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Building in the Scenic Area SCENIC RESOURCES IMPLEMENTATION HANDBOOK

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Page 1: Building inthe ScenicArea - Skamania County · 3 Welcome to the Building in the Scenic Area Handbook. As a landowner in the Columbia River Gorge National Scenic Area, you have an

Building in theScenic AreaSCENIC RESOURCES IMPLEMENTATION HANDBOOK

Page 2: Building inthe ScenicArea - Skamania County · 3 Welcome to the Building in the Scenic Area Handbook. As a landowner in the Columbia River Gorge National Scenic Area, you have an

Introduction & Background . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 3

Building Site Selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 7

Grading & Grading Plan Preparation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 12

Color Selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 17

Exterior Material Selection & Reflectivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 21

Planting Vegetation for Screening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 31

Acknowledgements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 34

Building in the Scenic Area • Scenic Resources Implementation Handbook2

Table of Contents

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3

Welcome to the Building in the Scenic Area Handbook.As a landowner in the Columbia River Gorge NationalScenic Area, you have an important role in preservingthe beauty of the Gorge’s landscape.

The Columbia River Gorge is world-renowned for itsmagnificent scenery. It is a region of diverse landscapesthat include lush rain forests, towering cliffs andwaterfalls, picturesque farmlands, and sweepinggrasslands. A driving force behind the Columbia RiverGorge National Scenic Area Act, passed by Congress in1986, is the value of ensuring developmentcomplements Gorge scenery. One purpose of theNational Scenic Area Act is to “protect and provide forthe enhancement of the scenic…resources of theColumbia River Gorge.” The Management Plan for theColumbia River Gorge National Scenic Area containsregulations to ensure new developments blend withthe Gorge’s scenery.

If your land can be seen from a designated KeyViewing Area, there are many things you can dothrough careful design to help maintain the scenicquality the landscape.

What do scenic protection requirements do?

Scenic regulations protect the beauty of the landscape. They may affect the design and location of development. Scenic regulations apply to:

� Structure location and orientation.

� Structure size, color, height, shape, and exteriormaterials.

� Plantings to help screen or shade newdevelopment.

� Grading necessary to accommodate structures andcirculation on the site.

How will my project be reviewed for scenicprotection requirements?

The more visible a project is, the more effort it will take to blend the development with its naturalsurroundings. Therefore, the review agency will ask youfor site-specific information. This information will beused to determine how your proposed project will lookafter it is constructed. Depending on the outcome ofthis assessment, the review agency may require you tomodify your design or take other actions to help blendthe development with the surrounding landscape.

On rare occasions a proposed project cannot meetscenic standards. When this happens, the reviewagency will look at all options (location, design, color,material selection, and landscaping) to make sure thedevelopment will blend in as much as possible.

You and all future owners will be responsible formaintaining compliance with all of the conditions listedin your development approval.

If I follow all of thesuggestions in thisHandbook, will mydevelopment be approved?

You will have a great start.Following the recommendationsin this Handbook does noteliminate the need for land usepermits or guarantee yourapplication will be automaticallyapproved. Other regulationsapply to development in theScenic Area. Only the reviewagency can determine whether aproposal complies with allapplicable regulations.

Introduction &Background Building Site Selection Grading & Grading Plan

Preparation Color Selection Exterior MaterialSelection & Reflectivity

Planting Vegetation for Screening

Introduction & Background

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Which agency will review my developmentproject? What is the review agency’s role?

If your project is in Clark, Hood River, Multnomah,Skamania, or Wasco counties, you will work with yourcounty’s planning staff. If your land is in KlickitatCounty, Gorge Commission planners will review yourproject. Each review agency has its own applicationpacket. Review agencies also can provide sample siteplans and application materials specific to your needs.Contact information for all of the review agencies islisted on page 34.

The review agency is a resource for you during yourdevelopment project. By involving your review agencyearly in your development plans and by makinginformed design choices, you can make a difference inpreserving the Scenic Area’s unique scenery. County orGorge Commission staff can help you understandscenic protection requirements and identify topics notcovered in this Handbook including:

� The zoning of your property and uses allowed inthat zone.

� How to ensure new buildings are compatible withthe size of surrounding development.

� Any natural or cultural resources on your propertythat must be preserved.

� Potential impacts to recreational resources.

� Potential impacts to agriculture and forest land.

� How to ensure your development meets fire safetystandards.

� Expedited review of some small projects.

How can this Handbook help me?

This Handbook contains information on regulationsaffecting the visibility of development and guides youthrough the scenic review portion of the developmentapplication process in the Gorge. This Handbook isprovided to help you:

� Learn about regulations for developing land thatcan be seen from Key Viewing Areas.

� Understand the reasons for these scenicregulations.

� Make informed choices when selecting buildingsites, structural designs, landscaping, colors, andexterior building materials.

� Prepare an application for scenic review of adevelopment proposal.

List of Key Viewing Areas

Historic Columbia River Highway

Crown Point

Highway I-84, including rest stops

Multnomah Falls

Washington State Route 14

Beacon Rock

Panorama Point Park

Cape Horn

Dog Mountain Trail

Cook-Underwood Road

Rowena Plateau and Nature Conservancy Viewpoint

Portland Women’s Forum

Bridal Veil State Park

Larch Mountain

Rooster Rock State Park

Bonneville Dam Visitor Centers

Columbia River

Washington State Route 141

Washington State Route 142

Oregon Highway 35

Sandy River

Pacific Crest Trail

Special Management Area Only:

County Road 1230

Wyeth Bench Road

Larch Mountain Road

Sherrard Point on Larch Mountain

Building in the Scenic Area • Scenic Resources Implementation Handbook4

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Important Terms

Key Viewing Areas are important roads, trails,recreational sites, and other places offering the publicscenic views of the Gorge. Twenty-six Key ViewingAreas have been designated within the Scenic Area andinclude portions of public roads, parks, trails, and otherpublic vantage points (see list on page 4).

Topographically Visible sites can be seen from KeyViewing Areas if all vegetation were removed (FIGURE

1). Screening vegetation is considered when the reviewagency decides what steps must be taken to ensure adevelopment proposal will meet scenic standards.

Development is a broad term that includes thecreation of new parcels, the construction of buildingsand structures, and ground-disturbing activities such as mining, dredging, filling, grading, paving, andexcavation.

Landscape Settings are areas in the Gorge withdistinct characteristics. These characteristics contributeto the beauty and diversity of the Scenic Area.Landscape settings are determined by:

� Landform – such as cliffs, hillsides, and rockoutcroppings.

