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8/2/2019 Bulleh Shah I Know Not Who I Am
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I know not who I am
I am neither a believer going to the mosque
Nor given to non-believing ways
Neither clean, nor unclean
Neither Moses not Pharoah
I know not who I am
I am neither among sinners nor among saints
Neither happy, nor unhappy
I belong neither to water not to earth
I am neither fire, not air
I know not who I am
Neither do I know the secret of religion
Nor am I born of Adam and Eve
I have given myself no name
I belong neither to those who squat and pray
Nor to those who have gone astray
I know not who I am
I was in the beginning, Id be there in the end
I know not any one other than the One
Who could be wiser than Bulleh Shah
Whose Master is ever there to tend?
I know not who I am.
==========================================================
Bulleh Shah
Bulleh Shahs real name was Abdullah Shah, was a Punjabi Muslim Sufi poet, a humanist and philosopher.
Born: 1680 Uch, Bahawalpur, Punjab, Pakistan
Died: 1757 (aged 77) Kasur, Punjab, Pakistan
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Early life and backgroundBulleh Shah is believed to have been born in 1680, in the small village of Uch, Bahawalpur, Punjab, now in Pakistan. His ancestors had migrated from Bukhara in
modern Uzbekistan.
When he was six months old, his parents relocated to Malakwal. There his father, Shah Muhammad Darwaish, was a preacher in the village mosque and a teacher. His
father later got a job in Pandoke, about 50 miles southeast of Kasur. Bulleh Shah received his early schooling in Pandoke, and moved to Kasur for higher education. He
also received education from Maulana Mohiyuddin. His spiritual teacher was the eminent Sufi saint, Shah Inayat Qadiri.
Little is known about Bulleh Shahs direct ancestors, except that they were migrants from Uzbekistan. However, Bulleh Shahs family was directly descended from the
Prophet Muhammad(PBUH).
-
CareerA large amount of what is known about Bulleh Shah comes through legends, and is subjective; to the point that there isnt even agreement among historians
concerning his precise date and place of birth. Some facts about his life have been pieced together from his own writings. Other facts seem to have been passed
down through oral traditions.
Bulleh Shah practiced the Sufi tradition of Punjabi poetry established by poets like Shah Hussain (1538 1599), Sultan Bahu (1629 1691), and Shah Sharaf (1640
1724).
Bulleh Shah lived in the same period as the famous Sindhi Sufi poet , Shah Abdul Latif Bhatai (1689 1752). His lifespan also overlapped with the legendary Punjabi
poet Waris Shah (1722 1798), of Heer Ranjha fame, and the famous Sindhi Sufi poet Abdul Wahad (1739 1829), better known by his pen-name, Sachal Sarmast
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(truth seeking leader of the intoxicated ones). Amongst Urdu poets, Bulleh Shah lived 400 miles away from Mir Taqi Mir (1723 1810) of Agra.
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Poetry StyleThe verse form Bulleh Shah primarily employed is called the Kafi, a style of Punjabi, Sindhi and Siraiki poetry used not only by the Sufis of Sindh and Punjab, but also
by Sikh gurus.
Bulleh Shahs poetry and philosophy strongly criticizes Islamic religious orthodoxy of his day.
-
A Beacon of PeaceBulleh Shahs time was marked with communal strife between Muslims and Sikhs. But in that age Baba Bulleh Shah was a beacon of hope and peace for the citizens of
Punjab. While Bulleh Shah was in Pandoke, Muslims killed a young Sikh man who was riding through their village in retaliation for murder of some Muslims by Sikhs.
Baba Bulleh Shah denounced the murder of an innocent Sikh and was censured by the mullas and muftis of Pandoke. Bulleh Shah maintained that violence was not
the answer to violence.Bulleh Shah also hailed Guru Tegh Bahadur as a ghazi (Islamic term for a religious warrior) and incurred the wrath of the fanatic muslims at the
time.
Banda Singh Bairagi was a contemporary of Bulleh Shah. In retaliation for the murder of Guru Gobind Singhs two sons by Aurangzeb, he sought revenge by killing
common Muslims. Baba Bulleh Shah tried to convince Banda Singh Bairagi to renounce his campaign of revenge. Bulleh Shah told him that the same sword which fell
upon Guru Gobind Singhs sons and innocent Sikhs also fell upon innocent Muslims. Hence killing innocent Muslim was not the answer to Aurangzebs reign of
oppression.
-
HumanistBulleh Shahs writings represent him as a humanist, someone providing solutions to the sociological problems of the world around him as he lives through it, describing
the turbulence his motherland of Punjab is passing through, while concurrently searching for God. His poetry highlights his mystical spiritual voyage through the four
stages of Sufism: Shariat (Path), Tariqat (Observance), Haqiqat (Truth) and Marfat (Union). The simplicity with which Bulleh Shah has been able to address the
complex fundamental issues of life and humanity is a large part of his appeal. Thus, many people have put his kafis to music, from humble street-singers to renowned
Sufi singers like the Waddali Brothers, Abida Parveen and Pathanay Khan, from the synthesized techno qawwali remixes of UK-based Asian artists to the rock band
Junoon.
Bulleh Shahs popularity stretches uniformly across Hindus, Sikhs and Muslims, to the point that much of the written material about this philosopher is from Hindu and
Sikh authors.
-
Modern RenditionsIn the 1990s Junoon, Asias biggest rock band from Pakistan, rendered such poems as Aleph (Ilmon Bas Kareen O Yaar) and Bullah Ki Jaana. In 2004, Rabbi Shergill
successfully performed the unlikely feat of turning the abstruse metaphysical poem Bullah Ki Jaana into a Rock/Fusion song, which became hugely popular in India and
Pakistan. The 2007 Pakistani movie Khuda Kay Liye includes Bulleh Shahs poetry in the song Bandeya Ho. A 2008 film, A wednesday, had a song, Bulle Shah, O
yaar mere in its soundtrack. In 2009, Episode One of Pakistans Coke Studio Season 2 featured a collaboration between Sain Zahoor and Noori, Aik Alif.
-
Source: http://en.wikipedia.org/wiki/Bulleh_Shah
==========================
Bulleh Shahs Poetry-
- Makkeh Gaya, Gal Mukdee Naheen (Going to Makkah is not the ultimate)
- Bulleya Ki Jana Main Kaun (Bulleya to me, I am not known)
- Verhe Aa Varh Mere (Do come to me)
- Main Jana Jogi De Naal (Im going together withJogi)
- Aa Mil Yaar (Come my love)
- Uth Gaye Gawandon Yaar (There goes my Love!)
- Bas Karjee Hun Bas Karjee (Enough is enough, my friend)
- Tere Ishq Nachaya (Your love has made me dance)
- Ilmoun Bas Kari O-Yaar (Aik Alif) (Enough of learning, my friend!)
- Ishq De Naween Naween Bahar (Love is ever new and fresh)
- Ghoonghat Ohle Na Luk Sajna (Hide not behind the veil, my love)
- Gharyali Diyo Nikal Ni (Sack the gongman)
- Meri Bukkal De Vich Chor Ni (There is a thief in the folds of my arms.)
- Ek Nukte Wich Gal Mukdi Ae (At this one point, all talk ends.)
- Ek Nukta Yaar Parhaya Ae (I have learnt a secret)
============================================
Ek Nukta Yaar Parhaya Ae | Bulleh ShahNovember 25, 2009 by qausain
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Translation:
I have learnt a secret
A secret Ive learnt
He is the same
From this end to that.
Its only we
Who fuss like a brat
I have learnt a secret
A secret Ive learnt
To win over Sass
He comes as Punnun
I am wedded to Innayat
Who cares not for caste.
I have learnt a secret
A secret Ive learnt
===========================================
Ek Nukte Wich Gal Mukdi Ae | Bulleh ShahNovember 25, 2009 by qausain
-
Translation:
by Kartar Singh Duggal
-
Its all in One contained.
Understand the One and forge the rest.
Shake off your ways of an apostate pest
Leading to the grave to hell and to torture
Rid your mind of dreams of disaster
This is how is the argument maintained
Its all in One contained.
What use is it bowing ones head?
To what avail has prostrating led?
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Reading Kalma you make them laugh
Absorbing not a word while the Quran you quaff
The truth must be here and there sustained
Its all in One contained.
Some retire to the jungles in vain
Others restrict their meals to a grain
Misled they waste away unfed
And come back home half-alive, half-dead
Emaciated in the ascetic postures feignedIts all in One contained
Seek your master, say your prayers and
surrender to God.
It will lead you to mystic abandon
And help you to get attuned to the Lord
Its the truth that Bulleh has gained
Its all in One contained
-
_______________________________________________________
-
Another Translation:
by Suman Kashyap
-
At this one point,all talk ends.
Hold tight to this point, forget your calculations,
Leave the miserable state of unbelief,
Do not torment yourself with the fear of death and hell,
For these are imaginary fears.
Only into such a house will the truth enter.
At this one point, all talk ends.
For no reason you abrade your forehead on the ground,
You display reverence at the mehraab,
You recite the Kalma to entertain a listener.
But knowledge does not enter your heart.
Can the truth ever remain hidden?
At this one point, all talk ends.
Many return from Mecca as hajjis,
Blue shawls across their shoulders.
They profit from the merit earned by haj.
Who can admire such behavior?Can the truth ever remain hidden?
At this one point, all talk ends.
Some withdraw to the forest,
Eat a single grain a day.
Bereft of understanding, they exhaust the body,
And return home in bad shape,
Their life sucked dry with useless fasting and prayer.
