It is a recognized leader in building environmental
friendly or “green” buildings, including their convention center.
The beautiful hills that sur-
round the city also provide
ample opportunities for
sightseeing and exercise.
There are over 720 sets of
public pedestrian stairs that
rise 25,000 vertical feet!
Many of the steep streets
have stairs instead of side-
walks. A less stressful way
of reaching the top is to
ride one of the two remain-
ing inclined railways, the Duquesne or the Monongahela. At one time, 17 of
these inclines climbed the hills in Pittsburgh.
And of course we’ll be there for the hottest temperatures of the year. The nor-
mal high for July is in the upper 80s and lower 90s, along with high humidity.
So if you’re going to take on all of those steps, be sure to drink a lot of water.
We’ll have much more about Pittsburgh and information on the convention and
contest in future issues. Later this month, representatives from all the compet-
ing choruses will join the International staff in Pittsburgh for a trip to the con-
test venue and hotels that will be used next July. David Sanders will be rep-
resenting CCS. We will soon be learning from him more about our “home away
from home” and more.
So be sure to follow along as Circle City Sound starts once again on the road to
Pittsburgh.
Duquesne Incline Railway
November 2014 Page 3 THE BEAT
Thirty Three Years Ago (1981)
When the Speed Capital Chorus became the Pride of Indy in 1979 [then
Circle City Sound in 2003], one of the goals was to “sing a little bit better at
each chorus rehearsal.” The Pride staved off a tremendous challenge from
South Bend-Mishawaka who had 63 men on stage compared to 59 from Indy
and won the privilege of representing the Cardinal District in the summer of
1982 at the International Convention in Pittsburgh, Pa.
The Pride scored 981 points, an “A” level score in the four judging categories—
Sound, Interpretation, Stage Presence, and Arrangement—at the contest in
Terre Haute. The consensus among chapter members was that two factors
contributed most to this win: the establishment of attendance rules at practice
and the work of the music team hammering away at vowel and tone production,
concentrating on pitch and balance, with chorus director Bob Weiss focusing
on interpretation and smoothness.
With 930 points, South Bend-Mishawaka was the runner up to Indy, Lake Coun-
ty with 872 points was in third place, Greenwood was in fourth place with 737,
and fifth place went to Western Kentucky with 729 points. Other convention
highlights: the Logopedics Auction at Terre Haute was a big winner with $3,431,
while a quilt raffle brought in $900 and the $100-bill raffle took in $600.
George Houk and his helpers from The Pride took in a grand total of $4931.
Present CCS members who performed with The Pride were: Scott Beverley,
Steve Cline, George Houk, Greg Roembke, and Jim Sauder. The favor-
ites for the upcoming International in Pittsburgh in 1982 included Vocal Major-
ity, Dallas, Texas; Southern Gateway, Cincinnati, Ohio; Harmonizers, Alex-
andria, Virginia; and the Peninsulaires, Peninsula, California. (Material taken
from Speed Notes, Vol. 12. No. 4, Fall 1981, Chuck McKenzie, editor).
