British Academy Television Craft Awards in 2014 - The Suspicions Of Mr Whicher variant cover

2O14

1

CONTENTS

WELCOME

3 A message from the Academy Chairman

THE NOMINATIONS

7 Breakthrough Talent Costume Design

9 Digital Creativity Director: Factual

11 Director: Fiction Director: Multi-camera

13 Editing: Factual Editing: Fiction

15 Entertainment Craft Team Make Up & Hair Design

THE SPECIAL AWARD

16 A decade of the tango and foxtrot is celebrated as Strictly Come Dancing receives this year’s prestigious award.

THE NOMINATIONS (cont.)

21 Original Music Photography: Factual

23 Photography & Lighting: Fiction Production Design

25 Sound: Factual

26 Sound: Fiction Special, Visual & Graphic Effects

27 Writer: Comedy Writer: Drama

28 JURIES

30 MEET THE SPONSORS

32 THANKS

@EdinburghTVfest ThisIsEdinburghTVFestival Edinburgh TV Fest

From Kevin Spacey to Google’s Eric Schmidt, global heavyweights set the industry agenda. PLUS more than 50 panel discussions, commissioning sessions and masterclasses.

Unique access to the biggest names at official receptions, events and parties.

Extend your business horizons among delegates from 22 countries and 60 international broadcasters and channels.

Keith Lemon reveals what goes on behind channel controllers’ doors while a panel tries to guess ‘who habitates in a house like this’.

What progress has been made in producer/commissioner relationships since last year’s most talked-about session? A new survey will reveal all.

Join 2000+ senior level professionals for the UK’s leading television festival.

3

very warm welcome to the British Academy Television Craft Awards.

This evening is a celebration of the very best behind-the-scenes talent in British television. Judging by the quality of the nominations alone, it has been another outstanding year for television craft.

Chief among the honours is the Special Award, which will be conferred not to any one individual but a whole team of talented practitioners. We salute the outstanding behind-the-scenes crew of one of the nation’s most popular entertainment shows: Strictly Come Dancing.

Particularly in the television industry, teamwork is a prerequisite for success. It does not come about through happy coincidence or without strong leadership. Strictly embraces the team ethic entirely; with a surfeit of brilliant individuals, it is a team that delivers quality, and consistently – 10 years on our screens and counting, Strictly has stood the test of time.

Many individuals are recognised for their outstanding work this evening too, whose

crafts can take a lifetime to master. It is their dedication to creativity, innovation and excellence that shines through every one of their nominations. Congratulations and good luck to you.

I’m delighted that our magnificent host Stephen Mangan has returned to guide us through the ceremony. My thanks to all our partners, supporters and category sponsors of the event – CARAT*, The Farm Group, HotCam, G-Technology, The London Studios, M·A·C Cosmetics and Sara Putt Associates – who are behind BAFTA’s success as a charity. And thank you also to BAFTA’s Television Committee, scrupulously chaired by Andrew Newman, and all our juries; and to Kelly Smith, Siobhan Pridgeon, Clare Brown and everyone at BAFTA whose dedication remains unsurpassed.

Have an enjoyable evening.

JOHN WILLISChairman of the Academy

Welcome message

@EdinburghTVfest ThisIsEdinburghTVFestival Edinburgh TV Fest

From Kevin Spacey to Google’s Eric Schmidt, global heavyweights set the industry agenda. PLUS more than 50 panel discussions, commissioning sessions and masterclasses.

Unique access to the biggest names at official receptions, events and parties.

Extend your business horizons among delegates from 22 countries and 60 international broadcasters and channels.

Keith Lemon reveals what goes on behind channel controllers’ doors while a panel tries to guess ‘who habitates in a house like this’.

What progress has been made in producer/commissioner relationships since last year’s most talked-about session? A new survey will reveal all.

Join 2000+ senior level professionals for the UK’s leading television festival.

4 British academy television craft aWards

5the nominations

saraputtassocia tes

As the leading independent UK agency for many of the most talented Film & TV professionals, we are proud to sponsor the Breakthrough Talent category in 2014.

Sara Putt Associatesnurturing today’s talentfor tomorrow.

www.saraputt.co.uk

PRODUCERSDIRECTORSWRITERSSCRIPT EXECUTIVESVISUAL EFFECTS PRODUCERSVISUAL EFFECTS SUPERVISORSLINE PRODUCERSDIRECTORS OF PHOTOGRAPHYPRODUCTION DESIGNERSEDITORS

SOUND RECORDISTSCOSTUME DESIGNERSHAIRDRESSERSMAKE UP ARTISTSSTUNT COORDINATORS1st ASSISTANT DIRECTORSCAMERA/STEADICAM OPERATORSSTEREOGRAPHERSASSISTANTSTRAINEES

‘‘

‘‘

7

BREAKTHROUGH TALENT

SPONSORED BY

DANIEL FA JEMISIN-DUNCAN, MARLON SMITH

Writers, RunAcme Films/Channel 4

NANCY HARRISWriter, Dates

Balloon Entertainment/Channel 4

SAM LEIFER, TEDDY LEIFERWriter/Director, Producer, PLEBS

Rise Films/ITV2

DAN SMITHDirector, David Attenborough’s Natural

History Museum Alive 3DColossus Productions/Sky 3D

COSTUME DESIGN

SPONSORED BY

AN ADVENTURE IN SPACE AND TIME

Suzanne CaveBBC Cymru Wales/BBC America/

BBC Two

DA VINCI'S DEMONSAnnie Symons

Adjacent/Phantom Four Films/FOX

DOWNTON ABBEYCaroline McCall

Carnival Film & Television/ITV

THE SUSPICIONS OF MR WHICHER: THE MURDER

IN ANGEL LANELucinda Wright

Hat Trick Productions/ITV

the nominations

Sargent-Disc congratulates the nominees of the British Academy Television Craft Awards in 2014.