At this one point, all talk ends
Hold fast to your murshid
Become a devotee of all creation,
Intoxicated, carefree,
Without desire, indifferent to the world.
Let your heart be fully clean.
Bulla asks, can the truth then be stopped?
At this one point,all talk ends
===========================================
-==Meri Bukkal De Vich Chor Ni | Bulleh Shah
November 24, 2009 by qausain
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-
Translation:
by Kartar Singh Duggal
-
There is a thief in the folds of my arms.
Whom shall I tell?
There is a thief in the folds of my arms
He has, of late, escaped on the sky
No wonder there is a stir in the sky
And the world there is a hue and cry.
Whom shall I tell?
The Muslims are afraid of fire
And the Hindus dread the grave
Both of them have their fears
And keep on sharpening their staves.
Whom shall I tell?
Ramdas here and Fateh Muhammad there
This has kept them emitting spleen
Suddenly their quarrel came to an end
When someone else emerged on the scene.
Whom shall I tell?
There was furore in the flushed sky
It reached Lahore, the capital town
It was Shah Inayat who crafted the kite
Its he who moves it up and down.
Whom shall I tell?
He who believes, he alone has known
Everyone else id floundering
All the wrangling came to an end
When Bulleh came to town.
Whom shall I tell?
=============================================
==Gharyali Diyo Nikal Ni | Bulleh Shah
November 23, 2009 by qausain
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-
Translation:
by Kartar Singh Duggal
-
Gharyal diyo nikal ni
Aaj pe ghar ay nikal ni
Sack the gon-gman
My love has come home today
Gharri gharri gharyal bajavey
Rain wisal di piya ghatawey
Merey man di baat jey pawey
Hathoon chasey gharyal ni
He strike the gong time and again
And shortens my night of dance and songIf he were to listen to me
He would throw away the gong
-
Gharyal diyo nikal ni
Sack the gong-man
Ikahd baja bajey sohana
Matrab sukhrra maan sohana
Bhlla soam, salat, dogana
Mudh piyalla deen klaal ni
Here is the unstruck melody
With a master player and a colorful hue
Ive forgotten, my prayers and fasts
The barman offering cups of brew
-
Gharyal diyo nikal niSack the gong-man
Dukh diledar uth gaya sara
Mukh dekhaan tey ajab nazara
Rain wadhi kuch karo pasara
Din aggey dharo diwal ni
Seeing him is an enchanting sight
One forgets all aches of life
Let the night spread out long
And the morn wait a strife
-
Gharyal diyo nikal ni
Sack the gong-man
Toneey kaman kesey batry
Sehrey aaye wadey wadeerey
Taan jani ghar aya merey
Ranh likh warehey is naal ni
I have indulge in magic a lot
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Come my love and rescue me
No longer can I perch elsewhere
I am the Bulbul of your tree
-
Ghonghat ohley na luk sajna
Main mushtaq dedar de haan
Hide not behind the veil, my love,
I long to have a glimpse of you.
Bulleh Shah owh kon utam tera yaar
Ows dey hath Quraan hey owsey gul zanaar
Bulleh! Who is He?
A queer type friend!
He has the Quran in His hand and
And in the same the holy thread
===========================================
Ishq De Naween Naween Bahar | Bulleh ShahNovember 20, 2009 by qausain
-
Translation:
by Kartar Singh Duggal
-
Ishq dee naween naween bahar
Love is ever new and fresh
Jaan main sabq Ishq da parhya
Masjid kolon jeyorra darya
poch poch thakur dowrey warrya
Jithey wajdey naad hazaar
The day I learn the lesson of Love
I was scared of the mosque and dreaded fasts
I looked around and entered a temple
Where sounded many a drum-blast
-
Ishq dee naween naween bahar
Love is ever new and fresh
Ved, Quran parh parh thakey
Sajdey kardiyaan ghis gaye mathey
Na Rab Tayrath, na Rab Makkeh
Jis paya tas nur anwaar
Tired of reading the Vedas and Quran
Kneeling and prostrating my forehead shorn
At Mathura or Mecca He does not dwell
He who has found Him, only he can tell
-
Ishq dee naween naween bahar
Love is ever new and fresh
Phok musaleh, bhun sat lota
Na parh tasbeh, aasa, sota
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Ashiq kehndey dey dey hoka
Tark hlaalon, kha murdar
Burn the prayer mat, break the water pot
Quit the rosary, threw away the staff
Lovers say at the top of their voice
Leave the kosher and eat the shot
-
Ishq dee naween naween baharLove is ever new and fresh
Heer Ranjhey dey hogaye meeley
Bholi Heer dhondi beley
Ranjhan yaar baghal wich kheyley
Surt na rahya, surt sanbhaar
Heer and Ranjha have already met
In vain she looks for him in the orchard
Ranjha lies in the folds of her arms
Having her love, she has gained him hard
=============================================
Ilmoun Bas Kari O-Yaar (Aik Alif) | Bulleh ShahNovember 22, 2009 by qausain
-
Translation:
by Kartar Singh Duggal
-
Ilmoun bas kari oo yaar
Eko Alif terey darkar
Enough of learning, my friend!
An alphabet should do for you
Ilm n awey wich shumar
Jandi umer, Nahi aytebar
Eko Alif terey darkar
Ilmoun bas kari oo yaar
To it there is never an end
An alphabet should do for you
Its enough to help you fend.
Enough of learning, my friend!
-
Ilmoun bas kari oo yaar
Enough of learning, my friend!
Parh parh, likh likh ladain dher
Dher kitabaan, cho pheyr
Kerdey chanan, Wich unheyr
Pecho: Rah? tey khabar n satar
Youve amassed much learning around
The Quran and its commentaries profound
There is darkness amidst lighted ground
Without the guide you remain unsound
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-
Ilmoun bas kari oo yaar
Enough of learning, my friend!
Parh perh shekh mashaikh khawein
Ultey masley gharoon bata dein
Bey ilmaan noon lut lut khawein
Jhotey Sachey karain aqrqr
Learning makes you Sheikh or his minionAnd thus you create problem trillion
You exploit oyhers who know not what
Misleading them with wild opinion
-
Ilmoun bas kari oo yaar
Enough of learning, my friend!
Parh parh nafal namaz guzarien
Achian bangaan changha mari
Manber tey chaRRh waaz pukarein
Keeta teeno ilm khawar
You meditate and you say your prayers
You go and shout at the top of the stairs
You cry reaching the high skies
Its your avarice which ever belies
-
Ilmoun bas kari oo yaar
Enough of learning, my friend!
Jed main sabaq Ishq da parhaya
Derya dekh Wahedat da warria
Ghuman gheraan dey wich uRRia
Shah Inayat laya paar
The day I learnt loves lesson
I plunged into the river of devine passion
An overwhelming gale. I was confused and lost
When Shah Inayat cruised me across
Ilmoun bas kari oo yaar
Enough of learning, my friend!
============================================
Tere Ishq Nachaya | Bulleh ShahNovember 19, 2009 by qausain
-
Translation:
by Kartar Singh Duggal
-
Tere Ishq nachaiyaan kar key thaiyaa thaiyaa
Your love has made me dance like mad
Tere Ishq ne dera mere andar keeta
Bhar ke zeher payala main taan aape peeta,
Jhabde wahudi tabiba nahin te main mar gaiyaan
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Tere Ishq nachaiyaan kar key thaiyaa thaiyaa
Falling in love with you
Was like taking a sip of poison
Come my healer, forsaken, I am sad.
Your love has made me dance like mad
-
Chupp giyah ve suraj bahar reh gayi laali
Ve main sadqey hova, Devein murrjey wikhaliPeera main bhul gaiyaan tere naal na gaiyaan
Tere Ishq nachaiyaan kar key thaiyaa thaiyaa
The sun has set, its flush only is left
Ill give my life for a glimpse of you
My fault I came not when when you bade
Your love has made me dance like mad.
-
Ais Ishq de kolon mainu hatak na maaye
Laahu jaandre berrey kehrramorlaya
Meri aqal jun bhulli naal mhaniyaan dey gaiyaan
Tere Ishq nachaiyaan kar key thaiyaa thaiyaa
Dissuade me not from the path of love
Who can hold the boats on the move?