Calendar
of Events
CCS Performance at
Holiday Mart Wednesday, Nov. 12 (evening)
Marsh Blue Ribbon Pavilion
Indiana State Fairgrounds
CCS Christmas Party and
BOTY Banquet Friday, December 5, 6:00 pm
Heartland Crossing, Camby
CCS Christmas Show Sat., December 13, 2:00 pm
Pike Performing Arts Center
Indianapolis
Cardinal District
Leadership Academy Saturday, February 7, 2015
Clarion Hotel and Conf. Center
Columbus, Indiana
Singing Valentines February 13-14, 2015
Indy metro area
Cardinal District Spring
Convention and Contests March 20-21, 2015
Tentatively planned for
Terre Haute, Indiana
For detailed information on all chapter performances check your Yahoo! Group emails
or go to: www.circlecitysound.org
and visit the
Members Only section
The deadline for the December issue of The BEAT is
Wednesday, November 26. Send articles to:
The preferred cleaners
of Circle City Sound
Recent Guests
Don Fuson - BHS Executive VP, guest of Skipp Kropp
Bill Turk - guest of Don Fuson Michael Southern - Iroquois Valley Harmonizers
Matthew Hougland - guest of Drew Stainbrook Scott Crist - guest of Steve McPherson
Nate Smith - guest of Steve McPherson Harold Rightor - past member, guest of Terry Silke
Monte Drake - from business card
Daniel Chamberlin - guest of Skipp Kropp Matthew Ross - guest of Frank Bynum
Jeffery Spires - guest of Theo Hicks Jason Spires - guest of Theo Hicks
Members of the Tech High School Choral Department
Strolling down memory lane A monthly look back at our chapter’s history
By Lew Gillespie, Chapter Historian
Page 4 November 2014 THE BEAT
Here are a few more of the Christmas songs we sing, with the story behind the songs. Understanding
the true meaning of our songs helps us to sing with the proper vocal expression and the correct mood.
“Coventry Carol”
This song dates back to a 16th century play entitled “The Pageant of the Shearmen and Tailors” that
told of King Herod’s attempt to kill the newborn Christ child by ordering the death of all male infants in
Bethlehem. This play was traditionally performed in the village of Coventry, England, which gave the
song its name.
When it was put to music, it was written as a haunting lullaby as sung by the mothers of the doomed
children. The beautiful music and painful lyrics serve to remind us of this tragic event, as the mothers
say goodbye to their young sons.
“Mary Did You Know”
This relativity new Christmas song was introduced in 1984 when
Mark Lowry was asked by his pastor to write some lines for their
church’s annual “Living Christmas Tree” program. He took a dif-
ferent approach and wondered if Mary had any idea that her baby
was born to save the world.
The simple yet powerful questions put a whole new meaning to
the story of the birth of the Christ child, and how a seemingly in-
nocent newborn could have such an impact on the world. When
those lyrics were put to music by Buddy Greene in 1991, the
combination only enhanced the powerful message.
It has quickly become one of those Christmas songs that seems to resonate with people of all faiths.
“Hallelujah”
Another song that was released in 1984, “Hallelujah” was not intended as a Christmas song at all.
It took songwriter Leonard Cohen many years to complete the song, and it has been said that he
wrote more than 80 verses before selecting the final lines. His thought was that there are many differ-
ent Hallelujahs in life. He based a few of the verses upon biblical references. The music is reminiscent
of a slow waltz with the message always ending with a Hallelujah.
This was one of those songs that everyone enjoyed listening to and seemed to fit in wherever it was
used. In 2012, Vocal Majority director Jim Clancy wrote a verse that celebrated “one starry night” in
Bethlehem, and the song then became a beautiful Christmas carol. The opening and second verses
took on new meaning as well, and it seemed to confirm Cohen’s vision that there are Hallelujahs every-
where we choose to look.
The Christmas Songs we sing, part 2
by Greg Roembke
November 2014 Page 5 THE BEAT
What a beautiful time of year. The trees
are showing all the beauty of nature as the
greens for virtually every tree change to
their own individual color. We are now see-
ing reds, yellows, browns and many other
colors. Although of differing shapes, just a
month ago each tree looked the same as
all the others. The same goes for barber-
shop choruses.
There are times to some of our listeners
that most choruses sound the same. There
are of course some choruses that stand
out. Their hard work has resulted in the
changing of their colors. The Vocal Majority, Great
Northern Union, Northern Lights, and many, many
more have changed their colors so that they are highly
entertaining and stand above almost everyone else. How
do you see the tree we call Circle City Sound?
There have been times in the past where non-
barbershop people looked at CCS as just another barber-
shop chorus—a bunch of guys getting up and being kind
of entertaining but definitely different. It was during
those times that it was a challenge to get shows, sell
tickets, sell ads, and get new members to join our ranks.