Sargent-Disc is committed to service excellence. Find out more at www.sargent-disc.com

Payroll &Residuals

CorporatePayroll

Auto Enrolment

SD Online Production Card

Production Services

ProductionAccounting

VistaAccounting

Movie MagicScheduling

Movie MagicBudgeting

Training AcademicPartnerships

Academy Partner

195 PiccadillyPrestigious headquarters of the British academy of film and television arts

lead your guests up the red carpet into this glamorous and unique venue with versatile entertaining spaces and state-of-the-art screening facilities.

for events and reservations: [email protected] 020 7292 5860

www.bafta.org/venue-hire

9

DIRECTOR: FACTUAL

EDUCATING YORKSHIREDavid Brindley, Grace Reynolds

TwoFour/Channel 4

HER MAJESTY'S PRISON AYLESBURYLee Phillips

Wild Pictures/ITV

THE MURDER TRIALNick Holt

Windfall Films/Channel 4

THE UNSPEAKABLE CRIME: RAPE

Sara Hardy, Blue RyanGold Star Productions/BBC One

DIGITAL CREATIVITY

CBEEBIES PLAYTIMEJon Howard, Leanne Dougan,

Lizzie Leadbeater, Richard WilsonCBeebies In-house/CBeebies

D-DAY: AS IT HAPPENSProduction Team

Windfall Films, Digit London/Channel 4

THIS MORNING: TAKE OVER THE MAKEOVER

Production TeamITV Studios/ITV Commercial

& Online/Metail/ITV

UTOPIATH_NK

Kudos/Channel 4

the nominations

Multi-Camera Directors are unusual people.It takes uncommon vision to reach the top as a Multi-Camera Director. We’re delighted to sponsor tonight’s Director: Multi-Camera award and see that talent recognised and celebrated.

11

Multi-Camera Directors are unusual people.It takes uncommon vision to reach the top as a Multi-Camera Director. We’re delighted to sponsor tonight’s Director: Multi-Camera award and see that talent recognised and celebrated.

DIRECTOR: FICTION

BROADCHURCH (EPISODE ONE)

James StrongKudos/Imaginary Friends/ITV

PEAKY BLINDERSOtto Bathurst

Caryn Mandabach Productions/ Tiger Aspect Productions/BBC Two

TOP OF THE LAKEJane Campion, Garth Davis

See-Saw Films/BBC Two

UTOPIAMarc Munden

Kudos/Channel 4

DIRECTOR: MULTI-CAMERA

SPONSORED BY

THE FUNERAL OF BARONESS THATCHER

Bridget CaldwellBBC Events Production/BBC One

THE GRAHAM NORTON SHOWSteve Smith

So Television Ltd/BBC One

STRICTLY COME DANCING Nikki Parsons

BBC Entertainment Production/ BBC One

THE X FACTOR Phil Heyes

Thames (part of FremantleMedia UK)/ Syco Entertainment/ITV

the nominations

THE PROFESSIONAL CHOICE.

“I’VE HAD SO MANY DRIVES FAIL ON ME IN THE PAST. G-TECHNOLOGY IS THE ONLY BRAND WHICH HASN’T.”– Philip Bloom, DP - Director - Filmmaker

It’s no secret that creative workflows have become more fluid – but

until now, the way you capture, transfer and share your work has

been frozen in time. That’s why we designed the Evolution Series

– a swappable, expandable dual-bay storage platform that gives

creative pros the speed and flexibility they need today.

The hub of the system is the G-DOCK ev™ with Thunderbolt™, plus

two go-to portable drives that each move up to 2TB seamlessly

from shoot to edit to post. Take the stand-alone drives out on

location. Hand them off to your partners. Then back at your

workstation, swap the drives into the dock to transfer your work

with its ultra-fast Thunderbolt interface. And the whole solution is

RAID 0 and 1 configurable.

Swap in. Swap out. The evolution starts now at g-technology.eu

Thunderbolt and the Thunderbolt logo are trademarks of Intel Corporation in the U.S. and/or other countries.Design by G-Technology in California. G-DRIVE and G-Technology are registered trademarks of HGST, Inc. and its affiliates in the U.S. and other countries.

G-DOCK ev is a filed trademark of HGST, Inc. and its affiliates in the U.S. and other countries. ©2014 G-Technology, a division of HGST, Inc. All rights reserved.

g-technology.eu

G-Technology is proud to sponsor the Editing Fiction category in tonight’s awards

13

THE PROFESSIONAL CHOICE.