Stupid, I joined the boatmans squad
Your love has made me dance like mad
-
Ais Ishq Di Jhangi Wich Mor Bulenda
Sanu Qibla Ton Qaaba Sohna Yaar Disenda
Saanu Ghayal Karke Pher Khabar Na Laaiyaan
Tere Ishq nachaiyaan kar key thaiyaa thaiyaa
A peacock calls in the grove of passion
Its Qibla, Its Kaaba where lives my love
You asked not once after you stabbed
Your love has made me dance like mad
-
Bullah Shah na aounda mainu Inayat de buhe
Jisne mainu awaye chole saave te suhe
Jaan main maari aye addi mil paya hai vahaiya
Tere Ishq nachaiyaan kar key thaiyaa thaiyaa
Bulleh Shah Sits at Inayats door
Who has dressed me in green and redAnd caught me the instant I flew from the pad
Your love has made me dance like mad
=============================================
Bas Karjee Hun Bas Karjee | Bulleh ShahNovember 18, 2009 by qausain
-
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Translation:
by Kartar Singh Duggal
Bas ker jee hun bas ker jee
Ek baat asaan naal hans ker jee
Enough is enough
Talk to me with smile
Tusi dil wich merey wasdey-o
Aywein sathoon door kion nasdey-o
Naaley ghaat jadoo dil khasdey-o
Bas ker jee hun bas ker jee
You live in my heart
And yet you me beguile
I am charmed with your name on my lip
You try as usual and give me a slip
Enough is enough
Tusi moyiaan noo maar mukadey se
Naat khaddoon wang kuthandey se
Gal kardia da gala gutheey se
Hun teer lagaya kas ker jee
Bas ker jee hun bas ker jee
You killed the ones who was already dead
Tossed like a ball with your baton on head
You choked my words in my throat
Your arrow hit the quarry and smote
Enough is enough
Tusi chupdey-o asan pakrrey-o
Asaan naal zulf dey jukrrey-o
Tusi ajey chupan toon takrrey-o
Hun jaan na milda nas ker jee
Bas ker jee hun bas ker jee
Trying to hide, Ive caught you
Tied you with the lock of my hair
You are yet trying to flee
This time Ill allow no plea
Enough is enough
Bulleh Shah mai teri bardi-aan
Tera mukh wekhaan noo mardi-aan
Nit so so mintan kardi -aan
hun beth hijr wich dhas ker jee
Bas ker jee hun bas ker jee
Says Bulleh, I am your slave, my Master
I long to have a glimpse of you
I plead with you time and again
Make ky heart your shell of an oyster
Enough is enough
============================================
Uth Gaye Gawandon Yaar | Bulleh ShahNovember 17, 2009 by qausain
-
Translation:
by Kartar Singh Duggal
-
Uth gaye gawandon yaar
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Rabba hun ki kariye
There goes my Love!
What do I do, my Lord?
Uth chaley hun rahinde nahin
Hoya saath tiyar
Rabba hun ki kariye
Hes already made a move
His staying back is hard
With his wayfarers all packedWhat do I do, my Lord?
Dhandh kaleje bal bal uthdi
Bin dheke deedar
Rabba hun ki kariye
My heart is afire
Like half-backed shard
What do I do, my Lord?
Bulle Shah piyare bajhon
Rahe uraar na paar
Rabba hun ki kariye
My love having gone
I am in midstream hauled
Wwhat do I do, my Lord?
============================================
Aa Mil Yaar | Bulleh ShahNovember 16, 2009 by qausain
-
Translation:
by Kartar Singh Duggal
-
Aa mil yaar saarley, Meri jaan dikhaan ney gyheri
Come my love take care of me,
I am in great agony.
Ander khawab vchora hoya, Khabar na payndi teri
Soni ban wich luti saiyaan, Soor palang ney gheyri
Ever separated, my dreams are dreary,
Looking for you, my eyes are weary.
All alone I am robbed in a desert,
Waylaid by a bunch of way words.
Mullan Qazi rah batawaan, Deen dharam dey pherey
Aye taan thag jugat dey jhaar, lawaanjaal chufereey
The Mullah and Qazi show me the way,
Their maze of Dharma that is in sway.
They are the confirmed thieves of time,
they spread their net saintly crime.
Karam sharo dey dharam batawan, Sangal pawan pereen
Zaat mazhab yeh ishq na pochdaa, Ishq shara da weri
Their time-worn norms are seldom right,
With these they chain my feet so toght.
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My love cares not for caste or creed,
To the rituals faith I pay no heed.
Nadioon paar aye mulk sajan da, lehar lobh ney gheri
Satgor beri perhi khalotey, ten kion lai aweri
My Master lives on yonder bank,
While I am caught in the gale of greed.
With boat of anchor, He stands in wait,
I must hasten, I cant be late.
Bulleh Shah sho tenoon milsi. Dil noo dey dileyri
Pritam pass tey tolna kis noon? bhlioon shaker dopheri
Bulleh Shah must find his love,
He neednt have the last fright.
His love is around, yet he looks for Him,
Misled in the broad daylight.
Aa mil yaar saarley, Meri jaan dikhaan ney gyheri
Come my love take care of me,
I am in great agony.
============================================
Main Jana Jogi De Naal | Bulleh ShahNovember 2, 2009 by qausain
Lyrics with Translation:
translation by Fazeel Azeez Chauhan
-
1) Makeh gaya gal mukde naheen
2) Pawain so so jummay parrh aeey
Going to Makkah is not the ultimate
Even if hundreds of prayers are offered
3) Ganga gaya gal mukde naheen
4) Pawain so so gotey khaeey
Going to River Ganges is not the ultimate
Even if hundreds of cleansing (Baptisms) are done
5) Gaya gaya gal mukde naheen
6) Pawain so so pand parrhaeeyGoing to Gaya is not the ultimate
Even if hundreds of worships are done
7) Bulleh Shah gal taeyon mukdee
8 ) Jadon May nu dilon gawaeey
Bulleh Shah the ultimate is
When the I is removed from the heart
9) Parrh parrh alam fazal hoya
10) Kadee apnay aap nu parrhaya ye naeen
[He] Read a lot and became a scholar
But [he] never read himself
11) Ja ja warrda mandir maseetey
12) Kadi man apnay which warrya ye naeen[He] goes enters into the temple & mosque
But [he] never entered into his own heart
13) Aewaien roz shaitan naal larrdaan
14) Kadee nafs apnay naal larrya ye naeen
He fights with the devil every day for nothing
He never wrestled with his own ego
15) Bulleh Shah asmani udeeyan pharrda
16) Jayrra ghar baitha onu pharrya ye naeen
Bulleh Shah he grabs for heavenly flying things
But doesnt grasp the one whos sitting at home
17) Ratee jagayn tay shaikh sada wayn
18) Parr raat nu jaagan kutay, tay to utayReligious scholars stay awake at night
But dogs stay awake at night, higher than you
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19) Ratee bhonkon bass na karday
20) Fayr ja larraa which sutay, tay to utay
They dont cease from barking at night
Then they go sleep in yards, higher than you
21) Yaar da buha mool na chhad-dey
22) Pawain maro so so jutay, tay to utayThey [dogs] dont leave the beloveds doorstep
Even if theyre beaten hundreds of times, higher than you
23) Bulleh Shah utth yaar mana lay
24) Naien tay bazi lay gaay kutay, tay to utay
Bulleh Shah get up and make up with the beloved
Otherwise dogs will win the contest, better than you
25) Raanjha chaak na aakho kurryo
26) Nee aynu chaak kehndee sharmawan
O friends, dont call Ranjha a shepherd
I shy away from calling him a shepherd
27) May jaee aan lakh heeraan iss nu
28) Tay may kiss gintee which aawanI am like a thousand Heers to him
Who am I, like countless others
29) Takht hazaray da eh malik
30) Tay may Heer sayal sada waan
Hes the ruler of Hazaras throne
And I am forever the plain Heer
31) Bulleh Shah Rub kook sunay
32) Tay may chaak dee chaak ho jawan
Bulleh Shah may God hear my wail
And Ill become shepherded by the Shepherd
33) Raanjha jogi aa ban aya
34) Aey ney anokha bhayche watayaRanjha became a Jogi and arrived
He exchanged into a unique disguise
35) Ahdo-n Ahmad naam dharaya
36) Nee may jana Jogi dey naal
He changed his name from Ahad (One God) to Ahmad (Prophet Mohammad PBUH)
Im going together with Jogi
37) Koi kissay day naal koi kissay day naal
38) May jogi day naal naal
Someones with someone else, this ones with that one
Im together with Jogi
39) Jidoon dee may jogi dee hoyee
40) May which may na reh gayee koiSince I have become Jogis
I have no I left in me
41) Ranjha Ranjha kardee
42) Nee may aapay Ranjha hoee
Repeating Ranjha Ranjha
I became Ranjha myself
43) Sadyo nee maynu Peedo Ranjha
44) Heer na akho koi
Call me Ranjha
Nobody call me Heer
45) May naheen woh aap hay
46) Apney aap karay dil joiIts not me, its he himself
He amuses his own self
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47) Jiss day naal may neun lagaya
48) Ohdey wargee hoye sayyon
The one with whom I connected my heart
I became just like him, O friends
49) Jogi meyrey naal naal
50) May jogi day naal naal51) Nee may jana jogi day naal
Jogi is with me
I am with Jogi
Im going together with Jogi
52) Kannee mundaran pa kay
53) Mathay tilak laga kay
After putting earrings in my ears
and decorating my forehead with Tilak
54) Nee aye jogi naeen
55) Koi roop hay Raab da
Hey hes not [a] Jogi
Hes some form of God
56) Bhayce jogee da iss nu phab-da
57) Iss jogi mayra joorra khassya
Hes disguised as Jogi
This Jogi has attracted me
58) Aye jogi mayray munn which wasya
59) Such aakhan aye qasmay Quran ay
This Jogi has established residence in my heart
I swear by the Quran its true
60) Jogi mayra deen eman ay
61) Iss jogi maynu keeta rogee
Jogi is my belief and faith
This Jogi has marked me
62) Nee may iss jogi
63) Hun hore na jogee
Hey I belong to him
Now Im not worth any one else (Now theres no other Jogi)
64) Tarr gaye way may tarr gayee loko
65) Akh jogi nal larr gaye loko
Im floating, Ive drifted across, O people
My eyes inter-meshed with Jogis, O people
66) Maynu jogan jogee dee aakho
67) Heer salayte mar gaye loko
Call me Jogis female Jogi
Heer is dead, O people
68) Khayrray karday koorriyan gallan
69) Jogi dey mayrrhay may cir tay jhallan
In Khayrray they have deep talks
I have to listen to accusations about
70) Hore kissay nu kuj na janan
71) Janan tay jogi nu janan
I dont know anything about anyone else
If I know anything, I only know Jogi
72) Iss da paya kissay na paya
73) Iss da hay do jug uttay saya
No one has attained what he has attained
His shadow is on both worlds
74) Iss diyan dhumman do jug dhummiyan
75) Iss diyan juttian arsh nay chummian
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His fame is celebrated in both world
His shoes were kissed by Heaven
76) Aye jogi jogi mat wala
77) Hath which IllAllah dee mala
This Jogi is full of wonders
In his hand is the rosary of There is Nothing But One God
78) Nee naam hay iss da kamli wala
79) Jay jogi ghar away mayray
Hey, his name is [Mohammad] The One With The Shawl
If Jogi comes to my home
80) Muk jawun sub jhagray tayray
81) Nee may lavan seenay naal
82) Lakhan shagan mana kay
All your fights will end
I will embrace him
And celebrate a million praises
83) Bulleh Shah ik jogi aya
84) Dar saday aynay dhuan paya
Bulleh Shah a Jogi came
To our door.( ? )
85) Aynay lut layee Heer sayal
86) Aya bhayce wata kay
He stole away Heer of Sayal
He came in a disguise
============================================
Verhe Aa Varh Mere | Bulleh ShahNovember 2, 2009 by qausain
-
Translation:
by Kartar Singh Duggal
-
You may not take notice of me
But do come to me
I am a sacrifice unto you
Do come to me
Ive looked around in fields and forest
There is none like you
Do come to me
Cowherd you are to others
You are my faith, my beau
Do come to me
Leaving my parents, I am tied to you,
Oh Shah Inayat, my beloved teacherDo come to me
Bulleh enterd the great palace
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And had a spledid treat
What have we gained in the world
A black face and blue feet?