� Vegetation types and patterns – such asgrassland, forests, or pastures.

� Existing land use and development patterns –including types, amount, spacing, and other aspectsof existing development within the landscape.

Some landscape settings have specific requirements forplant species, building design, and building location.The review agency will help determine which landscapesetting requirements apply to your project.

Urban Area, Special Management Area, andGeneral Management Area are three categories ofland in the National Scenic Area:

� Urban areas are cities and towns. If a property islocated in an Urban Area, a National Scenic Areadevelopment review is not required. Localregulations, zoning, and building codes still apply.

� Special Management Area lands include someof the most sensitive lands in the National ScenicArea. Approximately one third of the Scenic Area isdesignated Special Management Area.

� General Management Area land makes up theremainder of the Scenic Area.

5Introduction &Background Building Site Selection Grading & Grading Plan

Preparation Color Selection Exterior MaterialSelection & Reflectivity

Planting Vegetation for Screening

� Figure 1Cross Sections Showing Topographic Visibility

Topographicallyscreened

Topographically visible

Sight Lines

KVA

KVA

Topographic screening from a low elevation

Topographic screening from a high elevation

Sight Lines

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Scenic Standards are ways of describing how well adevelopment blends with the landscape. Mostdevelopment in the National Scenic Area must bevisually subordinate to the landscape. This includes alllands in the General Management Area and somelands in the Special Management Area. Some projectsin the Special Management Area must meet a higherstandard called “not visually evident.” FIGURE 2

illustrates the range of visibility standards fordevelopment. “Visually dominant” is not allowed and “preservation” is not required.

One of the first things you should check with yourreview agency is the scenic standard that applies toyour project.

In the Special Management Area, forest practices mustmeet scenic standards similar to other developmentproposals. The Forest Service Scenic Area office staffcan work with you on forest practices in the SpecialManagement Area.

Unless otherwise noted, the regulations discussed inthis Handbook are not required for development that isnot topographically visible from Key Viewing Areas. ■

Building in the Scenic Area • Scenic Resources Implementation Handbook6

Apply in the Scenic Area

� Figure 2Full Range of Scenic Standards

Visually Dominant

Development is what you see most.

Not allowed outside urban areas in the National Scenic Area.

Not Visually Evident

Development is not noticeable and is easily overlooked.

Required only on a few projects in the Special Management Area and new

quarries in the General Management Area.

Visually Subordinate

Development is visible but not what you seefirst or remember best about the landscape.

Applied in the General Management Area and to most private land in the

Special Management Area.

Preservation

No development can be seen.

Not required in the National Scenic Area.

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7Introduction &Background Building Site Selection Grading & Grading Plan

Preparation Color Selection Exterior MaterialSelection & Reflectivity

Planting Vegetation for Screening

The location of your development on the property is the most important factor for achieving visualsubordinance. Even if you use dark colors and low-reflective materials, your development must bescreened by topography and existing trees and shrubs if possible. Choosing an appropriate building locationalso saves time and money. For example, by selecting asite with plenty of existing land forms and vegetationto screen and shade your development, you will avoidthe need to plant new trees, and you will minimizegrading. This section of the Handbook will help you:

� Use existing land forms and vegetation to screenand shade your development site.

� Design a structure to fit your property.

� Understand site plan requirements.

What are the key considerations whenselecting a site for development?

Many factors must be considered during site selection,including:

� Key Viewing Areas – visibility and distance fromKey Viewing Areas are major factors in site selection.

� Existing topography and vegetation – foruse as screening and shading.

� Landscape settings – some settings havespecific requirements as discussed on page 11.

� Site-Specific Regulations – for example, newbuildings cannot be built on land slopes steeperthan 30% in the General Management Area.

� Cultural resources – such as archaeologicalartifacts, historic buildings, or other cultural featuresidentified in a cultural resource survey must beavoided when selecting a development site.

� Natural resources – such as streams, wetlands,rare plants, and sensitive wildlife habitat must beavoided when selecting a building site. Mostnatural resources have a buffer zone that also mustbe avoided in most cases.

� Grading – including moving of soil or rock toaccommodate proposed structures, temporarystaging areas for construction, driveways or turn-arounds, septic drainfields, terraces, and other newland forms. Decisions about where to locatedevelopment need to consider and minimize theamount of ground disturbance (grading) required.

What do I need to know about skylines?

New buildings in the Scenic Area must remain belowthe skyline. Locating development alongside, below, orbehind a ridge or bluff will help maintain the naturalform of the ridge in the landscape as illustrated inFIGURES 3 & 4.

How can I use existing topography?

Identify any Key Viewing Areas from which yourproperty can be seen. Look for rocky outcrops, knolls,hills, or ridges that could help screen your proposeddevelopment from those Key Viewing Areas. Existingland forms provide more permanent screening than

Building Site Selection

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existing vegetation or other buildings. Developmentdoes not have to be entirely hidden to benefit fromscreening by existing land forms.

How can I make good use of existingvegetation?

Select a site where you can use existing trees and

shrubs between the development site and Key ViewingAreas. Existing vegetation provides cheaper and morereliable screening than new vegetation. New trees andshrubs take time and money to establish and grow. Onthe west side, it is costly to plant large trees. On theeast side, it is nearly impossible to get large trees tosurvive and grow well without a substantial investmentin irrigation. New vegetation and creating new moundsor berms to hide development are not alternatives tocareful site selection and using existing trees andshrubs for screening.

What about distance from Key Viewing Areas?

When choosing between alternative site locations, thesite furthest away from a Key Viewing Area is usuallythe easiest location to blend development with thelandscape. The further a structure is from a KeyViewing Area, the smaller it will appear relative to therest of the landscape. The details and texture of thelandscape are also less clear from a distance, allowingthe eye to overlook interruptions in the naturallandscape pattern more easily.

What should I know about structure designand size?

The design and size of structures should fit well withthe site and landscape. Here are some good strategiesto consider as part of your site selection and designprocess:

� Consider turning a structure to face a Key ViewingArea at an angle. A structure that parallels or facesa Key Viewing Area directly is more noticeable thana structure set at an angle.

� Structures also can be set into a hillside rather thanperched over a slope. Designing a building to

Building in the Scenic Area • Scenic Resources Implementation Handbook8

� Figure 3Proposal Remains Below the Skyline

skyline

skyline

The site selection and design of this structure keep the roofline below the skyline, allowing it to blend in with thebackdrop created by the hillside behind it.

