.B.r>!..!l~~.>l

ll alone , once o.ore

alone -

ztill aeekina: the child , tho children

hunters have driven

dghte .. ei&hte Sa eigbta Sa Be uigMe Sa eie-hte Be eight!! dg:hte Be Si tlhta Sa eight s Ss Be eighte S!! eights Sa eight eig:hte Be eichte Sa eights as Be eights Ss eil)bte Sa eights eigllte Sa llishts Be ei&)lte as es eights Be eights ei{ihte 3 ., e1ghte Ss Bs eights Sa Cli.';hts e1c)lte Ss ci,shta Be Be eiGht s Ss ei(;hte ti{ihts 86 c1ght6 De Se ei{l'ht6 Bs eights eights Sa eights 86 88 eiall. te So eit;hts cichta el!l ci('hts Sa Ba etchts sa ctahts eights Be dshts Sa es eia:hta as dahte eig!lts Sa eill.hts Be Sq eiahts Sa eia:htzl dcbt6

All that rs Ha:-d Is Not Concrete.

For er.::..:nple: FLAP YOUP. ARMS REAL HARD &. TRY TO fLY . flip your a r m11 real hard & ~r

~u;0a~!! ;;:~ ard & try to:· l y flap your l r ma real hare& try to fly r:a p your arms :-a a l hard & tryt o fly flap ycu r at'llls real ha rd &trytor:. y flap your 1\ ::' ms real hard it. try to fly fl.a p your :·earm~, al hard&. tr.' t o fly flap you yeh & fly flap f!,)U too , buddy

11ee ? some days s ome days youj ust can ' t geto .ff t;hr J'":'" \'nd .

E.R. Baxter III

on Th e Di!ti culty of Detel"lllini ng

The Real Ylorth of Something,

Way back about one hundred yeare or eo ago the big thing wah collecting cards from bubble &WII •

back then I had net only one but t~o Statue cf Libt~rt y cards .

NOBODY else in the ~

And when he eallle to he wat indde

warm & dark A: wet lrlith the at~~ell o! brina

came to in the dark &:. wet & warm ~o~ith the

smell of brine te lrlarm & wet he was in the

belly of the whale wet & wan & d!l :-!': hard

to breathe in coming to in the BELL! OF ,\.

t"/HALE 0 dark & hard to breathe 0 LORD TH 3

BELLY OF THE WH ALE seeinc the huge m&\11 of

the whale wet&:: warm with \

FIRE & briC!stone csa1e out of the sky like rain and

FIRE & brimston e came out of the sky the city was on FIRE smokin~~; and the

~~!l}I~~R: :r~~~~~;~n:i~rP!~~f~u~e;: ~;~e:~J{h~I~ftt ~~;~:o~~R~a:eb~i:~ ~~~~ ~o~=o~;~k\·an screaming burning screamed nmnins Lot holdin& on-:o !':t:l wife ' S han ::. . :;,t hill wife F:RE & or\mstone sweat runni ng 11alt ~o,.n har foraht!ad :'IRE &: brimsto:1.e t:,rew a wall-eyed pan ic stricken &lance eo the FIRE & brims t-one city burnint & people dyins in t he FIRE hot co~;h i n th e FIREbrimstOQI FIRE LOt felt his wite stop etillandhe!' hand turned li hard & grittr FIRE & elid a brir::~ st.one ouJ< of hiB & FIHE & bril.'lstone he k ept running FIRE not looking back/just ruboed his hands together brushing ehe FIRE & brimston e f' IRE salt f·rom th8111.

E. R. Baxter III

GET tCUR ll!.ND OFF MY BOOB

(;Ct your hnnd c>f! cy boOb, OOOOOOOOOOOOOOO O ooo.•o.:.ooooooooooooooooooooooooooooc>oovv.:>oo(' .AT hE EA:I' ~:E BAT fiE EAT, E E.\ 'I' ILE I-AT i!E ,

- ad the little r ed t!.ppl r

cyo .::yo eyo e¥{; eye .ye eye eye eye oye eye eyr.. eye eye eye

bocum•olo-;elandp.,.t "1tentlhapoa::l.n ' be.bi"

planttood , m&nure, & fntilhers ..v•1lllbh •; •.-, v- lOCAl t'ol'f'.~t unaer Jl.'il.""-."Ul. clo t'.

