Issue 4, Fall 2012

Machine Gun Kelly

An Interview with

Kingsfoil

The Rise of Evil Zebra

The Brick Beats BLOOD BALL: A Photo Story

The fashion in music today

Table of ContentsLetter From the Editor

Open Mic Night

The Rise of Evil Zebra

Fashion Profile

Kingsfoil

Machine Gun Kelly

The Brick Beats Blood Ball

Album Reviews

Staff Bios

Contact Us

Thanks For Reading!

Back Row Left to Right: Geoff Backstrom, Kristen Vandervaart, Shaun Livingston, Lindsay Citraro, Jacqui Leonhardt, Lindsay Cherry

Front Row: Tess Stevens, Sophie Kruse, Juliana Scheiderer, Mira Kunar, Megan Carnahan, Emily DuGranrut

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There are many talented people who perform at Donkey Coffee and Espresso and The Front Room Open Mic Nights. Athens, Ohio has such an amazing musically talented population, and I was grateful to interview and meet some of these very talented people.

Cody & Shane ContnerCody & Shane Contner are brothers who have been playing for about three years. Cody is a senior geology major, while Shane is a freshman criminology major. They have a lot of fun playing together, and decided to come to the open mic nights to show other people what they were about. They love playing covers as well as originals and they said they are inspired by Dave Matthews Band. When asked if they would continue to play after college, they said, “For sure! We want to play as long as we possibly can.” You can tell that they are very close; they are both very polite and love to talk about music.

Joey FullerJoey Fuller is a senior media management major with a business minor. He started playing guitar ten years ago and his first performance was at a talent show. It was there that he realized he loved to perform. He said he gets inspiration from John Mayer and blues guitar. He also loves Jimi Hendrix and Stevie Ray Vaughan. He said he likes playing originals a lot more since he loves writing and he also enjoys being able to get his point of view across. When asked if he would play after college, he said ,“It’s a passion, so I’ll always play.” Even though he was sick when he played, he was still amazing. He gave it his all, and is a true musician.

Connor StandishConnor Standish is a fifth year psychology major with a buisness minor. He has been playing for eight years and started playing because he wanted to play a Dave Matthews Band song for his girlfriend at the time. He writes his own music and he is in a band called Burning River Ramblers. When I asked him if he wanted to play after college, he said, “I would love to.” He is a very friendly guy and a great performer. You can tell he is happy on stage and loves to play music.

Open Mic Night ProfilesBy: Hayley Smith

Letter From the EditorWelcome to another issue of Brick Beats Magazine. We

are very proud to give to you two very special things for the holiday season. The staff has been working tirelessly

to bring to you an interactive and updated website. One of our main challenges as a magazine before was branding ourselves, we hope that the new slick fonts and involved web pages will make it better for you, the reader and web user to enjoy all of the amazing content and multimedia aspects that will be coming to you this 2012-2013 school year.

We accomplished a few major milestones in the first semester of OU’s history. We hosted our first event, the 1st Annual Brick Beats Blood Ball. It featured a few local, up-and-coming acts (Fathers of the Revolution, Breaking News) as well as a pop-rock outfit from Columbus (Fresh Wreckage), and even a punk band from Japan (The Zoobombs). We packed the union and created a blood splat-tered spectacle. We weren’t stopping there either.

Another milestone is our new website. It is interactive, innovative and better than ever. We look forward to the new website launch we hope you enjoy the fourth issue of Brick Beats. We have been working tirelessly to bring you a new and improved magazine each time we publish. We have slicked up design, minimized unneeded content and have gotten down to the heart of this magazine: music. We find it important to represent all kinds, all levels, local, national and in between. We are expanding into a new era where anyone can create. There are kids in basements, dorm rooms, and small clubs right now that we have never heard. These are the future voices of our generation, and we still keep those artists, especially the ones in our home of Athens at the forefront of our content. In addition however, we feel it is beneficial to all to include commentary on nationally released records (this issue includes: The Kill-ers’ Battle Born, Mumford and Sons’ Babel, and the Green Day Trilogy, Uno, Dos, Tre), fashion trends amongst stars and coverage of national artists that visit our school (this issue’s feature is MGK, who performed here in October).

Another new addition to the magazine is the spirit of revolution. We have been on the path to inno-vation since the beginning, being the only music based magazine on campus, and now we are finally cementing what it really is to be a music journalist today. Our writing style has become more concise and vivid and our design has become more edgy and evocative of the music it portrays.

In addition to revamping writing and design, we have been working on a complete site redesign which should be live by the time you are reading these words on your computer screen. It will feature a media player, interactive info-graphics, links, pictures and a new video content tab where the first thing you’ll see is coverage from our first sponsored concert the 1st annual Brick Beats Blood Ball (See page X for photos).

This revolution is only possible with the passion and fervor for success displayed by our staff. We have many freshmen who have grown and impacted the issue with their talent, and they have three more years to show everyone what they’re made of.

As for our veterans, they are carrying our flag. They are promoting, writing, anchoring, designing and working towards the greater goal of generating an innovative, revolutionary and ground-breaking maga-zine for Ohio University and the Scripps School of Journalism. Brick Beats is here to stay.

Words are our weapon, now it’s time to arm yourselves.

Tess Stevens, Editor-In-Chief4 5

Edited by tumsa.tumbler.com

Nicole ConnNicole Conn is a fifth year senior, studying music therapy along with child and family studies. She is 22-years-old and has been playing the guitar for about 12 years. She loves expressing herself, and believes music is the best way to do it. She said she believes that lyrics and melody can bring a positive message to people and that she wants to change peoples lives with music. Her family and friends encouraged her to perform and sing in her church, and helped her feel more comfortable with singing. She likes to play covers and originals, but said that it is fun for her to play covers and to push herself to see what she can come up with next. Her current inspiration is her vocal teacher, because she has traveled, sang in operas, and captures something deep that makes her music inspiring. When asked if she would play after college, she said, “I’ll play on the side, alongside music therapy since it’s my major. At the beginning of college I realized ‘Wow, I can actually play,’ but time is a problem.” It is obvious that she is very passionate about everything she applies herself to. There is no doubt that she will help many people with her music one day.

Brendan Marien & Evan HolcombeBrendan Marien and Evan Holcombe are both sophomores. Brendan is a biology and chemistry major, while Evan is a civil engineering major. They have both been playing for six years and came together because they are roommates. They play covers now, but would like to play originals. Brendan is a Pink Floyd and classic rock fan, while Evan is a Red Hot Chili Peppers and general 90’s music fan. When I asked them if they would play after college, they said, “It will always be a hobby.” Watching them perform, I would have never guessed that they were science and engineering majors. They are both very talented guitar players and amazing performers.

Lucas HarrisLucas Harris is a graduate who majored in philosophy. He has been playing for seven years and loves music; he wants to share it with as many people as he can. He plays covers and originals, but likes playing originals more. His favorite artist and inspirations include Radiohead, Andrew Bird, The Beatles and Rufus Wainwright. When I asked him if he would play after college, he said, “I hope to play forever.” He also gave away CDs of his songs. He is very talented and a very unique individual. If you listen to his lyrics, he tells amazing stories with beautiful melody. I am glad I got a CD to listen to more of his music. He also played “Colors of the Wind,” by Pocohantas, which won over a lot of the crowd.

Jared Auble & Andrew PetersonJared Auble is a freshman theatre performance major, while Andrew Peterson is a sophomore and undecided. They have both been playing for around eight years. Jared got into music from friends and Andrew from his siblings. They like to play covers and originals, and they like writing their own music. John Mayer, Coldplay and Victor Wooten are their main inspiration. They want to play music for as long as possible. The first time I saw them perform, I thought they were really talented, despite not being into their style. However, the last song they performed was “Daughters” by John Mayer, and I have been a fan every since.

Maggie MitchellMaggie Mitchell is a junior audio production major. She started playing her freshman year, because her sister forced her into music. She recently started writing her own songs and she wants to write a lot more so she can stop playing so many covers. She is a huge Company of Thieves fan, and when I asked her if she would play after college, she said, “I sure hope so!” Besides the guitar, she can also play the piano and trumpet. She has a bubbly personality and a powerful voice; when you watch her perform, you can tell she loves being on stage.

Brad McCallionBrad McCallion is a senior history major who has been playing for 9 years. He likes to perform in front of people rather than in his room, because people actually pay attention to him and what he sings about. He does covers and originals, but he said he likes to play originals more, but enjoys being able to put his own style on cover songs.He plans to continue to play after college. He played at John Mayer song during his set, which was a big hit with the crowd.