� Figure 4Proposal Breaks the Skyline

The structure stands out much more clearly against the skyline because the roofline breaks the skyline rather than blendinginto the hill side behind it. This site is prohibited by the Management Plan.

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9Introduction &Background Building Site Selection Grading & Grading Plan

Preparation Color Selection Exterior MaterialSelection & Reflectivity

Planting Vegetation for Screening

house

garage

driveway

garage house

� Figure 5Successful Site Selection

� Figure 6Problematic Site Selection

driveway

� House is sited behind a knoll.

� Existing vegetation is retained.

� Roof line of the home is below the average tree canopy height.

� House is partially screened using existing topography and vegetation.

� Garage is almost fully screened using existing vegetation.

� Access drive and turn-around are also screened by existing vegetation and arelocated so that cut and fill slopes are not clearly visible.

� House is sited on the knoll.

� Existing trees were removed for house, garage, and driveway.

� Roof line extends above surrounding tree canopy height.

� Both house and garage are fully visible.

� Access drive and turn-around are prominently visible, exposing most cut and fill slopes.

follow the topography of the site often helps limitthe amount and visibility of grading.

� Avoiding large, flat surfaces can help a structurefollow natural grades. For example, a long structurecan be stair-stepped to follow natural grades or aroof line can be varied to break up continuousstraight lines as shown in FIGURE 12 cross section.

The amount of a structure visible from a Key ViewingArea may be reduced by moving some floor areabehind the structure’s visible side, placing some of thestructure underground (e.g., daylight basement), or byreducing the size of the structure.

Low structures with flat or low angle roofs and ahorizontal appearance tend to work better on siteswhere there is no existing vegetation. Taller, narrowerstructures with a vertical appearance may work betterin wooded areas with steep slopes and tall, coniferoustrees as in FIGURE 8.

What is a site plan?

A site plan is required as part of your application. Yoursite plan should help the review agency understandhow your development will look on the property. Onceyour site plan is approved, you and all future land

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Building in the Scenic Area • Scenic Resources Implementation Handbook10

owners must comply with the approved site plan andall other conditions in the permit.

Alternative sites may need to be evaluated andcompared to the proposed development site. Youshould include the other sites you considered as anattachment to your site plan.

What information needs to be included inmy site plan?

A complete site plan includes:

� A scale, relating the size of the site plan map to the

size of the actual development site (e.g., 1 inch =50 feet).

� A north arrow.

� Property boundaries, dimensions, and area.

� Significant terrain and landforms on and near theproperty.

� Locations and species of trees and other vegetationon the property.

� Locations and species of any vegetation to beremoved or planted.

� Bodies of water, wetlands, and streams.

� Figure 7Clustered Structures at Edge of Meadow

� Figure 8Vertical Appearance

� Figure 9Horizontal Appearance

These structures are clustered and retain an agriculturalappearance.

Vertical building as encouraged in Special ManagementArea Coniferous Forest to blend with tall trees.

Horizontal building as encouraged in SpecialManagement Area Oak-Pine Woodland to blend withshorter, broader vegetation.

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� Locations and dimensions of existing and proposedstructures including driveways and parking areas.

� Locations of existing and proposed services,including wells or other water supplies, sewagedisposal systems, power and telephone poles andlines, and outdoor lighting.

� Locations and depths of all proposed grading andditching – this information also can be shown onthe grading plan.

Each review agency has its own application materialsand may have additional site plan requirements.Consult with your review agency to make sure you areinformed of any special site plan requirements thatapply to your development application.

What are some siting considerationsunique to specific landscape settings?

Some landscape settings require special design and siteselection considerations. These may include:

� keeping structures below the forest canopy heightor the tops of surrounding trees (FIGURE 5);

� clustering development at the edge of meadows toretain the overall agricultural appearance of thesite (FIGURE 7);

� designing tall, narrow structures to blend with thevertical appearance of a forest (FIGURE 8);

� designing low, horizontal structures to blend withoak woodlands or other low or broad vegetation(FIGURE 9); or

� specific planting requirements.

Your review agency can help you identify specificrequirements of your landscape setting. ■

List of Landscape Settings

Pastoral

Coniferous Woodland

Oak-Pine Woodland

Grassland

Rural Residential

Rural Residential/Pastoral

Rural Residential/Coniferous Woodland

Rural Residential/Oak-Pine Woodland

Residential

Village

River Bottomlands

Gorge Walls, Canyons, Wildlands

Introduction &Background Building Site Selection Grading & Grading Plan

Preparation Color Selection Exterior MaterialSelection & Reflectivity

Planting Vegetation for Screening

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Grading is the movement of earth, including theaddition (fill) and removal (cut) of soil or rock toprepare a site for development. The review agencymust approve all grading proposed for structures,driveways, outdoor spaces, roads, turn-arounds, andother aspects of development. In this section, theHandbook describes:

� When grading plans are required.

� How to prepare a grading plan.

� Tips for successful grading plans.

Grades and slopes show how steep the ground is. Anexisting slope means the steepness of the ground priorto grading. Existing grades, shown on a grading plan,represent the shape and direction of existing slopes. Aproposed or final slope (such as the slope of a planneddriveway) indicates how steep the ground ultimatelywill be. Final grading, shown on a grading plan, showsthe shape and direction of slopes altered bydevelopment.

A grading plan may be required as part of a permitapplication. The review agency uses grading plans toconfirm grading will be used sparingly and that it willblend well with surrounding land forms. Grading plansalso are relied on to demonstrate that cut and fill arebalanced within a site, to document where fill materialis coming from, or to describe where excess materialwill be taken if the amounts of cut and fill are notequal.

Building in the Scenic Area • Scenic Resources Implementation Handbook12

Grading & Grading Plan Preparation� Figure 10Example Contours and Section

Contour lines represent each step in elevation of the ground at a specific contour interval (e.g. each one, two or fivefoot increase in elevation might be marked). Steep slopes result in close contour lines while widely spaced contour linesresult from the plotting of gentle grade changes.

Plan ViewTopo Lines/Contours

Cross ViewSectional

Widely spaced contours

Close contours

Steep slope

Less steep slope

ground line

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When does the Management Plan require agrading plan?

A grading plan (FIGURE 12) is required for developmentinvolving more than 100 cubic yards of material whenthe development site has slopes greater than 10%. Inthe General Management Area, a grading plan also isrequired for all development involving more than 200cubic yards on sites visible from Key Viewing Areas,regardless of slope. As a frame of reference, it takesabout 10 cubic yards of earth to fill a standard dumptruck.