....

dontw.lk

ydlow yellow

veen ~ gr..m l'

rrra.n4Ptthcr pocns, continued

" VII!TER , how ooon the narch beaino : tho dY1118 lake

sleeps

cce spool dretw - an a:my of grnnny vocon

have 1nvo.ded this

secret place : oroy

and naked , they chatter and point

'"

fil1!;e r s,

cark1ns the atddy 8\11Jl.lar bi rde """"'

'" tuture

indoctrona tion ses111on --

r ojoct in.a thitl cadna e tl, 1 open

cy eyooand allov eooo half f or go t ten

t o lull ca to elecp•'"'1 dreac in color: VINTBR 'S FORRSS'I' ,

o. arcy1Il8 DBA'I'hiiATCH 1

e.vaka

t o t ho ar0t1a ,, """

brovn euee,r

pcno11

ohavin.ae,

http:ohavin.ae

J!l:'PERSON'S BIRT!lOAt & POS1'PACS' by DICK HIOOINS • .; .95 Somctthing Else Pren - 160 Fifth Ave New York .m oonsitts ot the Things Riggins wroteoollljl>.).-.diuvenhd be.tween April l)/62 & April 1)/6) POSTFACE -"01:1 a good

day, so11111body is shot , IO.,.bod} 11 cold,so:•11111bod1 csnt

f ind work ••••1In large the new art ill already with ua . Btl'?

IT IS FORBIDDml. Attenti:l h diverted • • I'' 'Diat RIOGD!S

&thh book ill a rue dance into the minds ot the men Who

mainta in pontagon {THE :· wallluoooma' ~~" etc.

~.£!:!I!~ in )!reparation II 1uuea jrl & 2 t.ro

lll..-e.dy ~ coli~"ett-::•a iter.~s , ~..!:!!: whnt. the rnponae

waa to the firat issues , :1.0 one lme.,., it wo e 11. new poetry

journal a: everyone threw their copie s awl'.y . , I SJ 'E i) proll• hea proomhea proomise to be L"l. even gl"eateot' eollaotion or

ah't . & perhaps ""~even eontdn a told - i n "J t j s ·,; r ma.na

field stapled togethe r , ltREE 10~--:; p!lESS

'l'HE NEXT PERHAPS b7 Darbara 0 1oonnelly publhhed by

The Runcible Spoon pobox 4622 Saor&IIICinto CaUt

"~t you will eo~:~~~ in.e:ide/e!t!l I ~:~e.n "l!l;f houae~

___ "~ :o_n~t _p:o~t~ e_e~n~e:a~t~o~/_ I _~ ~o _a~1~t: __ _

Wfv~~~oEfsF~N~~~.~I.. :~~ . ~~~~:~~ -l"J:ttotly ..ht'.; tt let it 1e, a S!lldl bk with thole .,dcU .!it e n .. ~o

1't pipe - t oke&Joint jo;:r & lore , , . the h i story behind gl"&Sll

makes en;;)(tng mueh 1110re ple aou:oable ••• juet readi ng the bco~

hidden in yr eloeo t (away fr01:1 t.he prying eyes 1'f 1. {big

brother) johnacn give s you that fMU ng of libel•"\t i on • • to

read the book b a d i 1•rect pt< otea t ae:a.l.nat all t he ansUnger

duna bullah 1t , , . before you turn 1n yew- 0. 0:1. to the fuzz ,

6: eentenco hi.cl t o one to t11enty, read the book. ,, Ohio Prleons are still !'lOre do.nge reua 6: l'lol· e habitfer~ tha.t. marijuana, . ,, ,, ,, ,.,, ,, , ,,

GRON\~Cid ;,.~::!~ . hj,~~:~ri;r!e~:l~~~i:own m~~~g~hE

~ets:Rt~:~ ~~b~: ~~~:~~;.(g~;~~~ted by ~:~~~lling

.. !'rom 7) Bernard Ave - toronto S oanada

LIVES OF THE FRENCH SYMBOLIST POETS - atan peraky • White

rabbit preaa- 196 7 -~uhu 111 the llndreqe

ot corb1erre, c:a.x Jacobe , appol:l.naire & Jean cocteau

HOW EASILY YC'lJP: MIND CAll SLIP OF? - Richard Krech ~ publhhecl.

- "'""'6f""'Tt"

I

•-1!oorot!oU.

