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9. Almost a year ago you had your own rstexhibition; Memories in
space. Were you hap -
py with it? What do you think about exhibi-
tions after you had one of your own?
Actually I wasnt very aware that this exhibition washappening
until everything begun. I was of course veryhappy. The exhibition
space was interesting. But it waslike I really wasnt aware that it
was about me and Iactually had to take part. I was going to
Istanbul backthen and I couldnt control everything concerning
theprinting and stuff, it was like I was absent physically
andemotionally. It was hard to choose the photos for theexhibition
and I am never happy when I have to picksome of my pictures for
anything. I always think I couldhave done much better. In the end
there was a melan-cholic line that connected all the pictures.It
was a beautiful small quiet exhibition.
And I really want to do it again. I would have donemany things
differently of course.
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10. What are your short term and long termplans concerning
photography?
Ah, plans...I really dont have big plans. I rst want tograduate
and then Ill see.
Im doing small steps but it wouldnt be a bad thing tobe a little
more ambitious, or at least more organized
:)For now Im just thinking and preparing some exhibi-tions. And
some projects but I wouldnt talk about
them until they are certain. Still, some small thingsare
happening and they make me happy.
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http://snjezanajosipovic.com/
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selected: Kreimir Zadravecarranged: Robert Gojevitranslation:
Martina Velenik
Manolovas Resume:
Yanina Manolova is a freelance photojournalist with ne art
photography back -ground and a graduate student at Ohio Universitys
School of Visual Commu -nication.
She is native from Varna, Bulgaria. She earned a Bachelors
Degree from Uni-versity of So a, Bulgaria.
Yanina has worked on different projects in Africa, Latin
America, Europe andUSA. Her real dedication is working on worldwide
humanitarian and healthcare associated projects.
She has won several international awards and her work was
featured in theWorld Health Organization (WHO), The Fistula
Foundation, US Oncology NewsMagazine, CITY Magazine, National
Geographic (Bulgaria), Northern ShortCourse in
Photojournalism,Southern Short Course in News Photography, PX3 Prix
de la Photographie(Paris), Shavarsh Artin (Bulgaria), Black &
White Spider Awards, Internation -al Color Awards, Professional
Photographers of America (PPA), Wedding & Portrait
Photographers International (WPPI), Women in Photography,
WomenPhotojournalists of Washington (WPOW), and Women in
Photojournalism.
Her photos appeared at numerous exhibits, including exhibit of
her photos andMark Parascandolas photos at Nevin Kelly Gallery
/Washington, DC/.
In September of 2007, Yanina published her rst book Neprozrenia
in Varna,Bulgaria, a collection of ne art photos and poetry,
created in the period of 2005-2007.
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GALERIJA 24PROJECT
Yanina Manolova
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Project story:
Ricki Lindsey, 21, was born a male - Richard Jona-
than Lindsey. She has identi ed as a woman pub -licly for 3
months. She takes a female name andbegins dressing and living as a
girl. The daughterof a single mother and an abusive father, she
hasalways recognized femininity as her true source of strength.
Ricki feels free at home. It has alwaysbeen her sanctuary - no one
can hurt her there.She lives with two roommates. One is a
bisexualmale, who is sometimes a female impersonator.The other,
left, is a straight man. Ricki often vis-its club Chronos in
Washington, DC. The nightlife is the only time when she can
function as awoman and be seen by others as a woman. Rickisfriends
are her family. There are only four peoplestill living who are
related to her by blood. Theonly time she feels beautiful is when
she is out asa woman. For Ricki, having curves and being plus-sized
is a source of self con dence. Transgenderwomen start life as a
mirror image of what they
want to become. Testicles are fake and breastsare real. Ricki
will be incomplete until the waterballoons she stuffs inside her
bra are replaced byreal esh. Her body is nowhere near as
importantto her as her face. When Ricki looks in the mirrorand sees
the face of a woman, she feels whole.Complete. Real. While removing
her make-up, shestrips away pieces of herself. As it comes off,
sheis putting a mask back on. Performing the functionof a man is a
source of shame to her. In the tinymoments in between, she is
reminded that she isnot physically a woman. This is painful. Even
inher own skin, she feels alien and alone. Her moth-er was her
hero. She died in 2006. Rickis entireidentity as a transgender
woman is based on hermother as a role model. Good night, mamma.
Ilove you., Ricki says when she touches her moth-ers face on the
photo, I dont feel safe anymore.She is gone., Ricki whispers.
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