Paige AdkinsPaige Adkins is a freshman who is majoring in music performance in trombone. She has been singing for 5 years and playing the guitar for 2 or 3 years. Her friend heard her sing and pushed her into it; when her dad heard her, he agreed with her friend. She likes playing originals and covers, but is not yet brave enough to play originals in front of people. Her favorite artists and inspirations include Florence + The Machine, Adele and Alicia Keys, but once she heard Ella Fitzgerald, she was set for life. When I asked her if she would play after college, she said, “I want to play for life since I will be in the music world for life.” It was her first time at an open stage and she was absolutely amazing. She is a very quiet, but bubbly person, with a loud, beautiful and powerful voice.

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felt deserved to be recognized. Air Marshall, Dr. Katz, Dr. Giggles, DJ Slumber, Bedroom Punishment, Barnaby Jones, Entel and Over-waves are a few. On top of this they also use DJ Barticus, Pro Bono, Play It Again Sam, Just Alex (formerly DJ AA), Black Rabbit and Capt. PlannedIT, as alternatives that have already made a reputation for themselves. Each of these talented names have their own unique style that separates each set you hear from the rest. With the added help of John Gray pro-moting, along with the rest of the crew, Evil Zebra has already started this school year off in a big way; playing a handful of base-ment shows, a big act within Oaktober Fest, and their weekly SOL dance nights. The SOL dance nights are a new thing Evil Zebra coor-dinated with the SOL restaurant where their DJs play a combination of about 2 hours of genres similar to salsa or reggaeton, followed by an hour and a half of Evil Zebra’s specialty, electronic music.

As they continue with their gigs, Evil Zebra also hopes to continue pushing forward and have at least one big event each night. Sheldon also hopes to push their way into the bar scene as well, giving them a new, different style and sound and enabling his DJs to earn more experience, popularity and exposure. Committing to such a schedule can be-come very time consuming and when asked what helped drive their motivation to do show after show, Rutherford said “It’s the reception and appreciation we receive in response to the dance-filled parties we put on. There isn’t a feeling much better than hearing people talk about how great Evil Zebra is around town, and watching familiar faces return time after time with friends, who soon become additional supporters themselves.” He explained how even the simplest ac-tion of someone coming up and giving him a high-five or a handshake during or after a per-formance makes it all worth it as you just feel so appreciated. For example at Palmer Fest

“EDM music makes beautiful people. Simply listening to it warps your face, hair, style, charisma, and justeverything about you into the most beautiful features you can posses.”

-Kyle Rutherford of Evil Zebra

As the genre of electronic-based music continues to grow and become mainstream, it would only make sense for its presence within Athens to become more prevalent as well. For a long time the only names people were aware of around campus were Dave Rave and BustedBASS, but this year there is a new name to get familiar with: Evil Zebra. I met up with Kyle Rutherford, AKA Dreamweaver, in order to get the background scoop of the organi-zation. The group started last year through the inspiration of Logan Sheldon, under the name Chemi-cal Memory. He had grown tired of the new party norm of hooking

an iPod up to crappy speak-ers. Coming into this year, however, he felt the need to change the name to Evil Zebra because they found it

worked well for both drunk and sober people, and who doesn’t love zebras? Along with the name change, Sheldon also increased the lineup of DJs featured within the organization,as he was just the behind the scenes guys himself. Their current main DJ rota-tion is comprised of a lot of un-derrated artists/DJs who Sheldon

The Rise of Evil Zebra

By: Geoff Backstorm

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last year, while still under the name Chemical Memory, Kieran, from BustedBASS, heard what they were doing and loved it. Being a big name already in the area, he passed the word along about what they had to offer and that was when Sheldon was able to receive the recognition he deserved; all of his hard work finally beginning to pay off. Unlike many may expect, the rising of Evil Zebra within the electronic music scene in Athens does not create any tension with other organizations such as Dave Rave. Mat-ter of fact, 2 of Evil Zebra’s DJs (Overwaves and Entel), were featured in Dave Rave’s last DJ Showcase. The same thing reigns true for all of the DJs within the Athens area, past or present, as they all stay connected through a Facebook group for OU DJs, allowing for a friendly environment where people can seek critiquing, share music, or ask for help pro-moting their own events. Curious as how one got involved in such a group, I asked Rutherford how he him-self personally got into such an all-star lineup of performers. He explained how he had al-ready been DJing his freshmen year and was working with PR as a writer. After attending the groups earlier events, fellow DJ Matt Kis-sel (DJ Slumber), introduced him to Sheldon informing him of Kyle’s talents. From there on, and through summer, Rutherford began to send Sheldon his mixes in which Sheldon would offer feedback on things to change and improve on in order to refine his style. Sheldon decided to give Rutherford a chance at their event at Oaktober Fest, and he loved every second of it.

Be on the watch out, if you haven’t seen or heard of Evil Zebra yet it is just a matter of time. Before you know it their sounds and name will be a part of your weekly routine and you won’t even realize it happened. And if any extra motivation is needed, Rutherford would gladly explain to you how “EDM music makes beautiful peo-ple. Simply listening to it warps your face, hair, style, charisma, and just everything about you into the most beautiful features you can posses.” Also be on the lookout for a new site called “athensedm.com”, run by Rutherford and Sheldon, focusing on elec-tronic dance music within Athens.

“It’s the reception and appreciation we receive in response to the dance-filled parties we put on. There isn’t a feeling much better than hearing people talk about how great Evil Zebra is around town, and watching familiar faces re-turn time after time with friends.”

-Kyle Rutherford of Evil Zebra

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Contact Info:Email: EvilZebraMusic@gmail.comPhone: (571) 423-9644Twitter: @EvilZebraMusicFacebook: Evil Zebra

For the longest time, fashion and music have gone hand in hand. Why? We, as humans, enjoy reflecting our musical taste via our styles of clothes, hair, shoes, accessories and beyond. Elvis made his fashion mark during the 1950s and 60s with his tight jumpsuits. The Beatles’ began their days during the 60s with their identical bowl-shaped haircuts. Robert Plant, of Led Zeppelin, was trendy in the 1970s with his big hair, unbuttoned shirts and super tight bell-bottom pants. In the 1990s, who other than Madonna, to come up with one of the most ridiculous, yet notable fashion trends yet: the cone bra. But what’s trending today? Find out what’s in, what’s out, and what never should have started. The list just goes on and on. People seem to always be trying to switch up their hairstyles. Some just go for dainty little trims; some go through drastic measures to keep things fresh and new. For a while there, all people would talk about was Justin Bieber, his hair, and the hair flip. That boy’s hairstyle has been more popular than some of his songs. Colored streaks have been a new hair topic recently. Some people go for the not-so-extreme, blonde patches, such as Cassadee Pope, contestant on season 3 of The Voice and former front woman of the band Hey Monday; Rapper Wiz Khalifa; and lead guitarist and backing vocalist, Jack Barakat, of the band All Time Low. Pink streaks have been another favorite among musicians. Christina Aguilera debuted her new ‘do as she was seen picking pumpkins with her son Max. Alex Gaskarth, lead singer of All Time Low, was seen rocking the pink patch this summer on the Vans Warped Tour. While we’re on the topic of color, we should mention

none other than Katy Perry, Nicki Minaj, and Hayley Williams. Together, the trio has sported colors from flaming red to berry blue to light pink to a crazy lime green. Moving on from colors to style; have you seen the “undercut?” It is a unisex haircut where the top section of hair is held in place, while the side and back sections are cut. Multiple musicians are displaying this particular hairstyle. We can see it on people like Hayley Williams, front woman for the band Paramore; Ronnie Radke, of the band Falling in Reverse; electronic musician, Skrillex; Miley Cyrus; Pink; and Sierra Kusterbeck, lead singer of VersaEmerge. Accessories are numerous and forever changing. Glasses of all sorts have made their way into a fashion trend. First available in the 1980s, “shutter shades” have made their comeback many times. It wasn’t until 2007, in Kanye West’s music video, Stronger, that they were made even more popular. But since then, they have kind of died out. Maybe it’s time they make yet again, another comeback. Ray-Bans have been around since 1936 and have been seen all throughout time. Ray-Bans gained their recognition through American pop culture in the 1950s & 1960s, when people like Marilyn Monroe and Bob Dylan were seen wearing them. They are still very popular today, with all different types of musicians being owners of the glasses. Horn-rimmed glasses, better known as “nerd glasses,” were initially popularized by comedian, Harold Lloyd in 1917. Since then, these glasses have made their way into mainstream culture. I first saw nerd glasses at a Cobra Starship concert, where lead singer, Gabe Saporta was wearing them. Even popular stars like Pharell Williams and Jay-Z wear these glasses.