“I’VE HAD SO MANY DRIVES FAIL ON ME IN THE PAST. G-TECHNOLOGY IS THE ONLY BRAND WHICH HASN’T.”– Philip Bloom, DP - Director - Filmmaker

It’s no secret that creative workflows have become more fluid – but

until now, the way you capture, transfer and share your work has

been frozen in time. That’s why we designed the Evolution Series

– a swappable, expandable dual-bay storage platform that gives

creative pros the speed and flexibility they need today.

The hub of the system is the G-DOCK ev™ with Thunderbolt™, plus

two go-to portable drives that each move up to 2TB seamlessly

from shoot to edit to post. Take the stand-alone drives out on

location. Hand them off to your partners. Then back at your

workstation, swap the drives into the dock to transfer your work

with its ultra-fast Thunderbolt interface. And the whole solution is

RAID 0 and 1 configurable.

Swap in. Swap out. The evolution starts now at g-technology.eu

Thunderbolt and the Thunderbolt logo are trademarks of Intel Corporation in the U.S. and/or other countries.Design by G-Technology in California. G-DRIVE and G-Technology are registered trademarks of HGST, Inc. and its affiliates in the U.S. and other countries.

G-DOCK ev is a filed trademark of HGST, Inc. and its affiliates in the U.S. and other countries. ©2014 G-Technology, a division of HGST, Inc. All rights reserved.

g-technology.eu

G-Technology is proud to sponsor the Editing Fiction category in tonight’s awards

EDITING: FICTION

SPONSORED BY


Philip KlossBBC Cymru Wales/BBC America/

BBC Two

BROADCHURCH (EPISODE EIGHT)

Mike JonesKudos/Imaginary Friends/ITV

THE FALLSteve Singleton

Artists Studio/Fables Ltd/BBC Two

TOP OF THE LAKE (EPISODE SIX)

Alexandre de FranceschiSee-Saw Films/BBC Two

EDITING: FACTUAL

ARENA: THE NATIONAL THEATRE

(PART ONE Ð THE DREAM)Joanna Crickmay

BBC Arena/Lone Star Co-Production/BBC Four

DAVID BOWIE Ð FIVE YEARSGed Murphy

BBC Events Production/BBC Two

EDUCATING YORKSHIRE (EPISODE ONE)

Mark TownsTwoFour/Channel 4

TOP GEARCraig Harbour, James Hart, Dan James

BBC Entertainment Production/ BBC Two

the nominations

t h e O f f i c i a l M a k e u p S p O n S O r t O t h e B r i t i S h a c a d e M y t e l e v i S i O n c r a f t aw a r d S i n 2 0 1 4

S a l u t e S a l l t h i S y e a r ’ S n O M i n e e S O f t h e M a k e u p a n d h a i r d e S i g n c at e g O r y

BAFTA_CRAFT_2014_2.indd 1 3/28/14 1:30 PM

15t h e O f f i c i a l M a k e u p S p O n S O r t O t h e B r i t i S h a c a d e M y t e l e v i S i O n c r a f t aw a r d S i n 2 0 1 4

S a l u t e S a l l t h i S y e a r ’ S n O M i n e e S O f t h e M a k e u p a n d h a i r d e S i g n c at e g O r y

BAFTA_CRAFT_2014_2.indd 1 3/28/14 1:30 PM

ENTERTAINMENT CRAFT TEAM

SPONSORED BY

ANT & DEC'S SATURDAY NIGHT TAKEAWAY

Patrick Doherty, Kevin Duff, Kim Gavin, Andrew Milligan

ITV Studios Ltd/Mitre Television Ltd/ITV

DOCTOR WHO AT THE PROMS 2O13Bernie Davis, Eryl Ellis,

Huw Thomas, Keith WareBBC Cymru Wales/BBC One

DYNAMO: MAGICIAN IMPOSSIBLEAlex Hartman, Saul Gittens,

Dan Evans, Amer IqbalPhil McIntyre Entertainment Ltd/

Inner Circle Films/Red Rocket/Watch

TOP GEARJames Hart, Dan James, Andy Hodges

BBC Entertainment Production/BBC Two

MAKE UP & HAIR DESIGN

SPONSORED BY


Vickie LangBBC Cymru Wales/BBC America/

BBC Two

BURTON AND TAYLORLucy Cain

BBC Drama Production London/ BBC America/BBC Four

DA VINCI'S DEMONSJacqueline Fowler

Adjacent/Phantom Four Films/FOX

DEATH COMES TO PEMBERLEYLoz Schiavo

Origin Pictures Ltd/BBC One

the nominations

In may 2004, breakfast television presenter Natasha Kaplinsky sashayed onto the dance floor and Strictly Come Dancing took its first tentative steps into the world. Over the following decade the BBC One show – which pairs celebrities and professional

ballroom dancers in a contest to out tango, waltz and cha-cha-cha each other – has come of age.

It has become a much-loved Saturday night fixture, mixing drama, emotion and, when the less capable celebrities take to the floor, hilarity. Audiences have topped 14 million and the format has been sold to more than 40 countries.