_..a.!dloa

AWOMA.'I.a.ou_,_,...,.tloobeal-'"bfo.looev•"-· ...,IIIHitlobe~•dtbtlooOfatle- ..... of~ YOI.oloolo.~ty.ltlllUl

~~~~~.~i.:.::~:;:,~~t:;~· :.:b~ :: a.-Jouse•..,tnationof"""""''respoaolb\Ulleland&mOrOUI knlldollty. Beea.-ltl$tOChmcaUyanllti!O=t1CIIly!OI&Iure \IIOpurpooooftllofilmoiO'fl'lyun!oldo

E aayl'e

ru..fn)8.C1)Wlb'lesllCitboulldbyr!&ldiDCf&lcodulnlrodiQMidatlrlc -.Tbe,reve.aleda......,lftl~aD

Silvie PI~

:::-:~1..~· Au,wto~ifo Lu#S.•sr.;n

== ••,,. [~tentli,..,i~ ~r· •• ~ltoJJffl ro """" rM lir.r Ntw Yt:lfk F/lto Fut/Vetflll/11$ r«:.,iatr ,,.,.,.. ~~••ll•..t

Luio a..-1. long f~/le IJ'IJM Srui10. posr:r • lu~;,.,,, pp.,ldil· ffreM lmtrprfl/ltiQM. _,. io ~ir• right. Audio"f h/ltlo

LUIS IIUMIEL·s

the exterminatingangel

tot.dco City hlf its ••dot«wita:• Tha1w..t llfa ,_,.to 1>1 lnfullowlnllnoflossyrnanolon assamttwanlyJ.,.tta 1 it downtoalakdlnnerparty.

Whato lllalillllloleawalbey fHHithayumtot. Tharais"" unhly ruaon why U..y ahouldft't btlbletowalkthr""JhU..French doorslikefrH.,..,andwamtn w,........ttloeir~slness. ptl :=,~.::,=: oulofsimpla , bot-

Jooe ......................... ISMAELME RLO

Pau................. UFIIEOOIIAYO

l ulo ................JOSEMAR IAP RAOA

!fq:.. :.~.~-~~~:~~~. J~~~i:r~~E~0gc~~

••~~..~~·;.tt-...~~· [)jr~tedby CirlosS.ura

t:g}~~{~~~:;;".,'-!~.";;~~.-,o~.~~:':";.~.~·~~=·

~tn.meni'I'IMtlnarurall>ar ror a lewrrlanctlyw..-d,ancl some llquldcouragetopulltll!mselves I~ the mood lor 1 Yl~theblck~ound·l"'lwhlclt lhelllm.elgltlY"ftltiiN.....olls.

..,..ao~~qc..,,.,.,.~..,.

Tho..,._ltl-lnowiiMsiiOIMIIP

lllsthestoryolel!lllnin~~eMCholhl~~~~~eU,notonlylnloday'l world of reality, but In the hallucinatory world ot LSD. It It

:::e ~y~~~~!~.r~~-;c.;~:::!J~,"":~~. ·~~,:~ society, butwhomskeseve

. PSvtoEDEUC CCL.OR

T!JeU1!melldoospressures or persooal{Su sanSttassberg)arul proren iooal(JildyLaog)worlds elose inooPaul Grovu(Pe ter Fmdl).

frllT"d

At JOiul'a flatprepototlc:llll f.. ,nl --··-····· .............J'E'll'lfONDA

P&W'a u!po:e - . P&u.llo-"· ,...,hlllyreaii•Lnalltli&\>Outto ~! . . - ·····::::::: · ·:~~~\~.:Jl:e-.-OI>OIIOof t!le-lmportallt oad,..lllu&l"lo)

noTea f ro.n The gu.'l"rer/ 1: .Pn-~~ .2!1 c;onerete

~ -- by don th0111ne

aTTenTion : UJ16av&ritee, a 11 troope, undercover aGents) etate , local , .fUli federal ( , se:;~t-proe who teed their weak e

goa by pla.y i ng s trrnl(le forms of jazz-fink for the above , and all other membi:Jre of the Skye:~Y Tholl8ht Patrol should turn their secret decoder rin,s:a to poaition

n- k- v-d 2

and pay epeeial attention to the unusual rhythm of t he state ment which follows) ae the write r is asthmatic

(all reporte are to be eubnitted to mE in triplecate f o r approval, and. each copy will, of course, be signed in the ..lll.22sl of the lamb

fraternally yours ,

- jeh

tome ,

havin,s: been forced to epend. moat of ':!lY life in and nrou

nd the ci ty- on-the- swamp

concrete poetry ill Baeic 1 reality at Ground Zero it 111 neither anti- art) DaDa- 1om (or the a rt- of- nothiii(pleee) NaDa

iseJ ( , but rather a loo(...Americnnism- Art, ae re:!lected in th

e elice- oooze wo.tc r11 of the Great Brrie - nz.., a mind - photo r ecr eation of

ma11a- mech i ce.nical submiesi on to

the Bluck mi re muck , 111Grovn- too- nn11 jam , 1Ha)rea ty (drip11 pifl&ll) all nice and. bleedy (, crotch- cru.d , brown IIU(,tSr , penc

11- ehavill(le, oil- sleek rainbow sludge spawned by tile hypocri tic , i!llpotent , faec iet , racist Power-Elite of the eity- on- th

..pamp concreto poetry ia a aubwtl.y naced l.obiue concrete poetey 111 toilet poetryc cement excrement

concrete poetey 1e a patch on the soul of the conorete

poet1 a C11nd- liberatifl6 experilllent in the faot and loose wor l d ot the JJ.nU A2l.lt

reeoc;nidrllJ the death of vord11,

concrete poetry trnnsend.ll symbolism and i.mpla.nte itself

directly into the chemistry of the reader' e) ? (e~ind.

and , finally ,

concret e pootry i s pr;,test without hope

http:trnnsend.ll

"A GIRl FOR All SEASONS! The lady is rare. "-H~;:":o!'=-·

.....--.Mniloo.n.loJlAcYm.lwooiMMOol l'lnoftoli\1(.

.........• HI~EillE DARC

. VEJtAJtTIMOVE MAHTIHI

...•... F~AMCOISE P~EVOST

O...~r"'Y_,IIglltnlghl

usr.e~~s..rr~tll"lllrtgllt

,...,.anclnrorr.s.rnerr.

-nt.... rlMIIIIIglcaii~IO tneethlrr.q.,...t.Ani>MIPP'I' woman(Frencol.. Pra¥011)11 trylngtodrown ,.,..,rt .Gall a hUS!lllhBr~lndlmpulslve lyfflllllllr.rlnthel·

g-;N;"h:;., ~i,;0 ~a!"~i~~ :~ the rlverDythl ..lll s hne n lndtaclcollnr..eatolher husband (Vanan!IOW> Vanantlnl) . Havlnglelt llulcldl nota.thewrOI>gedwllelsen:. lousto""""'thewhlrlal>ou!l Olhe

film Closslc Series