============================================
Bulleya Ki Jana Main KaunNovember 1, 2009 by qausain
-
Bulleya Ki jaana main KaunBulleya to me, I am not known
-
Na main momin vich maseetaan
Na main vich kufar diyan reetaan
Na main paakaan vich paleetaan
Na main moosa na firown
Not a believer inside the mosque, am I
Nor a pagan disciple of false rites
Not the pure amongst the impure
Neither Moses, nor the Pharoh
-
Bulleya Ki jaana main Kaun
Bulleya! to me, I am not known
============================================
Makkeh Gaya | Bulleh ShahNovember 1, 2009 by qausain
Makkay gayaan, gal mukdee naheen
Pawain sow sow jummay parrh aaeey
Going to Makkah is not the ultimate
Even if hundreds of prayers are offered
-
Ganga gayaan, gal mukdee naheen
Pawain sow sow gotay khaeeay
Going to River Ganges is not the ultimate
Even if hundreds of cleansing (Baptisms) are done
-
Gaya gayaan gal mukdee naheen
Pawain sow sow pand parrhaeeay
Going to Gaya is not the ultimate
Even if hundreds of worships are done
-
Bulleh Shah gal taeeyon mukdee
Jadon May nu dillon gawaeeay
Bulleh Shah the ultimate is
When the I is removed from the heart!
==================================================
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==================================================
Bulleh Shah: The Mystic Voice of Punjab
Me no believerno believe in mosque
And me no pagan, no ritual no task
Me is no pure amongst the impure,
Me no believerno believe in mosque
And me no pagan, no ritual no task
Me is no pure amongst the impure,
And me no Moses, no Pharaoh endure,
But Me no knoweth.
Who isseth Thee!
O Bulleya,
Me no knoweth,
Who issethMe!
by Umair Ghani
Farida Breuillac, a practicing Sufi from France, now living in Turkey, is sitting beside me on a stool in Lahores Regale Inn, discussing
Sufism over a cup of desi tea. Dazzled as she is by the beauty and stark truth of Bulleh Shahs verse, I recite to her the poetry of the great
saint of Qasur, verse by verse as she whirls around in a trance.
Aweek later I was standing outside the Darbar or the shrine of Bulleh Shah in the heart of Qasur city. Dhol beats echoed loud in the air
with chants of Ya Ali and Dam Mast Qalandar as a multitude throngs to the shrine of, one of the greatest Sufi souls of Punjab.
Bulleh Shahs real name was Abdullah Shah, that later transformed into Bulleh Shah out of sheer reverence and affection of the common
citizenry of Punjab who ardently adhered to his rebellious message of love, hope and wisdom.
Its widely believed he was born around 1680 at Uch Gilaniyan in Bahawalpur; later migrated to Malakwal and finally settled in Pandoke
Bhatian, about 14 miles southeast of Qasur. It was here that Bulleh Shah got his formal education from Maulvi Ghulam Murtaza, who was
the Imam of the main mosque in Qasur.
Later, after completion of his formal education Bulleh Shah started teaching at the same mosque, but spiritually he chose to follow the
path of his mentor, Inayat Shah Qadri, who was a famous saint of the Qadirya chain of Sufis in Lahore. Bullehs rebellious yet highly
rhythmic and appealing utterances attracted intense criticism from his family as well as friends; for his blindly following the Sufi order
much different and opposite to that of the Syeds, [the Muslims who claim their lineage from the Holy Prophet Muhammad, PBUH]
However, this criticism added even more spur to his rebellious mind. He revolted against those so called hierarchs of spirituality. Bulleh
Shah remained steadfast to his masters philosophy till his death in 1729.
Bulleh Shahs attachment to his mentors philosophy was so strong that under the sheer spell of his devotion, he addressed his master as
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god, guide, lord, spouse, husband, beloved and friend. His teachers guidance made him experience the spiritual ecstasies and a vision that
helped him explore the unfathomable realms of inner self. In this process of self realisation, he began his journey into a metaphysical
learning process which was unique to have enabled him grasp the reality of things on one hand, and yet felt blessed and obsessed by
revelations from within. The journey to the path laid down by his master continued to be so intense, so self sacrificing that rapture of being
away from his spiritual master, the qualms, the torment his soul faced, never ceased till the end. So intense was this Ishq (a process to find
God through an intense longing, fonding and attachment with ones mentor) that he expressed the fire in him through these words.
He listeneth to my tale and lisseneth to my woe
Shah lnayat my guide my teacher is so,
He leads me to places high and low
Shah Inayat my Master honoureth me,
Gives riddance of wrangles and of me,
My master, my Shah is with me,
Then who can dare put strife to me,
Who dare anyone harm to me,
Shah Inayat graces me,
Gives riddance of wrangles and of me,
My master, my Shah is with Me.
Thus found Bulleh Shahs spiritual quest in the finest expression of his poetry, the Kafis. His tone is satiric, razor sharp that acts like the
precision of a surgeons lancet, his verses bleeding with pain, the anguish, the qualm of separation and unprecedented genius of his thought
process, mercilessly cutting into the social norms, the taboos and established dogmas in the name of religion. He sets out his own aesthetics
of the divine love, guidance, faith, virtuosity, love and forgiveness. Like all other Sufis, he preaches negation of the self while seeking unity
with the divine. His poetry sets liberal standards with strong intonations of religious tolerance and communal harmony. Realizations of
truth transformed Bulleh Shah into a true mystic. He purified his heart with the fountain of truth gushing deep inside his soul.
Overwhelmed with an obsession of spiritual knowledge, like wine intoxicates the body and mind and thus becomes the principal driving
force, Bulleh Shah heroically voiced his wisdom in his following verse.
Put fire to thy prayer rug
and break even thy water mug,
then quit even thy rosary
And let thy staff to the tug
Me tired of reading the Veda book,
Me tired of reading the Quran
And Me no kneeling, me no prostrating,
Nor me forehead down
For God liveth in holy Mecca
Nor he in Mathura resides
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For only those who find Him
Who see the light with self besides.
With this verse Bulleh Shah stands tall in the Sufis lineage, a stalwart of the Sufis school of thought led by Mansoor who was penalized by
clerics of the day, declaring his chantings of Ana-al Haque (I am the Truth, I am the God) as Kufr (negation of God) oblivious of the
ecstasies that torment and thus cleanse the soul of a Sufi or saint is a unique phenomenon hardly perceptible or understood by clerics and
dogmatists; who go by mere words and not the meanings and context of a scripture. This happened with Mansoor Hallaj and this too
happened with Bulleh Shah who met a similar torment to his soul, his inner self.
Bulleh Shah spent rest of his life in total self denial; he did not care at all of the concern and hostility that orthodox mullahs unleashed at
him for his rebellious poetry. He danced ecstatically, fearlessly, perpetually and thus treaded the path of spiritual realization and
atonement. He preached love and humanism with a firm rejection of any formal religious authority on the affairs of the people. So it was no
surprise that on his death in 1758, he was denied a burial in Muslim cemetery and was thus laid to rest in isolation outside the main city of
Qasur. But his massage of love, his fight against religious bigots, the traditional hierarchs of different theological schools in the
subcontinent, made him a peoples wali or saint. That isolated grave is now a darbar where all including the clergy, the rich and the poor all
throng to pay homage to that great soul of Punjab who treaded the path of Sufism, the non traditional mystic way of finding God and a
solace for ones soul.
Me the first, me is the last,
Me dont know, no one else,
Me the wisest, no one else,
But Bulleya,
Me no knoweth
Who isseth Thee!
O Blleya,
Me no knoweth
who isseth Me!
Me know no secret, to me no religion,
Not one to me not known
From Adam and Eve, me not me was born
Me dont know even the name me own
Me dont know the people who bow and pray
Me dont know the people who go astray
O Bulleya!
Me no knoweth who isseth Thee!
Me no knoweth who isseth Me!
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Me no Arab, nor Lhori,
Me no Hindu, nor Nagauri,
Me no Turkic, nor Pishauri,
Me dont live in infinity,
Yet, O Blleya!