Now, in the year it celebrates its 10th birthday, Strictly Come Dancing receives a well-deserved British Academy Special Award in recognition of its outstanding creative and technical achievements.

The perfectly honed light entertainment show that appears on screen hides the amount of sheer hard work that the off-screen talent puts into making live television. “There is a huge amount of pressure,” says Strictly Come Dancing’s director Nikki Parsons, nominated herself this year in the Director:

With 10 years and more than 240 shows under its sequined belt, tonight’s recipient of the Academy’s Special Award, Strictly Come Dancing, has proved it’s a cha-cha-champion of light entertainment.Words By mattheW Bell

Multi-camera category. “Behind the scenes, it’s sometimes chaotic but that chaos never makes it on air, which is a testament to the abilities of the team. Making the show is a huge team effort. Everyone pulls together while working in the most stressful situations – and produces brilliant results.”

Although the show is very much a team effort, Parsons does single out a few names for special mention: “Lighting director Mark Kenyon and production designer Patrick Doherty are key to how the show looks – they’ve been on Strictly since the very beginning.”

As a veteran of more than 150 shows, Parsons is well qualified to comment on Strictly Come Dancing’s success. “It’s family entertainment – there’s something for everybody in it, from kids to grandparents. Strictly’s a happy show, which is not out to humiliate people.”

She also mentions the show’s “warmth and intimacy”, which surely emanates from the hosts, BAFTA Fellow Sir Bruce Forsyth (who recently announced his retirement from the show) and Tess Daly. Unlike other talent shows, the judges are almost always pleasant on Strictly, including pantomime villain

THE SPECIAL AWARD

16 British academy television craft aWards

Craig Revel Horwood. “Even ‘Evil Craig’ is nice,” laughs Parsons.

It is the comedic moments that stand out from Parsons’ years working on the show: “John Sergeant pulling Kristina (Rihanoff ) across the floor, Ann Widdecombe flashing her knickers, Russell Grant being fired out of a cannon and, last year, hairy biker Dave Myers – everything he did was memorable.”

She has also enjoyed watching the celebrities knuckle down and learn to do something alien to them. “In the early years we had quite a few sportsmen, such as Matt Dawson and Mark

Ramprakash, who couldn’t dance for toffee when they started. But by the end of it they were amazing.

“I’ve absolutely loved working on Strictly,” says Parsons, who is again onboard for this year’s run. “At the end of every series, you think, ‘I can’t do that again – it half killed me,’ but that’s soon forgotten and then I’m looking forward to working with a great team of people again.”

She adds: “Speaking on behalf of the team, we all love working on Strictly and are so proud of what we’ve achieved. We’re producing a series with high production values, which people really enjoy watching.”

MAKING THE SHOW IS A HUGE TEAM EFFORT.

EVERYONE PULLS TOGETHER... WITH BRILLIANT RESULTS.

the special aWard 17

Clockwise from left: Former Coronation Street star Natalie Gumede dances with Artem Chingvintsev in 2013; Strictly Come Dancing’s director Nikki Parsons; hosts Sir Bruce Forsyth and Tess Daly

Tiger Aspect advert 08/04/14 3:20 PM

IntroducingÓlafur Arnalds

www.olafurarnalds.com

The incredible composer of Broadchurch brings you his

breathtaking solo albumFor Now I Am Winter

O U T N O W

19

PHOTOGRAPHY: FACTUAL

AFRICA (CONGO)Camera Team

BBC Natural History Production/Discovery Channel/CCTV9/ France Television/BBC One

MECHANICAL MARVELS: CLOCKWORK DREAMS

Andy JacksonFurnace TV/BBC Four

REBUILDING THE WORLD TRADE CENTER

Marcus RobinsonLion Television/Marcus Robinson/

Channel 4

SYRIA: ACROSS THE LINESOlly Lambert

Quicksilver Media/Channel 4

ORIGINAL MUSIC

BROADCHURCHÓlafur Arnalds

Kudos/Imaginary Friends/ITV

LUTHERPaul Englishby

BBC Drama Production London/BBC One

PEAKY BLINDERSMartin Phipps


TOP OF THE LAKEMark Bradshaw

See-Saw Films/BBC Two

the nominations

Alpha Grip introduces the new “Spanish Arm” - a different concept of Camera Car.

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Fitted with the very latest Scorpio Arm and Scorpio Stabilised Head, you can perform a full 360 degree camera rotation to a maximum camera reach of 17ft 8” (5.4m). With 36v battery operation, allowing 2 days of continuous use before charging is required, it is perfect for use in remote locations. Delivered in a custom built support truck it’s ready for immediate use, no build time or rigging required.

The Scorpio Stabilised Remote Arm is versatile and powerful, yet stable and safe. All this, together with its digital Control which allows pre-recorded positions, set limits and movements, makes it the most technologically advanced Remote Camera Arm of its kind.