You could say we were a green tree in a green forest.
CCS has been going through change for the last several
years. The members got tired of being just another
green tree in the barbershop forest and wanted to start
showing our real colors. The change involved not only
changing directors but also changing the venues we
chose to do our annual show. It involved not only
changing the music we sang but also the way we sang
those songs. It involved the way we carried ourselves on
and off stage. It also involved how we communicated
ourselves to the outside public. That outside public in-
cluded our friends, people we were offering tickets to
(notice I said offering instead of selling), the people we
were giving the opportunity to advertise in our pro-
grams, and the people we were convincing to come and
sing with us. (A quick note on why I said “offering” tick-
ets: I didn’t mean that we were giving away tickets but
that we were giving them the chance to come and hear
some beautiful music.)
With the help of Garry Texeira and the entire music
team, we are changing our colors into something that is
really beautiful and a joy to share. Dave Coleman sent
a recent email describing the feeling he got when he
listened to the tracks for ”Mary Did You Know” and “I’ll
Be Home for Christmas.” He said that these arrange-
ments by our Assistant Director Theo Hicks gave him
chills. We’ve had people who have known CCS for years
commenting on the “new” CCS. This was especially true
after they heard us sing “You and I,” arranged by our
Music VP Kyle Kitzmiller. Theo, Kyle, and another of
our Assistant Directors, Dave Zimmerman, are leading
us through new segments of CCS University. They are
helping us change our colors. Dave Coleman also wrote
that the thing that he loves about CCS now is that it is
about the music. The music is the spectrum of colors we
are now producing.
I thoroughly believe that CCS is changing its colors and
a lot of people are noticing the change. Have you no-
ticed the change? Have you told others either in idle
conversation or in promoting our shows how much fun it
is to sing with CCS? If not, then just do it. Let’s keep the
vibrant CCS colors showing, and let everyone know what
they are missing! GO CCS!
The changing colors By Larry Anthony, VP PR and Marketing
Page 6 November 2014 THE BEAT
I love moments
with music that
get burned in my
brain. It very rare-
ly happens that I
am totally over-
come with emo-
tion that I have to
stop singing or
playing. It is really
rare for me to
even get goose
bumps or have the
hair stand up on
the back of my
neck.
I have sung at my mother’s funeral, my mother-in-law’s
funeral, my father-in-law’s funeral and also at my
daughter’s wedding—each time with people I know and
love letting their tears flow.
Each time I was somehow able to put myself in the right
frame of mind to get through it, knowing that it was the
best for everyone. There is nothing like someone singing
a cappella to help people let go and cry. It is good to
cry.
At a concert at Pike High School our newly-elected chap-
ter president Greg Roembke had tears falling down his
cheeks while he was singing. I remember our late broth-
er in harmony Keith Leavell singing a solo at last year’s
Christmas show and having to stop for a second to re-
group, then the group of us singing at his funeral a few
short months later and trying to hold those long notes
without coughing as our eyes welled up.
Well, a few weeks ago at our rehearsal, it hit me. We
were down to fourth on the director depth chart with
Kyle Kitzmiller. We had maybe 50 people show up to
sing this night. From the first note, something was dif-
ferent. Maybe it was the correct number of people in
each section with
the right mix of
voice types with a
sprinkle of guest
participation. The
sound just got bet-
ter and better. Kyle
was animated and
energetic, saying
all the right things.
He was waving his
arms making plen-
ty of jokes, and the
chorus made an
equal number of
jokes back.
We were going through our Christmas set, and I was
just singing along, relaxed, loving the sounds and antics.
I am not sure what Christmas tune it was, but suddenly
I was overcome with emotion. I had to literally stop and
regroup. “Whoa, what was that?” I said to myself. It was
like someone punched me in the stomach or knocked me
on the head. (Maybe someone did.)