New grading to create berms or mounds for screeningpurposes is only acceptable when existing topographyand vegetation cannot provide sufficient screening.New land forms, terraces, berms, swales, ditches, ormounds must blend naturally with the surroundings.Minor ground disturbance outside of natural resourcebuffers, such as new home gardens, does not requirereview.

What grading information needs to accompany my application?

When a grading plan is required it must be prepared ona base map drawn to scale and include:

� Existing slopes and points at which new gradingactivities will meet existing grades.

� Important landforms and the general direction andslope of grades for surrounding areas.

� Sufficient topography to clearly show the resultingland form.

� Proposed cut and fill areas.

� Any proposed structures to retain cut or fill slopes,such as retaining walls.

Introduction &Background Building Site Selection Grading & Grading Plan

Preparation Color Selection Exterior MaterialSelection & Reflectivity

Planting Vegetation for Screening

� Figure 11Grading by Cutting and Filling

Areas of addition or fill include areas where the proposed elevations (represented by the numbers on the proposedcontour lines) are higher than the existing elevations (numbers on the existing contour lines). Conversely, areas ofremoval or cut include areas where proposed elevations are lower than the elevation of the existing contour lines.Note: This figure exaggerates vertical slopes for illustration purposes.

Plan ViewTopo Lines/Contours

Proposed contours

Proposed contours

Proposed slope

Existing slope

Existing contours

Existing contours

F.F. 13’

F.F. 13’

Cut Area

Cross ViewSectional

Fill Area

(continued on page 15)

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Building in the Scenic Area • Scenic Resources Implementation Handbook14

� Figure 12Sample Grading Plan

Areas of addition or fill include areaswhere the proposed elevations(represented by the numbers on theproposed contour lines) are higherthan the elevations (numbers on theexisting contour lines). Conversely,areas of removal or cut include areaswhere proposed elevations are lowerthan the elevation of the existingcontour lines.

Drive grade

Garage & turn-around

Lower houseUpperhouse

Upper level yard behind house

Existing road

Driveway

Cuts

Cuts

Fills

Fill for terrace Swale Cut for drive

N

One foot of vertical elevation gain(rise) over 10 feet of horizontaldistance (run) is a 10% slope. Twofeet of rise over the same 10 feet ofrun will result in a 20% slope.Emergency vehicles prefer maximumslopes of 8 to 10% and 12% is themaximum grade allowed withoutspecial fire district approval.

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15Introduction &Background Building Site Selection Grading & Grading Plan

Preparation Color Selection Exterior MaterialSelection & Reflectivity

Planting Vegetation for Screening

� Evidence that proposed cut and fill are balanced, orthat materials will be removed from or imported topermissible locations.

Some jurisdictions may also require a grading plan todemonstrate drainage, erosion control, and structuralstability. Check with the review agency to determinewhether additional grading requirements apply to yourspecific site and development plans.

How is a grading plan prepared?

Design professionals such as landscape architects,architects, engineers, and some contractors can preparea grading plan for you. In some cases you may be ableto prepare your own grading plan. An individualpreparing a grading plan must have a goodunderstanding of contour lines and what they represent.

Contour lines represent the relative elevation of theground. All portions of a site at one elevation areconnected by a contour line representing thatelevation. The difference in elevation between contourlines is called the contour interval. The ManagementPlan requires a maximum contour interval of 5 feet formost grading plans. Some sites may require moredetailed contours.

Once a scale base map is drawn including contourlines, a grading plan is usually developed through thefollowing steps:

Step 1 – Fixed elevations are identified, includingexisting streets, utilities, vegetation, and land formsthat will be retained. These fixed elevations representplaces where any cut or fill must match existing grade.

Step 2 – Proposed structures are placed and identifiedon the map, including finished floor elevations (the

height of the floor level for a proposed structure) forthe main structure and any accessory structures. Accessand circulation routes also are identified, making surethey meet mandatory slope limits.

Step 3 – The best way to blend newly graded andcontoured areas into existing slopes is identified andshown with proposed contours on the grading plan.Quantities of cut and fill material also are shown. If

The structure and access drive are aligned with the slopeto avoid excessive grading.

The structure and access drive are perpendicular to thecontour lines, requiring more grading and more visiblecuts and fills.

50 5040

4030

30

20 20

10

10

10 10

20

2030 30Road Road

� Figure 14More extensive grading

� Figure 13Minimal grading

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imported fill is necessary, the source of new material isidentified. The location where excess grading materialwill be deposited also is identified.

FIGURE 12 shows a sample grading plan.

What are some grading do’s and don’ts?

Grading to accommodate structures, access, andcirculation should be minimized through careful siteselection and structure design. Make sure access roadsfollow existing contours and use existing grades asmuch as possible. Select a dwelling site with enoughlevel ground to support planned structures, as well ascirculation within the site. FIGURES 13 & 14 show thisdistinction.

Gradual blending between new and existing land formsis far less visually evident in the landscape than abruptgeometric slopes or terraces. If retaining walls arenecessary for safety or desirable to minimize overall

grading, the shape of the wall and material used onthe exterior face of the retaining wall should blend withthe surroundings. FIGURES 15, 16, & 17 show thisdistinction.

To protect existing vegetation, keep all grading activitybeyond the canopy of the trees as much as possible.You can avoid damaging tree roots by keeping heavyconstruction equipment away from the base of existingtrees. Flagging areas to be retained can help yourcontractor protect important landscape features. ■

Building in the Scenic Area • Scenic Resources Implementation Handbook16

� Figure 15Gradual Blending of Site Grading Necessary forDevelopment

� Figure 16Naturalistic Retaining Walls and Minimized Terraces

� Figure 17Extensive Geometric Terraces and UnnecessaryRetaining Walls

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Finding colors in the landscapeColor choice has a big impact on howwell a structure blends with thesurrounding landscape. Colors thatblend with shadows and other darktones in the landscape helpdevelopment recede rather than standout. In most cases, the ManagementPlan requires dark earth tone colorsfound in the surrounding landscape onthe exteriors of structures visible fromKey Viewing Areas. Bright colors, lightcolors, and colors not found in thelandscape increase a structure’svisibility. All colors tend to lookbrighter and lighter when applied toexterior surfaces. The larger an area is,the brighter and lighter it appears.