~~~-HMriO~TS OL::=.=t.=tto",;tl~~~"!: -t.ro>XItloos. Ju l. 10·'-""'" .... "'" F•o,.,.h~""'""

Jul . lO·I.Gio Jul.ll·l+o..,o-~""""'.... ,............

:::: : ~~:~:: ~;'.7'!;,• ..,_ ~....

~~!~~~_!~..~TAL ~~~~~D ~1:.~~~~~to:.,~ 'r'....::,'"r! ~~!~:;,~:..\::v:=.::~ '•L II· I..,.o .... t hO F._...._ Jul .ll· l....,..,. thOF.-hw_.

.,. . t . Mo- oos'""'''

:~·bi: ~~..i;:E....,... ~.... ~5:~U§~~r::_. h••

NEVER ON BUNDAY

NEVER ON SUNDAY

" 13

13 13 13 13 13 13 13 13 13 13 13 13 13 13

13 13 13 13 13 13 13 13 13 13 13 13 13 13

13 13 13 13 13 13 13 13 13 13 13 13 13 13

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13 13 13 13 13 13 13 13 13 13 13 13 13 13

13 q n n 13 13 13 13 13 13 13 13 13 13

" 13 13 n n ~ 13 13 13 13 13 13 13 13 13 13 13 13 13 u 13 13 13 13 13 13 13 13 13

13 13 13 13 13 13 13 13 13 13 13 13 13 13

- don thocaa

:u..J) 1....2...UL.J! by don thOI:'Ias

2 Above , } Below

http:1....2...UL

theeicll: cninglyewcc'to.u ro.ofchc e.pwind: cheepcr t3llr.--t he touch otrotti ngfluh , blOCI(il caaUps •• • &who scl1ttl Eboynre ycn?S:.'IC sayaico n":.inuct

THE MAfiRAHI'IANNAH QiiA!>T!'inLY i'OLlt # Z

:7'enegade p1•ees

cleveland chio

usa 1967-68

!'rent ccvers t>y back coverz by toni t ho1oas sandy · :.f~ hlokl., (.._.;..,!1 )

& aibling~

HlJMA.~ LANGUAGE IS ESSENTIALLY A MEAN S

0? ENABLING MAN TO COMlllllUCATE VIITH !dAN

IN TERMS BASED UPON EXPERIENCES COMMON TO ALL ~'EN

EXISTING Hi A SENSUOUS UNIVERSE ; AND THE

EMPLOYl!ENT OF IT TO I>E5CR!BE SUPERSENSUOUS

EXfSI; ~ENCES CAN NEVER BE ANYTHUIO MORE THAN

FIGURATIVE~

IV - Y Evan a -1'/entz (Tibetan Yoga&. Secret Doctrines)

OX!i'ORO UNIVERSITY PRESS

'!'l