It’s not a Crane, it’s not a Camera Car and it’s not a Stabilised Head

ALPHA GRIPSTABILISED REMOTE SYSTEMS | MOTION CONTROL | SPECIALIST VEHICLES

TELESCOPIC CAMERA CRANES | CAMERA SUPPORT SYSTEMS

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M Stage, Shepperton Studios, Studios Road, Shepperton, Middlesex TW17 0QD

21

Alpha Grip introduces the new “Spanish Arm” - a different concept of Camera Car.

With a complete rotation in less than 5.5 seconds and all controlled from within a powerful 400bhp V10 VW Touareg. Your images will be more stable and more dynamic, whilst your crew will be in complete safety and comfort thanks to a full race spec roll cage, 3 point safety harnesses and bucket racing seats. An on board solid state recording system allows instant playback, viewed through four high resolution HD/SDI monitors.

Fitted with the very latest Scorpio Arm and Scorpio Stabilised Head, you can perform a full 360 degree camera rotation to a maximum camera reach of 17ft 8” (5.4m). With 36v battery operation, allowing 2 days of continuous use before charging is required, it is perfect for use in remote locations. Delivered in a custom built support truck it’s ready for immediate use, no build time or rigging required.

The Scorpio Stabilised Remote Arm is versatile and powerful, yet stable and safe. All this, together with its digital Control which allows pre-recorded positions, set limits and movements, makes it the most technologically advanced Remote Camera Arm of its kind.

It’s not a Crane, it’s not a Camera Car and it’s not a Stabilised Head

ALPHA GRIPSTABILISED REMOTE SYSTEMS | MOTION CONTROL | SPECIALIST VEHICLES

TELESCOPIC CAMERA CRANES | CAMERA SUPPORT SYSTEMS

| +44 (0)1932 593505 | www.alphagrip.co.uk | [email protected]

M Stage, Shepperton Studios, Studios Road, Shepperton, Middlesex TW17 0QD

PHOTOGRAPHY & LIGHTING:

FICTION

DANCING ON THE EDGEAshley Rowe

Ruby Films/BBC Two

LUTHERJohn Conroy

BBC Drama Production London/BBC One

PEAKY BLINDERSGeorge Steel


UTOPIAOle Birkeland

Kudos/Channel 4

PRODUCTION DESIGN

BROADCHURCHCatrin Meredydd


BURTON AND TAYLORJohn Stevenson

BBC Drama Production London/BBC America/BBC Four

PEAKY BLINDERSGrant Montgomery


RIPPER STREETMark Geraghty

Tiger Aspect Productions/ Lookout Point Limited/BBC One

the nominations

It stopsand startswith you;you’ve justgot to wantto do it.ZAWE ASHTONACTOR, FRESH MEAT

Watch, Listen,Read, Explore.Get insights, advice and moreat BAFTA Guru.

www.bafta.org/guru

23

It stopsand startswith you;you’ve justgot to wantto do it.ZAWE ASHTONACTOR, FRESH MEAT

Watch, Listen,Read, Explore.Get insights, advice and moreat BAFTA Guru.

www.bafta.org/guru

SOUND: FACTUAL

AFRICA (KALAHARI)Kate Hopkins, Tim Owens,

Graham WildBBC Natural History Production/

Discovery Channel/CCTV9/ France Television/BBC One

BRITTEN'S ENDGAMEPatrick Boland, Mike Hatch,

Rowan Jennings, Paul ParagonCrux Productions Limited/BBC Four

DAVID ATTENBOROUGH'S NATURAL HISTORY MUSEUM ALIVE 3D

Freddie Claire, Graham Kirkman, John Rogerson, Richard Addis

Colossus Productions/Sky 3D

DAVID BOWIE Ð FIVE YEARSRowan Jennings, Karl Mainzer,

Adam ScourfieldBBC Events Production/BBC Two

HEBRIDES Ð ISLANDS ON THE EDGE

Ben Peace, Kate Hopkins, Tim Owens

Maramedia/Otter Films for BBC Scotland/BBC One

the nominations

B A F T AT H E l E A D I N G I N D Ep EN D EN T u k cH A R I T Y S u p p O R T I N G, DEvElOpING AND pROmOT ING THE ART FOR mS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING Im AGE ¥ THE lEAD ING INDEpENDENT uk cHARIT Y SuppORT ING, DEvElOpING AND pROmOTING THE A R T F O R m S O F T H E m O v I N G I m A G E ¥ T H E l E A D I N G INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ T H E l E A D I N G I N D Ep EN D EN T u k cH A R I T Y S u p p O R T I N G, DEvElOpING AND pROmOT ING THE ART FOR mS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING Im AGE ¥ THE lEAD ING INDEpENDENT uk cHARIT Y SuppORT ING, DEvElOpING AND pROmOTING THE A R T F O R m S O F T H E m O v I N G I m A G E ¥ T H E l E A D I N G INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ T H E l E A D I N G I N D Ep EN D EN T u k cH A R I T Y S u p p O R T I N G, DEvElOpING AND pROmOT ING THE ART FOR mS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING Im AGE ¥ THE lEAD ING INDEpENDENT uk cHARIT Y SuppORT ING, DEvElOpING AND pROmOTING THE A R T F O R m S O F T H E m O v I N G I m A G E ¥ T H E l E A D I N G INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥

25

B A F T AT H E l E A D I N G I N D Ep EN D EN T u k cH A R I T Y S u p p O R T I N G, DEvElOpING AND pROmOT ING THE ART FOR mS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING Im AGE ¥ THE lEAD ING INDEpENDENT uk cHARIT Y SuppORT ING, DEvElOpING AND pROmOTING THE A R T F O R m S O F T H E m O v I N G I m A G E ¥ T H E l E A D I N G INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ T H E l E A D I N G I N D Ep EN D EN T u k cH A R I T Y S u p p O R T I N G, DEvElOpING AND pROmOT ING THE ART FOR mS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING Im AGE ¥ THE lEAD ING INDEpENDENT uk cHARIT Y SuppORT ING, DEvElOpING AND pROmOTING THE A R T F O R m S O F T H E m O v I N G I m A G E ¥ T H E l E A D I N G INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ T H E l E A D I N G I N D Ep EN D EN T u k cH A R I T Y S u p p O R T I N G, DEvElOpING AND pROmOT ING THE ART FOR mS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING Im AGE ¥ THE lEAD ING INDEpENDENT uk cHARIT Y SuppORT ING, DEvElOpING AND pROmOTING THE A R T F O R m S O F T H E m O v I N G I m A G E ¥ T H E l E A D I N G INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥

SOUND: FICTION

DANCING ON THE EDGEAdrian Bell, Lee Crichlow, Robert Farr, Ian Wilkinson

Ruby Films/BBC Two

THE ESCAPE ARTISTChris Ashworth, Graham Headicar,

Stuart Hilliker, Duncan PriceEndor Productions Ltd/BBC One

LUTHERHoward Bargroff, Russell Jeffery,

Mike Grimes, Emma PegramBBC Drama Production London/

BBC One

PEAKY BLINDERSStuart Hilliker, Brian Milliken, Matthew Skelding, Lee Walpole


SPECIAL, VISUAL & GRAPHIC EFFECTS

DAVID ATTENBOROUGH'S NATURAL HISTORY MUSEUM ALIVE 3DZOO, Fido, Colossus


DOCTOR WHO: THE DAY OF THE DOCTOR

Milk VFX, Real SFX, The Model UnitBBC Cymru Wales/BBC One

MICRO MONSTERS WITH DAVID ATTENBOROUGH: PREDATOR

Hollingworth Photography, British Technical Films, Colossus


PEAKY BLINDERSBlueBolt (VFX), Rushes (Colourist)


the nominations

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WRITER: DRAMA

BROADCHURCHChris Chibnall


IN THE FLESHDominic Mitchell

BBC Drama Production Salford/ BBC America/BBC Three

LAST TANGO IN HALIFAXSally Wainwright

Red Production Company/BBC One

UTOPIADennis Kelly

Kudos/Channel 4

WRITER: COMEDY

SPONSORED BY

COUNT ARTHUR STRONGSteve Delaney, Graham Linehan

Retort/Komedia/Delightful Industries/BBC Two

FRESH MEATSam Bain, Jesse Armstrong,

Tom BasdenObjective Productions/Channel 4

THE I T CROWDGraham Linehan

Retort (part of FremantleMedia UK)/Channel 4

THE WRONG MANSJames Corden, Mathew BayntonBBC Comedy Production London/

Hulu/BBC Two

the nominations

28

BREAKTHROUGH TALENT Jane Lush CHAIR

Lynn AllewayGary HunterDanielle Lux

Paul MortimerSiobhan Mulholland

Priya SinghJo Street

Fenia Vardanis

COSTUME DESIGNSimon Spencer CHAIR

Sarah ArthurJoey AttawiaJuliet Aubrey

Wendy DagworthyMichelle MacMillan

Spencer KitchenTom MullensJill RobertsonEmma Scott

Charlotte Walter

DIGITAL CREATIVITYJane Hudson CHAIR

Joss AgnewRosie Allimonos

Katie BlakeCarl DraperIan ForresterAnna Higgs

Tom O’BrienFaraz Osman

Juliette Otterburn-HallSimon TomkinsShane Walter

DIRECTOR: FACTUALAde Rawcliffe CHAIR

Katie BailiffPaul Blake

Jaimie D’CruzAlex GardinerNick HornbyAysha RafealeSimon RaikesSanjay SinghalJonathan Smith