Me no knoweth
Who isseth Thee!
Me no knoweth
Who isseth Me!
Credits: The Photography byUmair Ghani,Bullah Shah painting by Saeed Art, Lahore.
===============================================================
Bulleh Shah and Kasur
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emembering the mystic whose message transcended caste, religion and power in seventeenth century Punjab. Born in 1680 and named Abdullah
Shah in a Syed family, he found a Murshid (spiritual master) in Shah Inayat, a man from a lower caste.
Na Raindee Hai, a Kalam by Bulleh Shah.
The world is a slippery place; Tread carefully for tis dark;
Go inside see whos there; Why do the people search outside;
Whats on the tongue must be said; Bullah, the beloved is not separate from us;
Besides the beloved there is naught; But the discerning eye is missing;
Therefore life endures separation; Whats on the tongue must be said;
Learning through the rote of books you call yourself a scholar;
Grasping the sword in your hand you call yourself a warrior;
Having visited Mecca and Medina you call yourself a pilgrim;
Bullah, what have you accomplished if you have not remained true to your friend!
Photographs taken by Hoshyaar contributor Bushra Shehzad and packaged by Hosh media, a volunteer-based organization that aims to bring youth
voices on to the mainstream media.
Click here to view the original image of 673x505px.
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The central courtyard outside the shrine of the great Sufi poet Bulleh Shah (16801758) in Kasur, Punjab. A lot of what is known about Bulleh Shahcomes from legends. Historians still debate the precise date and place of his birth, but it is believed that he was born around 1680, in the village of
Uch, in Bahawalpur. It is also believed that he received his early schooling in Pandoke, a village in Gujranwala, before he moved 50 milessouthwest to Kasur for his higher education.
A malang sitting in the courtyard of the shrine. Malangs are disciples of saints who have given up worldly pleasures for inner spirituality. Theyoften play music and dance outside shrines.
Click here to view the original image of 673x505px.
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A stall in the outer courtyard of Bulleh Shahs shrine with sacred ritual items like mannat ke karay (ritual wish bracelets) rings and pamplets withBulleh Shah's poetry. Bulleh Shah practiced the Sufi tradition of Punjabi poetry established by poets like Shah Hussain, Sultan Bahu, and Shah
Sharaf.
Click here to view the original image of 673x505px.
A sign by the Punjab Auqaf, Religious & Minority Affairs Department, posted outside the main building housing Bulleh Shahs tomb, forbiddingwomen from entering the tomb. Bulleh Shahs poetry and philosophy strongly criticizes Islamic religious orthodoxy of his day. His poetry or kal m
always seeks theological knowledge through debate and argument.
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A woman is seen praying outside the tomb of Bulleh shah. She is tying a mannat ka dhaga (a ritual wish string) to the wall, available outside the
tomb.
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A malang dancing to a Sufi kalm being sung by other malangs at Bulleh Shah's shrine. Music and dance are acts of devotion to the patron saints
and are representative of how the malangs have surrendered everything material to find inner peace.
Click here to view the original image of 673x505px.
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Devotees at the resting place of Bulleh Shah. The appeal of Bulleh Shahs verses has transcended generations and centuries because it breakdownscomplex existential questions of life and society into simple solutions grounded in humanity.
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Young boys at the shrine offer Fateha. The verse form Bulleh Shah primarily employed is called the Kafi, a style of Punjabi, Sindhi and Siraiki Sufi
poetry, that is also used by Sikh gurus. Many musicians have drawn inspiration from his Kafis, including renowned singers Abida Parveen, ArifLohar, Arieb Azhar, and Sain Zahoor, and bands Junoon and Noori.
http://www.dawn.com/2011/06/23/rumin...id=26529#mgimg
========================================
Re: Bulleh Shah and Kasur
Click here to view the original image of 673x445px.
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Dia's outside the tomb of Bulleh Shah. People come and light these dias after praying at the tomb. The oil is said to have healing powers and
people smear it over their hair. Bulleh Shah lived in the same period as the Sindhi Sufi poet, Shah Abdul Latif Bhatai Punjabi poet Waris Shah ofHeer Ranjha fame, and the Sindhi Sufi poet Abdul Wahab better known by his pen-name, Sachal Sarmast (truth seeking leader of the intoxicated
ones).
Click here to view the original image of 673x505px.
A Malang outside the shrine of Bulleh shah with his alms bowl. Bulleh Shah's time was marked with communal strife between Muslims and Sikhs.
Legend says, while Bulleh Shah was in Pandoke, Muslims killed a young Sikh man who was riding through their village in retaliation for murder ofsome Muslims by Sikhs. Bulleh Shah denounced the murder of an innocent Sikh, maintaining that violence was not the answer to violence. He was
later censured by the Mullas and Muftis of Pandoke. He also hailed the ninth Sikh Guru, Guru Tegh Bahadur as a Ghazi, or religious warrior, which
caused controversy among scholars of that time.
Click here to view the original image of 673x505px.
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A view of the graveyard at the shrine of Baba Kamal Chisti. Kamal Chishti was a contemporary and a friend of Bulleh Shah and his shrine of is acouple of miles from Bulleh Shah's tomb.
Click here to view the original image of 673x897px.
A beggar on the stairs of the shrine of Baba Kamal Chisti in Kasur.
Ruminations from Kasur | Media Gallery | DAWN.COM
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Dargah Hazrat Baba Bulleh Shah (R.A.)
Dargah of the Sufi Saint Hazrat Baba Bulleh Shah (R.A.), Pakistan
==========================================================================================================================================
Hazrat Baba Bulleh Shah (R.A) - - Master of 'Kafi', Respected Scholar and Sufi Poet of Punjab
Hazrat Baba Bulleh Shah (1680 1757) whose real name was Abdullah Shah, was a Punjabi Sufi poet. Baba Bulleh Shah himself
became a respected scholar, but he longed for true inner realization. Against the objections of his peers, he became a disciple ofInayat Shah, a famous master of the Qadiri Sufi lineage, who ultimately guided his student to deep mystical awakening.
Biography
Baba Bulleh Shah is believed to have been born in 1680, in the small village of Uch, Bahawalpur, Punjab, now in Pakistan. His
ancestors had migrated from Bukhara in modern Uzbekistan .
At the age of six months, his parents relocated to Malakwal. There his father, Shah Muhammad Darwaish, was a preacher in the
village mosque and a teacher. His father later got a job in Pandoke, about 50 miles southeast of Kasur. Baba Bulleh Shah received his
early schooling in Pandoke, and moved to Kasur for higher education, to become a student of the prominent professor, Ghulam
Murtaza. He also received education from Maulana Mohiyuddin. His spiritual teacher was the eminent Sufi saint, Shah Inayat Qadri.
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Baba Bulleh Shah was a direct descendant of Muhammad (Peace be upon Him) (S.A.W), through the progeny of Shaikh Abdul Qadir
Gillani of Baghdad.
A large amount of what is known about Baba Bulleh Shah comes through legends, and is subjective; to the point that there isnt even
agreement among historians concerning his precise date and place of birth. Some "facts" about his life have been pieced together
from his own writings. Other "facts" seem to have been passed down through oral traditions.
Baba Bulleh Shah practiced the Sufi tradition of Punjabi poetry established by poets like Shah Hussain (1538 1599), Sultan Bahu
(1629 1691), and Shah Sharaf (1640 1724).
Baba Bulleh Shah lived in the same period as the famous Sindhi Sufi poet, Shah Abdul Latif Bhatai (1689 1752). His lifespan also
overlapped with the legendary Punjabi poet Waris Shah (1722 1798), of Heer Ranjha fame, and the famous Sindhi Sufi poet AbdulWahad (1739 1829), better known by his pen-name, Sachal Sarmast (truth seeking leader of the intoxicated ones). Amongst
Urdu poets, Baba Bulleh Shah lived 400 miles away from Mir Taqi Mir (1723 1810) of Agra.
He died in 1758, and his tomb is located in Kasur.
Poetry StyleThe verse form Baba Bulleh Shah primarily employed is called the Kafi, a style of Punjabi, Sindhi and Siraiki poetry used not only by
the Sufis of Sindh and Punjab, but also by Sikh gurus.
Baba Bulleh Shahs poetry and philosophy strongly criticizes Islamic religious orthodoxy of his day. At the time worldly corruption had
been taken over as oppose to the true teachings of Islam.
Poetry Translated in English:
Bulleh! to me, I am not known
Not a believer inside the mosque, am I
Nor a pagan disciple of false rites
Not the pure amongst the impure
Neither Moses, nor the Pharaoh
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Bulleh! to me, I am not known
Not in the holy Vedas, am I
Nor in opium, neither in wine
Not in the drunkard`s intoxicated craze
Niether awake, nor in a sleeping daze
Bulleh! to me, I am not known
In happiness nor in sorrow, am I
Neither clean, nor a filthy mire
Not from water, nor from earth
Neither fire, nor from air, is my birth
Bulleh! to me, I am not known
Not an Arab, nor Lahori
Neither Hindi, nor Nagauri
Hindu, Turk, nor Peshawari
Nor do I live in Nadaun
Bulleh! to me, I am not known
Secrets of religion, I have not known
From Adam and Eve, I am not born
I am not the name I assume
Not in stillness, nor on the move
Bulleh! to me, I am not known
I am the first, I am the last
None other, have I ever known
I am the wisest of them all
Bulleh! do I stand alone?