Remember when bling was cool? Yeah, me either. Kidding, but it was greatly popularized among hip-hop and rap artists. Things like oversized gold chains and “grillz” were two of the most notable components of bling. Supporters of this phenomenon are people like Paul Wall, Nelly, Lil Jon, T-Pain, Rick Ross, Lil’ Wayne, and so many more. Beanies,orfittedtoboggans,arealsoarecent music trend. Band members like, Alex Gaskarth and Rian Dawson, from All Time Low; Tay Jardine, from We are the In Crowd; and Alex DeLeon, from The Cab are major wearers of the beanie. More mainstream musicians like Taylor Swift, Demi Lovato, Rihanna, Justin Bieber, and the boys of One Direction have all been spotted in this head-topper. We cannot forget about one of the biggest fashionistas herself, Lady Gaga. While we’re on the subject of head-toppers, we must mention Lady Gaga and all of her crazy headresses. She has brought about some of the most eccentric trends, like the zipper eye, the lightning bolt, literal hair bows, face masks, orbiting headgear, the elephant headress, and so much more. One may also remember her red lace dress, lace face mask, and laced pointed top worn at the MTV Video Music Awards in New York; or the mirrored masquerade face mask worn in the video for Poker Face. Footwear makers are always on the go, trying to make their new products known. What better for business than when famous musicians wear their shoes. Combat boots are a latest craze and can be found on people like Lights and Avril Lavigne. Created in 1917, Converse All-Stars have remained on the fashion scene. Rockers like Billie Joe Armstrong of Green Day and Tom Delonge of Blink 182 are avid wearers of this shoe. Created in 2006, Toms have made their name known. Toms were developed on

the concept that for every pair sold, a new pair would be given to a child in need. As of 2012, Toms has given away over one million pairs of shoes in 25 countries. This shoe has been worn by numerous musicians, like Kellin Quinn of Sleeping With Sirens, The Jonas Brothers, and Jordin Sparks. Jackets are evolving into a trendy fashion in music as well. Blazers are becoming popular among a number of musicians, male and female. Bruno Mars, Rihanna, and Harry Styles of One Direction, have all been spotted sporting this new look. Speaking of One Direction, the boys of 1D have their own unique styles. Niall Horan loves his zip-up hoodies and Zayn Malik can be found wearing old-school varsity jackets. Denim jackets are also making a rock ‘n’ roll comeback, just ask Justin Timberlake or Adam Levine. No more bagginess and no more popped collars. The evolution of apparel is now leaning towardamorefittedlook.Youmayrememberthe baggy trend displayed by musicians like Left Eye of TLC, MC Hammer, and Kris Kross. Today, that trend has kind of died out, as well as the popped collar phase; even with the efforts fromThree6Mafiawiththeirsong“Poppin’MyCollar.”Artists,today,arewearingmorefitclothes such as v-knecks and button downs. See this trend in performers like B.O.B. And Jason DeRulo. Bright colored denim jeans and shorts are also a current fad among many artists such as Fergie and Carly Rae Jepsen. Animal print is also making its way around, especially in the form of skinny jeans. LMFAO are known for their crazy, animal print everything; and Hayley Williams was seen wearing leopard print pants during Paramore’s 2011 South American tour. As you can tell, the fashion scene is ever-changing. Trends, crazes, fads will always come and go as people strive to be creative and fresh.

Profiles: Fashion and Music

by Megan Carnahan

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On Thursday September 27, 2012 the band Kingsfoil came to Ohio University. Kingsfoil, consisting of front-man Jordan Davis, bass player Tim Warren, keyboardist and back-up guitar Tristan Martin, and new drummer Frankie Muniz, played a few songs, to help promote their new album, “A Beating Heart Is a Bleeding Heart.” They formed in 2007 with their debut EP “Bear in the Attic”. Mu-niz auditioned to become Kingsfoil’s new drummer after the bands previous drummer left earlier this year. He has always wanted to be a drummer and started playing before starring in“Malcolm in the Middle.” When he auditioned, the rest of the band knew he was the right person. Everyone has become really close in the short amount of time Muniz has been the drummer. They joke around with each other and act like they Muniz has been apart of the band for years.

I, along with five other people which con-sist of Ryant Taylor, Andrew Wehlitz, Sarah Vest, Becky Sebo, and Christina Carrizales, sat down with the members of Kingsfoil to in-terview them after they played. We watched them play for an hour than waited another hour and a half, while they were signing au-tographs and taking pictures, to get an inter-view. They apologized for the long wait and added that it was the longest line they prob-ably had. They did add that we are the best school to perform for.

Kingsfoil InterviewHayley Smith

KIngsfoilKIngsfoil

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Hayley Smith (BB) - “So, why the name Kingsfoil and who came up with it?”

Tristan Martin (KF) - lowers his head, “My fault,” everyone laughs, “it’s from The Lord Of The Rings, I’m just going to get it out of the way.”

Frankie Muniz (KF) - “It’s a heal-ing plant and we want our mu-sic to heal people.”

Tim Warren (KF) - “Honestly, we didn’t have any meaning behind it, it just sounds romantic, or something like that.”

Ryant Taylor (BB) - “So, are you guys really into The Lord Of The Rings?”

Muniz (KF) - “I’ve never seen any of the movies or read any of the books.”

Martin (KF) - “Fun fact, Jordan played a hobbit in a play and he was the tallest hobbit.”

Davis has his hands in his face, embarrassed at this while ev-eryone else giggles.

Muniz (KF) - “And the creepy thing is, is that it was when he was 24.” Everyone laughs.

Martin (KF) - “Six foot one hob-bit.”

Taylor (BB) - “Are you into the-atre or something?”

Jordan Davis (KF) - “I did a cou-ple of shows back in the day, not something to brag about.”

Martin (KF) - “I actually played the pit man for that.”

Smith - “How did you guys come together and form the band?”

Davis (KF) - “Tristan and I grew

up together, our families knew each other, so we just wrote songs and played a lot of shows together as a duo. Then Tim joined and our previous drum-mer joined and we made a lot of noise at that point, we were able to play loud, it was good.”

Warren (KF) - “Last time we played here, my brother was in one gig as a drummer.”

Davis (KF) - “Yeah, his brother was with us, than most recently, Frankie joined.”

Martin (KF) - “Fun fact, we are

all home schooled.”

Warren (KF) - “You guys get these fun facts, it’s great.”

Muniz (KF) - “Every one of us were home schooled.”

Davis (KF) - “Yep. I can’t spell.”

Martin (KF) - “I can’t do math.”

Warren (KF) - “I can spell. I can do math.”

Warren (KF) - “Tim does all that.” Muniz (KF) - “I actually dropped out of the 7th grade....Stay in school.”

Taylor (BB) - “What were some of the early difficulties of the band, like what were some of the obstacles you guys had?”

Warren (KF) - “Well, I was in college at the time. So, I had class in the day, gig at night, get back from the gig, homework, class again, and skip sleep. You know, like, it’s crazy. These two guys (pointing to Davis and Martin) were working full time.”

Davis (KF) - “Yeah, I think a lot of it’s, you are spending so much time with the business and making sure you are get-ting your music out, and getting shirts and CD’s and stuff, it was really on ourselves. On top of that, you have to make sure you are writing, and practicing too, it’s a lot harder. When you’re starting out it is really hard.”

Muniz (KF) - “The other thing is, it’s a million times more work, like being in a band, than any-one would think. You think ‘All you do is play music, it’s chill, you go to shows,’ but like there are so many aspects. Literally, we’ve been so crazed the last three months, getting ready for this album, which came out on Tuesday. You know, I don’t think any of us have really any oppor-tunity to do anything but think about the band and the busi-ness of the band and all that. Getting all of that together and starting our record label, it’s

““I used to think that playing our shows was so stressful. Now, like, it’s so easy, compared to the other aspects of being apart of a band, it’s cool.

- Frankie Muniz

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to write a good song, either you have it or you don’t, I think.”

Muniz (KF) - “To me, when I listen to songs, Tristan and they come up with, like it’s crazy. I’m not a song writer in any way shape or form, so like it’s crazy that like they can think of something and I come into practice and be like ‘I dreamt this last night,’ and lit-erally make a song like “What Your Mother Taught You” and it be an awesome song. It’s pretty incredible and his lyrics, me be-ing a fan of Kingsfoil, his lyrics are insane. If you read them, they aren’t just rhyming words, he’s telling insane stories. This guy has got the song writing thing.”

Muniz listened to one song 47 times in one day because he loved it and thought it was “The greatest song in the history of life!” He is now really excited he gets to play it.

Taylor (BB) - “My question is, what do you feel is your first big break through as a band, what helped you get out there?”

Martin (KF) - “Charting is pretty cool, it feels like a big step.”