Helen Veale

DIRECTOR: FICTIONKate Phillips CHAIR

John AlexanderFi Cotter CraigBirger LarsenBarry Lynch

Joe MaceKate MilesPaul Seed

Julia StannardHannah Wyatt

DIRECTOR: MULTI -CAMERA

Sarah Whitehead CHAIR

David ClewsBen KellettIan Lorimer

Fergal McGrathStephen Stewart

Celia TaylorKathryn Wolfe

British academy television craft aWards

29

ENTERTAINMENT CRAFT TEAM

Anne Morrison CHAIR

Katie BoydJazz GowansDavid Kester

Simon KimmelJason Wells

Emma WestcottBen Weston

MAKE UP & HAIR DESIGN

Andrew Newman CHAIR

Jan ArchibaldNicola Buck

Christine CantJudy CounihanPaul Edmonds

Lesley Lamont-FisherCatherine Scoble

Elizabeth Tagg WoosterVanessa White

ORIGINAL MUSICOlivia Lichtenstein CHAIR

Barrie BignoldRichard Blair-Oliphant

Peter CobbinRobert Del Maestro

Nina HumphreysPete Kirtley

Michael PriceSamantha Richards

Peter SalemNitin Sawhney

PHOTOGRAPHY: FACTUAL

Richard Boden CHAIR

David HickmanMichael Houldey

Martin KempBen Lawrie

Richard MelmanNick Poyntz

Elizabeth StopfordKate TauntonMark Wild

PHOTOGRAPHY & LIGHTING: FICTION

James Dean CHAIR

Sue de BeauvoirNina KellgrenTim LeandroStuart NapierZac NicholsonBarney Reisz

Stephen RobinsonOli Russell

PRODUCTION DESIGNGraham Stuart CHAIR

Simon BeresfordDarryl HammerElliot Hegarty

Bernard KrichefskiCath Pater-Lancucki

Hannah PescodLeon WilsonAsif Zubairy

WRITER: COMEDY Brian Woods CHAIR

Simon BlackwellHugh Bonneville

Jason HazeleyEmma Kennedy

Joel MorrisCaroline Norris

Jill OffmanAdil Ray

Rachel SpringettKarl Warner

WRITER: DRAMA Krishnendu Majumdar CHAIR

Joe AhearneAmanda CoeTally Garner

Coky GiedroycAnnie GriffinTony GrisoniPeter HarnessAmanda Jenks

Catherine JohnsonRobert Jones

Julie RutterfordMat Whitecross

The Editing, Sound and Special, Visual & Graphic Effects categories are voted for by chapters. Chapters are made up of Academy members with expertise and experience in the specialised field relating to the category. Members of

each chapter vote in all three rounds to determine the shortlist, nominations

and winner in their category.

the Juries

30

SARA PUTT ASSOCIATES

CATEGORY SPONSOR FOR BREAKTHROUGH TALENT

What’s been the biggest advancement in your business this past year?

The biggest advancement in our business this year has been the Trainee Scheme. Now in its second year and with backing from Creative Skillset, the Sara Putt Associates Trainee Scheme is growing to be a key part of our business.

We offer up to 25 young freelancers across camera, sound, art department, editing and production a six-month programme of masterclasses, workshops, mentoring, career guidance and access to all our information about forthcoming productions. It is a programme based on developing their ‘soft skills’ – networking, branding, marketing, business acumen and so on – that will enable them to fulfil their potential in a freelance environment.

Securing the backing from Skillset has made a huge difference to the scope and scale of what we can offer to our trainees.

Visit: www.saraputt.co.uk

CARAT*

CATEGORY SPONSOR FOR COSTUME DESIGN

What is it about British television that inspires you to be involved with these Awards?

CARAT* is now available at more than 150 points of sale in the UK and a significant amount of growth came in 2013. We are continuing our commitment to support the arts, not only through our existing partnership with BAFTA, but also expanding this year to further support the incredible work of the behind-the-scenes people who form such an integral part of the British television experience.

We’re inspired by the opportunity to show the crafts community our own creativity and the potential to be involved in production. As with most retailers, our biggest challenge is being able to stay relevant in the fast-moving world of contemporary and fashion jewellery.

Visit: www.carat.co

THE LONDON STUDIOS

CATEGORY SPONSOR FOR DIRECTOR: MULTI -CAMERA


At The London Studios, we specialise in producing award-winning entertainment shows. It’s a genre that has always been a British strength.

Ant & Dec’s Saturday Night Takeaway demonstrates the huge team effort involved with making these shows. Typically a production team of 50 people research and prepare for the show every week. Their ideas mean that the show goes way beyond the studio: we can be asked to cover anywhere from the outside of the tower to 22 floors of lift shaft. The crew can run to 100 people across all crafts – from cameras, scenic and lighting to engineering – and every one of them has a skilled and crucial role to play in producing more than an hour of superlative, live Saturday night entertainment.

Visit: www.londonstudios.co.uk

With thanks to…


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G-TECHNOLOGY

CATEGORY SPONSOR FOR EDITING: FICTION


The Evolution Series of storage solutions, which speed up the production workflow. With the rise of 2K and 4K high-resolution filming, there has been a demand for high capacity, high-speed, reliable storage solutions, which can be used on location and in the editing suite. That’s what we’re delivering with the G-DOCK ev with Thunderbolt and the G-DRIVE ev portable drives, which slot seamlessly into the G-DOCK ev bay.

At G-Technology, we work closely with professional content creators to deliver the products they need. Technology shouldn’t be a barrier to creativity or slow it down. Our range of storage solutions employs enterprise-class hard drives and leverages Thunderbolt connectivity to meet the most visionary and inspirational content creators’ demands.

