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(Organic) machinery A line has two sides A very small object - its center Abandon desire Abandon normal instructions Abandon normal instruments Accept advice Accretion Allow an easement (the abandonment of a structure) Always first steps

Brian Eno's Oblique Strategies

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  • (Organic) machinery

    A line has two sides

    A very small object - its center

    Abandon desire

    Abandon normal instructions

    Abandon normal instruments

    Accept advice Accretion

    Allow an easement (the abandonment of a structure)

    Always first steps

  • Always give yourself credit for having more than personality

    Are there sections? Consider transitions

    Ask people to work against their better judgement

    Ask your body

    Assemble some of the elements in a group and treat the group

    Balance the consistency principle with the inconsistency principle

    Be dirty Be extravagant

    Be less critical more often

    Breathe more deeply

  • Bridges - build - burn

    Cascades

    Change ambiguities to specifics

    Change instrument roles

    Change nothing and continue with immaculate consistency

    Change specifics to ambiguities

    Children - speaking - singing

    Cluster analysis

    Consider different fading systems

    Consider transitions

  • Decorate, decorate

    Cut a vital connection

    Define an area safe and use it as an anchor

    Destroy nothing - the most important thing Discard an axiom

    Disconnect from desireDisciplined self-indulgence

    Consult other sources - promising // unpromising

    Convert a melodic element into a rhythmic element

    Courage!

  • Discover your formulas you are using and abandon them

    Distort time

    Display your talent

    Do something boring

    Do nothing for as long as possible

    Do something sudden, destructive, and unpredictable

    Do the last thing first Do the washing up

    Do we need holes?Do the words need changing?

  • Dont avoid what is easy

    Dont break the silence

    Dont be frightened of cliches

    Emphasize differences

    Dont stress one thing more than another

    Emphasize repetitions

    Emphasize the flaws Faced with a choice, do both

    Fill every beat with somethingFeed the recording back out of the medium

  • Find a safe part and use it as an anchor

    Get your neck massaged

    From nothing to more than nothing

    Give the game away

    Ghost echoes

    Give way to your worst impulse

    Shut the door and assess from outside Go slowly all the way round the outside

    Your mistake was a hidden intentionGo to an extreme,

    move back to a more comfortable place

  • How would someone else do it?

    Humanize something free of error

    How would you have done it?

    Imagine the piece as a moving chain or caterpillar

    Idiot glee (?)

    Imagine the piece as a set of disconnected events

    In total darkness, or in a very large room, very quietly

    Infinitesimal gradations

    Into the impossibleIntentions - nobility of - humility of - credibility of

  • Is it finished?

    Is the intonation correct?

    Is something missing?

    Is there something missing?

    Is the style right?

    It is quite possible (after all)

    It is simply a matter of work Just carry on

    Left channel, right channel, center channel You can only make one dot at a time

  • Listen to the quiet voice

    Look at the order in which you do things

    Look at a very small object, look at its center

    Lost in useless territory

    Look closely at the most embarrassing details and amplify them

    Lowest common denominator

    Magnify the most difficult details

    Make a blank valuable by putting it in an exquisite frame

    Make an exhaustive list of everything you might do and do the last thing on the list

    Make a sudden, destructive unpredictable action; incorporate

  • Make it more sensual

    Mechanicalize something idiosyncratic

    Make whats perfect more human

    Mute and continue

    Move towards the unimportant

    Not building a wall but making a brick

    Once the search is in progress, something will be found Only a part, not the whole

    Openly resist changeOnly one element of each kind

  • Put in earplugs

    Reevaluation (a warm feeling)

    Question the heroic approach

    Remove a restriction

    Remember those quiet evenings

    Remove ambiguities and convert to specifics

    Remove specifics and convert to ambiguities Repetition is a form of change

    ReverseRetrace your steps

  • Short circuit

    Simply a matter of work

    Simple subtraction

    Spectrum analysis

    Slow preparation, fast execution

    State the problem in words as clearly as possible

    Take a breakTake away the elements

    in order of apparent non-importance

    Tape your mouthTake away the important parts

  • The inconsistency principle

    The tape is now the music

    The most easily forgotten thing is the most important

    Think of the radio

    Think - inside the work - outside the work

    Tidy up

    Towards the insignificant Trust in the you of now

    Turn it upside downTry faking it

  • Twist the spine

    Use an unacceptable colour

    Use an old idea

    Use fewer notes

    Use cliches

    Use filters

    Use something nearby as a model Use unqualified people

    Voice your suspicionsUse your own ideas

  • Water

    What are you really thinking about just now?

    What are the sections of? Imagine a caterpillar moving

    What is the reality of the situation?

    What context would look right?

    What is the simplest solution?

    What mistakes did you make last time?What to increase? What to reduce?

    What to maintain?

    What wouldnt you do?What would your closest friend do?

  • When is it for?

    Which parts can be grouped?

    Where is the edge?

    Would anybody want it?

    Work at a different speed

    You are an engineer