Muniz (KF) - “We had our first national TV appearance this morning. We were on the big morning buzz on VH1. Which was the day before, the week before, was Matchbox 20, Ala-nis Morissette, The Script, Train, and Kingsfoil. It’s pretty cool the fact that we got to do that and experience that.”

Jordan - “I think that in the past couple of years we’ve been able to open for really some big bands and that has really helped and we have had some really

killer shows with those bands. If you can tell, that really helped us.”

Warren (KF) - “Also, just go-ing away from home, to a place like this, and knowing that we actually know people here, you know? It’s cool to have people who know you and you know them outside, hundreds of miles away.”

Muniz (KF) - “That to me is the coolest thing, like when we get people Tweeting and Facebook-ing us from all over the country, but never mind that, we have almost as many fans in Malaga, as we do in the United States. It’s weird to think that people on the complete other side of the country is listening to Kingsfoil. So we are still low on the scale, but people are starting to learn the music, that’s pretty cool to see.”

Smith (BB) - “Whose your favor-ite band that you guys opened for?”

Muniz (KF) - “1,2,3...”

Muniz, Davis and Martin (KF) - “Third Eye Blind.”

Becky Sebo (BB)- “He didn’t an-swer.” (referring to Warren)

We all laugh.

Martin (KF) - “He’s miles away.”

Davis (KF) - “Another one I like a lot is Passion Pit.”

Muniz (KF) - “I mean, we got an opportunity, to open for some awesome bands. It’s cool get-ting to talk to them and they watch us and say ‘We like your music’ and they get into it and it’s a pretty cool feeling to share the stage with people you listen to.”

Smith (BB) - “Since Frankie is new to the band, how has it been working with him than past drummers?”

Davis (KF) - “I feel like we have been together for like four or five years at this point. We get along really, really well.” Warren (KF) - “He’s a good actor.”

We all laugh.

Davis (KF) - “It’s great.”

Smith (BB) - “What has been the weirdest thing fans have done to get your attention?”

been crazy. Now that we have that album out, we can slowly go back to just playing shows, and working on the next one and the next one.”

Warren (KF) - “It’s so relaxing to come play at a college like this.”

Muniz (KF) - “No, literally...”

Warren (KF) - “We can get out and just do our thing.”

Muniz (KF) - “I used to think that playing our shows was so stressful. Now, like, it’s so easy, compared to the other aspects of being apart of a band, it’s cool.”

Andrew Wehlitz (BB) - “What big goals or dreams does the band have, or realistic in reach the band wants to work towards?”

Davis (KF) - “I think just, well we already charted on the rock charts of iTunes and that was a goal we wanted.”

Warren (KF) - “Way up there.”

Muniz (KF) - “We beat Katy Per-

ry on Tuesday!”

Taylor (BB) - “What number were you guys?”

Muniz (KF) - “We were 297 of ev-ery album in the entire world...”

Warren (KF) - “292!”

Muniz (KF) - “292 of every album ever for that one day.”

Warren (KF) - “For like an hour.”

Muniz (KF) - “But still, the fact that we released our own album, there’s not that many indepen-dent albums that do that.”

Warren (KF) - “We were 42 on the rock charts.”

Davis (KF) - “And I guess the other thing would just be, you know, getting playing as many shows and doing as many things as we can. Going to Europe, we are going to try to go to Europe in..”

Muniz (KF) - “January.” Davis (KF) - “Yeah, just being able to tour as much as we can and not actually lose money”

Muniz (KF) - “I think a realistic goal and what we would love, is just to be able to do this full-time, well we are doing it full time, but you know we are still just get-ting started, but to be able to be in the place where all we do is just the band, you know what I mean? And we are really close to that, as long as we can keep playing shows, we’ll be pretty happy.”

Warren (KF) - “Especially when everyone is as awesome as you guys.”

Smith (BB) - “So, how does the single ‘What Your Mother Taught You’ and the rest of the album differ from previous ones?”

Davis (KF) - “Um, well, I think that, well it’s, I think we have all grown as musicians and we have grown as writers. I know personally I spent a lot more time on the lyrics and on this record and I’m definitely really proud of it. I think that differs a little bit.”

Wehlitz (BB) - “What big insights have you had about the creative process that you didn’t know before? How have you evolved? Has the writing gotten easier or harder as your catalog grows?”

Davis (KF) - “I think that a lot of it has gotten easier, like the re-cording end of things, we know how do that. We know how we work together with our producer so, that maybe becomes easier, but the writing doesn’t neces-sary become easier. You can get good at writing, but you can’t practice writing a really good song, it’s either going to come to you or it’s not. You can practice the ways to get it out of you, but there’s no way to teach yourself

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Sebo (BB) - “Besides bitting you.” (A fan bit Muniz on the neck/shoulder area and has a small scar, he told this story pre-viously in the night.)

Wehlitz (BB) - “Or the guy in the tie-dye that was dancing like a mad man earlier.”

Muniz (KF) - “It’s always the guys with tie-dye, (talking to Wehlitz, who was wearing tie-dye) why weren’t you..” we all laugh.

Davis (KF) - “He’s awesome, he’s just chilling’.”

Sebo (BB) - “You didn’t see it, but behind you on the window some guy mooned you and just put his butt on the window.”

Davis (KF) - “I was wondering what the excitement was.”

Muniz (KF) - “That’s what I al-ways hope for, that’s why we didn’t want the window covered, I want someone to get actually get really close to me.”

A fan comes up - “Will you sign this too?”

Muniz (KF) - “Sure.”

Fan - “Sorry.”

Davis (KF) - “What is that?”

Fan - “It’s just a little container.”

Everyone laughs.

Davis (KF) - “What do you plan on doing? That’s what I want to know....No, I don’t want to know.”

Martin (KF) - “I thought it was a grinder.”

Davis (KF) - “It looks like a grind-er.”

Fan - “Do you guys have tape recorders? For what?”

Wehlitz (BB) - “We are doing an

interview.”

Fan - “Oh, that’s cool.”

Christina Carrizales (BB) - “So, everything you saw here can be used in a court of law.”

Fan - “Is it recording right now?”

Everyone - “Yes!”

Davis (KF) - “That’s right, they know who you are, say ‘Hello’.”

Fan - “Hi. Oops.” (Gets his con-tainer back) “Thank You!”

Davis (KF) - “Have a good night.”

Fan - “You too.”

Davis (KF) - “Grind it up man.”

Wehlitz (BB) - “What circum-stances brought you together as a band? How do you guys all know each other? High school friends?”

Davis (KF) - “We grew up to-gether (Martin and Davis), our families knew each other so we have known each other forever. He’s like an older brother to me, I get on his nerves, you actu-ally hang out with my sister and she’ll say (in a high voice) ‘Oh, Tristan I want to hang out with you’. Than when Tim joined, he saw a flyer. We were looking for a bass player and he saw a fly-er.”

Warren (KF) - “I was like, I kinda want to be in a band, so one day I found a flyer, well my little brother found a flyer. Than my dad said we should audition, so we did and now we are in the band.”

Davis (KF) - “It’s cool cause now we are best friends and we are pretty lucky to be here.”

Muniz (KF) - “And we met on the Mist Encounters portion of

Craigslist.”

Davis (KF) - “Joke.”

Martin (KF) - “It’s creepy, but it was cool.”

Muniz (KF) - “Dear Guy In the Owl Shirt at Petco, I feel like we had a connection. You looked me in the eyes. The second I saw the board I was like ‘Oh, that was me!’”

Martin (KF) - “Weird.”

Muniz (KF) - “Things just got creepy.”

Smith (BB) - “Who are your guy’s biggest musical influences?”

Warren (KF) - “Oh, there’s so many.”

Muniz (KF) - “SHAKIRA!”

Martin started beat boxing.

Davis (KF) - “I love Shakira, ac-tually.”

Muniz (KF) - “We actually want to do She Wolf as a cover.”

Warren (KF) - “Do we?”

20 21

Muniz (KF) - “We do.”

Martin (KF) - “I’m a huge fan of Meat Math personally. I listened to their album a lot, before I wrote our album.”

Muniz (KF) - “I like Keane.” Mar-tin (KF) – whispers “Evanes-cence.” Muniz (KF) - “You don’t like Evanescence.”

Martin (KF) - “I do.” Davis (KF) - “He really does.”

Muniz (KF) - “He complains whenever we have anything that has any kind of rap.”

Martin (KF) - “Foo Fighters, The Beach Boys, Ben Folds Five.”

Smith (BB) - “I went the The Beach Boys con-cert, Foster The People opened for them.”

Davis (KF) - “That’s ac-tually a really good fit, that’s cool.”

Wehlitz (BB) - “If you had to sum up the band’s entire existence into a consist message for your audi-ence, what would it be?”