Bulleh! to me, I am not known
--------------------------------------------------
One more from Baba Bulleh Shah:
Chal Way Bullehya Chal Othay Chaliyay
Jithay Saaray Annay
Na Koi Saadee Zaat PichHanay
Tay Na Koi Saanu Mannay
***
O Baba Bulleh Shah lets go there
Where everyone is blind
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Where no one recognizes our caste (or race, or family name)
And where no one believes in us
***
Ab to jaag Musaffir pyare
Raeen gayi latke taare
Kar le aj karni da weera
Mod na ho si aawen tera
***Awake, dear traveller, youve got to move on.
Trailing its stars, the night is gone.
Do what you have to do, do it today.
You will never be back this way.
Your companions are calling.
Let us go.
***
Awake, dear traveller, youve got to move on.
Trailing its stars, the night is gone.
A pearl, a ruby, the touchstone and dice
With all that you thirst by the waterside.
Awake, dear traveller, youve got to move on.
Trailing its stars, the night is gone.
Abida
Baba Bulleh Shah
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A Beacon of PeaceBaba Baba Bulleh Shah's time was marked with communal strife between Muslims and Sikhs. But in that age Baba Baba Bulleh Shah
was a beacon of hope and peace for the citizens of Punjab. While Baba Bulleh Shah was in Pandoke, Muslims killed a young Sikh man
who was riding through their village in retaliation for murder of some Muslims by Sikhs. Baba Baba Bulleh Shah denounced the murder
of an innocent Sikh and was censured by the mullas and muftis of Pandoke. Baba Bulleh Shah maintained that violence was not the
answer to violence.
Baba Bulleh Shah also hailed Guru Tegh Bahadur as a ghazi (Islamic term for a religious warrior) and incurred the wrath of the mullas.
Modern RenditionsIn the 1990s Junoon, Asia's biggest rock band from Pakistan, has also rendered such poems as Aleph (Ilmon Bas Kareen O Yaar) and
Bullah Ki Jaana. Baba Bulleh Shah's verses have also been adapted and used in Bollywood film songs. In 2004, Rabbi Shergill
successfully performed the unlikely feat of turning the abstruse metaphysical poem Bullah Ki Jaana into a Rock/Fusion song, which
became hugely popular in India and Pakistan. Another version was performed by Lakhwinder Wadali titled simply Bullah. Examples
include the songs Chhayya Chhayya and Thayya Thayya in the movie Dil Se..
In the 1990s Junoon, Asia's biggest rock band from Pakistan, has also rendered such poems as Aleph (Ilmon Bas Kareen O Yaar) and
Bullah Ki Jaana. Baba Bulleh Shah's verses have also been adapted and used in Bollywood film songs. In 2004, Rabbi Shergill
successfully performed the unlikely feat of turning the abstruse metaphysical poem Bullah Ki Jaana into a Rock/Fusion song, which
became hugely popular in India and Pakistan. Another version was performed by Lakhwinder Wadali titled simply Bullah. Examples
include the songs Chhayya Chhayya and Thayya Thayya in the movie Dil Se..
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Adil Najams post on Bulleh Shahhas a great selection of links to audio recordings of Bullehs poetry and also some of his beautiful verse. I
love this one
paRh paRh ilm hazaar kitaabaN
qaddi apnay aap nou paRhiya naee
jaaN jaaN waRhday mandir maseedi
qaddi mann apnay wich waRhiya naee
aa-vaiN laRda aye shaitan de naal bandeaa
qaddi nafss apnay naal laRiya naee
[yes, yes, you have read thousands of books
but you have never tried to read your own self
you rush in, into your Mandirs, into your Mosques
but you have never tried to enter your own heart
futile are all your battles with Satan
for you have never tried to fight your own desires]
Here are a few more translations that I found here.
Being cleansed, I am withdrawing
From my head, feet and hands
I even got rid of my eyes
I have attained my goal
It has ended so well.
O Bulleha! Lord prevails everywhere
Now none appears a stranger to me.
Quazi and mullah stray away
And paddle their religion
like hawkers
They are like bird trappers
Of this world
And throw away their nets
Everywhere to catch innocents.
Source of translations please click[here]
I will conclude with these immortal lines:
jay rabb milda naataiN dhotaiN
tay rabb milda daddouaN maachiaN nou
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jay rabb milda jungul phiraiN
atay rabb milda gaayaN wachiaN nou
way Bullayaa, rabb unnaaN nou milda
attay dilaiyan sachiyaN aachiyaN nou
A literal and evidently inadequate translation by me:
If God was found by bathing and cleansing
He would have been found by frogs and fish
If God was found by wandering in the jungles
Stray animals would have found him
O Bulleh, the Lord can only be found
By loving hearts true and pure..
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Shah Inayat QadiriFrom Wikipedia, the free encyclopedia
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Shah Inayat Qadiri Shatari (Punjabi: , also called Enayat Shah) was a Sufi saint of the Qadiri-Shatari lineage (silsila) who lived in Qasur, in the Punjab region
of present-day Pakistan. Shah Inayat Qadiri is famous as the spiritual guide of the Punjabi poet Bulleh Shah.
Shah Inayat belonged to the Arain community and earned a living through agriculture or gardening. He also lived in Kasur for some time but, due to the animosity of the ruler
of Kasur, moved to Lahore and remained there until the end of his life. His mausoleum is situated near Lahore.
[edit]
Poetic references
In the "Song of the Saints of India" (Bang-i-Auliya-i-Hind) occurs the following reference;
"From the tribe of gardeners was brother Shah Inayat,
He received honor from Shah Raza Wali Allah.
He earned his living in the small town of Qasur Pathana.
The ruler Husein Khan of this town was his arch enemy.
From there Inayat Shah came to the city of Lahore;
Two miles to the south of the city he made his habitation.
It is at this place that we find his tomb.
In 1141 he departed from this world."
Bulleh Shah says about his beloved teacher Enayat Shah:
Bullah has fallen in love with the Lord. He has given his life and body as earnest. His Lord and Master is Shah Inayat who has captivated his heart.
Shah Inayat wrote "Dasdtur al-Amal" in which he describes various methods Hindus employed for attainment of salvation in ancient times. According to him, this knowledge
was acquired and carried by the Greeks after Alexander's invasion of India, from where it was borrowed by ancient Iranians and subsequently adopted by the mystics of
Islamic countries.
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Historically the city of Kasur was named by ancient Aryan tribe of Kambojas who migrated from Mittani and Kussara and belonged
to Ancient King Pithana of Mesopotamian Kussara. This fact is also endorsed by renowned folk Baba Bulay Shah that all Pathans of
Kasur would become weavers very soon.
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Bulleh Shah was a famous poet of Pakistan and he was born in 1680 in Bahawalpur and he was died in 1758. He was a Punjabi Sufi poet and his real name was Abdullah
Shah. His tomb is situated in Kasur it is near the city of Lahore.
Structure of the Tomb
The shrine of Bulleh Shah is in a shape of a mosque. Green and white tiles are used in the construction of the mosque. Many lovers and fans of Bulleh Shah visit his tomb
and they pray to God by giving him the sake of Bulleh Shah. It is said that Baba Bulleh Shah was the descendent of the Holy Prophet Mohammad Peace Be upon Him. On
the grave of Bulleh Shah People put red roses and burn incenses. Recently the shrine of Baba Bulleh Shah was reconstructed and it is said that Rs 60 million are used and
the half of the cost was given by the Punjab Government. Among all the Sufi poets his Urs is the most celebrated one.
The new shrine of Bulleh Shah was designed in a modern style and it was completed by Auqaf Department. There are two entrance gate or doors and a library, and a small
corner where people burn candles, incenses and diya when their wish or dream come t rue. The grave of Baba Bulleh Shah i s covered with a maroon and green colored cloth
and all around the tomb many verses of Bulleh are written. The work of architecture was done by Mohammad Shabbir Malik. He is expert in the reconstruction of ancient
shrines architecture and designs.
The shrine is illuminated with candles, lamps and lights on different ceremonies and it enhance the beauty of the shrine and the city of kasur as well. The poetry of Bulleh
Shah depicts the social and moral values and new generation is very impressed by his poetry and many songs are also released on his poetry. The tomb of Baba Bulleh
was always crowded with people because he was the most impressive personality of Pakistan.
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Master of both worlds :: Baba Bulle ShahPosted by Varun | Posted in | Posted on Saturday, March 27, 2010
0
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Amid the smell of incense and rose petals, Muhammad Amin wipes the dust off his face and refills empty oil lamps that are flickering to their death. A custodian at the
shrine of Sufi Saint Hazrat Baba Bulleh Shah, Amin curses visitors who steal kerosene from the oil lamps. In the same light of the oil lamps, an expectant Mukhtara Begum
sits in eerie chilly silence. With her only child, a frail daughter, clasped tightly in her lap, she prays for a son. Its clearly written all over her face. She believes the Saint
listens to all. In the distance, another devotee interrupts their silence and utters a kafifrom Bulleh Shahs poetry. With a broken harmonium, he is here along with thousands
of devotees at the 252nd Urs of Baba Bulleh Shah.
Bulleh Shah witnesses the activity from under a large green dome, in a shrine built along a mosque and a graveyard. A million wishes are made in the three day Urs, which
is a mystical journey into a timeless world, reminiscent of a medieval fair. Devotees from distant lands spend nights at the shrine, eat free food, beat drums and sing
poems.