Western Gorge Eastern Gorge

17

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RecommendedColorsThis chart includes a recommendedpalette of colors. It does not includeevery dark earth tone color present inthe Scenic Area. The chart represents a sample of colors and a range of shades. You may be able to use colorsthat don’t have an exact match on therecommended chart. Colors found in theScenic Area vary from site to sitedepending on variables such as thedirection the site faces and the type ofvegetation present. Look to the proposeddevelopment site for color possibilities.

The Special Management Area allowsstructures on sites not visible from KeyViewing Areas to be earth tones found atthe specific building site or surroundinglandscape. This chart includes some earthtone colors that are not dark, which maybe found in the landscape and may beacceptable for these Special ManagementArea sites.

B L U E S G R E E N S

Earth Tone ColorsThese colors are earth tones. Theyare not dark colors and are notrecommended for sites visible fromKey Viewing Areas.

A

1 2 3 4 5

B

C

D

E

18

Dark Earth Tone ColorsYou should choose a color that ispresent in the landscape at or nearyour building site. These are darkearth tone colors found in many areasof the Scenic Area.

NOT ALL COLORS ON THIS CHARTMAY BE APPROVED AT ALL SITES.PLEASE CONSULT YOUR REVIEWAGENCY.

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G O L D S B R O W N S R E D S

Eart

h T

ones

Dar

k E

arth

Ton

es

6 7 8 9 10 11 12 13 14 15 16

19

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A lighter dwelling will stand out against itsbackground.

The same dwelling painted a dark earth tone witha dark roof will blend into its background.

Even smaller structures stand out noticeably whenlight colored

Applying dark earth tone colors to accessorystructures and unscreened utility facilities helpsthem to blend with surroundings.

The more visible a structure is from a Key Viewing Area, the more importantcolor selection becomes. If a proposedstructure can be sited so that it is wellscreened and shaded by existingtopography and vegetation, a broaderrange of colors may be approved.

While color selection is important, other factors contribute to how well astructure can be seen. Distance from KeyViewing Areas, screening by topographyand vegetation, exterior textures, andsurface variation must be consideredtogether with color to help a structureblend with its surroundings.

Most manufactured home dealers offer standard and custom color optionsthat are similar to the dark earth tonesrecommended in this Handbook.Available color options changefrequently.

You must submit color samples for allexterior building materials. Exteriorbuilding components are shown in Figure18 in the materials and reflectivitysection. The review agency may ask youto apply a sample of the color to theexterior material so that it can betterassess the color/material combination.

Some additions and pre-existingstructures may not be required to bepainted dark earth tone colors.

20

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21Introduction &Background Building Site Selection Grading & Grading Plan

Preparation Color Selection Exterior MaterialSelection & Reflectivity

Planting Vegetation for Screening

Exterior Material Selection & ReflectivityExterior building materials play a big part in how well adevelopment blends in with its surroundings. TheManagement Plan requires structures topographicallyvisible from Key Viewing Areas use non-reflectivematerials or materials that only reflect low levels oflight. This section of the Handbook will familiarize youwith exterior building material requirements and helpyou make informed choices regarding:

� Siding materials.

� Roofing materials.

� Glass and windows.

Why worry about shiny materials andreflective surfaces?

Structures made from shiny materials can be seen frommiles away. It is difficult to make a shiny structureblend with its natural surroundings. In this Handbook,reflectivity refers to how much visible light is reflected.Reflectivity is often measured in terms of ultraviolet ortotal solar energy reflection; the Management Plandoes not regulate ultraviolet and total solar energyreflection.

The texture of a surface affects the amount of visiblelight it reflects. Materials with a smooth finish standout in the natural landscape; more heavily texturedmaterials tend to be less reflective. Proposals requestingthe use of smooth or lightly textured materials can bechallenging, especially when the materials compriselarge areas of a structure. If you propose smooth or

lightly-textured materials, you may be required to alteryour design. Exterior materials should be varied in colorand texture to blend with varied colors and textures inthe landscape.

Some landscape settings require the use of non-reflective rather than low-reflective materials. If theproposed project is in one of these landscape settings,the review agency will work with you to identifybuilding material options that meet this requirement.

What needs to accompany an application?

To help the review agency evaluate reflectivity, yourapplication must include:

� A list of proposed exterior materials. (A reviewagency may request samples.)

� Scaled elevation drawings showing where on thestructure the proposed materials will be used(FIGURE 18).

� The amount of unscreened glass visible from KeyViewing Areas.

� Proposed methods which will be used to decreasethe visibility and reflectivity of glass surfaces(FIGURE 23).

� Location, height, and style of exterior lighting.

In addition, it is helpful, but not required, to providedrawings showing the structure and the amount ofscreening and shading provided by existing vegetation(FIGURE 20).

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What materials are recommended?

FIGURE 19 shows recommended materials, acceptablematerials, and highly reflective materials notrecommended for use. A glossary of the buildingmaterials in bold is provided on page 24.

What about exterior paint?

The type of paint you use can also contribute toreflectivity. When a structure is located near a KeyViewing Area and materials listed in FIGURE 19 arepainted, use of paint with an eggshell or flat finish ispresumed.

What about outbuildings and storagestructures?

Some very small structures do not need a permit. Formost accessory structures metal siding and roofing maynot be allowed. Some prefabricated outbuildings andstorage structures are only available in plywood orstanding seam aluminum. Plywood with flat exteriorpaint may be recommended as a less visible alternative.

What about exterior lighting?

Exterior lights must be located and directed downward,hooded, and shielded so their light is not highly visiblefrom Key Viewing Areas. Your review agency canprovide more information about lighting requirements.

Building in the Scenic Area • Scenic Resources Implementation Handbook22

� Figure 18Required Material Samples

Soffits under overhangs

Window glass

Garage door

Roof

Fascia

Window sash & mullions

Siding

Exposed foundation wall or retaining walls

Doors

Trellis or arbor

Deck with rails

Exterior trim(window & door)

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23Introduction &Background Building Site Selection Grading & Grading Plan

Preparation Color Selection Exterior MaterialSelection & Reflectivity

Planting Vegetation for Screening

RECOMMENDED – heavily textured, low reflectivity, best for exposed foreground locations.

POTENTIALLY ACCEPTABLE – moderately textured, best in well-screened or shaded areas outside the foreground of Key Viewing Areas.

HIGHLY REFLECTIVE – smooth and shiny materials, do not comply with regulations in mostcircumstances; approved only with speciallimitations and design considerations.

SIDING � Rock masonry, rock veneer, cultured stone

� Logs

� Wood shingle, shake, or clapboard

� Concrete board or composite clapboard (shaped likeclapboard)

� Board plank siding (mill cut, board and batten,V-groove, channel, shiplap, etc.)