Martin (KF) - “To heal people with our music..” (we laugh) “No, um jeez, I don’t know. Frankie, what do you think?”

Muniz (KF) - “I’m just the drum-mer.”

Davis (KF) - “Just keep writing songs that we are proud of, that people can connect to and lis-ten to and get something from. That’s really what it comes down to, is writing songs that people want to tell their friends about and maybe help them get through something in their life.

That’s kind of what we want to do.”

Taylor (BB) - “What do you guys like to do, other than music?”

Davis (KF) - “I like to throw hatchets.”

We were confused and laughed.

Muniz (KF) - “He’s being seri-ous.”

Taylor (BB) - “Is that a real hob-by?”

Muniz (KF) - “Let me say some-

thing that happened, I’ve never showed anyone before...Keep answering”

Warren (KF) - “He has a Teepee in the forest. Literally, no joke, with an Indian tribe. None of us are apart of it, just cause.”

Muniz (KF) - “We got invited to the Teepee once.”

Davis (KF) - “They are always invited to the Teepee.”

Muniz (KF) - “Well, the Teepee is two hours away from where we ever are.”

Davis (KF) - “So out there, we have an area set up where we throw hatchets. It’s just fun, we

all love it.”

Wehlitz (BB) - “How do I get in on this?”

Davis - “See?”

Muniz (KF) - “Hold on, it’s com-ing.”

Davis (KF) - “This is worth look-ing at!”

Wehlitz (BB) - “He doesn’t drop it on his foot or anything does he?”

Muniz (KF) - “OK! So, we were at the TeePee, the only, time I’ve ever been there, and it was pitch black when we got there and he grabs a hatchet and chucks it and sticks it, perfectly into a tree.”

Davis (KF) - “I’m pret-ty good.”

Muniz (KF) - “Like bam! From like thirty feet away, it’s pretty hard to do, right? So,

he hands me like this giant kind of knife...”

Davis (KF) - “It’s like a bowing knife.”

Muniz (KF) - “Like huge, super heavy. He’s like ‘Just chuck it!’ So, I threw it, and I stuck it.”

Davis (KF) - “We hear it go ‘kunk’ and we don’t hear it drop.”

Muniz (KF) - “That one is hard to stick, cause it’s a knife. So, we get up next to it, and I stuck it (the knife) in the handle of his (the hatchet).”

Muniz shows us a picture of the knife in the hatchet.

All of us - “Oh My Gosh!” “Wow!”

22 23

Davis (KF) - “No joke guys, this is both first throw!”

Muniz (KF) - “We never threw it ever again.”

Davis (KF) - “We left it there and three days lat-er we came out and it was still there and I’m like ‘Don’t touch it.’”

Muniz (KF) - “Right in the handle.”

Martin (KF) - “Don’t mess with these guys.”

Davis (KF) - “Don’t mess with us.”

Wehlitz (BB) - “I’m glad you didn’t throw your drumstick at me when I asked for it.”

Martin (KF) - “And Tim is just a human weapon, he’ll just break you with his bare hands.”

Taylor (BB) - “So, what about the rest of you, what else do you like to do other than mu-sic?”

Warren (KF) - “Being outside, doing anything active. I like being in the sunshine, I don’t know.”

Muniz (KF) - “I love Quick-Books.”

BB - “What are QuickBooks?”

KF- “Accounting software.”

Martin (KF) - “He’s not lying to you, he really loves them.”

Muniz (KF) - “Like, seriously, when I’m done be-ing a drummer, I’m going to open an accounting firm.”

Sebo (BB) - “Why?”

Muniz (KF) - “Isn’t that cool?”

We laugh.

Martin (KF) - “It’s not.”

Muniz (KF) - “I want to start like an entrainment based accounting firm, for child actors and stuff, because every child actor gets their money taken from their parents and from other accountants and stuff like that.”

Davis (KF) - “Watching out for the little guy, liter-

ally.”

Muniz (KF) - “And I’ll just take fifty percent of all the money they make.”

Warren (KF) - “And the rest in the safe...Tristan doesn’t like doing anything. Tristan sleeps”

Martin (KF) - “I honestly don’t like doing much else besides the band.” Muniz (KF) - “He cuts grass.”

Martin (KF) - “I practice a lot and mow my Grand-mother’s lawn.”

Smith (BB) - “Would you have a future in garden-ing?”

Martin (KF) - “Hell no!...I hate nature, I actually want to chop it down.”

Sebo (BB) - “Do you guys have a mini garden, in the window... Do you guys have a tour bus?”

Davis (KF) - “Oh yeah. See that beautiful tour bus out there?”

Martin (KF) - “DODGE VAN! WHOO!”

Sebo (BB) - “You guys should have a plant by the window.”

Davis (KF) - “Chia-pet, or an herb garden. We are actually thinking of buying a ferret on

tour with us.”

Muniz says that the ferrets name will be Dickie Davis and that he will have a leash.

Taylor (BB) - “What do you see for your bands fu-ture?”

Davis (KF) - “Um, just...”

Muniz (KF) - “Lots of platinum. Platinum records. Ten times diamonds, Beyonce.”

Davis (KF) - “Touring, winning fans over every-where, that’s what we want to do.”

Warren (KF) - “Go places, meet people.”

Davis (KF) - “That’s what we are about.” Muniz (KF) - “We are coming back to OU.”

Wehlitz (BB) - “On a scale of 1-10, how would you

““That’s really what it comes down to, is writing songs that people want to tell their friends about and maybe help them get through some-thing in their life.

- Jordan Davis

24 25

rank the quality of your groupies and also how high does that number need to be before your satisfied with your level of success?”

Martin (KF) - “I was still thinking about the last question, what?” (everyone laughs) “I want to go to the Grammy’s and take the mic away from Kanye.”

Davis (KF) - “Oh god.”

Muniz (KF) - “Tristan, shhhh.” Davis (KF) - “I am already satisfied with how appreciative our fans are. I’m already feel really, really lucky that people would even do what they do, and tweet about it and get our tattoos, send us messag-es about how they love the music. I am already

happy with where that is. I just want to reach more people.”

Taylor (BB) - “Thanks everyone.”

Smith (BB) - “You guys are amazing.”

KF- “Thanks you guys.”

We also found out that Warren was the only one to go to college and he majored in exer-cise physiology (clearly getting him far in life). It’s amazing to hear talk to them and see how passionate they are for music and for their fan base. It will be exciting to see what happens next from Kingsfoil and to watch them grow. They will be a band that never gets old.

26 27

Pusha T performedtwo of the hits from Cruel Summer: “Mercy” and “New God Flow”, which had appeared at spots 13 and 89 on Billboard Hot 100. He also gave everyone a listen to his solo work, including “Trouble on my Mind,” which many recognized from the soundtrack of Project X. He finished up with “Pain,” the new single he recorded with Tyler, The Creator, the frontman of Odd Future. The single is driven by a strong beat with chilling lyrics, ending with “All that’s missing is a blessing/ I hope God gets the message.” He focused on his solo work, telling the crowd that it would be dropping in 2013. While Pusha T has yet to produce a solo album, his major contributions and impressive performance proved that he will soon be making a splash in the hip hop scene, and he’s more than ready for what it will bring.

Following the intense opening set, it was obvious that MGK didn’t hold back. Beginning his set with “Cleveland,” he showed his famous pride for his city. He is known for crediting the city for much of his success, and mentions it in almost all of his songs.

While moving around from city to city as a young child, Cleveland was the first place he could call a home. Growing up in Shaker Heights, an inner ring rust belt suburb of Cleveland, he began to perform shows at the age of fifteen, getting his nickname Machine Gun Kelly. He traveled to the Apollo in New York City, N.Y., in 2009, where he became the first rapper to win the Apollo’s “Amateur

Night.” Soon after that, he recorded 100 Words and Running, a rough mix tape that got him recognized throughout other high schools in Cleveland.

For most, graduating high school signifies a new start at a college, technical school, or job, but MGK began his new life as a rising star in one of the most thriving genres. Shining a little differently than most other rappers, MGK was fueled by a passion for providing fans with something they could relate to, as well as providing a good life for his newborn daughter Casie. Music careers often start shaky, with mix tapes being a large expense for the artist and shows taking much of their time. MGK swallowed the pride that most held onto, and worked at a local Chipotle to pay the rent while jumpstarting his career in the rap scene.

On stage at OU, he talked about the Midwest and its affect on the rap scene between songs. East coast and west coast have always dominated the classic rap scene, with those like Notorious B.I.G. from the East, and Tupac Shakur from the West. MGK stressed how vital it is to start another scene, and to let this one grow: a scene for the Midwest. For MGK specifically, it would be Cleveland.