Malang
Men and women dressed in saffron robes and cheap jewellery are a visual retreat. I met two fakirs who had travelled from different shrines and claimed to be devotees of
Bulleh Shah. Baba Lal Pari Jhooley Lal, an old fakir, defined a dervaish as someone who owned nothing, not even himself, but in reality, he owned everything, and nothingand no one in this world owned him. He said that since the inception of Islam, hardliners had always complicated religion, whereas Sufi saints had simplified the link
between God and man. Their teachings still continued to break all barriers, and preached not only oneness of God, but also oneness of mankind. Its true that Sufi saints not
only unite people of different sects and religions, but also eliminate gender discrimination.
...men and women performing ablution (wuzuu) together...
I saw for the first time in my life, women performing ablution along with men in the same line. But since women are not allowed to enter the grave chamber of the tomb, they
swarm and surround the tombs square.Many spurious saints had erected little healing corners where they were fooling people and accepting rewards in the form of food, money and other gifts. One of them
would hold illiterate men and women in his arms, and slap them really hard on their necks and backs to heal them. The shrine authorities took notice and got rid of them by
dragging them out of the shrine.
Tiles
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Baba Bulleh Shahs 250 years old shrine is simple yet beautiful. Elaborate tile work with aqua colours and a highly detailed roof are the highlights of the shrine. Different
verses from his poetry are calligraphed around the tomb. Ignorant people tend to litter blindly and none bother to dispose their garbage properly. Due to security concerns, all
roads leading to the tomb are blocked during the Urs. A typical smell of, rose flowers and human sweat amalgamate, giving an ancient aroma. People swarm to get their
hands on free food at the shrine like flies, fighting for every strand of rice and piece of bread. It illustrates a sordid state of affairs. People from all over the country come to
give their respect to the saint.
The irony is that Bulleh Shah, now revered by people of all religions and culture, never got the recognition or respect he deserved during his lifetime. Its not surprising,
simply tragic, that when Bulleh Shah passed away, his dead body lay on the road in front of the house for almost a week (other accounts say 10 days). He had been refused
by the mullahs to be buried after his death in the community graveyard because of his unorthodox views. Hence he was thrown on the garbage outside the boundary of
Kasur. After the occurrence of such an ignorant and inhuman treatment, his friend from a distant place arrived and buried him.
Bulleh Shahs real name was Abdullah Shah and is commonly believed to have lived from 1680 to 1758. It is said that from among the ancestors of Bulleh Shah, Syed
Jallalluddin Bokhari came to Multan from Bokhara three hundred years earlier. Here he got initiated from Hazarat Bahauddin Zakriya of Multan, and settled down. Thus
Bulleh Shahs family, being Syed, was related to Prophet Mohammed on one hand and on the other hand with Sufi thought and mystic traditions for centuries.
Bulleh Shahs father, Shah Mohammed Dervish, was well-versed Arabic, Persian and Islamic scholar. The tomb of Bulleh Shahs father still exists in Pandoke Bhatian.
Every year an Urs is performed at the tomb and Bulleh Shahs kafis are sung there. In this way a tribute is paid to both father and son, and it has assumed the form of a
tradition to perpetuate their memory.
There is a strong historical evidence to show that Bulleh Shah too was an eminent scholar of Arabic and Persian. From his compositions we can find many references to
Islamic thought and mystic literature.
Scholars and dervishes title Bulleh Shah as, The Sheikh of Both the Worlds. He is regarded as the greatest Punjabi mystic poet and his work is considered to be the
pinnacle of Sufi literature.
After attaining mystical realisation, his learning acquired a new significance. But he had to pass through difficult tests before he could attain inner knowledge. Only contact
with his Murshid or Master Inayat Shah, a well-known Qadiri Sufi of his time, could make this attainment possible. Inayat belonged to the Arain caste and earned his living
through agriculture or gardening. Bulleh Shahs coincidental meeting with Inayat Shah melted his heart and he knew he had found his master.
Bulleh Shah held onto Inayat Shahs cloak tightly for the rest of his life. A majority of Bulleh Shahs poetry is a tribute to his Master. His life had become moments of
madness and strange ecstasy. In the presence of his Master and with the practice of the path he had just been offered, Bulleh Shahs spiritual condition and realisation
metamorphosed into strong belief.
For a distinguished scholar and descendant of Prophet Mohammed, to accept an ordinary vegetable grower as his Master was a very extraordinary event in the social
conditions of Bulleh Shahs times. Bullah had to suffer the taunts and ridicule not only of men of his religion, clan and caste, but also of all members of his family.
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also situated near Lahore. In Bang-i-Auliya-i-Hind we find the following reference about him:
From the tribe of gardeners was brother Shah Inayat,
He received honor from Shah Raza Wali Allah.
He earned his living in the small town of Qasur Pathana.
The ruler Husein Khan of this town was his arch enemy.
From there Inayat Shah came to the city of Lahore;
Two miles to the south of the city he made his habitation.
It is at this place that we find his tomb.
In 1141 he departed from this world.
It is said that even before coming in contact with Inayat Shah, Bulleh Shah used to do some spiritual practice, and had acquired certain miraculouspowers. When Bulleb Shah, the seeker, passed near the small field of Inayat Shah, he saw fruit laden trees on both sides of the road. Inayat Shah himselfwas engaged in planting onion seedlings. It occurred to Bulleh Shah to test Inayat Shah of his spiritual power. Invoking the name of God, Bullah looked atthe trees, and the fruit started falling on the ground. Inayat Shah looked back and saw that unripe fruit was falling from the trees without any reason. Heimmediately realized that it was due to the mischief played by the young man passing by. He looked towards Bulleh Shah and said, "Well, young man, whyhave you brought down the unripe fruit from the trees?" This is what Bulleh Shah wanted, to find an opportunity to talk to Inayat Shah. He went up tohim and said, "Sir, I neither climbed up the trees, nor did I throw any stones at the fruit, how could I tear it from the trees ?" Inayat Shah cast a full glanceat Bulleh Shah and said, "0, you are not only a thief, you are also being clever! " Inayat's glance was so penetrating that it touched Bullah's heart and heinstantly fell at his feet. Inayat Shah asked him his name and the purpose for coming to him. Bullah replied, "Sir, my name is Bullah and I wish to knowhow I can realize God." Inayat Shah said, "Why do you look down? Get up and look at me." As soon as Bullah raised his head and looked at Inayat Shah,the Master again cast at him a full glance, laden with love, shaking him all through. He said "0 Bullah, what problem is there in finding God ? It onlyneeds to be uprooted from here and planted there." This was enough for Bulleh Shah. He got what he had wished for .
Inayat Shah had poured the essence of spirituality in these few words. He conveyed to Bulleh Shah that the secret of spiritual progress lay in detaching
one's mind from the world outside and attaching it to God within. In Bang-i-Auliya-i-Hindthis instance has been describedas below:
"In the city of Qasur Pathana it happened to a man of God, a descendent of prophet Mohammed, the grandson of Pir Jilani, that he achieved greatnessfrom Hazrat Shah Inayat whose tomb lies in Lahore, south of the city. Bulleh Shah said to himelf, "I must get my Master after testing him. I must fullysatisfy myself, I must drink water after straining it." In his intense search for his Master he first looked towards Lahore, then he came there and took hisresidence, where the garden of Shah Inayat was situated. There he saw a mango on a tree at that time, he looked at it, invoked the name of God, and themango fell on the ground. Shah lnayat gave a call to him and said, "Listen, you wayfarer, you have stolen my mango. Give it back to me." Bulleh Shahreplied, "I did not climb up the tree; your mangoes are far from my reach. It is with the wind that the mango broke from the branch and came into my lap.Invoking the name of God, you got the mango. You have committed a theft. " Bulleh Shah realized the spiritual power and knowledge of Inayat Shah. Hefell at his feet, was graced by initiation from the Master and attained the secret knowledge."
Bulleh Shah's meeting with the Master, getting initiation from him and being deeply impressed has been described by a scholar in these words :
"Bulleh Shah had all those virtues in him which Shah Inayat was looking for in a disciple. He opened his inner treasure and placed it before him. .-.He gotthe vision, he became oblivious of his surroundings, and in that state of rapture he proclaimed the gift of his inner grace in the manner of Mansur. "
Bulleh Shah started to pass his time in a state of strange ecstasy. In the company of his Master and with the practice of the path he had been shown,Bulleh Shah's spiritual condition started changing day by day. His kafi, "Whatever color I am dyed in " makes it clear how great was the effect of hisMaster on him. In it he mentions that his inner eye had been opened, all his doubts had been removed, and he had been blessed with the light ofRealization. Through the grace of his Master he had the vision of the Lord within and that for him no difference existed between his Master and the Lord.
The effect of his master was so profound that but for his Master nothing else mattered for him. He became strangely selfless and impervious to affairs ofthe world. Prof. Purn Singh has described an interesting incidence of this phase of Bulleh Shah's life in his book The Spirit of Oriental Poetry. One day hesaw a young girl whose husband was expected to come home, and in whose preparation she was putting plaits in her hair. A strange desire arose in hismind. He also dressed himself like that woman, put the same type of plaits in his hair, and went in this guise to meet his Master. For the worldly peoplesuch an act would look ridiculous, but it shows not only the great love for his Master but also his unconcern with public opinion and his desire to sacrificehimself for his beloved. In the manner of true lovers he shed his mescaline pride and assumed the form of a helpless women who renounces her ego andsurrenders herself completely to her lord.