� Brick, brick veneer

� Rough textured stucco, concrete, or plywood

� Textured concrete or composite panels (square orrectangular panels textured to imitate stucco)

� Vinyl shingle, shake, or clapboard

� Pre-weathered metal

� Aluminum shingle, shake, or clapboard

� Aluminum standing seam

� Galvanized or enamel painted steel

ROOF � Architectural composite shingle

� Slate or tile roofs (including concrete tile)

� Imitation slate or tile composites (including rubber tiles from recycled tires)

� Dark metal treated with dark asphalt or otherpermanent flexible coating

� Three tab

� Concrete shingles

� Metal w/ granular finish (looks like composite shingle)

� Pre-weathered or rusted metal roofing

� Metal shake, shingle, or tile simulations (w/ crushedstone top coat)

� Fiberglass coated metal roofing

� Smooth metal (sheet or standing seam)

� Smooth metal tile simulations (no top coating)

� Mill coated metal

WINDOWS � Tinted thermal pane glass, e.g. grey or bronze overlow e (glass less than 11% exterior visible lightreflectivity rating)

� Clear thermal pane glass, e.g. clear over low e (11%-15% exterior visible light reflectivity rating)

� Mirrored or reflective glass should not be proposed,e.g. solar cool grey or solar cool bronze (glass greaterthan 15% exterior visible light reflectivity rating)

� Figure 19Exterior Materials

Note: Recommendation of generic building materials is based solely on reflectivity. You should consult with your contractor or building supply professional for performance information of specific materials.Note: Terms in bold are defined on page 24.

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What about Metal Roofing?

Metal roofing can be desirable due to its long life, firesafety, and low maintenance. Unfortunately, metalroofs also reflect visible light and are difficult to shadecompletely throughout the day, making them achallenge in the Scenic Area. Potentially acceptablemetal roofing options include:

� Granular finishes available from the factory –metal with a granular finish comes in a texturesand colors similar to fiberglass asphalt shingles.

� Stone top-coated metal shingle systems –these are typically tile or slate look-alikes made inpanels or individual metal shingles.

� Pre-weathered or oxidized metals – dependingon the finish, a weathered metal can have lowreflectivity.

� Asphalt coating – this resilient coating is one ofthe only treatments available that can be applied toa metal roof either before or after installation. Thefinished coating has a rubberized texture.

� Fiberglass coating – metal roofing can be primedand sprayed with a heavily textured fiberglasscoating. Dark colors are available.

Glossary of Building Materials (FOR FIGURE 19)

Architectural Composite Shingle – overlappingroofing shingles with a granular surface that is textureddue to overlap between shingles and granular colorvariations.

Board Plank Siding (V-groove, channel, board andbatten) – this siding has special milled cuts in theboards which allows the boards to fit together andprotect board edges from weather. Board and batten

siding has narrow wood battens where planks cometogether creating a vertical texture.

Clapboard – horizontal rectangular planks applied inrows with upper rows overlapping lower rows.Clapboard is most commonly made of wood. Concreteor composition board, vinyl, and aluminum siding alsocome in clapboard styles.

Shakes or Shingles – squares or rectangles of woodthat are applied in rows overlapping each other.Shingles are usually uniform is size and shape. Shakesare typically more roughly cut and vary in size andshape. Many vinyl and aluminum siding products alsocome in shake and shingle styles.

Stucco – similar to plaster on an interior wall, stucco iscomposed of sand, water, and cement. Stucco isapplied in several layers. A color is usually mixed intostucco. The final layer of stucco is applied to create arough or smooth finished texture.

Thermal Pane – two panes of glass, sealed togetherwith an even amount of space between them forbetter insulation.

Three Tab – horizontal flat roofing shingles with agranular surface. The texture on a three tab roof comesprimarily from color variations in the granular surface.

Veneer – typically made to look like brick or stone,veneers are applied one layer deep, and are usuallyattached to the exterior surface from the ground up.

Visible Light Reflectivity Rating – this is the standardused by the glass industry to measure and rate thevisible light reflected by different types of glass. Ratingsare expressed as percentages and indicate the amountof visible light reflected by different glass materials.

Building in the Scenic Area • Scenic Resources Implementation Handbook24

What are “cool colors”for roofing?

Some people are concerned aboutthe energy efficiency of dark colors.Tightening energy codes and warmclimates in other parts of thecountry have driven the researchand development of cool colors.These colors reflect the non-visible,infrared radiation which causesstructures to heat up, withoutreflecting a lot of visible light.Most of the roofing materialsdiscussed in this Handbook areavailable in cool colors. If you haveconcerns about the heat generatedby dark roofing materials, usingcool colors is a good option.

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25Introduction &Background Building Site Selection Grading & Grading Plan

Preparation Color Selection Exterior MaterialSelection & Reflectivity

Planting Vegetation for Screening

� Figure 20Unscreened Glass

Unscreened windows(1,2,3,4)

Unscreened windows(5,6,7)

Screened & partially screened by existing vegetation

5 6 7

2

1

3

4

What is Unscreened Glass?

Unscreened glass is any window that is not noticeablyscreened from Key Viewing Areas by topography,plants, or other structures. Since glass is smooth, it ismore reflective and uniform in appearance than otherexterior building materials. Partially or fully screenedglass has little or no visual impact compared tounscreened glass (FIGURE 20).

What is Continuous Glass?

The term continuous glass includes individual anddivided pane windows, closely spaced windows, andwindows that wrap a corner. Broadly spaced windows,separated single windows on varied facades, andindividual windows located on clearly distinct areas ofthe same facade have less combined visual impact thancontinuous areas of glass (FIGURE 21).

� Figure 21Continuous Glass

Single or divided pane

Closely spaced Wrapping corner

Continuous Glass A

reaSeparate G

lass Area

Broadly spaced separate windows

Single windows on separate facades

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How much Unscreened Glass is too much?

When a structure has a scenic view of a Key ViewingArea, it can be challenging to design windows thatdon’t increase the structure’s visibility from that sameKey Viewing Area. The review agencies understand it isunreasonable to expect there will be no windows onfacades facing Key Viewing Areas. The review agenciescarefully evaluate how much glass or window area willbe visible from Key Viewing Areas. FIGURE 22 includesexamples of dwellings with fewer windows, morewindows, and too much glass.

What is the size limit for a single window?