Cleveland has always been the home to many of the world’s biggest figures. For a long time, that figure was LeBron James. Being the biggest thing that the Cleveland area had born and raised, he was the city’s pride and joy. Cleveland sports are a die hard culture, and for many fans, the world revolved

Age 15began performing shows, got his nickname Machine Gun Kelly

released first mixtape Stamp of Approval

2006

Headliner:

Machine Gun Kelly

By Sophie KrusePhotos by Aaron Turner

It’s the beginning of Halloween weekend in Athens, and everyone is ready to rage. The costumes have been perfected, the bars are already booming, and the guests are piling into town. As hundreds of Ohio University students and guests head to Templeton-Blackburn Alumni Memorial Auditorium, you can feel the anticipation growing. While the DJ and several members of the Black Student Cultural Programming Board pumped up the crowd, OU waited patiently for the high profile guest of the weekend: Mr. Colson Baker, known as Machine Gun Kelly.

Hailing from Cleveland, MGK is on the forefront of the young guns of the rap scene. His name was given to him by his fans for his lyrical speed and rapid fire delivery, and he is known by his obvious swagger and relatable rhymes. Tall and lanky, MGK has an unmatchable energy level while performing. He is covered in recognizable tattoos, his body is an ode to everything that makes him what he is: a North-71 interstate sign and an Ohio State symbol on his arm, “Almost Famous” on his stomach, “Est. 1990” on his chest, and “MGK” in flames on his back, to name a few. Paired with his long, unspiked mohawk haircut, he has a cocky swagger that is both relatable and admirable.

Before giving Athens a taste of this unbeatable performance style, Pusha T showed OU what he’s really made of, providing a heavy and impressive opening act. Formerly with rap duo Clipse, Pusha T has since released a mixtape, Fear of God, and an EP, his major recording label debut, Fear of God II: Let Us Pray, released under Kanye West’s label G.O.O.D. Music. He has also contributed to several songs from Cruel Summer, the heavy hitting and highly anticipated release from the G.O.O.D. Music crew, which peaked at number two on the Billboard chart.

28 29

crowd “Lets do this a little differently!,” going straight into “Wild Boy,” his most popular song, recorded with Waka Flocka Flame. He pulled almost 100 people from the crowd onstage with him. It didn’t turn into a mosh pit - only fans wanting to be on the stage with their favorite rapper.

Security quickly broke up what the deemed a “riot,” ushering students offstage and outside. Several cop cars were stopped on University Terrace with their lights flashing, directing traffic to avoid another large mass of people. MGK came out after a few minutes, giving high fives to the fans and shouting that “This is the best show these kids are ever gonna have!” He was obviously angry that the show got broken up, but proud to show his fans what it means to lace up and rage.

MGK competes in a scene filled with Godfathers of Rap, who have been doing it for decades. Surprisingly, he is only 22 years old, a kid to most of the guys. With tons of material in his arsenal, he has only just released his debut album on October 9th, having the same title as his former mix tape. Packed with 17 heavy-hitting, fast paced songs, Lace Up is an impressive mainstream debut. Starting with “Save Me”, MGK features lead vocalist and lead guitarist M. Shadows and Synyster Gates from Avenged Sevenfold. Other notable guests on the album include Waka Flocka Flame on “Wild Boy,” Lil Jon on the title track of the album “Lace Up,” Young Jeezy on “Hold On (Shut Up),” and DMX on

2011released mixtape Rage Pack and won MTV’s Hottest Breakthrough MC

2012released mixtape EST 4 Life, won a Breaking Woodie at the mtvU Woodie Awards, released first album Lace Up!

around this twenty-something sports superstar, number 23 for the Cleveland Cavaliers.

This all changed on July 8th, 2010. After becoming a free agent, James held a nationally televised press conference to announce what town would be his new home. To the surprise and dismay of fans, he chose the Miami Heat. Jerseys were burned, and the massive WITNESS billboard, another pride and joy of the city sitting at the corner of Ontario St. and Prospect Ave., was torn down. The King of Cleveland was no more.

Just a few months after, MGK released his second mixtape, Lace Up. Containing songs like “Cleveland,” a tribute to his hometown (“You know I put it down for Cleveland”) and Midwest Side, a song dedicated to his pride for the midwest and the growing rap scene in the area (“Midwest side, I swear to god I’ll die for this and that’s my word”), it seemed as though Cleveland had a new beacon of hometown pride.

Cleveland is no stranger to the superstars of the rap scene. Scott Mescudi, known to most as Kid Cudi, grew up in Shaker Heights, and attended the same high school as MGK for two years. Cudi references the city in many of his songs, devoting “Cleveland is the Reason” solely to the impact the city made on him (“Cleveland is that/ Cleveland is the/ Cleveland is the reason I’m cool.”) One of his early mix tapes was also titled Dat

Kid from Cleveland. King Chip, known as Chip tha Ripper, is also from Cleveland. He shows his love for the city with his mix tape The Cleveland Show, along with his song “Ohio” (“I’m from the city of the Indians, Cavaliers, and Browns.”) Hip hop group Bone Thugs-n-Harmony hail from Cleveland as well, showing pride in many songs like “Cleveland is the City” (“I’m from the streets of Cleveland/ It’s mandatory you need it.”)

Known for his notorious partying, almost everything about MGK relates to his drive to have a good time no matter where he is, and bring that good time to his fans. His debut album is titled Lace Up, a call to arms to get ready to party, rage, and have a good time, to essentially “lace up” for a good night. MGK and fans use the acronym LTFU (Lace The Fuck Up) as a unifying signal to take it to another level.MGK didn’t fail to show Athens his wild side. He interacted with the crowd, even running into the rows, jumping from seat to seat, and crowd surfing back to the stage partway through his set. He went up to several girls in the front row, asking them to touch his crotch. He later pulled the same girls on stage with him, laid on the ground, and the girls hovered over him while touching him all over. During this, he told the audience he needed to make sure that his “dick still works.”

Later, he pulled another girl on stage, this time for a different reason. She was holding a bottle of silly string, so MGK took it from her, sprayed it, and announced to the

2009won talent show at the Apollo in NYCand released mixtape 100 Words and Running

2010won Best Music Video for “Alice in Wonderland” at Ohio Hip-Hop Awards, developed a polyp on his vocal chord which kept him offstage/out of the studio for 6 months, released mixtape Lace Up

30 31

“D3MONS.” Interestingly enough, MGK credits DMX as one of his influences, saying that he is the main reason he got into rapping.

Most of the lyrics on the album discuss MGK making his way to the top, and being more than “almost famous.” “End of the Road” tells the long journey that he took to reach his fame, focusing on living in the present and paving your own way. MGK has stated that this is one of the songs that most people can relate to. While he was in Athens, he tweeted “The cooks in the kitchen are listening to ‘End of the Road’ off Lace Up... that makes me very proud. I wrote that song in the same setting.”

One of the most heavy-hitting songs off the album is “Invincible,” featuring Ester Dean. The lyrics depict the quest to be at the top of the world, saying things like “It’s just one, til the day come like Rocky’s movie scene/ the day I’m on top of the world, look up the screen like this is me/ this is Kells.” Everyone knows the power that the Rocky scene evokes, and everyone can picture that feeling.The song is easily comparable to Eminem’s “Lose Yourself,” released in 2002 on the 8 Mile soundtrack. “Invincible “has become

a popular song in the media since it’s release, appearing in commercials for products like the HTC Rezound. It has been licensed by NFL for 2012 Thursday Night Football, as well as being the official theme song for WWE’s Wrestlemania 28. Most recently, it was used in the opening for the Cleveland Cavaliers season, featuring a rewritten verse about the team, even showing MGK in a custom Cav’s jersey, with “Kelly” printed on the back.

Currently, MGK is in process of releasing his multiple-part documentary titled Lace Up. The online documentary follows the making of his debut album. It shows a detailed account of MGK’s life, revealing the massive amount of work and play he puts into his life. It proves the point that he strives to get across in everything he does - that anything is possible if you work at it and make it happen for yourself. MGK really exemplifies everything that he gives to his fans.“It’s a long way home/ at the end of the road/ I’ll be paving my own way/ to the top I’ll be here to stay/ so take my name/ remember this face/ keep the change and have a nice day/ and live for the moment not by the past/ homie live each day like it’s your last.”

32 33

See more photos at

brickbeatsmag.com

Blood BallBlood Ball

This semester Brick Beats magazine took on its first live event, The First Annual: Brick Beats Blood Ball. It took place on October 18th 2012 at local venue, The Union. The themed concert was a scary good time. We drenched the crowd in fake blood, encouraged them to wear old white clothing and they all had an amazing time.