This chorus not only sounds good but has enough emo-
tional juice to bring any house down. Unleashing that
power in a controlled, consistent, and effective manner
is what we are trying to achieve—and we are doing it!
This ride continues, gentlemen, all the way to Interna-
tional. I am sure we will bring the house down even if
we have to follow Ambassadors of Harmony, West-
minster or any of the other absolutely great choruses
ranked higher than us.
I believe this chorus is unique enough to reach down
with both hands and grab the hearts of the judges and
anyone who happens to be in the audience. Let the love
(and the tears) flow.
A first time for everything... By Tim Dalton, CCS member
November 2014 Page 7 THE BEAT
A very thankful Circle City Sound! by Scott “Frosty” Beverley, VP Membership/Chapter Development
As Thanksgiving is just around the
corner, it is the ideal time to reflect
on 2014 and be thankful for Circle
City Sound’s accomplishments.
Most importantly we have made
great strides in becoming brothers in
harmony. One of the things that has
helped us to accomplish this is the
creation of CCS University where as
brothers in harmony we have togeth-
er learned to sing better. While we
have many accomplishments to be
thankful for, the following are just a
few highlights.
Circle City Sound is very thankful to
have a best-in-class music team, who serve as our
teachers. We also are very thankful that we have had
many guests this year, who have come to us in many
different ways. Continue extending invitations to friends
and acquaintances to visit Circle City Sound to see if this
hobby is for them. Our guests have found us via the
internet, through local CCS performances, and just being
in the right place at the right time. Most recently, we
had a chapter meeting with 16 guests where we heard
our guests from Tech High School’s men choir sing for
us. With the guests we have had in the past and will
have in the future, it is critical to demonstrate our com-
mitment to being brothers in harmony. Brothers, we are
well on our way of adding 25+ new
members to the risers for the 2015
International competition.
The things that we have learned
from CCS University about our sing-
ing technique and by all of us not
wanting to let our brothers down
have led to many successes to be
thankful for. Those successes in-
clude a very successful annual
show, qualifying for the 2015 Inter-
national competition in Pittsburgh,
and a very well-received perfor-
mance at Pike High School. Let’s
continue that commitment at our
upcoming Christmas Show, which should be very enter-
taining for our audience. These are just a few of the
many things that Circle City Sound is very thankful for.
While this month we do not have any new members to
announce, many recent guests expressed interest in
learning more about our hobby. It is very important
that we make our guests feel like brothers in harmony
as we continue to introduce our hobby to people we
come into contact with. Keep up the good work!
Wishing all Circle City Sound’s brothers in harmony and
their families a Happy Thanksgiving!
11/4 Kevin Cline
11/5 Kurt Vogel
11/6 Jerry Troxel
11/8 Bob Kendall
11/13 John Hicks
11/20 Jim Beehler
11/21 Geno Newcombe
11/23 Jim Patterson
November Birthdays
Chapter statistics as of November 1, 2014
Chapter members: 107
Average member age: 56
Average years of service: 20
Number of active chorus members: 71 (66%)
Page 8 November 2014 THE BEAT
President—Greg Roembke
VP Chapter Development—Scott Beverley
VP Music & Performance—Kyle Kitzmiller
VP PR & Marketing—Larry Anthony
VP Operations—Steve Cline
VP Program—Don Brown
Secretary—Frank Bynum
Treasurer—Jerry Troxel
Members at Large—
Jason Best, Norman Dew, David Sanders
Immediate Past President—Skipp Kropp
President—Greg Busch (Columbus/Greenwood)
Executive VP—Don Green (South Bend/
Mishawaka)
Secretary—Jim Rosenau (Greater Indianapolis)
Treasurer—Paul Gabriel (Greater Indianapolis)
Member at Large—Roger Ford (Fort Wayne)
Member at Large—Eric Hunstiger (Louisville)
Immediate Past President—Jerry Troxel (Greater
Indianapolis)
Chapter and District Officers for 2015