The Management Plan does not limit the total amountof glass on buildings. Review agencies recommend,however, that an unscreened window or continuousglass area should not exceed 50 square feet. The 50square foot allowance provides for a moderately-sizedwindow configuration and allows emergency egress.The total amount of unscreened glass appropriate for astructure will be a site-specific consideration by thereview agency. Your review agency may determine thatless than 50 square feet of continuous glass will bepermitted. If steps are taken to reduce the visualimpacts of glass, a review agency may allow more than50 square feet of continuous glass.

How can I reduce the visual impact of glass?

Using the methods discussed in FIGURE 23, you may beable to use more glass on a structure. These methodsare:

� Use topography and vegetation to screen yourstructure and glass.

� Use deep eaves to shade your walls and glass.

� Reduce the amount of glass that faces Key ViewingAreas.

� Mix glass in with heavily textured materials.

� Site your structure carefully.

� Use low-reflective glass.

� Give special attention to south-facing windows. ■

Building in the Scenic Area • Scenic Resources Implementation Handbook26

How big is 50 feet of glass?

For example, three 3’x 5’ doublehung windows side by side equal45 square feet. A 4.5’x 5’ centercasement window with a 2.75’x 5’double hung window on either sideis 50 square feet.

Casement Window – singlestationary window either singlepane or divided by mullions,narrow strips dividing the paneinto many smaller panes.

Double Hung Window – a windowwith a pane above and belowwhere the lower pane slides upover the upper to allow thewindow to open.

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27Introduction &Background Building Site Selection Grading & Grading Plan

Preparation Color Selection Exterior MaterialSelection & Reflectivity

Planting Vegetation for Screening

� Figure 22Window examples

Houses with Fewer WindowsExamples use less glass with less screening andshading to comply with regulations.

Houses with More Windows; Well ScreenedExamples use more glass with more screening andshading and good site selection to comply withregulations.

Houses with More Windows; Less ScreenedExamples use too much unscreened and unshadedglass for visible locations. This approach is notrecommended.

Note: All photos are taken only to illustrate the concept of window sizing. Most photos either are outside the Scenic Area or taken from a viewpoint not listed as a Key Viewing Area. Some have been altered. None of the photos shown in the far right column are taken from a Key Viewing Area.

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Building in the Scenic Area • Scenic Resources Implementation Handbook28

� Figure 23Methods to Minimize Impacts of Reflectivity

Use topography andvegetation to screen

development

The better screened a structure is, the more glass can be allowed. Most sites have existing trees and shrubs. Use existing vegetation and topography forscreening whenever possible. If all existing screening is deciduous, some additional year-around screening (evergreen shrubs and conifers) may berequired.

Design your buildingto shade the walls

and windows

Well-shaded glass can appear black in the landscape. Shading elements on a structure are critical if larger areas of visible glass are desired. Structuralshading elements include: deep eaves, permanent awnings or louvered shading structures, decks, porches, and other features that extend out abovewindows. The need to shade a structure from low angle sun with vegetation also should be considered.

Vegetation retained behind

Vegetative screening breaks up visible mass

Shade structure over lower windows

Shade vegetation Shallow eaves

Unshaded windowsNo shading structureNo shading vegetation

Deep structural eaves

Screened only at edges Full shape of structureapparent

Structural mass unbroken

Topographic screening

Vegetation onlyretained behind

Note: Sketches illustrate specific points about the use of windows in building design, not all sketches illustrate structures that are visually subordinate.

THIS NOT THIS

THIS NOT THIS

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29Introduction &Background Building Site Selection Grading & Grading Plan

Preparation Color Selection Exterior MaterialSelection & Reflectivity

Planting Vegetation for Screening

� Figure 23 (continued)Methods to Minimize Impacts of Reflectivity

Reduce thewindows on the

most visible partsof a house

Glass is smoother than other building materials. Mixing the use of glass with more heavily textured materials and locating it in less visible portions of astructure can help minimize reflectivity.

Space windows orglass panes visiblefrom Key Viewing

Areas

Separating or spacing glass panes helps avoid a concentration of glass in a single area. Spacing windows more broadly breaks up the smooth texture ofthe glass with the rougher textures of siding and trim.

Broadly spaced windows Closely spaced windows

Continuous glass on less visible portion

of structure

Continuous glass on most visible portion

of structure

Note: Sketches illustrate specific points about the use of windows in building design, not all sketches illustrate structures that are visually subordinate.

THIS NOT THIS

THIS NOT THIS

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Building in the Scenic Area • Scenic Resources Implementation Handbook30

� Figure 23 (continued)Methods to Minimize Impacts of Reflectivity

Site farther fromKey Viewing Areas

If possible, locating a structure further away from a Key Viewing Area may provide better views and allow more windows. Glass is less of a concernwhen it is well shaded and located more than 1/2 mile from Key Viewing Areas.

Foreground = 0-1/2 mile Middle-ground = >1/2-3 miles Background = > 3 miles

Select the rightglass

Different kinds of glass reflect different amounts of light. Exterior light reflectivity is rated by glass manufacturers.

Especially sensitive – highly visible properties near Key Viewing Areas Less sensitive – sites located further away from Key Viewing Areas,and offering little or no existing vegetative or topographic screening may partially screened by existing topography and existing vegetation, and require use of tinted or specialty glass with a visible light reflectivity rating shaded from sunlight throughout the day may be able to use standard less than 11%. insulated clear glass with an 11%-15% visible light reflectivity rating.

Pay attention to thedirection of the sun

The review agency will consider changes in the angle of the sun throughout a typical day and at different times of the year. Southern exposures presentspecial challenges and may require extra efforts to minimize reflected light.

Southern exposures – will require permanent shading structures such All other exposures – will have some reflectivity issues at differentas a trellis, overhead deck, deep eaves, or lattice work to ensure mid-day times of day and year. Shade plantings between the building andsun does not reflect off windows. direction of the sun are helpful in addition to permanent shading

structures.

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31Introduction &Background Building Site Selection Grading & Grading Plan

Preparation Color Selection Exterior MaterialSelection & Reflectivity

Planting Vegetation for Screening

Planting Vegetation for ScreeningPlanting new screening vegetation is a tool of lastresort in the Management Plan. Whenever possible,screening and shading should be achieved usingexisting vegetation and topography as part of theoverall development design.

New vegetation may be required to improve thescreening and shading of development. New plantingsmust be designed and planted to provide sufficientscreening within five years of the beginning ofconstruction. In this section, you will find:

� How to prepare a planting plan for new trees andshrubs.