The bands were intense, high energy and created an amazing atmosphere. The magazine also raised money for publishing costs while bringing Athens a free, high energy rock show. Local DJ, DJ Mobius opened the night. Then local folk rock act, Fathers of the Revolution kicked the concert off with a rollicking set. Then came Columbus bred Fresh Wreckage, a combination of rock, pop and funk that lit the Union on fire. The Zoobombs followed a Japanese punk outfit that created an insane amount of energy as they ripped through their 35 minute power-punk set.

The night closed with up-and-coming Athenian pop-punk band Breaking News who brought down the venue with their catchy original music and high octane cover of 30 Seconds to Mars’ classic, The Kill, in true Halloween fashion.

Fathers of the Revolution

Fresh Wreckage

The Zoobombs

Breaking News

34 35

The Killers’ long-awaited fourth album Battle Born is one fantastic ride. With standouts such as “Runaways,” and “Miss Atomic Bomb,” as well as the album’s title track, The Killers’ pull their listeners in and never let them go. The band’s use of repeated lyrical themes and impressive build-ups keep listeners hanging on to lead vocalist and front man Brandon Flowers’ every word. For those of us who have been with the band, since the days of “Mr. Brightside,” the album is certainly a departure from the themes of sci-fi and fantasy that have tinged The Killers’ work from the beginning. Battle Born is more realistic, but no less

by Juliana Scheiderer

“Because I know my weakness/ I know my voice/ and I’ll believe in grace and choice/ and I know perhaps my heart is fast/ but I’ll be born without a mask.” These are some of the powerful lyrics on the title track of Mumford & Sons September 25th release of Babel. There was instant hype over this album, causing it to even reach two spots on the top 10 on iTunes, one for the deluxe release and one for the standard. I fell in love with this album at first listen, and it would be pretty hard not to. The biggest draw is the open and honest lyrics that everyone can connect to in some way or another. One of the biggest standouts

by Sophie Kruse

The Killers’ “Battle Born”

fantastic. The band seems to be offering us bits of advice on every track, as opposed to taking us on a wild journey through space and time with the “Spaceman.” Much more Sam’s Town, than Day and Age, their lyrics bring to mind small-town romance, down-and-out youths, and dreams of escape. Pulling more from Springsteen than ever before, Battle Born is classic Killers, with a more grown-up tone. They’ve seen struggle and they’ve come out on top. The four year gap between the releases of Battle Born and Day and Age makes you wonder if this theme is representative of the band’s own personal struggles and if this album is something of a victory anthem. Three bonus tracks round out the album: a remix of “Flesh and Bone” and two new songs. One of the songs, “Prize Fighter” will make listeners yearn to be idolized the way Brandon Flowers seems to idolize his own “prize fighter.” Whether you’ve been with the band since day one, or are just tuning in after hearing “Runaways” on the radio, Battle Born is proof that great things can emerge from the ashes of struggle and The Killers are certainly no exception.

Mumford & Sons “Babel”

is “Holland Road,” which starts as a slow intro followed by the strong guitar chords and soulful lyrics Mumford is famous for. My personal favorite is “Ghosts That We Knew.” This one exemplifies the exceptional lyrics that Mumford always delivers. “But I will hold on as long as you like/ just promise me we’ll be alright.” (continued on next page)

Album Reviews

36 37DJ Mobius

Kendrick Lamar’s major-label debut good kid, m.A.A.d city has earned a great deal of attention not just in rap circles but also from numerous music enthusiasts over the last several weeks. The 25-year-old Lamar, (formerly known as K-Dot, and a member of the hip hop supergroup Black Hippy) crafts a masterful semi-autobiographical album about growing up in Compton. The obligatory rapping about Bloods and Crips (he is from Compton), drug usage, women and crime ensue; but Lamar does not glorify these things as many in his field of music do. The album depicts a 16-year old Lamar who has to deal with many of these problems, along with managing a sexual relationship with “Sherane,” while trying to maintain and build his faith, something he still holds true, yet questions today. Through all this he tries to make good with his friends while avoiding the gang-banging lifestyle that has taken many of them. “good kid; m.A.A.d city” is far from your prototypical rap album. The album comes in at 68:25 with the average song running over five minutes. As mentioned before, it strays far from glorifying rap norms, and preaches a way out and optimism for kids from Compton.

The first track, “Sherane a.k.a. Master Splinter’s Daughter” opens up with a prayer that paves the way for much of the religious content on the album. This relaxed track also introduces the previously mentioned “Sherane,” whom Lamar so lustily describes. The track concludes with Lamar suggesting that there’s about to be trouble with possible gangsters, a skit with his mother chastising him and his father demanding his “motha-fucking dominoes.” On track number two, “Bitch Don’t Kill My Vibe” Lamar’s eerie auto tuned voice opens with “I am a sinner who is probably going to sin again/Lord forgive me, Lord forgive me...” within the track, Lamar discusses his frustrations with the current state of rap in a song where the winding and slowed percussion is very evident the entire time. “Backseat Freestyle” features a bell chiming, head nodding beat while essentially

Album Reviewsby Kaleb Carter

Kendrick Lamar’s “good kid, m.A.A.d city”

describing how a 16-year old Lamar felt at the time,, “ Not giving a damn about nothing, but life and money and what you see in front of you/It’s not me talking now, it’s me talking then.” The fourth track, “The Art of Peer Pressure,” indicates the peer pressure he feels from his friends. The song makes it seem that he doesn’t participate in drug/alcohol use when he raps “Really I’m a sober soul, but I’m with the homies right now,” and “Usually I’m drug free, but shit I’m with the homies.” “Money Trees” is an important track in the album if only for the line “Everybody gon’ respect the shooter/but the one in front of the gun lives forever.” This references the fact that the person who shoots someone will get momentary attention, but whoever gets shot will be remembered forever. By listening to the feeling Lamar expresses on this song, it’s quite apparent that he is not too high on the glorified lifestyle in the hood, especially after losing his Uncle Tony, who was gunned down in his young life. “Poetic Justice” features soothing female background vocals, and a notable yet forgettable verse from Drake who is content to talk about his girl. The track is all about the highs and lows of his girlfriend Sherane. The skit at the end of the song refers back to the first track on the album where he encounters two hooded men. These men don’t recognize him and it’s assumed that they don’t like him being there and begin to question his presence. “good kid” deals with the aftermath of Lamar getting jumped by the gang-affiliated

hooded men, and then dealing with the racial profiling from cops who just assume him to be another gang-banger. “m.A.A.d city,” along with the previous track, has Lamar explaining how sketchy his situation is, feeling like a “good kid in a mad (crazy) city.” The track features a “m.A.A.d.” beat and discusses the lifestyle of people around him; living in poverty, not getting necessary education, becoming associated with the Bloods and Crips, and dealing with death. He also discusses the things he gets involved in because of his friends, and it is virtually all summed up within these two tracks that stand as the album title. His innocence is corrupted, and possibly best exemplified by the line (which can be taken literally or figuratively) “If I told you I killed a nigga at 16, would you believe me?/Or see me to be innocent Lamar you seen in the street with a basketball and some Now and Laters to eat.” The lyrics “I’ve got a pool full of liquor and I dive in” in the track “Swimming Pools (Drank)” seems to confirm Lamar’s excessive alcohol consumption that he is now partaking in at age 16. He is spiraling out of control before he starts to realize that indulging in so much “shallow physical pleasure” goes against his spiritual morals. It is then, when Lamar’s friends decide to fire some warning shots at a rival group that one of his’s friends gets shot, and he realizes just how bad things are. Lamar feels that he has to tell the story of people he knows from Compton, whether

they want it told or not. He feels that if he tells the stories of the brother of his deceased friend, and a girl he knew in the song “Sing About Me, I’m Dying of Thirst,” something will be taken from it. The song, which lasts over 12 minutes and features a conventional beat along with fading synth sounds, reconciles his faith with the need to get out this message that people are “dying of thirst. “Real” indicates that Lamar is going through self-reflection and he realizes he needs to be real, and doesn’t have to fall into the lifestyle he sees all around him. He can get out and be himself and accept the responsibility that is expected of a man according to his father. The album concludes with “Compton” a reflection on his hometown. The track features another man who found success after leaving Compton, Dr. Dre, who signed Lamar to Interscope records. It is a fitting conclusion to the album where Lamar invites the reader to learn about his hometown, maybe stop by, and see how bad things really are. good kid, m.A.A.d city has received a lot of hype, and it fails to disappoint in the least. A few tracks might be forgettable, but throughout this extremely personal album, Lamar manages to hold the listeners attention as he describes all he has been through. The album will undoubtedly go down as one of the better rap albums of the last decade; a strong statement, but well deserved. So now that he has a critically acclaimed album of his own, Kendrick Lamar may very well be taking the rap world by storm.