Visit: www.g-technology.eu

HOTCAM

CATEGORY SPONSOR FOR ENTERTAINMENT CRAFT TEAM


Finally, every television show can look like James Bond. The last year has seen the continued rise of the cine influence in the television sector. Cameras such as the Sony F55 and Canon C300 have opened up cost-effective solutions to producers who do not always have the budget for the highly desirable Arri Alexa or Red cameras. Combined with lenses such as the Zeiss CP2 and Cooke miniS4, achieving a high-end cinematic look on a budget is becoming a more achievable target.

HotCam has been working hard with directors of photography and producers on shows such as Britain’s Got Talent to provide solutions that are budget friendly, and open up new avenues of creativity.

Visit: www.hotcam.co.uk

MáAáC COSMETICS

CATEGORY SPONSOR FOR MAKE UP & HAIR DESIGN


British television is a hub of creativity and excellence and the perfect platform to showcase the craft of the make up and hair designer. It is difficult to imagine television’s most iconic characters

without make up and hair bringing them to life. The transformation of a character through these mediums is pure genius.

M·A·C supports many talented make up designers working on a plethora of British television projects and what better way to continue that support and pay homage to their work than by sponsoring this industry accolade?

Visit: www.maccosmetics.co.uk

THE FARM GROUP

CATEGORY SPONSOR FOR WRITER: COMEDY


The biggest advancement in business at The Farm Group has been the number of productions that have made good use of our ability to work in various and/or multiple locations. Over the past 12 months, we have had teams in places as diverse as Sochi, Austria, the Olympic Park in Stratford and, of course, Soho and Hollywood.

Likewise, in the main facility hubs, the vast majority of work produced will be seen by an international audience. Recent successes of British dramas in the US have been considerable and high profile, and have put UK post-production houses at the centre of this international sector.

Visit: www.farmgroup.tv

the sponsors

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The Academy chooses Regency, supporting excellence in print. Brochure printed on Regency

Satin 270g/m² (cover) and 150g/m² (text). The carbon

impact of this paper has been measured and balanced through

the World Land Trust, an ecological charity. Regency is available exclusively from

PaperlinX, www.paperlinx.com

All nominations correct at time of going to press;

imagery used with kind permission from

the nominees, production companies and broadcasters.

British Academy of Film and Television Arts

195 Piccadilly London W1J 9lnt: 020 7734 0022f: 020 7292 5869www.bafta.org

ChairmanJohn Willis

Chief ExecutiveAmanda Berry oBe

Chief Operating OfficerKevin Price

FOR BAFTA

Director of ProductionClare Brown

Head of Television and GamesKelly Smith

Senior Awards OfficerSiobhan Pridgeon

Awards Event ProducerHelen Kierney

Production CoordinatorSophie Klein

Production ManagerCassandra Hybel

Talent BookerEmma Baehr

Awards TeamBradley DownDavid LortalRob Jones

Additional Content ProducerRyan Doherty

Production AssistantGeorgina Cunningham

EditingDaniel Dalton

Awards and Production InternNicola Wedgwood

Digital Communications ManagerPippa Irvine

Digital Marketing and Content ManagerGenevieve Smith

Head of PartnershipsLouise Robertson

Senior Partner ManagerNatalie Moss

Partner ManagerAmy Elton

Partnerships ExecutivePhil Eacott

Brochure EditorToby Weidmann

Graphic DesignerAdam Tuck

OFFICIAL PARTNERS

88 Rue Du RhoneAudi

BadoitBottle Green

British AirwaysChampagne Taittinger

DeloitteEvian

Fortnum & MasonGrolsch

Hotel ChocolatPaperlinX

PortapromptQuixel

Republic Of PhotographySargent-DiscVilla Maria

CATEGORY SPONSORS

CARAT*The Farm GroupG-Technology

HotCamThe London Studios

M·A·CSara Putt Associates

TELEVISION COMMITTEE

Andrew Newman CHA IR

Jane Lush DEPUTY CHA IR

Richard BodenJames DeanNeil Grant

Jane HudsonPatrick Keegan

Olivia LichtensteinKrishnendu Majumdar

Steven MoffatKate Philips

Ade RawcliffeSimon SpencerGraham StuartEmma WestcottSarah Whitehead

Brian Woods

WITH THANKS TO

HostStephen Mangan

ScriptIvor Baddiel

DirectorToby Baker

Vision MixerMark Foster

VoiceoverZoë Ball

BAFTA Content HostJenni Falconer

Production DesignAlison Humphries

Screen GraphicsFormat.LDN

Lighting DirectorMark Ninnim

Floor ManagerMark Harrison

SoundPlus4Audio

Screens and ProjectionGuy Mapley and XL Video

Post Production PartnerThe Farm

Prompting FacilitiesPortaprompt

Technical FacilitiesHotCam

Brochure and Ticket PrintingEmtone Print

PhotographersRichard Kendal

Alexandra Thompson

PRfreuds

BRITISH ACADEMY TELEVISION CRAFT AWARDSSunday 27 April 2014, The Brewery, Chiswell Street, London ec1

For highlights and additional interviews from tonight’s ceremony, visit

www.bafta.organd follow @BAFTA

on Twitter with #TVCraft


Documents

British Academy Television Craft Awards in 2014 - The Suspicions Of Mr Whicher variant cover