� Recommended types of plants.

� Maintenance suggestions.

What planting information needs to accompany my permit application?

A planting plan is a required part of your application.The planting plan must identify vegetation to beretained, vegetation to be removed or replaced, andnew plantings to be added. Detailed informationshould include:

� Type, size, and locations of existing trees andvegetation being relied on for screening andshading the proposed development.

� The type, size, and locations of new or replacementscreening vegetation.

� The type, size, and location of any existingscreening and shading vegetation to be removed.

� A general description and location of any additionallandscape features on your property which willcontribute to shading and screening.

Why is a planting plan important?

A planting plan helps you make informed decisionswhen selecting a site and designing a well-screenedstructure. It also provides information needed by thereview agency to evaluate what screening and shadingvegetation will be retained or added. The planting planserves as a record of what was approved for currentand future owners.

What kinds of plants should I use?

New screening vegetation should include trees andshrubs that will thrive in the Scenic Area’s habitat andblend with their surroundings. Native plants are oftenrecommended because they live in the existingenvironment, are easier to grow and keep healthy, andrequire less maintenance.

Different plants will succeed on the east side and westside of the Scenic Area. The Recommended Plant Listavailable from your review agency addresses thesedifferences, provides recommended sizes and spacingfor different plant species, and summarizes plantingrequirements for each landscape setting.

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What else can I do to ensure my plantsthrive?

You and all future land owners are required by theManagement Plan to keep and take care of vegetationon your property used for screening and shading. Thisregulation applies both to existing vegetation and tonew plantings.

Other important factors to consider as you developyour planting plan include:

� Orientation – south-facing sites are hotter anddrier than north-facing sites and may requireselection of more drought-tolerant species.

� Wind – many exposed sites in the Gorge are windy;new plantings should be planted and staked towithstand wind until they are successfully established.

� Soil depth and type – It is important to consideron-site soil conditions. Steep sites and ridgesrequire careful planting location selection to ensuresufficient pockets of soil are available. Some rockyareas may not allow screening trees to grow to therequired height and breadth within five years of thebeginning of construction.

� Rainfall, soil moisture, and drainage – moisturelevels can vary within a site. Plants suited toavailable moisture levels should be selected.Continuous irrigation may be necessary to help lessdrought-tolerant species survive on a dry site.Drought-tolerant species may not do well on a wetsite.

� Need for year-round screening – The ManagementPlan requires a proportion of evergreen plantings tohelp ensure year-round screening. Evergreen plantsshould be planted where year-round screening is mostcritical. ■

Building in the Scenic Area • Scenic Resources Implementation Handbook32

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33Introduction &Background Building Site Selection Grading & Grading Plan

Preparation Color Selection Exterior MaterialSelection & Reflectivity

Planting Vegetation for Screening

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Review Agencies and Contact Information

Clark County:Clark County Community DevelopmentStreet address: 1300 Franklin Street, Vancouver, WA 98660Mailing address: P.O. Box 9810, Vancouver, WA 98666-9810 (360) 397-2375, Fax: (360) 397-2011www.co.clark.wa.us

Hood River County:Hood River County Planning Department601 State Street, Hood River, OR 97031(541) 387-6840, Fax: (541) 387-6873www.co.hood-river.or.us

Klickitat County:Columbia River Gorge Commission Street address: #1 Town & Country SquareMailing address: P.O. Box 730, White Salmon, WA 98672(509) 493-3323, Fax: (509) 493-2229www.gorgecommission.org

Multnomah County:Multnomah County Land Use & Transportation Program1600 SE 190th Ave., Suite 116, Portland, OR 97233 (503) 988-3043, Fax: (503) 988-3389 www.co.multnomah.or.us

Skamania County:Skamania County Planning & Community Development P.O. Box 790, Stevenson, WA 98648 (509) 427-3900, Fax: (509) 427-8288www.skamaniacounty.org

Wasco County:Wasco County Planning and Development 2705 East 2nd Street, The Dalles OR 97058(541) 506-2560, Fax: (541) 506-2561www.co.wasco.or.us

Federal lands and projects and SMA forest practices:USDA Forest Service, National Scenic Area Office, Columbia River

Gorge National Scenic Area902 Wasco Avenue, Suite 200, Hood River, OR 97031(541) 308-1700, TTY (541) 386-8758, Fax: (541) 386-1916www.fs.fed.us/r6/columbia/forest

Acknowledgements

Appreciation is expressed to the numerous technical experts andothers who offered valuable input during the development andreview of this Handbook.

Confederated Tribes and Bands of the Yakama NationConfederated Tribes of the Umatilla Indian ReservationConfederated Tribes of the Warm Springs ReservationNez Perce TribeMilestone Nursery, Lyle, WAShamrock Landscaping, Hood River, ORQuatrefoil, Inc. Landscape Architecture, Portland, ORBennett Burns, Landscape Architect, Portland, ORJurgen A. Hess, Landscape Architect / Conservation Planner,

Hood River, ORBramare, Inc. Landscape Architecture, Portland, OROregon Native Plant Society Gorge Glass and Contracting, Inc., The Dalles, ORCarl Perron Architect, Hood River, ORTum-A- Lum Lumber Company, Hood River, OR Home Depot, The Dalles, ORGorge Landholders United, Hood River, ORMid Columbia Association of Realtors, Hood River, ORStabler Building Consultants, Inc., Carson, WAIdeal Homes, The Dalles, ORColumbia Gorge Affordable Homes, The Dalles, ORColumbia Homes, The Dalles, ORIndividuals who participated in focus group meetings or

attended the public workshop

Additional Information

Additional information about theColumbia River Gorge NationalScenic Area, including a copy of thefederal law (Scenic Area Act) estab-lishing the Scenic Area, can be foundin the Management Plan.

Handbook Prepared By:

DeVaney Consulting, Inc.,White Salmon, WA

Bryan Potter Design,Portland, OR

Steaming Kettle Consulting, LLC,Portland, OR

Special thanks for thework of:

Columbia River Gorge CommissionUSDA Forest ServiceClark CountyHood River CountyKlickitat CountyMultnomah CountySkamania CountyWasco County

C Printed on recycled paper

Building in the Scenic Area • Scenic Resources Implementation Handbook34

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Columbia River Gorge Commission

#1 Town & Country Square

P.O. Box 730

White Salmon, WA 98672

(509) 493-3323

USDA Forest Service

National Scenic Area Office

902 Wasco Avenue, Suite 200

Hood River, OR 97031

(541) 308-1700

December2005