The real hidden gem on this album is “The Boxer,” a bonus cov-er song of the Simon & Garfunkel hit. They provide a unique cover of the song, giving it a different iden-tity than the original. However, the album on a whole makes a strong performance, each song building to be one of the most powerful albums of 2012. There isn’t a dull track on Babel. If you’re expecting a brand new album with a style you’ve never heard before, you will be a bit disappointed. There was many complaints from fans about how similar Babel is to the band’s de-but. That’s the good thing about Mumford though, you can easily recognize anything they have done, and keep a consistent style that fans love. If they would have made a big change, Babel would have gone down in flames. For example, the single “I Will Wait” gives us the standard heartfelt lyrics Marcus Mumford always provides, but it echoes “Little Lion Man”, a single from Sigh No More. However, “I Will Wait” is one of the most powerful songs on the album. It can resonate with just about anyone, which is one of the draws of any Mumford album. All in all, this album will leave you wanting even more. It definitely deserves all the hype it’s received, just don’t expect something very different the past. If you’re looking for a new release to spend your chilly fall days with, Babel is the album for you.

Babel Continued

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Tess StevensYear: SophomoreMajor: Journalism/The-ater PerformanceRole at Brick Beats: Editor-in-ChiefWhy did you join Brick Beats?: With my love of music and writing there’s no other place I could be.What would be your dream concert to at-tend?: Lady Gaga, Green Day with 30 Seconds to

Mars and My Chemical Romance... “dream” being the opera-tive word.

MeetTheStaff

Emily DuGranrutYear: SophomoreMajor: Magazine JournalismRole at Brick Beats: Copy ChiefWhy did you join Brick Beats?: My dream job is editor-in-chief of Rolling Stone, and working on Brick Beats seemed like the first logical step.

Favorite Genre/Band/Artist/Whatever: I’m currently obsessed with Elvis Presley. The man could sing anything and it would be beautiful.

Jacqui Leonhardt

Year: JuniorMajor: Infographics and Pub-lication DesignRole at Brick Beats: Graph-ic Artist/Design EditorWhy did you join Brick Beats?: To gain experience and be a part of the maga-zine.Favorite Genre/Band/Artist:

‘80s - ‘90s classic rock

Lindsay CherryYear: JuniorMajor: Interactive Multime-diaRole at Brick Beats: Web DesignerIf you could be anyone in music, who would it be?: Someone very indie; I’m shy.Random Facts: I’m afraid of needles. Purple is my

favorite color. I love soup.

Shaun LivingstonYear: SophomoreMajor: Audio Music Pro-ductionRole at Brick Beats: Trea-surer/WriterWhy did you join Brick Beats?: My love of music!What would be your dream concert to attend?: Styx opening for Rush - 2

night extravaganza.

by Tess Stevens

Green Day’s “Uno,””Dos,” and “Tre”

Uno, Dos, Tre the long await-ed trilogy from the most prolific rock band of the last 10 years was set into motion on Septem-ber, 21st, 2012. The ambitious triple album showcasing the raw, barebones punk infused sound that has been blasting through radios everywhere since the band broke in 1994. Nearly 10 years later after two prolific rock operas, a hit Broadway musi-cal, millions of records sold and countless successful tours Green Day is back with a vengeance.

This exciting and dangerous trio of records catapults you into a wild world full of scream-ing guitar solos, big drum fills and thundering bass lines. This is Green Day at its maximum. Recorded in a stripped down and almost live fashion, Uno, Dos and Tre bring you back to the days where the Marshall was king and all you needed was a few chords to get your point across.

Uno, the first record in the series of three was released on September, 21st of this year. Described by lead singer Billie Joe Armstrong as, “The ride to the party” Uno kicks off with a catchy and prolific bang. The first track entitled, “Nuclear Fam-ily” sets the tone for the entire trilogy, and it is an energetic one, “Gonna ride the world like a merry go round,” the open-ing line rings. And we’re off to

the races. Clocking in at just over 40 minutes Uno takes the listener into a time warp remi-niscent of some of their earlier work especially 1994’s smash Dookie.

A track that could easily be placed on 1995’s Insomniac, by far the angriest and most aggressive of Green Day’s 11 studio records is the driv-ing anti-anthem, “Let Yourself Go”. This song seems to be a backlash about naysayers and people who have cut Green Day down over the years, branding them as sellouts.

Dos, the second installment of the Green Day trilogy was described by Armstrong as “the party” record. This album definitely lends itself to the Green Day side project, The Foxboro Hot Tubs, whose sound mimics late 60s rock and roll with an edgy twist. “Stray Heart” the lead single from Dos feels like it was stripped from a sock hop gone wrong. The guitars are bright, the melody pronounced and the lyrics lustful, “Everything that I want/ I want from you/ but I just can’t have you.”

This record is peppered with notions of sexual tension (Makeout Party and Fuck Time), exhaustion (Lazy Bones), and just a fucking good time, (Wow! That’s Loud and Lady Cobra). There is also a hint of loss on this record, ending it on more of

a somber note than a bang.“Amy” the haunting tribute

to the late Amy Winehouse, who died in July of 2011, closes out the wild ride that is Dos. The song features Armstrong’s emotional lead vocal accompa-nied by only a reverb clad guitar part dropped straight out of 1968. Armstrong laments.

The end-ing of Dos sets you up for “the hangover” of the three records, Tre, named after Green Day’s drummer Tre Cool.

This record is much more reflective than the other two, almost sad in a way. But within that reflection there are a lot of catchy, fun classic Green Day songs that become the high points of the record. One of these standouts is the Occupy Wall Street protest song, “99 Revolutions.” The chugging guitars, the sneering vocals and the spirit of revolution are ele-ments reminiscent of London punk in 1977. Other unforget-table tracks include: “Drama Queen” and “X-Kid”.

In total I highly recommend the three records of the Green Day Trilogy. Whether you’re in the mood to party, revisit your roots, laugh, cry or think about your memories there has to be at least one song that you can identify with. Rock and roll can be dangerous and Green Day is here to make sure it stays that way.

40 41Staff Photgraphy by Hayley Smith

Lindsay CitraroYear: JuniorMajor: Creative Writing and Graphic DesignRole at Brick Beats: De-signerWhy did you join Brick Beats?: I joined Brick Beats because I wanted to get experience in a magazine environment.

What would be your dream concert to attend?: Brand New, Neutral Milk Hotel and The Shins

Kristen Vandervaart

Year: FreshmanMajor: Publication DesignRole at Brick Beats: De-signerWhy did you join Brick Beats?: I talked to Tess and Hayley and they seemed pretty fun and laid-back. I checked the group out and stuck with them. :)

What would be your dream concert to attend?: I would love to see a Hatsune Miku concert because it would be interesting to see a hologram singing and dancing.

Mira KunarYear: FreshmanMajor: Strategic Communi-cationsRole at Brick Beats: PR TeamWhy did you join Brick Beats?: I love music; it’s always been a huge part of my life.What would be your

dream concert to attend?: Nickelback. Just because it’s the obvious answer.

Hayley SmithYear: SophomoreMajor: Visual Communica-tions Commercial Photog-raphyRole at Brick Beats: Pho-tographer and some writingWhy did you join Brick Beats?: To get more expe-rience with my photo skills.If you could be anyone in

music, who would you be?: John Mayer, but not as much of a womanizer.

Juliana Scheiderer

Year: FreshmanMajor: Journalism - PrRole at Brick Beats: PR TeamWhy did you join Brick Beats?: I love music and concerts, and love Rolling Stone and AP magazine.What would be your dream concert to attend?:

Mumford and Sons with the Killers with the Foo Fight-ers. Or anything at CBGB.

Geoff Backstrom

Year: SophomoreMajor: Animation and Spe-cial EffectsRole at Brick Beats: Re-porter and WriterWhy did you join Brick Beats?: My love for music.Who’s the worst person in music right now?: David Guetta - he stills a lot of

material and is bringing the electronic genre into the mainstream in the wrong way. Fakes himself, too.

Megan Carnahan

Year: SophomoreMajor: Broadcast Journal-ismRole at Brick Beats: Re-porter and WriterWhy did you join Brick Beats?: To get experience while having fun at the same time.If you could be anyone in

music, who would you be?: Hayley Williams or Cas-sadee Pope.

Sophie KruseYear: FreshmanMajor: JournalismRole at Brick Beats: Re-porter and WriterWhy did you join Brick Beats?: I love music!If you could be anyone in music, who would you be?: Beyonce - she is fabu-lous and married to Jay-Z.

What isn’t to love?If you are interested in joining email us at brickbeatsmag@gmail.com for more information. We are always looking for new staffers!

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