Whatever questions or doubts Bulleh Shah had in his mind before he met his Master, were all drowned in the experience of inner light. When he hadmade up his mind to come to Inayat Shah, people had dissuaded him from doing so, saying, "You are a great scholar, a master of miraculous powers and adescendent of prophet Mohammed. Does it seem right to you to go to an ordinary gardener of low caste and become his disciple? Is it not shameful?" Buthis Master was true to his name. HE showered such grace on Bulleh Shah that a single glance of his made him saturated with spiritual light. In ecstaticgratitude Bullah proclaimed: "O Bullah, if you seek the pleasure of a garden in spring, go and become a servant of the Arain."Bulleh Shah held the hem of
his Master's cloak so firmly that he never let it go from his hand for the rest of his life. All of Bulleh Shah's compositions are suffused with love andgratitude for his Master. In this love he identified his Master with the Lord. He has addressed Shah Inayat with such words as guide, as one who unitespeople with God, besides calling him spouse, husband, Lord, friend, and beloved.
1. He listens to my tale of woe; Shah lnayat guides me and takes me across.(Week)2 a. Shah Inayat is my Master, who has come to grace me.All my wrangles and strife's are over.Who can now delude me ? (Acrostic) b. Bullah has fallen in love with the Lord. He has given his life and body as earnest. His Lord and Master is Shah Inayat who has captivated his heart. (Baran Maha) c. He pervades in everyone.
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Shah lnayat himself showed it, And then alone I could see. (Baran Maha)3 a. Inayat will come to my nuptial couch;
I am in great delight. (Knot) b. My friends have come to congratulate me. Shah Inayat, my Lord, has fulfilled my hopes. (Baran Maha)c. I left my parents to take your shelter, O my beloved King Inayat! Now honor this bond of love, for I am entirely in your hands. Pray, walk into my courtyard ! (Kafi)d. Come Love, fold me in your arms, Why this estrangement ? Says Bullah: Ever since I found Shah Inayat, The Lord has taken abode in me. (Kafi)e. Bulleh Shah has no caste ; He has found Shah Inayat. (Kafi)He calls his Master the Lord of the soul and the philosopher's stone, which can turn iron into gold.
O Bullah, my Lord Inayat knows God,
He is the Master of my heart.
I am iron, he is the philosopher's stone.
Again,
"The Master is an adept in swimming, he can take across an inept and helpless woman."Bullah also calls him the one who can embellish t soul with spiritual apparel and jewelry and transform widow into a bride.
O Bullah, the Lord brought me to the door of Inayat,
Who embellished me with clothes green and red.
For a distinguished scholar, who belonged to the line of prophet Mohammed, to accept an ordinary vegetable grower as his Master was a veryextraordinary event in the social conditions of Bulleh Shah's times. It was like an explosion which shook the prevailing social structure. Bullah had tosuffer the taunts and ridicule not only of men of his religion, clan and caste, but also of all members of his family. He says :
1. 0, what has love done to me?
People hurl at me taunts and rebukes.2. For the sake of my true friend,
I have to bear the reproaches of people.3. To admonish Bullah came his sisters and sisters-in-law,
"Why have you brought disgrace to the prophet and to the progeny of Ali?Listen to our advice, 0 Bullah, and leave the hem of the Arain's skirt.
Bullah preached fearlessly that the guidance of a Master was indispensable for spiritual realization, and the caste of the Master did not at all matter inthis pursuit. Even if he belonged to the lowest caste, his help would still remain indispensable. Thus, he proclaimed at the top of his voice that pride inbeing a Sayyiad would land one in hell, and the one who held the skirt of a Master like Inayat Shah would enjoy the pleasures of heaven.
Let anyone, who calls me a Sayyiad,
be punished with tortures of hell,And let him revel in the pleasures of heaven,
who labels me an Arain.If you seek the pleasures of the spring season,
become a slave of the Arain.An interesting incident of this period in the life of Bulleh Shah presents a graphic picture of his ecstasy, generosity and fearlessness of public opinion. It issaid that as a result of disgust from people's attitude, Bulleh Shah purchased a few donkeys so that people should ridicule him. They started calling him"The man with donkeys." During those days, a poor man's wife was abducted by a Muslim Chieftain. In despair, the husband went to Bulleh Shah, andasked for his help in recovering his beloved wife. After a few moments spent in thought, Bulleh Shah told the man, "Go and see, my friend, if there is anymusic or dance going on somewhere near about." The man soon came back and reported that a group of eunuchs was dancing in the village nearby,
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accompanied by a band of musicians. "That is good, " said Bulleh Shah. "Come now and sit on one of my donkeys, and we shall both go to watch thedance. " As soon as the saint arrived at the dance, he joined the group and also started dancing. He got into
an ecstasy and asked the man, "Where does the Muslim Chieftain live ?" The man told him that he lived in a certain part of the city near the orchard ofdates and the grove of mangoes. Then Bulleh Shah called out withdirected attention :
There is a mango grove, it is said,
and an orchard of dates.
The owner of donkeys calls you,
Wake up, if you are asleep.
Sorrel is thus hulled in the mortar,
Sorrel is thus hulled, my friend!
The moment he uttered these words, the abducted woman ran out from the nearby garden and came to Bulleh Shah. Bulleh Shah stopped dancing andcalled to the husband, "Here is your beloved wife, brother! Take her home and guard her well."
Then once more wrapped in ecstasy, he continued to dance to the bewitching music. The gossips lost no time in going to Bulleh Shah's father, an orthodoxMuslim, and told him all that had happened. Not only was his son now hiring out donkeys, but he had also started to dance with the eunuchs. Greatlydistressed and enraged, the saint's father, with a rosary in one hand and a staff in the other, hastened to the place where his son was dancing. " Ah! it isyou, father" said Bulleh Shah as he heard his name called. He looked at his father intently and began to sing :People have only chaplets but my father has a rosary.
The whole of his life he has toiled hard,
But has not been able to uproot a single hair.
Sorrel is thus hulled in the mortar .
Sorrel is thus hulled, my friend !
As the son, filled with spiritual ardor, gazed at his father, the inner eye of the father was opened and he had a divine vision. With a serene and radiantsmile on his face, .he joined his son in the ecstatic dancing and singing, and as he danced, he sang over and over again :
Blessed are the parents whose sons
are dyed in such divine color !
They bring salvation even to their parents.
Sorrel is thus hulled in the mortar.
Sorrel is thus hulled, my friend !
The beginning of love is fascinating, but its path is difficult and its destination far. Even a small error or omission on the part of the lover can become acause of great annoyance for the beloved. 'That creates a mountain of calamities for the lover. Such a thing happened to Bulleh Shah, when his Mastergot annoyed with him for an omission on his part.
Some writers have attributed the reason for his Master's annoyance to Bulleh Shah's open criticism of rituals and customs practiced by Muslims, and
this was not to the liking of Inayat Shah. This reason, however , does not appear plausible, because criticism of external observance .is common to all Sufisaints, and it was not unknown in the Qadiri tradition. They were certainly not the worshippers of this system.
The second reason given for the annoyance is quite different in nature. It is said that once Bulleh Shah invited his Master on the marriage of one of hisrelatives, The Saint deputed one of his disciples to represent him at the function. This disciple belonged to the Arain caste and was poorly clad. Now,Bulleh Shah's family was proud of belonging to the clan of Sayyiads. They did not give proper attention in receiving this poorly clad man. Even Bullahhappened to make this omission. At least he should have shown proper respect to the representative of his Master, But under the pressure of his family orthe fear of public opinion, he did not give the guest due honor. When the disciple
returned from the marriage, the Saint asked him how the marriage was celebrated. He told his Master the whole story , and complained that because ofhis low caste and tattered clothes, neither Bulleh Shah nor his family showed him due respect. The Saint replied, "How dare Bullah behave like this ?"And then added, "What have we to get from this useless man ? We shall change the direction of the flow of water from his fields to yours !" He had only toutter these words to bring a calamity in Bullah's life. As soon as the Master changed the direction of his grace, his spring turned into autumn. His innervisions vanished, leaving him dry and barren. Light changed into darkness and bliss into mourning. It was a stunning blow to Bullah.
One who has never experienced inner bliss and who has never had a glimpse of the divine glory of his Master within, his case is quite different. But theone who has enjoyed the wealth of inner experience and who is suddenly deprived of this treasure, he alone knows the pangs of such a torture. In fact, thelord of spiritual wealth is the perfect Master, and there is nothing in the hands of the disciple. Apparently, the disciple is himself seeking the Master, andwith his own effort treads the path and progresses on it, as shown by the Master. But, in reality the disciple cannot search for the Master with his mindand meager intellect, nor can he find the true path with his own power and cleverness. N or can he rise to spiritual realms with his own endeavor. Findingthe true path and achieving spiritual progress are all gifts of the Master's grace. Bulleh Shah has himself written, "The Guru does whatever he wills." Butto realize this he had to suffer the annoyance of his Master and cross the frightening ocean of the fire of separation.
As soon as his spiritual experiences were stopped, Bullah hastened to his Master, but the Master turned his back on him and asked him to leave theplace. For one thing, the annoyance of his Master '. for another the command not to see him! What greater torture could there be for a disciple ? Bullahwas miserable. He began to burn in the fire of repentance, and his condition waslike that of a fish out of water .
In the compositions of Bullah, many references can be found of this heart-rending state of his mind. In many of his kafis there is a touch of his personallife. No one can say with certainty when these kafis were written. But the descriptions in these poems bespeak of such a mental state. The pain ofseparation erupts in them like turbulent waves. "In poignancy of emotion, sincerity of feeling, ardor and longing, these kafis are matchless. "
From the kafi given below it is evident; that the memory of the bliss of union with the beloved and the pain of separation from him are continuing to burnBullah to ashes like a house on fire. He cannot give up love, but in the separation of his beloved, he can find peace neither by day nor by night. He is notblessed with the sight of his beloved,